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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A042 it is the complementary color #3E5FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A042 shade: #C6A03D, #D7B250, #E8C463, #F9D676 and #FFE889

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A042 shade: #C1A042, #B08E2F, #9F7C1C, #8E6A09 and #7D5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A042 shade: #C1A042, #C17E42, #C15B42 and #C14242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A042 shade: #C1A042, #C0C142, #9EC142, #7BC142 and #59C142

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A042 shade matches the following richer shades: #C1A042, #D5AA2E, #EAB419 and #FEBD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A042 shade: #C1A042, #AD9656, #998D6A, #85837E and #707993

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A042 shade: #C15B42, #C17D42, #C19F42, #C1C142 and #9FC142

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A042 shade: #866E2B, #A58835, #C1A042, #CBB061 and #D5BF80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A042 shade: #C1A042, #4AC142 and #6C42C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A042 shade: #C1A042, #42C19F and #9F42C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A042 shade: #C1A042, #4AC142, #4264C1 and #B942C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A042 shade: #C1A042, #42C160, #4264C1 and #C142A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

Complementary color

CMYK 67 / 50 / 0 / 26

HEX #3E5FBD

RGB 62 95 189

HSL 224.41, 0.51%, 0.49%

LAB 42.59, 19.25, -53.11

 

CMYK 0 / 19 / 69 / 22

HEX #C6A03D

RGB 198 160 61

HSL 43.36, 0.55%, 0.51%

LAB 67.64, 3.59, 54.83

 

CMYK 0 / 17 / 63 / 16

HEX #D7B250

RGB 215 178 80

HSL 43.56, 0.63%, 0.58%

LAB 74.1, 2.45, 53.83

 

CMYK 0 / 16 / 57 / 9

HEX #E8C463

RGB 232 196 99

HSL 43.76, 0.74%, 0.65%

LAB 80.48, 1.48, 52.66

 

CMYK 0 / 14 / 53 / 2

HEX #F9D676

RGB 249 214 118

HSL 43.97, 0.92%, 0.72%

LAB 86.77, 0.64, 51.44

 

CMYK 0 / 9 / 46 / 0

HEX #FFE889

RGB 255 232 137

HSL 48.31, 1%, 0.77%

LAB 92.03, -4.42, 48.84

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 0 / 19 / 73 / 31

HEX #B08E2F

RGB 176 142 47

HSL 44.19, 0.58%, 0.44%

LAB 60.59, 2.93, 52.84

 

CMYK 0 / 22 / 82 / 38

HEX #9F7C1C

RGB 159 124 28

HSL 43.97, 0.7%, 0.37%

LAB 53.89, 4.42, 53.05

 

CMYK 0 / 25 / 94 / 44

HEX #8E6A09

RGB 142 106 9

HSL 43.76, 0.88%, 0.3%

LAB 47.08, 6.24, 51.91

 

CMYK 0 / 30 / 100 / 51

HEX #7D5800

RGB 125 88 0

HSL 42.24, 1%, 0.25%

LAB 40.15, 8.45, 48.24

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 0 / 35 / 66 / 24

HEX #C17E42

RGB 193 126 66

HSL 28.35, 0.51%, 0.51%

LAB 58.65, 20.3, 42.58

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 1 / 0 / 66 / 24

HEX #C0C142

RGB 192 193 66

HSL 60.47, 0.51%, 0.51%

LAB 75.91, -15.95, 61.13

 

CMYK 18 / 0 / 66 / 24

HEX #9EC142

RGB 158 193 66

HSL 76.54, 0.51%, 0.51%

LAB 73.42, -29.95, 57.76

 

CMYK 36 / 0 / 66 / 24

HEX #7BC142

RGB 123 193 66

HSL 93.07, 0.51%, 0.51%

LAB 71.38, -43.07, 54.99

 

CMYK 54 / 0 / 66 / 24

HEX #59C142

RGB 89 193 66

HSL 109.13, 0.51%, 0.51%

LAB 69.94, -53.62, 53.01

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 0 / 20 / 78 / 16

HEX #D5AA2E

RGB 213 170 46

HSL 44.55, 0.67%, 0.51%

LAB 71.62, 4.1, 65.01

 

CMYK 0 / 23 / 89 / 8

HEX #EAB419

RGB 234 180 25

HSL 44.5, 0.83%, 0.51%

LAB 76.19, 7.38, 75.36

 

CMYK 0 / 26 / 98 / 0

HEX #FEBD05

RGB 254 189 5

HSL 44.34, 0.99%, 0.51%

LAB 80.45, 11.04, 82.09

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 0 / 13 / 50 / 32

HEX #AD9656

RGB 173 150 86

HSL 44.14, 0.35%, 0.51%

LAB 62.82, 0.02, 36.69

 

