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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1BB04 it is the complementary color #3E44FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1BB04. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1BB04 shade: #C6BB00, #D7CD12, #E8DF25, #F9F138 and #FFFF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1BB04. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1BB04 shade: #C1BB04, #B0A900, #9F9700, #8E8500 and #7D7300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1BB04 shade: #C2BC03, #C28903, #C25503, #C22203 and #C20303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1BB04 shade: #C2BC03, #95C203, #61C203, #2EC203 and #03C20C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1BB04 shade matches the following richer shades: #C2BC03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1BB04 shade: #C2BC03, #B2AD14, #A29E24, #928F34 and #828044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1BB04 shade: #C25603, #C28903, #C2BC03, #96C203 and #63C203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1BB04 shade: #726E02, #9A9503, #C2BC03, #EBE404 and #FAF31E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1BB04 shade: #C1BB04, #03C223 and #7003C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1BB04 shade: #C1BB04, #03C2BC and #BC03C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1BB04 shade: #C1BB04, #03C223, #030AC2 and #C203A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1BB04 shade: #C1BB04, #03C25D, #030AC2 and #C20369

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 98 / 24

HEX #C1BB04

RGB 193 187 4

HSL 58.1, 0.96%, 0.39%

LAB 74.12, -14.42, 75

 

Complementary color

CMYK 75 / 73 / 0 / 2

HEX #3E44FB

RGB 62 68 251

HSL 238.1, 0.96%, 0.61%

LAB 41.41, 57.03, -90.42

 

CMYK 0 / 6 / 100 / 22

HEX #C6BB00

RGB 198 187 0

HSL 56.67, 1%, 0.39%

LAB 74.54, -12.28, 75.93

 

CMYK 0 / 5 / 92 / 16

HEX #D7CD12

RGB 215 205 18

HSL 56.95, 0.85%, 0.46%

LAB 80.82, -13.81, 79.29

 

CMYK 0 / 4 / 84 / 9

HEX #E8DF25

RGB 232 223 37

HSL 57.23, 0.81%, 0.53%

LAB 87.03, -15.17, 81.45

 

CMYK 0 / 3 / 78 / 2

HEX #F9F138

RGB 249 241 56

HSL 57.51, 0.94%, 0.6%

LAB 93.16, -16.35, 82.51

 

CMYK 0 / 0 / 71 / 0

HEX #FFFF4B

RGB 255 255 75

HSL 60, 1%, 0.65%

LAB 97.34, -19.9, 80.72

 

CMYK 0 / 3 / 98 / 24

HEX #C1BB04

RGB 193 187 4

HSL 58.1, 0.96%, 0.39%

LAB 74.12, -14.42, 75

 

CMYK 0 / 4 / 100 / 31

HEX #B0A900

RGB 176 169 0

HSL 57.61, 1%, 0.35%

LAB 67.73, -12.73, 70.13

 

CMYK 0 / 5 / 100 / 38

HEX #9F9700

RGB 159 151 0

HSL 56.98, 1%, 0.31%

LAB 61.22, -10.95, 64.73

 

CMYK 0 / 6 / 100 / 44

HEX #8E8500

RGB 142 133 0

HSL 56.2, 1%, 0.28%

LAB 54.58, -9.11, 59.22

 

CMYK 0 / 8 / 100 / 51

HEX #7D7300

RGB 125 115 0

HSL 55.2, 1%, 0.25%

LAB 47.78, -7.21, 53.58

 

CMYK 0 / 3 / 98 / 24

HEX #C2BC03

RGB 194 188 3

HSL 58.12, 0.97%, 0.39%

LAB 74.47, -14.5, 75.4

 

CMYK 0 / 29 / 98 / 24

HEX #C28903

RGB 194 137 3

HSL 42.09, 0.97%, 0.39%

LAB 61.1, 12.6, 65.85

 

CMYK 0 / 56 / 98 / 24

HEX #C25503

RGB 194 85 3

HSL 25.76, 0.97%, 0.39%

LAB 49.46, 40.37, 58.31

 

CMYK 0 / 82 / 98 / 24

HEX #C22203

RGB 194 34 3

HSL 9.74, 0.97%, 0.39%

LAB 42.18, 60.04, 54.39

 

CMYK 0 / 98 / 98 / 24

HEX #C20303

RGB 194 3 3

HSL 0, 0.97%, 0.39%

LAB 40.48, 64.93, 53.64

 

CMYK 0 / 3 / 98 / 24

HEX #C2BC03

RGB 194 188 3

HSL 58.12, 0.97%, 0.39%

LAB 74.47, -14.5, 75.4

 

CMYK 23 / 0 / 98 / 24

HEX #95C203

RGB 149 194 3

HSL 74.14, 0.97%, 0.39%

LAB 72.88, -36.34, 72.75

 

CMYK 50 / 0 / 98 / 24

HEX #61C203

RGB 97 194 3

HSL 90.47, 0.97%, 0.39%

LAB 70.27, -54.77, 69.59

 

CMYK 76 / 0 / 98 / 24

HEX #2EC203

RGB 46 194 3

HSL 106.49, 0.97%, 0.39%

LAB 68.87, -66.3, 67.89

 

CMYK 98 / 0 / 94 / 24

HEX #03C20C

RGB 3 194 12

HSL 122.83, 0.97%, 0.39%

LAB 68.48, -69.78, 66.38

 

CMYK 0 / 3 / 98 / 24

HEX #C2BC03

RGB 194 188 3

HSL 58.12, 0.97%, 0.39%

LAB 74.47, -14.5, 75.4

 

CMYK 0 / 3 / 98 / 24

HEX #C2BC03

RGB 194 188 3

HSL 58.12, 0.97%, 0.39%

LAB 74.47, -14.5, 75.4

 

