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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C19FF9 it is the complementary color #3E6006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C19FF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C19FF9 shade: #C69FF4, #D7B1FF, #E8C3FF, #F9D5FF and #FFE7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C19FF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C19FF9 shade: #C19FF9, #B08DE6, #9F7BD3, #8E69C0 and #7D57AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C19FF9 shade: #C19FF8, #D99FF8, #F19FF8, #F89FE8 and #F89FCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C19FF9 shade: #C19FF8, #A89FF8 and #9F9FF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C19FF9 shade matches the following richer shades: #C19FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C19FF9 shade: #C19FF8, #C3A7F0, #C5AFE8, #C7B7E0 and #C9C0D7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C19FF9 shade: #9FAEF8, #A89FF8, #C09FF8, #D79FF8 and #EF9FF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C19FF9 shade: #8E51F3, #A778F6, #C19FF8, #DAC5FB and #F3ECFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C19FF9 shade: #C19FF9, #F89FC6 and #A2F89F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C19FF9 shade: #C19FF9, #F8C09F and #9FF8C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C19FF9 shade: #C19FF9, #F89FC6, #D7F89F and #9FF8D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C19FF9 shade: #C19FF9, #F89FAB, #D7F89F and #9FF8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 36 / 0 / 2

HEX #C19FF9

RGB 193 159 249

HSL 262.67, 0.88%, 0.8%

LAB 71.54, 30.28, -40.32

 

Complementary color

CMYK 35 / 0 / 94 / 62

HEX #3E6006

RGB 62 96 6

HSL 82.67, 0.88%, 0.2%

LAB 36.75, -26.07, 41.35

 

CMYK 19 / 35 / 0 / 4

HEX #C69FF4

RGB 198 159 244

HSL 267.53, 0.79%, 0.79%

LAB 71.78, 30.61, -37.19

 

CMYK 16 / 31 / 0 / 0

HEX #D7B1FF

RGB 215 177 255

HSL 269.23, 1%, 0.85%

LAB 77.94, 28.24, -33.47

 

CMYK 9 / 24 / 0 / 0

HEX #E8C3FF

RGB 232 195 255

HSL 277, 1%, 0.88%

LAB 83.66, 23.79, -24.58

 

CMYK 2 / 16 / 0 / 0

HEX #F9D5FF

RGB 249 213 255

HSL 291.43, 1%, 0.92%

LAB 89.37, 19.7, -15.8

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 22 / 36 / 0 / 2

HEX #C19FF9

RGB 193 159 249

HSL 262.67, 0.88%, 0.8%

LAB 71.54, 30.28, -40.32

 

CMYK 23 / 39 / 0 / 10

HEX #B08DE6

RGB 176 141 230

HSL 263.6, 0.64%, 0.73%

LAB 64.96, 31.01, -40.31

 

CMYK 25 / 42 / 0 / 17

HEX #9F7BD3

RGB 159 123 211

HSL 264.55, 0.5%, 0.65%

LAB 58.26, 31.81, -40.31

 

CMYK 26 / 45 / 0 / 25

HEX #8E69C0

RGB 142 105 192

HSL 265.52, 0.41%, 0.58%

LAB 51.45, 32.68, -40.35

 

CMYK 28 / 50 / 0 / 32

HEX #7D57AD

RGB 125 87 173

HSL 266.51, 0.34%, 0.51%

LAB 44.51, 33.62, -40.39

 

CMYK 22 / 36 / 0 / 3

HEX #C19FF8

RGB 193 159 248

HSL 262.92, 0.86%, 0.8%

LAB 71.49, 30.05, -39.84

 

CMYK 13 / 36 / 0 / 3

HEX #D99FF8

RGB 217 159 248

HSL 279.1, 0.86%, 0.8%

LAB 73.76, 37.11, -36.15

 

CMYK 3 / 36 / 0 / 3

HEX #F19FF8

RGB 241 159 248

HSL 295.28, 0.86%, 0.8%

LAB 76.24, 44.33, -32.12

 

CMYK 0 / 36 / 6 / 3

HEX #F89FE8

RGB 248 159 232

HSL 310.79, 0.86%, 0.8%

LAB 76.42, 43.66, -23.09

 

CMYK 0 / 36 / 17 / 3

HEX #F89FCF

RGB 248 159 207

HSL 327.64, 0.86%, 0.8%

LAB 75.61, 39.62, -10.67

 

CMYK 22 / 36 / 0 / 3

HEX #C19FF8

RGB 193 159 248

HSL 262.92, 0.86%, 0.8%

LAB 71.49, 30.05, -39.84

 

CMYK 32 / 36 / 0 / 3

HEX #A89FF8

RGB 168 159 248

HSL 246.07, 0.86%, 0.8%

LAB 69.4, 23.02, -43.28

 

CMYK 36 / 36 / 0 / 3

HEX #9F9FF8

RGB 159 159 248

HSL 240, 0.86%, 0.8%

LAB 68.71, 20.6, -44.4

 

CMYK 22 / 36 / 0 / 3

HEX #C19FF8

RGB 193 159 248

HSL 262.92, 0.86%, 0.8%

LAB 71.49, 30.05, -39.84

 

CMYK 22 / 36 / 0 / 3

HEX #C19FF8

RGB 193 159 248

HSL 262.92, 0.86%, 0.8%

LAB 71.49, 30.05, -39.84

 

CMYK 19 / 30 / 0 / 6

HEX #C3A7F0

RGB 195 167 240

HSL 263.01, 0.71%, 0.8%

LAB 73.24, 24.42, -32.77

 

