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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1D552 it is the complementary color #3E2AAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1D552. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1D552 shade: #C6D54D, #D7E760, #E8F973, #F9FF86 and #FFFF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1D552. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1D552 shade: #C1D552, #B0C33F, #9FB12C, #8E9F19 and #7D8D06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1D552 shade: #C1D552, #D5C552, #D5A252, #D57F52 and #D55C52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1D552 shade: #C1D552, #9ED552, #7AD552, #57D552 and #52D570

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1D552 shade matches the following richer shades: #C1D552, #CDE641 and #D9F72F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1D552 shade: #C1D552, #B5C363, #A9B275, #9DA186 and #918F97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1D552 shade: #D5A352, #D5C552, #C1D552, #9ED552 and #7BD552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1D552 shade: #97AB29, #B5CC31, #C1D552, #CDDD73 and #D9E594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1D552 shade: #C1D552, #52D580 and #B452D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1D552 shade: #C1D552, #52C1D5 and #D552C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1D552 shade: #C1D552, #52D580, #6652D5 and #D552A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1D552 shade: #C1D552, #52D5A7, #6652D5 and #D55280

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

Complementary color

CMYK 64 / 76 / 0 / 32

HEX #3E2AAD

RGB 62 42 173

HSL 249.16, 0.61%, 0.42%

LAB 28.64, 46.43, -66.39

 

CMYK 7 / 0 / 64 / 16

HEX #C6D54D

RGB 198 213 77

HSL 66.62, 0.62%, 0.57%

LAB 81.91, -22.68, 63.1

 

CMYK 7 / 0 / 58 / 9

HEX #D7E760

RGB 215 231 96

HSL 67.11, 0.74%, 0.64%

LAB 88.18, -23.23, 62.34

 

CMYK 7 / 0 / 54 / 2

HEX #E8F973

RGB 232 249 115

HSL 67.61, 0.92%, 0.71%

LAB 94.37, -23.68, 61.41

 

CMYK 2 / 0 / 47 / 0

HEX #F9FF86

RGB 249 255 134

HSL 62.98, 1%, 0.76%

LAB 97.38, -18.35, 56.67

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF99

RGB 255 255 153

HSL 60, 1%, 0.8%

LAB 98.07, -14.23, 48.66

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 10 / 0 / 68 / 24

HEX #B0C33F

RGB 176 195 63

HSL 68.64, 0.52%, 0.51%

LAB 75.21, -23.8, 61.2

 

CMYK 10 / 0 / 75 / 31

HEX #9FB12C

RGB 159 177 44

HSL 68.12, 0.6%, 0.43%

LAB 68.75, -23.08, 61.3

 

CMYK 11 / 0 / 84 / 38

HEX #8E9F19

RGB 142 159 25

HSL 67.61, 0.73%, 0.36%

LAB 62.18, -22.16, 60.52

 

CMYK 11 / 0 / 96 / 45

HEX #7D8D06

RGB 125 141 6

HSL 67.11, 0.92%, 0.29%

LAB 55.51, -21, 58.25

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 0 / 8 / 62 / 16

HEX #D5C552

RGB 213 197 82

HSL 52.67, 0.61%, 0.58%

LAB 78.86, -8.16, 58.1

 

CMYK 0 / 24 / 62 / 16

HEX #D5A252

RGB 213 162 82

HSL 36.64, 0.61%, 0.58%

LAB 69.89, 10.26, 48.09

 

CMYK 0 / 40 / 62 / 16

HEX #D57F52

RGB 213 127 82

HSL 20.61, 0.61%, 0.58%

LAB 61.6, 29.14, 38.34

 

CMYK 0 / 57 / 62 / 16

HEX #D55C52

RGB 213 92 82

HSL 4.58, 0.61%, 0.58%

LAB 54.46, 46.97, 29.53

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 26 / 0 / 62 / 16

HEX #9ED552

RGB 158 213 82

HSL 85.19, 0.61%, 0.58%

LAB 79.31, -37.95, 57.46

 

CMYK 43 / 0 / 62 / 16

HEX #7AD552

RGB 122 213 82

HSL 101.68, 0.61%, 0.58%

LAB 77.48, -50.3, 54.92

 

CMYK 59 / 0 / 62 / 16

HEX #57D552

RGB 87 213 82

HSL 117.71, 0.61%, 0.58%

LAB 76.21, -59.88, 53.14

 

CMYK 62 / 0 / 47 / 16

HEX #52D570

RGB 82 213 112

HSL 133.74, 0.61%, 0.58%

LAB 76.41, -57.12, 39.36

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 11 / 0 / 72 / 10

HEX #CDE641

RGB 205 230 65

HSL 69.09, 0.77%, 0.58%

LAB 86.97, -28.65, 72.81

 

