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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A198 it is the complementary color #3E5E67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A198 shade: #C6A193, #D7B3A6, #E8C5B9, #F9D7CC and #FFE9DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A198 shade: #C1A198, #B08F85, #9F7D72, #8E6B5F and #7D594C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A198 shade: #C1A199 and #C19999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A198 shade: #C1A199, #C1AC99, #C1B799, #C0C199 and #B5C199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A198 shade matches the following richer shades: #C1A199, #CF9A8B, #DC937E, #E98B71 and #F68464

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A198 shade: #C1A199, #B4A9A6, #A7B0B3, #9AB8C0 and #8CBFCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A198 shade: #C199A5, #C1999B, #C1A199, #C1AC99 and #C1B799

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A198 shade: #A27265, #B28A7F, #C1A199, #D1B9B2 and #E0D1CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A198 shade: #C1A198, #B0C199 and #99A0C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A198 shade: #C1A198, #99C1A1 and #A199C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A198 shade: #C1A198, #B0C199, #99B8C1 and #AA99C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A198 shade: #C1A198, #A4C199, #99B8C1 and #B699C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 21 / 24

HEX #C1A198

RGB 193 161 152

HSL 13.17, 0.25%, 0.68%

LAB 68.82, 10.35, 9.08

 

Complementary color

CMYK 40 / 9 / 0 / 60

HEX #3E5E67

RGB 62 94 103

HSL 193.17, 0.25%, 0.32%

LAB 37.86, -9.1, -8.85

 

CMYK 0 / 19 / 26 / 22

HEX #C6A193

RGB 198 161 147

HSL 16.47, 0.31%, 0.68%

LAB 69.19, 11.53, 12.43

 

CMYK 0 / 17 / 23 / 16

HEX #D7B3A6

RGB 215 179 166

HSL 15.92, 0.38%, 0.75%

LAB 75.72, 11.01, 11.49

 

CMYK 0 / 15 / 20 / 9

HEX #E8C5B9

RGB 232 197 185

HSL 15.32, 0.51%, 0.82%

LAB 82.16, 10.54, 10.61

 

CMYK 0 / 14 / 18 / 2

HEX #F9D7CC

RGB 249 215 204

HSL 14.67, 0.79%, 0.89%

LAB 88.5, 10.11, 9.78

 

CMYK 0 / 9 / 13 / 0

HEX #FFE9DF

RGB 255 233 223

HSL 18.75, 1%, 0.94%

LAB 93.83, 5.87, 7.55

 

CMYK 0 / 17 / 21 / 24

HEX #C1A198

RGB 193 161 152

HSL 13.17, 0.25%, 0.68%

LAB 68.82, 10.35, 9.08

 

CMYK 0 / 19 / 24 / 31

HEX #B08F85

RGB 176 143 133

HSL 13.95, 0.21%, 0.61%

LAB 62.14, 10.88, 10

 

CMYK 0 / 21 / 28 / 38

HEX #9F7D72

RGB 159 125 114

HSL 14.67, 0.19%, 0.54%

LAB 55.33, 11.47, 11.01

 

CMYK 0 / 25 / 33 / 44

HEX #8E6B5F

RGB 142 107 95

HSL 15.32, 0.2%, 0.46%

LAB 48.38, 12.17, 12.13

 

CMYK 0 / 29 / 39 / 51

HEX #7D594C

RGB 125 89 76

HSL 15.92, 0.24%, 0.39%

LAB 41.26, 13, 13.39

 

CMYK 0 / 17 / 21 / 24

HEX #C1A199

RGB 193 161 153

HSL 12, 0.24%, 0.68%

LAB 68.84, 10.51, 8.56

 

CMYK 0 / 21 / 21 / 24

HEX #C19999

RGB 193 153 153

HSL 0, 0.24%, 0.68%

LAB 66.84, 14.9, 5.69

 

CMYK 0 / 17 / 21 / 24

HEX #C1A199

RGB 193 161 153

HSL 12, 0.24%, 0.68%

LAB 68.84, 10.51, 8.56

 

CMYK 0 / 11 / 21 / 24

HEX #C1AC99

RGB 193 172 153

HSL 28.5, 0.24%, 0.68%

LAB 71.65, 4.52, 12.54

 

CMYK 0 / 5 / 21 / 24

HEX #C1B799

RGB 193 183 153

HSL 45, 0.24%, 0.68%

LAB 74.51, -1.38, 16.55

 

CMYK 1 / 0 / 21 / 24

HEX #C0C199

RGB 192 193 153

HSL 61.5, 0.24%, 0.68%

LAB 77.07, -7.01, 20.08

 

CMYK 6 / 0 / 21 / 24

HEX #B5C199

RGB 181 193 153

HSL 78, 0.24%, 0.68%

LAB 76.23, -11.12, 18.79

 

CMYK 0 / 17 / 21 / 24

HEX #C1A199

RGB 193 161 153

HSL 12, 0.24%, 0.68%

LAB 68.84, 10.51, 8.56

 

CMYK 0 / 26 / 33 / 19

HEX #CF9A8B

RGB 207 154 139

HSL 13.24, 0.41%, 0.68%

LAB 68.2, 17.76, 15.61

 

CMYK 0 / 33 / 43 / 14

HEX #DC937E

RGB 220 147 126

HSL 13.4, 0.57%, 0.68%

LAB 67.72, 25.1, 22.38

 

CMYK 0 / 40 / 52 / 9

HEX #E98B71

RGB 233 139 113

HSL 13, 0.73%, 0.68%

LAB 67.26, 33.15, 29.22

 

CMYK 0 / 46 / 59 / 4

HEX #F68464

RGB 246 132 100

HSL 13.15, 0.89%, 0.68%

LAB 67.29, 40.71, 36.67

 

