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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1B5E2 it is the complementary color #3E4A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1B5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1B5E2 shade: #C6B5DD, #D7C7F0, #E8D9FF, #F9EBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1B5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1B5E2 shade: #C1B5E2, #B0A3CF, #9F91BC, #8E7FA9 and #7D6D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1B5E2 shade: #C1B5E2, #CDB5E2, #D9B5E2, #E2B5DF and #E2B5D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1B5E2 shade: #C1B5E2 and #B5B5E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1B5E2 shade matches the following richer shades: #C1B5E2, #BDADEA, #B9A5F2 and #B59CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1B5E2 shade: #C1B5E2, #C5BDDA, #C9C6D1, #CDCEC9 and #D0D6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1B5E2 shade: #B5C1E2, #B5B5E2, #C1B5E2, #CDB5E2 and #D9B5E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1B5E2 shade: #8F7ACB, #A897D6, #C1B5E2, #DAD3ED and #F3F0F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1B5E2 shade: #C1B5E2, #E2B5CD and #BBE2B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1B5E2 shade: #C1B5E2, #E2C1B5 and #B5E2C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1B5E2 shade: #C1B5E2, #E2B5CD, #D6E2B5 and #B5E2CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1B5E2 shade: #C1B5E2, #E2B5C0, #D6E2B5 and #B5E2D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

Complementary color

CMYK 16 / 0 / 61 / 71

HEX #3E4A1D

RGB 62 74 29

HSL 76, 0.44%, 0.2%

LAB 29.44, -12.89, 24.9

 

CMYK 10 / 18 / 0 / 13

HEX #C6B5DD

RGB 198 181 221

HSL 265.5, 0.37%, 0.79%

LAB 76.24, 13.62, -17.85

 

CMYK 10 / 17 / 0 / 6

HEX #D7C7F0

RGB 215 199 240

HSL 263.41, 0.58%, 0.86%

LAB 82.69, 13.25, -18.19

 

CMYK 9 / 15 / 0 / 0

HEX #E8D9FF

RGB 232 217 255

HSL 263.68, 1%, 0.93%

LAB 88.92, 12.12, -16.62

 

CMYK 2 / 8 / 0 / 0

HEX #F9EBFF

RGB 249 235 255

HSL 282, 1%, 0.96%

LAB 94.64, 8.24, -7.94

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 15 / 21 / 0 / 19

HEX #B0A3CF

RGB 176 163 207

HSL 257.73, 0.31%, 0.73%

LAB 69.42, 13.45, -20.7

 

CMYK 15 / 23 / 0 / 26

HEX #9F91BC

RGB 159 145 188

HSL 259.53, 0.24%, 0.65%

LAB 62.72, 13.88, -20.45

 

CMYK 16 / 25 / 0 / 34

HEX #8E7FA9

RGB 142 127 169

HSL 261.43, 0.2%, 0.58%

LAB 55.88, 14.35, -20.21

 

CMYK 17 / 27 / 0 / 41

HEX #7D6D96

RGB 125 109 150

HSL 263.41, 0.16%, 0.51%

LAB 48.88, 14.88, -20

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 9 / 20 / 0 / 11

HEX #CDB5E2

RGB 205 181 226

HSL 272, 0.44%, 0.8%

LAB 76.99, 16.91, -19.37

 

CMYK 4 / 20 / 0 / 11

HEX #D9B5E2

RGB 217 181 226

HSL 288, 0.44%, 0.8%

LAB 78.05, 20.83, -17.67

 

CMYK 0 / 20 / 1 / 11

HEX #E2B5DF

RGB 226 181 223

HSL 304, 0.44%, 0.8%

LAB 78.78, 23.25, -14.86

 

CMYK 0 / 20 / 7 / 11

HEX #E2B5D2

RGB 226 181 210

HSL 321.33, 0.44%, 0.8%

LAB 78.39, 20.94, -8.42

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 20 / 20 / 0 / 11

HEX #B5B5E2

RGB 181 181 226

HSL 240, 0.44%, 0.8%

LAB 75.05, 9.29, -22.49

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 19 / 26 / 0 / 8

HEX #BDADEA

RGB 189 173 234

HSL 255.74, 0.59%, 0.8%

LAB 73.96, 17.95, -28.44

 

CMYK 24 / 32 / 0 / 5

HEX #B9A5F2

RGB 185 165 242

HSL 255.58, 0.75%, 0.8%

LAB 71.98, 23.01, -35.87

 

