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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1B229 it is the complementary color #3E4DD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1B229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1B229 shade: #C6B224, #D7C437, #E8D64A, #F9E85D and #FFFA70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1B229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1B229 shade: #C1B229, #B0A016, #9F8E03, #8E7C00 and #7D6A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1B229 shade: #C1B229, #C18929, #C16029, #C13729 and #C12929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1B229 shade: #C1B229, #A7C129, #7EC129, #55C129 and #2CC129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1B229 shade matches the following richer shades: #C1B229, #D4C116 and #E7D003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1B229 shade: #C1B229, #AEA33C, #9B944F, #888461 and #757574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1B229 shade: #C16029, #C18929, #C1B229, #A8C129 and #7FC129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1B229 shade: #7D731A, #9F9321, #C1B229, #D6C73D and #DDD05F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1B229 shade: #C1B229, #29C138 and #7529C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1B229 shade: #C1B229, #29C1B2 and #B229C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1B229 shade: #C1B229, #29C138, #2938C1 and #C129B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1B229 shade: #C1B229, #29C166, #2938C1 and #C12984

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

Complementary color

CMYK 71 / 64 / 0 / 16

HEX #3E4DD6

RGB 62 77 214

HSL 234.08, 0.65%, 0.54%

LAB 39.89, 39.56, -71.94

 

CMYK 0 / 10 / 82 / 22

HEX #C6B224

RGB 198 178 36

HSL 52.59, 0.69%, 0.46%

LAB 72.21, -7.01, 68.07

 

CMYK 0 / 9 / 74 / 16

HEX #D7C437

RGB 215 196 55

HSL 52.88, 0.67%, 0.53%

LAB 78.58, -8.25, 68.47

 

CMYK 0 / 8 / 68 / 9

HEX #E8D64A

RGB 232 214 74

HSL 53.16, 0.77%, 0.6%

LAB 84.87, -9.3, 68.19

 

CMYK 0 / 7 / 63 / 2

HEX #F9E85D

RGB 249 232 93

HSL 53.46, 0.93%, 0.67%

LAB 91.07, -10.2, 67.51

 

CMYK 0 / 2 / 56 / 0

HEX #FFFA70

RGB 255 250 112

HSL 57.9, 1%, 0.72%

LAB 96.33, -15.36, 65.4

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 0 / 9 / 88 / 31

HEX #B0A016

RGB 176 160 22

HSL 53.77, 0.78%, 0.39%

LAB 65.3, -7.68, 64.96

 

CMYK 0 / 11 / 98 / 38

HEX #9F8E03

RGB 159 142 3

HSL 53.46, 0.96%, 0.32%

LAB 58.72, -6.08, 62.45

 

CMYK 0 / 13 / 100 / 44

HEX #8E7C00

RGB 142 124 0

HSL 52.39, 1%, 0.28%

LAB 52.02, -4.16, 57.39

 

CMYK 0 / 15 / 100 / 51

HEX #7D6A00

RGB 125 106 0

HSL 50.88, 1%, 0.25%

LAB 45.18, -2.1, 51.72

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 0 / 29 / 79 / 24

HEX #C18929

RGB 193 137 41

HSL 37.89, 0.65%, 0.46%

LAB 61.12, 12.99, 56.37

 

CMYK 0 / 50 / 79 / 24

HEX #C16029

RGB 193 96 41

HSL 21.71, 0.65%, 0.46%

LAB 51.68, 35.22, 47.39

 

CMYK 0 / 72 / 79 / 24

HEX #C13729

RGB 193 55 41

HSL 5.53, 0.65%, 0.46%

LAB 44.56, 53.93, 40.27

 

CMYK 0 / 79 / 79 / 24

HEX #C12929

RGB 193 41 41

HSL 0, 0.65%, 0.46%

LAB 42.89, 58.58, 38.54

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 13 / 0 / 79 / 24

HEX #A7C129

RGB 167 193 41

HSL 70.26, 0.65%, 0.46%

LAB 73.88, -27.64, 67.17

 

CMYK 35 / 0 / 79 / 24

HEX #7EC129

RGB 126 193 41

HSL 86.45, 0.65%, 0.46%

LAB 71.38, -43.63, 63.96

 

CMYK 56 / 0 / 79 / 24

HEX #55C129

RGB 85 193 41

HSL 102.63, 0.65%, 0.46%

LAB 69.63, -56.56, 61.7

 

CMYK 77 / 0 / 79 / 24

HEX #2CC129

RGB 44 193 41

HSL 118.82, 0.65%, 0.46%

LAB 68.63, -64.9, 60.4

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 0 / 9 / 90 / 17

HEX #D4C116

RGB 212 193 22

HSL 54, 0.81%, 0.46%

LAB 77.4, -8.97, 75.92

 

