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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1A19E it is the complementary color #3E5E61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1A19E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1A19E shade: #C6A199, #D7B3AC, #E8C5BF, #F9D7D2 and #FFE9E5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1A19E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1A19E shade: #C1A19E, #B08F8B, #9F7D78, #8E6B65 and #7D5952

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1A19E shade: #C1A19E and #C19E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1A19E shade: #C1A19E, #C1AA9E, #C1B49E, #C1BD9E and #BBC19E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1A19E shade matches the following richer shades: #C1A19E, #CE9691, #DA8C84, #E78178 and #F4776B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1A19E shade: #C1A19E, #B4ACAB, #A7B6B8, #9AC1C4 and #8ECBD1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1A19E shade: #C19EAE, #C19EA4, #C1A19E, #C1AA9E and #C1B49E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1A19E shade: #A1706C, #B18985, #C1A19E, #D1B9B7 and #E1D2D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1A19E shade: #C1A19E, #B7C19E and #9EA9C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1A19E shade: #C1A19E, #9EC1A1 and #A19EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1A19E shade: #C1A19E, #B7C19E, #9EBEC1 and #A89EC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1A19E shade: #C1A19E, #ADC19E, #9EBEC1 and #B29EC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

Complementary color

CMYK 36 / 3 / 0 / 62

HEX #3E5E61

RGB 62 94 97

HSL 185.14, 0.22%, 0.31%

LAB 37.65, -10.79, -5.45

 

CMYK 0 / 19 / 23 / 22

HEX #C6A199

RGB 198 161 153

HSL 10.67, 0.28%, 0.69%

LAB 69.32, 12.41, 9.31

 

CMYK 0 / 17 / 20 / 16

HEX #D7B3AC

RGB 215 179 172

HSL 9.77, 0.35%, 0.76%

LAB 75.86, 11.9, 8.43

 

CMYK 0 / 15 / 18 / 9

HEX #E8C5BF

RGB 232 197 191

HSL 8.78, 0.47%, 0.83%

LAB 82.3, 11.44, 7.6

 

CMYK 0 / 14 / 16 / 2

HEX #F9D7D2

RGB 249 215 210

HSL 7.69, 0.76%, 0.9%

LAB 88.64, 11.02, 6.82

 

CMYK 0 / 9 / 10 / 0

HEX #FFE9E5

RGB 255 233 229

HSL 9.23, 1%, 0.95%

LAB 93.97, 6.82, 4.64

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 19 / 21 / 31

HEX #B08F8B

RGB 176 143 139

HSL 6.49, 0.19%, 0.62%

LAB 62.29, 11.79, 6.81

 

CMYK 0 / 21 / 25 / 38

HEX #9F7D78

RGB 159 125 120

HSL 7.69, 0.17%, 0.55%

LAB 55.48, 12.37, 7.74

 

CMYK 0 / 25 / 29 / 44

HEX #8E6B65

RGB 142 107 101

HSL 8.78, 0.17%, 0.48%

LAB 48.52, 13.03, 8.77

 

CMYK 0 / 29 / 34 / 51

HEX #7D5952

RGB 125 89 82

HSL 9.77, 0.21%, 0.41%

LAB 41.4, 13.82, 9.92

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 18 / 18 / 24

HEX #C19E9E

RGB 193 158 158

HSL 0, 0.22%, 0.69%

LAB 68.21, 12.93, 4.87

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 12 / 18 / 24

HEX #C1AA9E

RGB 193 170 158

HSL 20.57, 0.22%, 0.69%

LAB 71.25, 6.37, 9.23

 

CMYK 0 / 7 / 18 / 24

HEX #C1B49E

RGB 193 180 158

HSL 37.71, 0.22%, 0.69%

LAB 73.84, 0.98, 12.89

 

CMYK 0 / 2 / 18 / 24

HEX #C1BD9E

RGB 193 189 158

HSL 53.14, 0.22%, 0.69%

LAB 76.19, -3.79, 16.2

 

CMYK 3 / 0 / 18 / 24

HEX #BBC19E

RGB 187 193 158

HSL 70.29, 0.22%, 0.69%

LAB 76.78, -8.12, 16.95

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 27 / 30 / 19

HEX #CE9691

RGB 206 150 145

HSL 4.92, 0.38%, 0.69%

LAB 67.26, 20.35, 10.94

 

CMYK 0 / 36 / 39 / 15

HEX #DA8C84

RGB 218 140 132

HSL 5.58, 0.54%, 0.69%

LAB 66, 28.75, 16.65

 

CMYK 0 / 44 / 48 / 9

HEX #E78178

RGB 231 129 120

HSL 4.86, 0.7%, 0.69%

LAB 65, 38.23, 22.27

 