CMYK 15 / 25 / 0 / 9

HEX #C5AFE8

RGB 197 175 232

HSL 263.16, 0.55%, 0.8%

LAB 75.05, 18.89, -25.64

 

CMYK 11 / 18 / 0 / 12

HEX #C7B7E0

RGB 199 183 224

HSL 263.41, 0.4%, 0.8%

LAB 76.92, 13.47, -18.45

 

CMYK 7 / 11 / 0 / 16

HEX #C9C0D7

RGB 201 192 215

HSL 263.48, 0.22%, 0.8%

LAB 79.05, 7.45, -10.36

 

CMYK 36 / 30 / 0 / 3

HEX #9FAEF8

RGB 159 174 248

HSL 229.89, 0.86%, 0.8%

LAB 72.51, 12.13, -38.47

 

CMYK 32 / 36 / 0 / 3

HEX #A89FF8

RGB 168 159 248

HSL 246.07, 0.86%, 0.8%

LAB 69.4, 23.02, -43.28

 

CMYK 23 / 36 / 0 / 3

HEX #C09FF8

RGB 192 159 248

HSL 262.25, 0.86%, 0.8%

LAB 71.41, 29.76, -39.99

 

CMYK 13 / 36 / 0 / 3

HEX #D79FF8

RGB 215 159 248

HSL 277.75, 0.86%, 0.8%

LAB 73.56, 36.52, -36.47

 

CMYK 4 / 36 / 0 / 3

HEX #EF9FF8

RGB 239 159 248

HSL 293.93, 0.86%, 0.8%

LAB 76.02, 43.73, -32.46

 

CMYK 42 / 67 / 0 / 5

HEX #8E51F3

RGB 142 81 243

HSL 262.59, 0.87%, 0.64%

LAB 49.63, 58.6, -72.22

 

CMYK 32 / 51 / 0 / 4

HEX #A778F6

RGB 167 120 246

HSL 262.38, 0.88%, 0.72%

LAB 60.16, 44.18, -56.79

 

CMYK 22 / 36 / 0 / 3

HEX #C19FF8

RGB 193 159 248

HSL 262.92, 0.86%, 0.8%

LAB 71.49, 30.05, -39.84

 

CMYK 13 / 22 / 0 / 2

HEX #DAC5FB

RGB 218 197 251

HSL 263.33, 0.87%, 0.88%

LAB 82.81, 17.52, -23.85

 

CMYK 4 / 7 / 0 / 1

HEX #F3ECFD

RGB 243 236 253

HSL 264.71, 0.81%, 0.96%

LAB 94.37, 5.39, -7.36

 

CMYK 22 / 36 / 0 / 2

HEX #C19FF9

RGB 193 159 249

HSL 262.67, 0.88%, 0.8%

LAB 71.54, 30.28, -40.32

 

CMYK 0 / 36 / 20 / 3

HEX #F89FC6

RGB 248 159 198

HSL 333.71, 0.86%, 0.8%

LAB 75.35, 38.27, -6.13

 

CMYK 35 / 0 / 36 / 3

HEX #A2F89F

RGB 162 248 159

HSL 117.98, 0.86%, 0.8%

LAB 90.47, -42.95, 34.77

 

CMYK 22 / 36 / 0 / 2

HEX #C19FF9

RGB 193 159 249

HSL 262.67, 0.88%, 0.8%

LAB 71.54, 30.28, -40.32

 

CMYK 0 / 23 / 36 / 3

HEX #F8C09F

RGB 248 192 159

HSL 22.25, 0.86%, 0.8%

LAB 81.92, 15.74, 24.35

 

CMYK 36 / 0 / 23 / 3

HEX #9FF8C0

RGB 159 248 192

HSL 142.25, 0.86%, 0.8%

LAB 90.92, -38.29, 18.61

 

CMYK 22 / 36 / 0 / 2

HEX #C19FF9

RGB 193 159 249

HSL 262.67, 0.88%, 0.8%

LAB 71.54, 30.28, -40.32

 

CMYK 0 / 36 / 20 / 3

HEX #F89FC6

RGB 248 159 198

HSL 333.71, 0.86%, 0.8%

LAB 75.35, 38.27, -6.13

 

CMYK 13 / 0 / 36 / 3

HEX #D7F89F

RGB 215 248 159

HSL 82.25, 0.86%, 0.8%

LAB 93.49, -25.07, 39.3

 

CMYK 36 / 0 / 16 / 3

HEX #9FF8D1

RGB 159 248 209

HSL 153.71, 0.86%, 0.8%

LAB 91.28, -35.01, 10.36

 

CMYK 22 / 36 / 0 / 2

HEX #C19FF9

RGB 193 159 249

HSL 262.67, 0.88%, 0.8%

LAB 71.54, 30.28, -40.32

 

CMYK 0 / 36 / 31 / 3

HEX #F89FAB

RGB 248 159 171

HSL 351.91, 0.86%, 0.8%

LAB 74.63, 34.57, 7.67

 

CMYK 13 / 0 / 36 / 3

HEX #D7F89F

RGB 215 248 159

HSL 82.25, 0.86%, 0.8%

LAB 93.49, -25.07, 39.3

 

CMYK 36 / 0 / 5 / 3

HEX #9FF8EC

RGB 159 248 236

HSL 171.91, 0.86%, 0.8%

LAB 91.94, -29.28, -2.7

 

Description

Color code: HEX #C19FF9 | qconv.com Color code: HEX #C19FF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 159 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 159 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 36 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 36% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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