CMYK 0 / 3 / 89 / 30

HEX #B2AD14

RGB 178 173 20

HSL 58.1, 0.8%, 0.39%

LAB 69.04, -13.62, 68.44

 

CMYK 0 / 2 / 78 / 36

HEX #A29E24

RGB 162 158 36

HSL 58.1, 0.64%, 0.39%

LAB 63.56, -12.45, 59.21

 

CMYK 0 / 2 / 64 / 43

HEX #928F34

RGB 146 143 52

HSL 58.09, 0.47%, 0.39%

LAB 58.04, -10.77, 47.18

 

CMYK 0 / 2 / 48 / 49

HEX #828044

RGB 130 128 68

HSL 58.06, 0.31%, 0.39%

LAB 52.51, -8.34, 32.65

 

CMYK 0 / 56 / 98 / 24

HEX #C25603

RGB 194 86 3

HSL 26.07, 0.97%, 0.39%

LAB 49.66, 39.87, 58.42

 

CMYK 0 / 29 / 98 / 24

HEX #C28903

RGB 194 137 3

HSL 42.09, 0.97%, 0.39%

LAB 61.1, 12.6, 65.85

 

CMYK 0 / 3 / 98 / 24

HEX #C2BC03

RGB 194 188 3

HSL 58.12, 0.97%, 0.39%

LAB 74.47, -14.5, 75.4

 

CMYK 23 / 0 / 98 / 24

HEX #96C203

RGB 150 194 3

HSL 73.82, 0.97%, 0.39%

LAB 72.94, -35.94, 72.82

 

CMYK 49 / 0 / 98 / 24

HEX #63C203

RGB 99 194 3

HSL 89.84, 0.97%, 0.39%

LAB 70.35, -54.17, 69.69

 

CMYK 0 / 4 / 98 / 55

HEX #726E02

RGB 114 110 2

HSL 57.86, 0.97%, 0.23%

LAB 45.27, -9.64, 50.82

 

CMYK 0 / 3 / 98 / 40

HEX #9A9503

RGB 154 149 3

HSL 58.01, 0.96%, 0.31%

LAB 60.22, -12.12, 63.35

 

CMYK 0 / 3 / 98 / 24

HEX #C2BC03

RGB 194 188 3

HSL 58.12, 0.97%, 0.39%

LAB 74.47, -14.5, 75.4

 

CMYK 0 / 3 / 98 / 8

HEX #EBE404

RGB 235 228 4

HSL 58.18, 0.97%, 0.47%

LAB 88.52, -16.84, 87.16

 

CMYK 0 / 3 / 88 / 2

HEX #FAF31E

RGB 250 243 30

HSL 58.09, 0.96%, 0.55%

LAB 93.68, -17.56, 88.72

 

CMYK 0 / 3 / 98 / 24

HEX #C1BB04

RGB 193 187 4

HSL 58.1, 0.96%, 0.39%

LAB 74.12, -14.42, 75

 

CMYK 98 / 0 / 82 / 24

HEX #03C223

RGB 3 194 35

HSL 130.05, 0.97%, 0.39%

LAB 68.55, -68.88, 61.91

 

CMYK 42 / 98 / 0 / 24

HEX #7003C2

RGB 112 3 194

HSL 274.24, 0.97%, 0.39%

LAB 32.71, 68.69, -71.94

 

CMYK 0 / 3 / 98 / 24

HEX #C1BB04

RGB 193 187 4

HSL 58.1, 0.96%, 0.39%

LAB 74.12, -14.42, 75

 

CMYK 98 / 0 / 3 / 24

HEX #03C2BC

RGB 3 194 188

HSL 178.12, 0.97%, 0.39%

LAB 71.03, -40.84, -8.48

 

CMYK 3 / 98 / 0 / 24

HEX #BC03C2

RGB 188 3 194

HSL 298.12, 0.97%, 0.39%

LAB 45.15, 78.76, -51.15

 

CMYK 0 / 3 / 98 / 24

HEX #C1BB04

RGB 193 187 4

HSL 58.1, 0.96%, 0.39%

LAB 74.12, -14.42, 75

 

CMYK 98 / 0 / 82 / 24

HEX #03C223

RGB 3 194 35

HSL 130.05, 0.97%, 0.39%

LAB 68.55, -68.88, 61.91

 

CMYK 98 / 95 / 0 / 24

HEX #030AC2

RGB 3 10 194

HSL 237.8, 0.97%, 0.39%

LAB 24.1, 62.27, -86.5

 

CMYK 0 / 98 / 16 / 24

HEX #C203A3

RGB 194 3 163

HSL 309.74, 0.97%, 0.39%

LAB 44.49, 75.46, -33.83

 

CMYK 0 / 3 / 98 / 24

HEX #C1BB04

RGB 193 187 4

HSL 58.1, 0.96%, 0.39%

LAB 74.12, -14.42, 75

 

CMYK 98 / 0 / 52 / 24

HEX #03C25D

RGB 3 194 93

HSL 148.27, 0.97%, 0.39%

LAB 69.04, -62.8, 39.26

 

CMYK 98 / 95 / 0 / 24

HEX #030AC2

RGB 3 10 194

HSL 237.8, 0.97%, 0.39%

LAB 24.1, 62.27, -86.5

 

CMYK 0 / 98 / 46 / 24

HEX #C20369

RGB 194 3 105

HSL 327.96, 0.97%, 0.39%

LAB 42.08, 69.27, -1.94

 

Description

Color code: HEX #C1BB04 | qconv.com Color code: HEX #C1BB04 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 187 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 187 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 98 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 98% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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