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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A78E it is the complementary color #3E5871. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A78E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A78E shade: #C6A789, #D7B99C, #E8CBAF, #F9DDC2 and #FFEFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A78E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A78E shade: #C1A78E, #B0957B, #9F8368, #8E7155 and #7D5F42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A78E shade: #C1A78F, #C19A8F and #C18F8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A78E shade: #C1A78F, #C1B58F, #BFC18F, #B2C18F and #A4C18F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A78E shade matches the following richer shades: #C1A78F, #CFA781, #DDA773, #EBA665 and #F9A657

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A78E shade: #C1A78F, #B3A89D, #A5A8AB, #97A8B9 and #89A8C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A78E shade: #C18F91, #C19A8F, #C1A78F, #C1B48F and #C0C18F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A78E shade: #A37E5A, #B29374, #C1A78F, #D0BCA9 and #DED1C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A78E shade: #C1A78E, #9FC18F and #938FC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A78E shade: #C1A78E, #8FC1A7 and #A78FC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A78E shade: #C1A78E, #9FC18F, #8FA9C1 and #B18FC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A78E shade: #C1A78E, #8FC18F, #8FA9C1 and #C08FC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 26 / 24

HEX #C1A78E

RGB 193 167 142

HSL 29.41, 0.29%, 0.66%

LAB 70.13, 5.62, 16.43

 

Complementary color

CMYK 45 / 22 / 0 / 56

HEX #3E5871

RGB 62 88 113

HSL 209.41, 0.29%, 0.34%

LAB 36.36, -2.47, -17.32

 

CMYK 0 / 16 / 31 / 22

HEX #C6A789

RGB 198 167 137

HSL 29.51, 0.35%, 0.66%

LAB 70.49, 6.89, 19.74

 

CMYK 0 / 14 / 27 / 16

HEX #D7B99C

RGB 215 185 156

HSL 29.49, 0.42%, 0.73%

LAB 77.01, 6.39, 18.7

 

CMYK 0 / 13 / 25 / 9

HEX #E8CBAF

RGB 232 203 175

HSL 29.47, 0.55%, 0.8%

LAB 83.42, 5.95, 17.71

 

CMYK 0 / 11 / 22 / 2

HEX #F9DDC2

RGB 249 221 194

HSL 29.45, 0.82%, 0.87%

LAB 89.74, 5.56, 16.79

 

CMYK 0 / 6 / 16 / 0

HEX #FFEFD5

RGB 255 239 213

HSL 37.14, 1%, 0.92%

LAB 95.08, 1.27, 14.52

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78E

RGB 193 167 142

HSL 29.41, 0.29%, 0.66%

LAB 70.13, 5.62, 16.43

 

CMYK 0 / 15 / 30 / 31

HEX #B0957B

RGB 176 149 123

HSL 29.43, 0.25%, 0.59%

LAB 63.47, 6.11, 17.48

 

CMYK 0 / 18 / 35 / 38

HEX #9F8368

RGB 159 131 104

HSL 29.45, 0.22%, 0.52%

LAB 56.69, 6.68, 18.62

 

CMYK 0 / 20 / 40 / 44

HEX #8E7155

RGB 142 113 85

HSL 29.47, 0.25%, 0.45%

LAB 49.76, 7.37, 19.88

 

CMYK 0 / 24 / 47 / 51

HEX #7D5F42

RGB 125 95 66

HSL 29.49, 0.31%, 0.37%

LAB 42.67, 8.2, 21.27

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78F

RGB 193 167 143

HSL 28.8, 0.29%, 0.66%

LAB 70.15, 5.76, 15.91

 

CMYK 0 / 20 / 26 / 24

HEX #C19A8F

RGB 193 154 143

HSL 13.2, 0.29%, 0.66%

LAB 66.85, 12.86, 11.29

 

CMYK 0 / 26 / 26 / 24

HEX #C18F8F

RGB 193 143 143

HSL 0, 0.29%, 0.66%

LAB 64.13, 18.93, 7.43

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78F

RGB 193 167 143

HSL 28.8, 0.29%, 0.66%

LAB 70.15, 5.76, 15.91

 

CMYK 0 / 6 / 26 / 24

HEX #C1B58F

RGB 193 181 143

HSL 45.6, 0.29%, 0.66%

LAB 73.78, -1.76, 20.94

 

CMYK 1 / 0 / 26 / 24

HEX #BFC18F

RGB 191 193 143

HSL 62.4, 0.29%, 0.66%

LAB 76.8, -8.82, 25.02

 

CMYK 8 / 0 / 26 / 24

HEX #B2C18F

RGB 178 193 143

HSL 78, 0.29%, 0.66%

LAB 75.82, -13.75, 23.52

 

CMYK 15 / 0 / 26 / 24

HEX #A4C18F

RGB 164 193 143

HSL 94.8, 0.29%, 0.66%

LAB 74.83, -18.91, 22.02

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78F

RGB 193 167 143

HSL 28.8, 0.29%, 0.66%

LAB 70.15, 5.76, 15.91

 

CMYK 0 / 19 / 38 / 19

HEX #CFA781

RGB 207 167 129

HSL 29.23, 0.45%, 0.66%

LAB 71.21, 9.47, 25.21

 

CMYK 0 / 24 / 48 / 13

HEX #DDA773

RGB 221 167 115

HSL 29.43, 0.61%, 0.66%

LAB 72.39, 13.63, 34.52

 

CMYK 0 / 29 / 57 / 8

HEX #EBA665

RGB 235 166 101

HSL 29.1, 0.77%, 0.66%

LAB 73.46, 18.67, 43.44

 

