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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1D1EC it is the complementary color #3E2E13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1D1EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1D1EC shade: #C6D1E7, #D7E3FA, #E8F5FF and #F9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1D1EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1D1EC shade: #C1D1EC, #B0BFD9, #9FADC6, #8E9BB3 and #7D89A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1D1EC shade: #C0D0EB, #C0C5EB, #C7C0EB, #D3C0EB and #DFC0EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1D1EC shade: #C0D0EB, #C0C5EB and #C0C0EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1D1EC shade matches the following richer shades: #C0D0EB, #B9CEF2 and #B3CDF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1D1EC shade: #C0D0EB, #C7D2E5, #CDD4DE, #D4D5D8 and #DAD7D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1D1EC shade: #C0E8EB, #C0DCEB, #C0D1EB, #C0C5EB and #C7C0EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1D1EC shade: #81A1D8, #A1B9E2, #C0D0EB and #E0E8F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1D1EC shade: #C1D1EC, #E3C0EB and #E2EBC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1D1EC shade: #C1D1EC, #EBC0D1 and #D1EBC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1D1EC shade: #C1D1EC, #E3C0EB, #EBDBC0 and #C8EBC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1D1EC shade: #C1D1EC, #EBC0E6, #EBDBC0 and #C0EBC5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 11 / 0 / 7

HEX #C1D1EC

RGB 193 209 236

HSL 217.67, 0.53%, 0.84%

LAB 83.44, 0.14, -15.1

 

Complementary color

CMYK 0 / 26 / 69 / 76

HEX #3E2E13

RGB 62 46 19

HSL 37.67, 0.53%, 0.16%

LAB 20.14, 3.63, 19.92

 

CMYK 14 / 10 / 0 / 9

HEX #C6D1E7

RGB 198 209 231

HSL 220, 0.41%, 0.84%

LAB 83.64, 0.65, -12.1

 

CMYK 14 / 9 / 0 / 2

HEX #D7E3FA

RGB 215 227 250

HSL 219.43, 0.78%, 0.91%

LAB 89.99, 0.5, -12.52

 

CMYK 9 / 4 / 0 / 0

HEX #E8F5FF

RGB 232 245 255

HSL 206.09, 1%, 0.95%

LAB 95.86, -2.38, -6.28

 

CMYK 2 / 0 / 0 / 0

HEX #F9FFFF

RGB 249 255 255

HSL 180, 1%, 0.99%

LAB 99.57, -1.96, -0.7

 

CMYK 18 / 11 / 0 / 7

HEX #C1D1EC

RGB 193 209 236

HSL 217.67, 0.53%, 0.84%

LAB 83.44, 0.14, -15.1

 

CMYK 19 / 12 / 0 / 15

HEX #B0BFD9

RGB 176 191 217

HSL 218.05, 0.35%, 0.77%

LAB 76.98, 0.3, -14.73

 

CMYK 20 / 13 / 0 / 22

HEX #9FADC6

RGB 159 173 198

HSL 218.46, 0.25%, 0.7%

LAB 70.41, 0.46, -14.37

 

CMYK 21 / 13 / 0 / 30

HEX #8E9BB3

RGB 142 155 179

HSL 218.92, 0.2%, 0.63%

LAB 63.71, 0.64, -14.01

 

CMYK 22 / 14 / 0 / 37

HEX #7D89A0

RGB 125 137 160

HSL 219.43, 0.16%, 0.56%

LAB 56.87, 0.83, -13.66

 

CMYK 18 / 11 / 0 / 8

HEX #C0D0EB

RGB 192 208 235

HSL 217.67, 0.52%, 0.84%

LAB 83.08, 0.14, -15.11

 

CMYK 18 / 16 / 0 / 8

HEX #C0C5EB

RGB 192 197 235

HSL 233.02, 0.52%, 0.84%

LAB 80.26, 6.01, -19.37

 

CMYK 15 / 18 / 0 / 8

HEX #C7C0EB

RGB 199 192 235

HSL 249.77, 0.52%, 0.84%

LAB 79.52, 10.89, -20.43

 

CMYK 10 / 18 / 0 / 8

HEX #D3C0EB

RGB 211 192 235

HSL 266.51, 0.52%, 0.84%

LAB 80.49, 14.71, -18.88

 

CMYK 5 / 18 / 0 / 8

HEX #DFC0EB

RGB 223 192 235

HSL 283.26, 0.52%, 0.84%

LAB 81.5, 18.6, -17.25

 

CMYK 18 / 11 / 0 / 8

HEX #C0D0EB

RGB 192 208 235

HSL 217.67, 0.52%, 0.84%

LAB 83.08, 0.14, -15.11

 

CMYK 18 / 16 / 0 / 8

HEX #C0C5EB

RGB 192 197 235

HSL 233.02, 0.52%, 0.84%

LAB 80.26, 6.01, -19.37

 

CMYK 18 / 18 / 0 / 8

HEX #C0C0EB

RGB 192 192 235

HSL 240, 0.52%, 0.84%

LAB 78.99, 8.7, -21.3

 

CMYK 18 / 11 / 0 / 8

HEX #C0D0EB

RGB 192 208 235

HSL 217.67, 0.52%, 0.84%

LAB 83.08, 0.14, -15.11

 

CMYK 24 / 15 / 0 / 5

HEX #B9CEF2

RGB 185 206 242

HSL 217.89, 0.69%, 0.84%

LAB 82.31, 0.62, -20.05

 

CMYK 28 / 18 / 0 / 2

HEX #B3CDF9

RGB 179 205 249

HSL 217.71, 0.85%, 0.84%

LAB 81.88, 1.01, -24.46

 

