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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A5D3 it is the complementary color #3E5A2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A5D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A5D3 shade: #C6A5CE, #D7B7E1, #E8C9F4, #F9DBFF and #FFEDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A5D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A5D3 shade: #C1A5D3, #B093C0, #9F81AD, #8E6F9A and #7D5D87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A5D3 shade: #C1A6D3, #CDA6D3, #D3A6CC, #D3A6C0 and #D3A6B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A5D3 shade: #C1A6D3, #B5A6D3, #A9A6D3 and #A6A6D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A5D3 shade matches the following richer shades: #C1A6D3, #C39BDD, #C690E8, #C885F3 and #CA7BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A5D3 shade: #C1A6D3, #BFB0C8, #BCBBBD, #BAC6B3 and #B8D1A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A5D3 shade: #A9A6D3, #B5A6D3, #C1A6D3, #CDA6D3 and #D3A6CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A5D3 shade: #9B6EB8, #AE8AC5, #C1A6D3, #D4C1E0 and #E7DDEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A5D3 shade: #C1A5D3, #D3A6AF and #A6D3AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A5D3 shade: #C1A5D3, #D3C1A6 and #A6D3C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A5D3 shade: #C1A5D3, #D3A6AF, #B8D3A6 and #A6D3CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A5D3 shade: #C1A5D3, #D3AAA6, #B8D3A6 and #A6CED3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

Complementary color

CMYK 31 / 0 / 51 / 65

HEX #3E5A2C

RGB 62 90 44

HSL 96.52, 0.34%, 0.26%

LAB 35.04, -19.84, 23.19

 

CMYK 4 / 20 / 0 / 19

HEX #C6A5CE

RGB 198 165 206

HSL 288.29, 0.29%, 0.73%

LAB 71.81, 19.37, -16.35

 

CMYK 4 / 19 / 0 / 12

HEX #D7B7E1

RGB 215 183 225

HSL 285.71, 0.41%, 0.8%

LAB 78.32, 18.9, -16.74

 

CMYK 5 / 18 / 0 / 4

HEX #E8C9F4

RGB 232 201 244

HSL 283.26, 0.66%, 0.87%

LAB 84.72, 18.45, -17.12

 

CMYK 2 / 14 / 0 / 0

HEX #F9DBFF

RGB 249 219 255

HSL 290, 1%, 0.93%

LAB 90.79, 16.55, -13.67

 

CMYK 0 / 7 / 0 / 0

HEX #FFEDFF

RGB 255 237 255

HSL 300, 1%, 0.96%

LAB 95.6, 9.18, -6.47

 

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

CMYK 8 / 23 / 0 / 25

HEX #B093C0

RGB 176 147 192

HSL 278.67, 0.26%, 0.66%

LAB 64.89, 19.22, -19.26

 

CMYK 8 / 25 / 0 / 32

HEX #9F81AD

RGB 159 129 173

HSL 280.91, 0.21%, 0.59%

LAB 58.12, 19.77, -18.95

 

CMYK 8 / 28 / 0 / 40

HEX #8E6F9A

RGB 142 111 154

HSL 283.26, 0.18%, 0.52%

LAB 51.21, 20.38, -18.64

 

CMYK 7 / 31 / 0 / 47

HEX #7D5D87

RGB 125 93 135

HSL 285.71, 0.18%, 0.45%

LAB 44.14, 21.06, -18.33

 

CMYK 9 / 21 / 0 / 17

HEX #C1A6D3

RGB 193 166 211

HSL 276, 0.34%, 0.74%

LAB 71.77, 18.16, -19.2

 

CMYK 3 / 21 / 0 / 17

HEX #CDA6D3

RGB 205 166 211

HSL 292, 0.34%, 0.74%

LAB 72.86, 22.13, -17.44

 

CMYK 0 / 21 / 3 / 17

HEX #D3A6CC

RGB 211 166 204

HSL 309.33, 0.34%, 0.74%

LAB 73.21, 22.84, -13.02

 

CMYK 0 / 21 / 9 / 17

HEX #D3A6C0

RGB 211 166 192

HSL 325.33, 0.34%, 0.74%

LAB 72.84, 20.72, -6.97

 

CMYK 0 / 21 / 15 / 17

HEX #D3A6B4

RGB 211 166 180

HSL 341.33, 0.34%, 0.74%

LAB 72.51, 18.71, -0.86

 

CMYK 9 / 21 / 0 / 17

HEX #C1A6D3

RGB 193 166 211

HSL 276, 0.34%, 0.74%

LAB 71.77, 18.16, -19.2

 

CMYK 14 / 21 / 0 / 17

HEX #B5A6D3

RGB 181 166 211

HSL 260, 0.34%, 0.74%

LAB 70.73, 14.26, -20.87

 

CMYK 20 / 21 / 0 / 17

HEX #A9A6D3

RGB 169 166 211

HSL 244, 0.34%, 0.74%

LAB 69.76, 10.44, -22.44

 

CMYK 21 / 21 / 0 / 17

HEX #A6A6D3

RGB 166 166 211

HSL 240, 0.34%, 0.74%

LAB 69.53, 9.5, -22.82

 

CMYK 9 / 21 / 0 / 17

HEX #C1A6D3

RGB 193 166 211

HSL 276, 0.34%, 0.74%

LAB 71.77, 18.16, -19.2

 

CMYK 12 / 30 / 0 / 13

HEX #C39BDD

RGB 195 155 221

HSL 276.36, 0.49%, 0.74%

LAB 69.66, 26.95, -27.91

 

CMYK 15 / 38 / 0 / 9

HEX #C690E8

RGB 198 144 232

HSL 276.82, 0.66%, 0.74%

LAB 67.86, 36.24, -36.72

 