CMYK 0 / 33 / 65 / 2

HEX #F9A657

RGB 249 166 87

HSL 29.26, 0.93%, 0.66%

LAB 74.89, 23.44, 52.43

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78F

RGB 193 167 143

HSL 28.8, 0.29%, 0.66%

LAB 70.15, 5.76, 15.91

 

CMYK 0 / 6 / 12 / 30

HEX #B3A89D

RGB 179 168 157

HSL 30, 0.13%, 0.66%

LAB 69.49, 2.05, 7.09

 

CMYK 4 / 2 / 0 / 33

HEX #A5A8AB

RGB 165 168 171

HSL 210, 0.03%, 0.66%

LAB 68.71, -0.48, -1.92

 

CMYK 18 / 9 / 0 / 27

HEX #97A8B9

RGB 151 168 185

HSL 210, 0.2%, 0.66%

LAB 68.08, -2.28, -10.73

 

CMYK 31 / 16 / 0 / 22

HEX #89A8C7

RGB 137 168 199

HSL 210, 0.36%, 0.66%

LAB 67.61, -3.28, -19.3

 

CMYK 0 / 26 / 25 / 24

HEX #C18F91

RGB 193 143 145

HSL 357.6, 0.29%, 0.66%

LAB 64.18, 19.22, 6.37

 

CMYK 0 / 20 / 26 / 24

HEX #C19A8F

RGB 193 154 143

HSL 13.2, 0.29%, 0.66%

LAB 66.85, 12.86, 11.29

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78F

RGB 193 167 143

HSL 28.8, 0.29%, 0.66%

LAB 70.15, 5.76, 15.91

 

CMYK 0 / 7 / 26 / 24

HEX #C1B48F

RGB 193 180 143

HSL 44.4, 0.29%, 0.66%

LAB 73.52, -1.23, 20.58

 

CMYK 1 / 0 / 26 / 24

HEX #C0C18F

RGB 192 193 143

HSL 61.2, 0.29%, 0.66%

LAB 76.88, -8.44, 25.14

 

CMYK 0 / 23 / 45 / 36

HEX #A37E5A

RGB 163 126 90

HSL 29.59, 0.29%, 0.5%

LAB 55.53, 9.51, 25.07

 

CMYK 0 / 17 / 35 / 30

HEX #B29374

RGB 178 147 116

HSL 30, 0.29%, 0.58%

LAB 63.01, 7.1, 20.78

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78F

RGB 193 167 143

HSL 28.8, 0.29%, 0.66%

LAB 70.15, 5.76, 15.91

 

CMYK 0 / 10 / 19 / 18

HEX #D0BCA9

RGB 208 188 169

HSL 29.23, 0.29%, 0.74%

LAB 77.42, 4.02, 12.19

 

CMYK 0 / 6 / 12 / 13

HEX #DED1C4

RGB 222 209 196

HSL 30, 0.28%, 0.82%

LAB 84.54, 2.32, 8.05

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78E

RGB 193 167 142

HSL 29.41, 0.29%, 0.66%

LAB 70.13, 5.62, 16.43

 

CMYK 18 / 0 / 26 / 24

HEX #9FC18F

RGB 159 193 143

HSL 100.8, 0.29%, 0.66%

LAB 74.5, -20.71, 21.52

 

CMYK 24 / 26 / 0 / 24

HEX #938FC1

RGB 147 143 193

HSL 244.8, 0.29%, 0.66%

LAB 61.39, 12.35, -25.39

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78E

RGB 193 167 142

HSL 29.41, 0.29%, 0.66%

LAB 70.13, 5.62, 16.43

 

CMYK 26 / 0 / 13 / 24

HEX #8FC1A7

RGB 143 193 167

HSL 148.8, 0.29%, 0.66%

LAB 74.04, -21.81, 7.81

 

CMYK 13 / 26 / 0 / 24

HEX #A78FC1

RGB 167 143 193

HSL 268.8, 0.29%, 0.66%

LAB 63.1, 18.73, -22.61

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78E

RGB 193 167 142

HSL 29.41, 0.29%, 0.66%

LAB 70.13, 5.62, 16.43

 

CMYK 18 / 0 / 26 / 24

HEX #9FC18F

RGB 159 193 143

HSL 100.8, 0.29%, 0.66%

LAB 74.5, -20.71, 21.52

 

CMYK 26 / 12 / 0 / 24

HEX #8FA9C1

RGB 143 169 193

HSL 208.8, 0.29%, 0.66%

LAB 68.07, -3.5, -15.24

 

CMYK 8 / 26 / 0 / 24

HEX #B18FC1

RGB 177 143 193

HSL 280.8, 0.29%, 0.66%

LAB 64.03, 22.01, -21.11

 

CMYK 0 / 13 / 26 / 24

HEX #C1A78E

RGB 193 167 142

HSL 29.41, 0.29%, 0.66%

LAB 70.13, 5.62, 16.43

 

CMYK 26 / 0 / 26 / 24

HEX #8FC18F

RGB 143 193 143

HSL 120, 0.29%, 0.66%

LAB 73.52, -26.28, 20.01

 

CMYK 26 / 12 / 0 / 24

HEX #8FA9C1

RGB 143 169 193

HSL 208.8, 0.29%, 0.66%

LAB 68.07, -3.5, -15.24

 

CMYK 1 / 26 / 0 / 24

HEX #C08FC1

RGB 192 143 193

HSL 298.8, 0.29%, 0.66%

LAB 65.52, 27, -18.72

 

Description

Color code: HEX #C1A78E | qconv.com Color code: HEX #C1A78E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 167 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 167 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 26 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 26% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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