CMYK 28 / 38 / 0 / 2

HEX #B59CFB

RGB 181 156 251

HSL 255.79, 0.92%, 0.8%

LAB 69.87, 29.03, -44.09

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 10 / 13 / 0 / 15

HEX #C5BDDA

RGB 197 189 218

HSL 256.55, 0.28%, 0.8%

LAB 78.07, 8.34, -13.48

 

CMYK 4 / 5 / 0 / 18

HEX #C9C6D1

RGB 201 198 209

HSL 256.36, 0.11%, 0.8%

LAB 80.41, 3.09, -5.12

 

CMYK 0 / 0 / 2 / 19

HEX #CDCEC9

RGB 205 206 201

HSL 72, 0.05%, 0.8%

LAB 82.56, -1.24, 2.35

 

CMYK 3 / 0 / 10 / 16

HEX #D0D6C1

RGB 208 214 193

HSL 77.14, 0.2%, 0.8%

LAB 84.67, -5.74, 9.66

 

CMYK 20 / 15 / 0 / 11

HEX #B5C1E2

RGB 181 193 226

HSL 224, 0.44%, 0.8%

LAB 78.14, 2.77, -17.81

 

CMYK 20 / 20 / 0 / 11

HEX #B5B5E2

RGB 181 181 226

HSL 240, 0.44%, 0.8%

LAB 75.05, 9.29, -22.49

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 9 / 20 / 0 / 11

HEX #CDB5E2

RGB 205 181 226

HSL 272, 0.44%, 0.8%

LAB 76.99, 16.91, -19.37

 

CMYK 4 / 20 / 0 / 11

HEX #D9B5E2

RGB 217 181 226

HSL 288, 0.44%, 0.8%

LAB 78.05, 20.83, -17.67

 

CMYK 30 / 40 / 0 / 20

HEX #8F7ACB

RGB 143 122 203

HSL 255.56, 0.44%, 0.64%

LAB 56.16, 25.84, -39.21

 

CMYK 21 / 29 / 0 / 16

HEX #A897D6

RGB 168 151 214

HSL 256.19, 0.43%, 0.72%

LAB 65.99, 19.25, -29.89

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 8 / 11 / 0 / 7

HEX #DAD3ED

RGB 218 211 237

HSL 256.15, 0.42%, 0.88%

LAB 85.81, 7.24, -11.89

 

CMYK 2 / 4 / 0 / 2

HEX #F3F0F9

RGB 243 240 249

HSL 260, 0.43%, 0.96%

LAB 95.25, 2.61, -3.98

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 0 / 20 / 9 / 11

HEX #E2B5CD

RGB 226 181 205

HSL 328, 0.44%, 0.8%

LAB 78.24, 20.08, -5.92

 

CMYK 17 / 0 / 20 / 11

HEX #BBE2B5

RGB 187 226 181

HSL 112, 0.44%, 0.8%

LAB 86.15, -21.07, 17.87

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 0 / 15 / 20 / 11

HEX #E2C1B5

RGB 226 193 181

HSL 16, 0.44%, 0.8%

LAB 80.54, 9.85, 10.38

 

CMYK 20 / 0 / 15 / 11

HEX #B5E2C1

RGB 181 226 193

HSL 136, 0.44%, 0.8%

LAB 86.04, -20.96, 11.38

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 0 / 20 / 9 / 11

HEX #E2B5CD

RGB 226 181 205

HSL 328, 0.44%, 0.8%

LAB 78.24, 20.08, -5.92

 

CMYK 5 / 0 / 20 / 11

HEX #D6E2B5

RGB 214 226 181

HSL 76, 0.44%, 0.8%

LAB 87.98, -11.62, 20.69

 

CMYK 20 / 0 / 11 / 11

HEX #B5E2CA

RGB 181 226 202

HSL 148, 0.44%, 0.8%

LAB 86.25, -19.28, 6.94

 

CMYK 15 / 20 / 0 / 11

HEX #C1B5E2

RGB 193 181 226

HSL 256, 0.44%, 0.8%

LAB 75.99, 13.05, -20.97

 

CMYK 0 / 20 / 15 / 11

HEX #E2B5C0

RGB 226 181 192

HSL 345.33, 0.44%, 0.8%

LAB 77.89, 17.95, 0.61

 

CMYK 5 / 0 / 20 / 11

HEX #D6E2B5

RGB 214 226 181

HSL 76, 0.44%, 0.8%

LAB 87.98, -11.62, 20.69

 

CMYK 20 / 0 / 5 / 11

HEX #B5E2D7

RGB 181 226 215

HSL 165.33, 0.44%, 0.8%

LAB 86.56, -16.73, 0.56

 

Description

Color code: HEX #C1B5E2 | qconv.com Color code: HEX #C1B5E2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 181 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 181 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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