CMYK 0 / 17 / 21 / 24

HEX #C1A199

RGB 193 161 153

HSL 12, 0.24%, 0.68%

LAB 68.84, 10.51, 8.56

 

CMYK 0 / 6 / 8 / 29

HEX #B4A9A6

RGB 180 169 166

HSL 12.86, 0.09%, 0.68%

LAB 70.06, 3.42, 2.96

 

CMYK 7 / 2 / 0 / 30

HEX #A7B0B3

RGB 167 176 179

HSL 195, 0.07%, 0.68%

LAB 71.23, -2.55, -2.63

 

CMYK 20 / 4 / 0 / 25

HEX #9AB8C0

RGB 154 184 192

HSL 192.63, 0.23%, 0.68%

LAB 72.86, -8.4, -7.45

 

CMYK 32 / 7 / 0 / 20

HEX #8CBFCD

RGB 140 191 205

HSL 192.92, 0.39%, 0.68%

LAB 74.35, -13.28, -12.41

 

CMYK 0 / 21 / 15 / 24

HEX #C199A5

RGB 193 153 165

HSL 342, 0.24%, 0.68%

LAB 67.15, 16.82, -0.57

 

CMYK 0 / 21 / 20 / 24

HEX #C1999B

RGB 193 153 155

HSL 357, 0.24%, 0.68%

LAB 66.89, 15.21, 4.64

 

CMYK 0 / 17 / 21 / 24

HEX #C1A199

RGB 193 161 153

HSL 12, 0.24%, 0.68%

LAB 68.84, 10.51, 8.56

 

CMYK 0 / 11 / 21 / 24

HEX #C1AC99

RGB 193 172 153

HSL 28.5, 0.24%, 0.68%

LAB 71.65, 4.52, 12.54

 

CMYK 0 / 5 / 21 / 24

HEX #C1B799

RGB 193 183 153

HSL 45, 0.24%, 0.68%

LAB 74.51, -1.38, 16.55

 

CMYK 0 / 30 / 38 / 36

HEX #A27265

RGB 162 114 101

HSL 12.79, 0.25%, 0.52%

LAB 52.57, 17.21, 14.77

 

CMYK 0 / 22 / 29 / 30

HEX #B28A7F

RGB 178 138 127

HSL 12.94, 0.25%, 0.6%

LAB 60.94, 13.59, 11.73

 

CMYK 0 / 17 / 21 / 24

HEX #C1A199

RGB 193 161 153

HSL 12, 0.24%, 0.68%

LAB 68.84, 10.51, 8.56

 

CMYK 0 / 11 / 15 / 18

HEX #D1B9B2

RGB 209 185 178

HSL 13.55, 0.25%, 0.76%

LAB 76.96, 7.4, 6.67

 

CMYK 0 / 7 / 9 / 12

HEX #E0D1CC

RGB 224 209 204

HSL 15, 0.24%, 0.84%

LAB 84.9, 4.34, 4.33

 

CMYK 0 / 17 / 21 / 24

HEX #C1A198

RGB 193 161 152

HSL 13.17, 0.25%, 0.68%

LAB 68.82, 10.35, 9.08

 

CMYK 9 / 0 / 21 / 24

HEX #B0C199

RGB 176 193 153

HSL 85.5, 0.24%, 0.68%

LAB 75.87, -12.96, 18.23

 

CMYK 21 / 17 / 0 / 24

HEX #99A0C1

RGB 153 160 193

HSL 229.5, 0.24%, 0.68%

LAB 66.34, 4.61, -17.79

 

CMYK 0 / 17 / 21 / 24

HEX #C1A198

RGB 193 161 152

HSL 13.17, 0.25%, 0.68%

LAB 68.82, 10.35, 9.08

 

CMYK 21 / 0 / 17 / 24

HEX #99C1A1

RGB 153 193 161

HSL 132, 0.24%, 0.68%

LAB 74.5, -19.68, 11.79

 

CMYK 17 / 21 / 0 / 24

HEX #A199C1

RGB 161 153 193

HSL 252, 0.24%, 0.68%

LAB 65.13, 11.11, -19.57

 

CMYK 0 / 17 / 21 / 24

HEX #C1A198

RGB 193 161 152

HSL 13.17, 0.25%, 0.68%

LAB 68.82, 10.35, 9.08

 

CMYK 9 / 0 / 21 / 24

HEX #B0C199

RGB 176 193 153

HSL 85.5, 0.24%, 0.68%

LAB 75.87, -12.96, 18.23

 

CMYK 21 / 5 / 0 / 24

HEX #99B8C1

RGB 153 184 193

HSL 193.5, 0.24%, 0.68%

LAB 72.83, -8.49, -8.05

 

CMYK 12 / 21 / 0 / 24

HEX #AA99C1

RGB 170 153 193

HSL 265.5, 0.24%, 0.68%

LAB 65.89, 14.06, -18.35

 

CMYK 0 / 17 / 21 / 24

HEX #C1A198

RGB 193 161 152

HSL 13.17, 0.25%, 0.68%

LAB 68.82, 10.35, 9.08

 

CMYK 15 / 0 / 21 / 24

HEX #A4C199

RGB 164 193 153

HSL 103.5, 0.24%, 0.68%

LAB 75.03, -17.29, 16.95

 

CMYK 21 / 5 / 0 / 24

HEX #99B8C1

RGB 153 184 193

HSL 193.5, 0.24%, 0.68%

LAB 72.83, -8.49, -8.05

 

CMYK 6 / 21 / 0 / 24

HEX #B699C1

RGB 182 153 193

HSL 283.5, 0.24%, 0.68%

LAB 66.96, 18.07, -16.62

 

Description

Color code: HEX #C1A198 | qconv.com Color code: HEX #C1A198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 161 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 161 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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