CMYK 0 / 8 / 31 / 40

HEX #998D6A

RGB 153 141 106

HSL 44.68, 0.19%, 0.51%

LAB 58.85, -1.14, 20.33

 

CMYK 0 / 2 / 5 / 48

HEX #85837E

RGB 133 131 126

HSL 42.86, 0.03%, 0.51%

LAB 54.79, -0.21, 2.96

 

CMYK 24 / 18 / 0 / 42

HEX #707993

RGB 112 121 147

HSL 224.57, 0.14%, 0.51%

LAB 50.95, 2.67, -15.18

 

CMYK 0 / 53 / 66 / 24

HEX #C15B42

RGB 193 91 66

HSL 11.81, 0.51%, 0.51%

LAB 50.94, 39.02, 33.59

 

CMYK 0 / 35 / 66 / 24

HEX #C17D42

RGB 193 125 66

HSL 27.87, 0.51%, 0.51%

LAB 58.41, 20.85, 42.31

 

CMYK 0 / 18 / 66 / 24

HEX #C19F42

RGB 193 159 66

HSL 43.94, 0.51%, 0.51%

LAB 66.92, 2.24, 51.72

 

CMYK 0 / 0 / 66 / 24

HEX #C1C142

RGB 193 193 66

HSL 60, 0.51%, 0.51%

LAB 75.99, -15.53, 61.23

 

CMYK 18 / 0 / 66 / 24

HEX #9FC142

RGB 159 193 66

HSL 76.06, 0.51%, 0.51%

LAB 73.48, -29.55, 57.85

 

CMYK 0 / 18 / 68 / 47

HEX #866E2B

RGB 134 110 43

HSL 44.18, 0.51%, 0.35%

LAB 47.49, 1.52, 39.73

 

CMYK 0 / 18 / 68 / 35

HEX #A58835

RGB 165 136 53

HSL 44.46, 0.51%, 0.43%

LAB 57.91, 1.63, 47.14

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 0 / 13 / 52 / 20

HEX #CBB061

RGB 203 176 97

HSL 44.72, 0.5%, 0.59%

LAB 72.63, -0.27, 43.69

 

CMYK 0 / 10 / 40 / 16

HEX #D5BF80

RGB 213 191 128

HSL 44.47, 0.5%, 0.67%

LAB 77.86, -1.01, 34.62

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 62 / 0 / 66 / 24

HEX #4AC142

RGB 74 193 66

HSL 116.22, 0.51%, 0.51%

LAB 69.46, -57.35, 52.35

 

CMYK 44 / 66 / 0 / 24

HEX #6C42C1

RGB 108 66 193

HSL 259.84, 0.51%, 0.51%

LAB 39.47, 46.74, -60.32

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 66 / 0 / 18 / 24

HEX #42C19F

RGB 66 193 159

HSL 163.94, 0.51%, 0.51%

LAB 70.73, -42.85, 7

 

CMYK 18 / 66 / 0 / 24

HEX #9F42C1

RGB 159 66 193

HSL 283.94, 0.51%, 0.51%

LAB 45.79, 57.68, -49.79

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 62 / 0 / 66 / 24

HEX #4AC142

RGB 74 193 66

HSL 116.22, 0.51%, 0.51%

LAB 69.46, -57.35, 52.35

 

CMYK 66 / 48 / 0 / 24

HEX #4264C1

RGB 66 100 193

HSL 223.94, 0.51%, 0.51%

LAB 44.41, 18.14, -52.49

 

CMYK 4 / 66 / 0 / 24

HEX #B942C1

RGB 185 66 193

HSL 296.22, 0.51%, 0.51%

LAB 49.57, 63.68, -43.55

 

CMYK 0 / 17 / 66 / 24

HEX #C1A042

RGB 193 160 66

HSL 44.41, 0.51%, 0.51%

LAB 67.18, 1.7, 52

 

CMYK 66 / 0 / 50 / 24

HEX #42C160

RGB 66 193 96

HSL 134.17, 0.51%, 0.51%

LAB 69.57, -55.34, 38.63

 

CMYK 66 / 48 / 0 / 24

HEX #4264C1

RGB 66 100 193

HSL 223.94, 0.51%, 0.51%

LAB 44.41, 18.14, -52.49

 

CMYK 0 / 66 / 15 / 24

HEX #C142A4

RGB 193 66 164

HSL 313.7, 0.51%, 0.51%

LAB 49.39, 60.98, -26.78

 

Description

Color code: HEX #C1A042 | qconv.com Color code: HEX #C1A042 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 160 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 160 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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