CMYK 18 / 11 / 0 / 8

HEX #C0D0EB

RGB 192 208 235

HSL 217.67, 0.52%, 0.84%

LAB 83.08, 0.14, -15.11

 

CMYK 13 / 8 / 0 / 10

HEX #C7D2E5

RGB 199 210 229

HSL 218, 0.37%, 0.84%

LAB 83.91, 0.03, -10.63

 

CMYK 8 / 5 / 0 / 13

HEX #CDD4DE

RGB 205 212 222

HSL 215.29, 0.2%, 0.84%

LAB 84.66, -0.46, -5.75

 

CMYK 2 / 1 / 0 / 15

HEX #D4D5D8

RGB 212 213 216

HSL 225, 0.05%, 0.84%

LAB 85.27, 0.21, -1.61

 

CMYK 0 / 1 / 4 / 15

HEX #DAD7D1

RGB 218 215 209

HSL 40, 0.11%, 0.84%

LAB 86.06, -0.03, 3.31

 

CMYK 18 / 1 / 0 / 8

HEX #C0E8EB

RGB 192 232 235

HSL 184.19, 0.52%, 0.84%

LAB 89.35, -12.27, -5.77

 

CMYK 18 / 6 / 0 / 8

HEX #C0DCEB

RGB 192 220 235

HSL 200.93, 0.52%, 0.84%

LAB 86.2, -6.13, -10.45

 

CMYK 18 / 11 / 0 / 8

HEX #C0D1EB

RGB 192 209 235

HSL 216.28, 0.52%, 0.84%

LAB 83.34, -0.38, -14.73

 

CMYK 18 / 16 / 0 / 8

HEX #C0C5EB

RGB 192 197 235

HSL 233.02, 0.52%, 0.84%

LAB 80.26, 6.01, -19.37

 

CMYK 15 / 18 / 0 / 8

HEX #C7C0EB

RGB 199 192 235

HSL 249.77, 0.52%, 0.84%

LAB 79.52, 10.89, -20.43

 

CMYK 40 / 25 / 0 / 15

HEX #81A1D8

RGB 129 161 216

HSL 217.93, 0.53%, 0.68%

LAB 65.84, 2.86, -31.47

 

CMYK 29 / 18 / 0 / 11

HEX #A1B9E2

RGB 161 185 226

HSL 217.85, 0.53%, 0.76%

LAB 74.68, 1.07, -23.19

 

CMYK 18 / 11 / 0 / 8

HEX #C0D0EB

RGB 192 208 235

HSL 217.67, 0.52%, 0.84%

LAB 83.08, 0.14, -15.11

 

CMYK 9 / 5 / 0 / 4

HEX #E0E8F5

RGB 224 232 245

HSL 217.14, 0.51%, 0.92%

LAB 91.75, -0.21, -7.22

 

CMYK 18 / 11 / 0 / 7

HEX #C1D1EC

RGB 193 209 236

HSL 217.67, 0.53%, 0.84%

LAB 83.44, 0.14, -15.1

 

CMYK 3 / 18 / 0 / 8

HEX #E3C0EB

RGB 227 192 235

HSL 288.84, 0.52%, 0.84%

LAB 81.85, 19.91, -16.68

 

CMYK 4 / 0 / 18 / 8

HEX #E2EBC0

RGB 226 235 192

HSL 72.56, 0.52%, 0.84%

LAB 91.41, -10.19, 19.89

 

CMYK 18 / 11 / 0 / 7

HEX #C1D1EC

RGB 193 209 236

HSL 217.67, 0.53%, 0.84%

LAB 83.44, 0.14, -15.1

 

CMYK 0 / 18 / 11 / 8

HEX #EBC0D1

RGB 235 192 209

HSL 336.28, 0.52%, 0.84%

LAB 81.82, 18.02, -2.71

 

CMYK 11 / 0 / 18 / 8

HEX #D1EBC0

RGB 209 235 192

HSL 96.28, 0.52%, 0.84%

LAB 90.22, -16.16, 18.05

 

CMYK 18 / 11 / 0 / 7

HEX #C1D1EC

RGB 193 209 236

HSL 217.67, 0.53%, 0.84%

LAB 83.44, 0.14, -15.1

 

CMYK 3 / 18 / 0 / 8

HEX #E3C0EB

RGB 227 192 235

HSL 288.84, 0.52%, 0.84%

LAB 81.85, 19.91, -16.68

 

CMYK 0 / 7 / 18 / 8

HEX #EBDBC0

RGB 235 219 192

HSL 37.67, 0.52%, 0.84%

LAB 88.03, 1.19, 15.26

 

CMYK 15 / 0 / 18 / 8

HEX #C8EBC0

RGB 200 235 192

HSL 108.84, 0.52%, 0.84%

LAB 89.63, -19.24, 17.13

 

CMYK 18 / 11 / 0 / 7

HEX #C1D1EC

RGB 193 209 236

HSL 217.67, 0.53%, 0.84%

LAB 83.44, 0.14, -15.1

 

CMYK 0 / 18 / 2 / 8

HEX #EBC0E6

RGB 235 192 230

HSL 306.98, 0.52%, 0.84%

LAB 82.42, 21.64, -13.08

 

CMYK 0 / 7 / 18 / 8

HEX #EBDBC0

RGB 235 219 192

HSL 37.67, 0.52%, 0.84%

LAB 88.03, 1.19, 15.26

 

CMYK 18 / 0 / 16 / 8

HEX #C0EBC5

RGB 192 235 197

HSL 126.98, 0.52%, 0.84%

LAB 89.23, -21.06, 13.91

 

Description

Color code: HEX #C1D1EC | qconv.com Color code: HEX #C1D1EC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 209 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 209 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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