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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A129 it is the complementary color #3E5ED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A129 shade: #C6A124, #D7B337, #E8C54A, #F9D75D and #FFE970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A129 shade: #C1A129, #B08F16, #9F7D03, #8E6B00 and #7D5900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A129 shade: #C1A129, #C17829, #C14F29 and #C12929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A129 shade: #C1A129, #B8C129, #8FC129, #66C129 and #3DC129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A129 shade matches the following richer shades: #C1A129, #D4AC16 and #E7B703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A129 shade: #C1A129, #AE963C, #9B8B4F, #888061 and #757574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A129 shade: #C14F29, #C17729, #C1A029, #B9C129 and #91C129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A129 shade: #7D681A, #9F8521, #C1A129, #D6B53D and #DDC25F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A129 shade: #C1A129, #2BC129 and #6329C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A129 shade: #C1A129, #29C1A0 and #A029C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A129 shade: #C1A129, #2BC129, #294AC1 and #BF29C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A129 shade: #C1A129, #29C154, #294AC1 and #C12996

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

Complementary color

CMYK 71 / 56 / 0 / 16

HEX #3E5ED6

RGB 62 94 214

HSL 227.37, 0.65%, 0.54%

LAB 44.07, 28.9, -65.13

 

CMYK 0 / 19 / 82 / 22

HEX #C6A124

RGB 198 161 36

HSL 46.3, 0.69%, 0.46%

LAB 67.74, 1.98, 64.2

 

CMYK 0 / 17 / 74 / 16

HEX #D7B337

RGB 215 179 55

HSL 46.5, 0.67%, 0.53%

LAB 74.17, 0.57, 64.28

 

CMYK 0 / 15 / 68 / 9

HEX #E8C54A

RGB 232 197 74

HSL 46.71, 0.77%, 0.6%

LAB 80.51, -0.63, 63.74

 

CMYK 0 / 14 / 63 / 2

HEX #F9D75D

RGB 249 215 93

HSL 46.92, 0.93%, 0.67%

LAB 86.77, -1.67, 62.87

 

CMYK 0 / 9 / 56 / 0

HEX #FFE970

RGB 255 233 112

HSL 50.77, 1%, 0.72%

LAB 92, -7, 60.49

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 0 / 19 / 88 / 31

HEX #B08F16

RGB 176 143 22

HSL 47.14, 0.78%, 0.39%

LAB 60.72, 1.48, 61.26

 

CMYK 0 / 21 / 98 / 38

HEX #9F7D03

RGB 159 125 3

HSL 46.92, 0.96%, 0.32%

LAB 54.07, 3.3, 59.1

 

CMYK 0 / 25 / 100 / 44

HEX #8E6B00

RGB 142 107 0

HSL 45.21, 1%, 0.28%

LAB 47.32, 5.49, 54.09

 

CMYK 0 / 29 / 100 / 51

HEX #7D5900

RGB 125 89 0

HSL 42.72, 1%, 0.25%

LAB 40.42, 7.86, 48.42

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 0 / 38 / 79 / 24

HEX #C17829

RGB 193 120 41

HSL 31.18, 0.65%, 0.46%

LAB 57.01, 22.34, 52.5

 

CMYK 0 / 59 / 79 / 24

HEX #C14F29

RGB 193 79 41

HSL 15, 0.65%, 0.46%

LAB 48.37, 43.69, 44.12

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 5 / 0 / 79 / 24

HEX #B8C129

RGB 184 193 41

HSL 63.55, 0.65%, 0.46%

LAB 75.13, -20.52, 68.77

 

CMYK 26 / 0 / 79 / 24

HEX #8FC129

RGB 143 193 41

HSL 79.74, 0.65%, 0.46%

LAB 72.32, -37.27, 65.18

 

CMYK 47 / 0 / 79 / 24

HEX #66C129

RGB 102 193 41

HSL 95.92, 0.65%, 0.46%

LAB 70.26, -51.68, 62.52

 

CMYK 68 / 0 / 79 / 24

HEX #3DC129

RGB 61 193 41

HSL 112.11, 0.65%, 0.46%

LAB 68.96, -62.06, 60.83

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 0 / 19 / 90 / 17

HEX #D4AC16

RGB 212 172 22

HSL 47.37, 0.81%, 0.46%

LAB 71.93, 1.96, 71.68

 

CMYK 0 / 21 / 99 / 9

HEX #E7B703

RGB 231 183 3

HSL 47.37, 0.97%, 0.46%

LAB 76.6, 4.25, 78.5

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 0 / 14 / 66 / 32

HEX #AE963C

RGB 174 150 60

HSL 47.37, 0.49%, 0.46%

LAB 62.62, -1.6, 49.26

 

