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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1D38C it is the complementary color #3E2C73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1D38C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1D38C shade: #C6D387, #D7E59A, #E8F7AD, #F9FFC0 and #FFFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1D38C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1D38C shade: #C1D38C, #B0C179, #9FAF66, #8E9D53 and #7D8B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1D38C shade: #C1D38C, #D3D28C, #D3BF8C, #D3AC8C and #D3988C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1D38C shade: #C1D38C, #AED38C, #9BD38C, #8CD390 and #8CD3A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1D38C shade matches the following richer shades: #C1D38C, #C7E07F, #CEED72 and #D4F966

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1D38C shade: #C1D38C, #BBC699, #B4B9A5, #AEADB2 and #A8A0BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1D38C shade: #D3BF8C, #D3D28C, #C1D38C, #AED38C and #9BD38C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1D38C shade: #A1BC50, #B1C86E, #C1D38C, #D1DEAA and #E1EAC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1D38C shade: #C1D38C, #8CD3AC and #C88CD3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1D38C shade: #C1D38C, #8CC1D3 and #D38CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1D38C shade: #C1D38C, #8CD3AC, #9E8CD3 and #D38CB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1D38C shade: #C1D38C, #8CD3C1, #9E8CD3 and #D38C9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

Complementary color

CMYK 46 / 62 / 0 / 55

HEX #3E2C73

RGB 62 44 115

HSL 255.21, 0.45%, 0.31%

LAB 23.88, 26.99, -38.27

 

CMYK 6 / 0 / 36 / 17

HEX #C6D387

RGB 198 211 135

HSL 70.26, 0.46%, 0.68%

LAB 82.02, -16.34, 36.2

 

CMYK 6 / 0 / 33 / 10

HEX #D7E59A

RGB 215 229 154

HSL 71.2, 0.59%, 0.75%

LAB 88.36, -16.49, 35.08

 

CMYK 6 / 0 / 30 / 3

HEX #E8F7AD

RGB 232 247 173

HSL 72.16, 0.82%, 0.82%

LAB 94.61, -16.62, 34.01

 

CMYK 2 / 0 / 25 / 0

HEX #F9FFC0

RGB 249 255 192

HSL 65.71, 1%, 0.88%

LAB 98.22, -11.85, 29.53

 

CMYK 0 / 0 / 17 / 0

HEX #FFFFD3

RGB 255 255 211

HSL 60, 1%, 0.91%

LAB 99.02, -7.05, 21.08

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 9 / 0 / 37 / 24

HEX #B0C179

RGB 176 193 121

HSL 74.17, 0.37%, 0.62%

LAB 75.3, -17.5, 34.34

 

CMYK 9 / 0 / 42 / 31

HEX #9FAF66

RGB 159 175 102

HSL 73.15, 0.31%, 0.54%

LAB 68.74, -17.35, 35.52

 

CMYK 10 / 0 / 47 / 38

HEX #8E9D53

RGB 142 157 83

HSL 72.16, 0.31%, 0.47%

LAB 62.07, -17.14, 36.73

 

CMYK 10 / 0 / 54 / 45

HEX #7D8B40

RGB 125 139 64

HSL 71.2, 0.37%, 0.4%

LAB 55.27, -16.84, 37.93

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 0 / 0 / 34 / 17

HEX #D3D28C

RGB 211 210 140

HSL 59.15, 0.45%, 0.69%

LAB 82.83, -10.22, 34.88

 

CMYK 0 / 9 / 34 / 17

HEX #D3BF8C

RGB 211 191 140

HSL 43.1, 0.45%, 0.69%

LAB 77.88, -0.4, 28.34

 

CMYK 0 / 18 / 34 / 17

HEX #D3AC8C

RGB 211 172 140

HSL 27.04, 0.45%, 0.69%

LAB 73.05, 9.7, 21.83

 

CMYK 0 / 28 / 34 / 17

HEX #D3988C

RGB 211 152 140

HSL 10.14, 0.45%, 0.69%

LAB 68.17, 20.53, 15.08

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 18 / 0 / 34 / 17

HEX #AED38C

RGB 174 211 140

HSL 91.27, 0.45%, 0.69%

LAB 80.45, -24.64, 31.26

 

CMYK 27 / 0 / 34 / 17

HEX #9BD38C

RGB 155 211 140

HSL 107.32, 0.45%, 0.69%

LAB 79.3, -31.32, 29.53

 

CMYK 34 / 0 / 32 / 17

HEX #8CD390

RGB 140 211 144

HSL 123.38, 0.45%, 0.69%

LAB 78.57, -35.61, 26.33

 

CMYK 34 / 0 / 22 / 17

HEX #8CD3A4

RGB 140 211 164

HSL 140.28, 0.45%, 0.69%

LAB 78.95, -32.07, 16.34

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 11 / 0 / 43 / 12

HEX #C7E07F

RGB 199 224 127

HSL 75.46, 0.61%, 0.69%

LAB 85.5, -23.27, 44.62

 