CMYK 18 / 45 / 0 / 5

HEX #C885F3

RGB 200 133 243

HSL 276.55, 0.82%, 0.74%

LAB 66.16, 45.11, -45.42

 

CMYK 20 / 52 / 0 / 0

HEX #CA7BFE

RGB 202 123 254

HSL 276.18, 0.98%, 0.74%

LAB 64.87, 53.26, -53.48

 

CMYK 9 / 21 / 0 / 17

HEX #C1A6D3

RGB 193 166 211

HSL 276, 0.34%, 0.74%

LAB 71.77, 18.16, -19.2

 

CMYK 5 / 12 / 0 / 22

HEX #BFB0C8

RGB 191 176 200

HSL 277.5, 0.18%, 0.74%

LAB 73.74, 9.81, -10.23

 

CMYK 1 / 1 / 0 / 26

HEX #BCBBBD

RGB 188 187 189

HSL 270, 0.01%, 0.74%

LAB 76.01, 0.72, -0.89

 

CMYK 6 / 0 / 10 / 22

HEX #BAC6B3

RGB 186 198 179

HSL 97.89, 0.14%, 0.74%

LAB 78.51, -7.6, 8.11

 

CMYK 12 / 0 / 20 / 18

HEX #B8D1A8

RGB 184 209 168

HSL 96.59, 0.31%, 0.74%

LAB 81.08, -15.81, 17.59

 

CMYK 20 / 21 / 0 / 17

HEX #A9A6D3

RGB 169 166 211

HSL 244, 0.34%, 0.74%

LAB 69.76, 10.44, -22.44

 

CMYK 14 / 21 / 0 / 17

HEX #B5A6D3

RGB 181 166 211

HSL 260, 0.34%, 0.74%

LAB 70.73, 14.26, -20.87

 

CMYK 9 / 21 / 0 / 17

HEX #C1A6D3

RGB 193 166 211

HSL 276, 0.34%, 0.74%

LAB 71.77, 18.16, -19.2

 

CMYK 3 / 21 / 0 / 17

HEX #CDA6D3

RGB 205 166 211

HSL 292, 0.34%, 0.74%

LAB 72.86, 22.13, -17.44

 

CMYK 0 / 21 / 3 / 17

HEX #D3A6CD

RGB 211 166 205

HSL 308, 0.34%, 0.74%

LAB 73.24, 23.03, -13.53

 

CMYK 16 / 40 / 0 / 28

HEX #9B6EB8

RGB 155 110 184

HSL 276.49, 0.34%, 0.58%

LAB 53.58, 31.77, -32.3

 

CMYK 12 / 30 / 0 / 23

HEX #AE8AC5

RGB 174 138 197

HSL 276.61, 0.34%, 0.66%

LAB 62.68, 24.69, -25.45

 

CMYK 9 / 21 / 0 / 17

HEX #C1A6D3

RGB 193 166 211

HSL 276, 0.34%, 0.74%

LAB 71.77, 18.16, -19.2

 

CMYK 5 / 14 / 0 / 12

HEX #D4C1E0

RGB 212 193 224

HSL 276.77, 0.33%, 0.82%

LAB 80.47, 12.32, -12.99

 

CMYK 3 / 7 / 0 / 7

HEX #E7DDEE

RGB 231 221 238

HSL 275.29, 0.33%, 0.9%

LAB 89.33, 6.45, -7.07

 

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

CMYK 0 / 21 / 17 / 17

HEX #D3A6AF

RGB 211 166 175

HSL 348, 0.34%, 0.74%

LAB 72.37, 17.91, 1.7

 

CMYK 21 / 0 / 17 / 17

HEX #A6D3AF

RGB 166 211 175

HSL 132, 0.34%, 0.74%

LAB 80.62, -21.77, 13.07

 

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

CMYK 0 / 9 / 21 / 17

HEX #D3C1A6

RGB 211 193 166

HSL 36, 0.34%, 0.74%

LAB 78.89, 2.05, 15.9

 

CMYK 21 / 0 / 9 / 17

HEX #A6D3C1

RGB 166 211 193

HSL 156, 0.34%, 0.74%

LAB 81.04, -18.33, 4.09

 

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

CMYK 0 / 21 / 17 / 17

HEX #D3A6AF

RGB 211 166 175

HSL 348, 0.34%, 0.74%

LAB 72.37, 17.91, 1.7

 

CMYK 13 / 0 / 21 / 17

HEX #B8D3A6

RGB 184 211 166

HSL 96, 0.34%, 0.74%

LAB 81.58, -17.14, 19.34

 

CMYK 21 / 0 / 4 / 17

HEX #A6D3CA

RGB 166 211 202

HSL 168, 0.34%, 0.74%

LAB 81.27, -16.5, -0.38

 

CMYK 9 / 22 / 0 / 17

HEX #C1A5D3

RGB 193 165 211

HSL 276.52, 0.34%, 0.74%

LAB 71.52, 18.71, -19.58

 

CMYK 0 / 19 / 21 / 17

HEX #D3AAA6

RGB 211 170 166

HSL 5.33, 0.34%, 0.74%

LAB 73.12, 14.36, 7.73

 

CMYK 13 / 0 / 21 / 17

HEX #B8D3A6

RGB 184 211 166

HSL 96, 0.34%, 0.74%

LAB 81.58, -17.14, 19.34

 

CMYK 21 / 2 / 0 / 17

HEX #A6CED3

RGB 166 206 211

HSL 186.67, 0.34%, 0.74%

LAB 80.15, -12.03, -6.84

 

Description

Color code: HEX #C1A5D3 | qconv.com Color code: HEX #C1A5D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 165 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 165 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 22 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 22% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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