CMYK 0 / 51 / 56 / 4

HEX #F4776B

RGB 244 119 107

HSL 5.26, 0.86%, 0.69%

LAB 64.55, 46.93, 29.28

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 4 / 5 / 29

HEX #B4ACAB

RGB 180 172 171

HSL 6.67, 0.06%, 0.69%

LAB 70.97, 2.68, 1.53

 

CMYK 9 / 1 / 0 / 28

HEX #A7B6B8

RGB 167 182 184

HSL 187.06, 0.11%, 0.69%

LAB 72.98, -4.77, -2.8

 

CMYK 21 / 2 / 0 / 23

HEX #9AC1C4

RGB 154 193 196

HSL 184.29, 0.26%, 0.69%

LAB 75.45, -12.25, -5.8

 

CMYK 32 / 3 / 0 / 18

HEX #8ECBD1

RGB 142 203 209

HSL 185.37, 0.42%, 0.69%

LAB 77.91, -17.95, -9.24

 

CMYK 0 / 18 / 10 / 24

HEX #C19EAE

RGB 193 158 174

HSL 332.57, 0.22%, 0.69%

LAB 68.64, 15.58, -3.41

 

CMYK 0 / 18 / 15 / 24

HEX #C19EA4

RGB 193 158 164

HSL 349.71, 0.22%, 0.69%

LAB 68.37, 13.9, 1.75

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 12 / 18 / 24

HEX #C1AA9E

RGB 193 170 158

HSL 20.57, 0.22%, 0.69%

LAB 71.25, 6.37, 9.23

 

CMYK 0 / 7 / 18 / 24

HEX #C1B49E

RGB 193 180 158

HSL 37.71, 0.22%, 0.69%

LAB 73.84, 0.98, 12.89

 

CMYK 0 / 30 / 33 / 37

HEX #A1706C

RGB 161 112 108

HSL 4.53, 0.22%, 0.53%

LAB 52.12, 18.87, 10.02

 

CMYK 0 / 23 / 25 / 31

HEX #B18985

RGB 177 137 133

HSL 5.45, 0.22%, 0.61%

LAB 60.72, 14.62, 8

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 0 / 11 / 12 / 18

HEX #D1B9B7

RGB 209 185 183

HSL 4.62, 0.22%, 0.77%

LAB 77.08, 8.21, 4.14

 

CMYK 0 / 7 / 8 / 12

HEX #E1D2D0

RGB 225 210 208

HSL 7.06, 0.22%, 0.85%

LAB 85.33, 4.84, 2.84

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 5 / 0 / 18 / 24

HEX #B7C19E

RGB 183 193 158

HSL 77.14, 0.22%, 0.69%

LAB 76.48, -9.6, 16.49

 

CMYK 18 / 12 / 0 / 24

HEX #9EA9C1

RGB 158 169 193

HSL 221.14, 0.22%, 0.69%

LAB 69.11, 1.22, -13.58

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 18 / 0 / 17 / 24

HEX #9EC1A1

RGB 158 193 161

HSL 125.14, 0.22%, 0.69%

LAB 74.81, -17.99, 12.28

 

CMYK 17 / 18 / 0 / 24

HEX #A19EC1

RGB 161 158 193

HSL 245.14, 0.22%, 0.69%

LAB 66.43, 8.3, -17.6

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 5 / 0 / 18 / 24

HEX #B7C19E

RGB 183 193 158

HSL 77.14, 0.22%, 0.69%

LAB 76.48, -9.6, 16.49

 

CMYK 18 / 2 / 0 / 24

HEX #9EBEC1

RGB 158 190 193

HSL 185.14, 0.22%, 0.69%

LAB 74.79, -10.08, -5.11

 

CMYK 13 / 18 / 0 / 24

HEX #A89EC1

RGB 168 158 193

HSL 257.14, 0.22%, 0.69%

LAB 67, 10.6, -16.68

 

CMYK 0 / 17 / 18 / 24

HEX #C1A19E

RGB 193 161 158

HSL 5.14, 0.22%, 0.69%

LAB 68.97, 11.28, 5.96

 

CMYK 10 / 0 / 18 / 24

HEX #ADC19E

RGB 173 193 158

HSL 94.29, 0.22%, 0.69%

LAB 75.76, -13.24, 15.37

 

CMYK 18 / 2 / 0 / 24

HEX #9EBEC1

RGB 158 190 193

HSL 185.14, 0.22%, 0.69%

LAB 74.79, -10.08, -5.11

 

CMYK 8 / 18 / 0 / 24

HEX #B29EC1

RGB 178 158 193

HSL 274.29, 0.22%, 0.69%

LAB 67.85, 13.93, -15.31

 

Description

Color code: HEX #C1A19E | qconv.com Color code: HEX #C1A19E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 161 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 161 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 18 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 18% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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