CMYK 13 / 0 / 52 / 7

HEX #CEED72

RGB 206 237 114

HSL 75.12, 0.77%, 0.69%

LAB 89.35, -28.11, 55.55

 

CMYK 15 / 0 / 59 / 2

HEX #D4F966

RGB 212 249 102

HSL 75.1, 0.92%, 0.69%

LAB 92.89, -32.41, 64.95

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 6 / 0 / 23 / 22

HEX #BBC699

RGB 187 198 153

HSL 74.67, 0.28%, 0.69%

LAB 78.02, -11.47, 21.34

 

CMYK 3 / 0 / 11 / 27

HEX #B4B9A5

RGB 180 185 165

HSL 75, 0.13%, 0.69%

LAB 74.27, -5.35, 9.55

 

CMYK 2 / 3 / 0 / 30

HEX #AEADB2

RGB 174 173 178

HSL 252, 0.03%, 0.69%

LAB 70.94, 1.31, -2.44

 

CMYK 12 / 16 / 0 / 25

HEX #A8A0BF

RGB 168 160 191

HSL 255.48, 0.19%, 0.69%

LAB 67.45, 9.05, -14.89

 

CMYK 0 / 9 / 34 / 17

HEX #D3BF8C

RGB 211 191 140

HSL 43.1, 0.45%, 0.69%

LAB 77.88, -0.4, 28.34

 

CMYK 0 / 0 / 34 / 17

HEX #D3D28C

RGB 211 210 140

HSL 59.15, 0.45%, 0.69%

LAB 82.83, -10.22, 34.88

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 18 / 0 / 34 / 17

HEX #AED38C

RGB 174 211 140

HSL 91.27, 0.45%, 0.69%

LAB 80.45, -24.64, 31.26

 

CMYK 27 / 0 / 34 / 17

HEX #9BD38C

RGB 155 211 140

HSL 107.32, 0.45%, 0.69%

LAB 79.3, -31.32, 29.53

 

CMYK 14 / 0 / 57 / 26

HEX #A1BC50

RGB 161 188 80

HSL 75, 0.45%, 0.53%

LAB 72.31, -25.26, 50.58

 

CMYK 12 / 0 / 45 / 22

HEX #B1C86E

RGB 177 200 110

HSL 75.33, 0.45%, 0.61%

LAB 77.15, -21.88, 42.27

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 6 / 0 / 23 / 13

HEX #D1DEAA

RGB 209 222 170

HSL 75, 0.44%, 0.77%

LAB 86.36, -13.05, 24.11

 

CMYK 4 / 0 / 15 / 8

HEX #E1EAC8

RGB 225 234 200

HSL 75.88, 0.45%, 0.85%

LAB 91.24, -8.8, 15.51

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 34 / 0 / 18 / 17

HEX #8CD3AC

RGB 140 211 172

HSL 147.04, 0.45%, 0.69%

LAB 79.12, -30.52, 12.34

 

CMYK 5 / 34 / 0 / 17

HEX #C88CD3

RGB 200 140 211

HSL 290.7, 0.45%, 0.69%

LAB 66.32, 34.74, -27.46

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 34 / 9 / 0 / 17

HEX #8CC1D3

RGB 140 193 211

HSL 195.21, 0.45%, 0.69%

LAB 75.09, -12.87, -14.56

 

CMYK 0 / 34 / 9 / 17

HEX #D38CC1

RGB 211 140 193

HSL 315.21, 0.45%, 0.69%

LAB 66.87, 35, -16.48

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 34 / 0 / 18 / 17

HEX #8CD3AC

RGB 140 211 172

HSL 147.04, 0.45%, 0.69%

LAB 79.12, -30.52, 12.34

 

CMYK 25 / 34 / 0 / 17

HEX #9E8CD3

RGB 158 140 211

HSL 255.21, 0.45%, 0.69%

LAB 62.28, 21.78, -34.04

 

CMYK 0 / 34 / 15 / 17

HEX #D38CB3

RGB 211 140 179

HSL 327.04, 0.45%, 0.69%

LAB 66.41, 32.67, -9.31

 

CMYK 9 / 0 / 34 / 17

HEX #C1D38C

RGB 193 211 140

HSL 75.21, 0.45%, 0.69%

LAB 81.74, -17.61, 33.2

 

CMYK 34 / 0 / 9 / 17

HEX #8CD3C1

RGB 140 211 193

HSL 164.79, 0.45%, 0.69%

LAB 79.62, -26.15, 1.85

 

CMYK 25 / 34 / 0 / 17

HEX #9E8CD3

RGB 158 140 211

HSL 255.21, 0.45%, 0.69%

LAB 62.28, 21.78, -34.04

 

CMYK 0 / 34 / 25 / 17

HEX #D38C9E

RGB 211 140 158

HSL 344.79, 0.45%, 0.69%

LAB 65.81, 29.47, 1.63

 

Description

Color code: HEX #C1D38C | qconv.com Color code: HEX #C1D38C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 211 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 211 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 34 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 34% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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