CMYK 0 / 10 / 49 / 39

HEX #9B8B4F

RGB 155 139 79

HSL 47.37, 0.32%, 0.46%

LAB 58.04, -2.38, 34.1

 

CMYK 0 / 6 / 29 / 47

HEX #888061

RGB 136 128 97

HSL 47.69, 0.17%, 0.46%

LAB 53.53, -2.16, 17.96

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 0 / 59 / 79 / 24

HEX #C14F29

RGB 193 79 41

HSL 15, 0.65%, 0.46%

LAB 48.37, 43.69, 44.12

 

CMYK 0 / 38 / 79 / 24

HEX #C17729

RGB 193 119 41

HSL 30.79, 0.65%, 0.46%

LAB 56.77, 22.89, 52.28

 

CMYK 0 / 17 / 79 / 24

HEX #C1A029

RGB 193 160 41

HSL 46.97, 0.65%, 0.46%

LAB 67.01, 0.48, 61.76

 

CMYK 4 / 0 / 79 / 24

HEX #B9C129

RGB 185 193 41

HSL 63.16, 0.65%, 0.46%

LAB 75.21, -20.09, 68.86

 

CMYK 25 / 0 / 79 / 24

HEX #91C129

RGB 145 193 41

HSL 78.95, 0.65%, 0.46%

LAB 72.44, -36.5, 65.33

 

CMYK 0 / 17 / 79 / 51

HEX #7D681A

RGB 125 104 26

HSL 47.27, 0.66%, 0.3%

LAB 44.71, -0.2, 44.08

 

CMYK 0 / 16 / 79 / 38

HEX #9F8521

RGB 159 133 33

HSL 47.62, 0.66%, 0.38%

LAB 56.34, -0.43, 53.54

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 0 / 15 / 71 / 16

HEX #D6B53D

RGB 214 181 61

HSL 47.06, 0.65%, 0.54%

LAB 74.62, -0.64, 62.42

 

CMYK 0 / 12 / 57 / 13

HEX #DDC25F

RGB 221 194 95

HSL 47.14, 0.65%, 0.62%

LAB 78.92, -2.35, 52.47

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 78 / 0 / 79 / 24

HEX #2BC129

RGB 43 193 41

HSL 119.21, 0.65%, 0.46%

LAB 68.62, -65.03, 60.38

 

CMYK 49 / 79 / 0 / 24

HEX #6329C1

RGB 99 41 193

HSL 262.89, 0.65%, 0.46%

LAB 34.17, 57.31, -69.02

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 79 / 0 / 17 / 24

HEX #29C1A0

RGB 41 193 160

HSL 166.97, 0.65%, 0.46%

LAB 70.28, -45.96, 5.74

 

CMYK 17 / 79 / 0 / 24

HEX #A029C1

RGB 160 41 193

HSL 286.97, 0.65%, 0.46%

LAB 42.63, 67.3, -54.88

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 78 / 0 / 79 / 24

HEX #2BC129

RGB 43 193 41

HSL 119.21, 0.65%, 0.46%

LAB 68.62, -65.03, 60.38

 

CMYK 79 / 62 / 0 / 24

HEX #294AC1

RGB 41 74 193

HSL 226.97, 0.65%, 0.46%

LAB 36.4, 31.67, -65.53

 

CMYK 1 / 79 / 0 / 24

HEX #BF29C1

RGB 191 41 193

HSL 299.21, 0.65%, 0.46%

LAB 47.64, 73.18, -46.56

 

CMYK 0 / 17 / 79 / 24

HEX #C1A129

RGB 193 161 41

HSL 47.37, 0.65%, 0.46%

LAB 67.27, -0.06, 62

 

CMYK 79 / 0 / 56 / 24

HEX #29C154

RGB 41 193 84

HSL 136.97, 0.65%, 0.46%

LAB 68.93, -61.04, 43.54

 

CMYK 79 / 62 / 0 / 24

HEX #294AC1

RGB 41 74 193

HSL 226.97, 0.65%, 0.46%

LAB 36.4, 31.67, -65.53

 

CMYK 0 / 79 / 22 / 24

HEX #C12996

RGB 193 41 150

HSL 316.97, 0.65%, 0.46%

LAB 45.81, 67.44, -23.99

 

Description

Color code: HEX #C1A129 | qconv.com Color code: HEX #C1A129 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 161 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 161 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 79% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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