CMYK 0 / 10 / 99 / 9

HEX #E7D003

RGB 231 208 3

HSL 53.95, 0.97%, 0.46%

LAB 82.97, -8.61, 83.04

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 0 / 6 / 66 / 32

HEX #AEA33C

RGB 174 163 60

HSL 54.21, 0.49%, 0.46%

LAB 66.15, -8.57, 53

 

CMYK 0 / 5 / 49 / 39

HEX #9B944F

RGB 155 148 79

HSL 54.47, 0.32%, 0.46%

LAB 60.53, -7.3, 37.15

 

CMYK 0 / 3 / 29 / 47

HEX #888461

RGB 136 132 97

HSL 53.85, 0.17%, 0.46%

LAB 54.66, -4.4, 19.49

 

CMYK 0 / 0 / 1 / 54

HEX #757574

RGB 117 117 116

HSL 60, 0%, 0.46%

LAB 49.21, -0.2, 0.54

 

CMYK 0 / 50 / 79 / 24

HEX #C16029

RGB 193 96 41

HSL 21.71, 0.65%, 0.46%

LAB 51.68, 35.22, 47.39

 

CMYK 0 / 29 / 79 / 24

HEX #C18929

RGB 193 137 41

HSL 37.89, 0.65%, 0.46%

LAB 61.12, 12.99, 56.37

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 13 / 0 / 79 / 24

HEX #A8C129

RGB 168 193 41

HSL 69.87, 0.65%, 0.46%

LAB 73.95, -27.23, 67.26

 

CMYK 34 / 0 / 79 / 24

HEX #7FC129

RGB 127 193 41

HSL 86.05, 0.65%, 0.46%

LAB 71.43, -43.27, 64.02

 

CMYK 0 / 8 / 79 / 51

HEX #7D731A

RGB 125 115 26

HSL 53.94, 0.66%, 0.3%

LAB 47.87, -6.48, 47.02

 

CMYK 0 / 8 / 79 / 38

HEX #9F9321

RGB 159 147 33

HSL 54.29, 0.66%, 0.38%

LAB 60.2, -8.07, 57.04

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 0 / 7 / 71 / 16

HEX #D6C73D

RGB 214 199 61

HSL 54.12, 0.65%, 0.54%

LAB 79.32, -9.94, 67.03

 

CMYK 0 / 6 / 57 / 13

HEX #DDD05F

RGB 221 208 95

HSL 53.81, 0.65%, 0.62%

LAB 82.55, -9.53, 56.61

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 79 / 0 / 71 / 24

HEX #29C138

RGB 41 193 56

HSL 125.92, 0.65%, 0.46%

LAB 68.68, -64.17, 55.28

 

CMYK 39 / 79 / 0 / 24

HEX #7529C1

RGB 117 41 193

HSL 270, 0.65%, 0.46%

LAB 36.4, 59.96, -65.28

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 79 / 0 / 8 / 24

HEX #29C1B2

RGB 41 193 178

HSL 174.08, 0.65%, 0.46%

LAB 70.75, -41.15, -3.4

 

CMYK 8 / 79 / 0 / 24

HEX #B229C1

RGB 178 41 193

HSL 294.08, 0.65%, 0.46%

LAB 45.5, 70.67, -50.11

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 79 / 0 / 71 / 24

HEX #29C138

RGB 41 193 56

HSL 125.92, 0.65%, 0.46%

LAB 68.68, -64.17, 55.28

 

CMYK 79 / 71 / 0 / 24

HEX #2938C1

RGB 41 56 193

HSL 234.08, 0.65%, 0.46%

LAB 32.15, 42.99, -72.52

 

CMYK 0 / 79 / 8 / 24

HEX #C129B2

RGB 193 41 178

HSL 305.92, 0.65%, 0.46%

LAB 47.15, 71.29, -38.54

 

CMYK 0 / 8 / 79 / 24

HEX #C1B229

RGB 193 178 41

HSL 54.08, 0.65%, 0.46%

LAB 71.78, -9.03, 66.06

 

CMYK 79 / 0 / 47 / 24

HEX #29C166

RGB 41 193 102

HSL 144.08, 0.65%, 0.46%

LAB 69.16, -58.32, 35.01

 

CMYK 79 / 71 / 0 / 24

HEX #2938C1

RGB 41 56 193

HSL 234.08, 0.65%, 0.46%

LAB 32.15, 42.99, -72.52

 

CMYK 0 / 79 / 32 / 24

HEX #C12984

RGB 193 41 132

HSL 324.08, 0.65%, 0.46%

LAB 45.07, 65.26, -14.21

 

Description

Color code: HEX #C1B229 | qconv.com Color code: HEX #C1B229 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 178 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 178 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 79 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 79% 24% C M Y K

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Provide designers and agencies with accurate color values.

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