CMYK 12 / 0 / 81 / 3

HEX #D9F72F

RGB 217 247 47

HSL 69, 0.93%, 0.58%

LAB 92.34, -32.46, 83.21

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 7 / 0 / 49 / 24

HEX #B5C363

RGB 181 195 99

HSL 68.75, 0.44%, 0.58%

LAB 75.92, -18.95, 46.22

 

CMYK 5 / 0 / 34 / 30

HEX #A9B275

RGB 169 178 117

HSL 68.85, 0.28%, 0.58%

LAB 70.57, -13.07, 30.17

 

CMYK 2 / 0 / 17 / 37

HEX #9DA186

RGB 157 161 134

HSL 68.89, 0.13%, 0.58%

LAB 65.26, -6.27, 13.6

 

CMYK 4 / 5 / 0 / 41

HEX #918F97

RGB 145 143 151

HSL 255, 0.04%, 0.58%

LAB 59.8, 2.32, -3.98

 

CMYK 0 / 23 / 62 / 16

HEX #D5A352

RGB 213 163 82

HSL 37.1, 0.61%, 0.58%

LAB 70.14, 9.73, 48.37

 

CMYK 0 / 8 / 62 / 16

HEX #D5C552

RGB 213 197 82

HSL 52.67, 0.61%, 0.58%

LAB 78.86, -8.16, 58.1

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 26 / 0 / 62 / 16

HEX #9ED552

RGB 158 213 82

HSL 85.19, 0.61%, 0.58%

LAB 79.31, -37.95, 57.46

 

CMYK 42 / 0 / 62 / 16

HEX #7BD552

RGB 123 213 82

HSL 101.22, 0.61%, 0.58%

LAB 77.52, -49.99, 54.98

 

CMYK 12 / 0 / 76 / 33

HEX #97AB29

RGB 151 171 41

HSL 69.23, 0.61%, 0.42%

LAB 66.42, -23.64, 59.9

 

CMYK 11 / 0 / 76 / 20

HEX #B5CC31

RGB 181 204 49

HSL 68.9, 0.61%, 0.5%

LAB 78.01, -26.81, 68.92

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 7 / 0 / 48 / 13

HEX #CDDD73

RGB 205 221 115

HSL 69.06, 0.61%, 0.66%

LAB 84.96, -20.73, 49.84

 

CMYK 5 / 0 / 35 / 10

HEX #D9E594

RGB 217 229 148

HSL 68.89, 0.61%, 0.74%

LAB 88.41, -16.47, 38.2

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 62 / 0 / 40 / 16

HEX #52D580

RGB 82 213 128

HSL 141.07, 0.61%, 0.58%

LAB 76.64, -54.52, 31.63

 

CMYK 15 / 62 / 0 / 16

HEX #B452D5

RGB 180 82 213

HSL 284.89, 0.61%, 0.58%

LAB 52.44, 59.39, -50.51

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 62 / 9 / 0 / 16

HEX #52C1D5

RGB 82 193 213

HSL 189.16, 0.61%, 0.58%

LAB 72.72, -25.54, -19.46

 

CMYK 0 / 62 / 9 / 16

HEX #D552C1

RGB 213 82 193

HSL 309.16, 0.61%, 0.58%

LAB 56.12, 64.1, -32.96

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 62 / 0 / 40 / 16

HEX #52D580

RGB 82 213 128

HSL 141.07, 0.61%, 0.58%

LAB 76.64, -54.52, 31.63

 

CMYK 52 / 62 / 0 / 16

HEX #6652D5

RGB 102 82 213

HSL 249.16, 0.61%, 0.58%

LAB 43.75, 42.36, -64.96

 

CMYK 0 / 62 / 22 / 16

HEX #D552A7

RGB 213 82 167

HSL 321.07, 0.61%, 0.58%

LAB 55.04, 60.28, -19.57

 

CMYK 9 / 0 / 62 / 16

HEX #C1D552

RGB 193 213 82

HSL 69.16, 0.61%, 0.58%

LAB 81.58, -24.37, 60.6

 

CMYK 62 / 0 / 22 / 16

HEX #52D5A7

RGB 82 213 167

HSL 158.93, 0.61%, 0.58%

LAB 77.38, -46.72, 12.23

 

CMYK 52 / 62 / 0 / 16

HEX #6652D5

RGB 102 82 213

HSL 249.16, 0.61%, 0.58%

LAB 43.75, 42.36, -64.96

 

CMYK 0 / 62 / 40 / 16

HEX #D55280

RGB 213 82 128

HSL 338.93, 0.61%, 0.58%

LAB 53.75, 55.52, 1.48

 

Description

Color code: HEX #C1D552 | qconv.com Color code: HEX #C1D552 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 213 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 213 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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