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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1DA7A it is the complementary color #3E2585. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1DA7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1DA7A shade: #C6DA75, #D7EC88, #E8FE9B, #F9FFAE and #FFFFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1DA7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1DA7A shade: #C1DA7A, #B0C867, #9FB654, #8EA441 and #7D922E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1DA7A shade: #C1D97B, #D9D97B, #D9BF7B, #D9A67B and #D98C7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1DA7A shade: #C1D97B, #A8D97B, #8ED97B, #7BD982 and #7BD99B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1DA7A shade matches the following richer shades: #C1D97B, #C7E76E and #CEF560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1DA7A shade: #C1D97B, #BACC89, #B4BE96, #ADB1A4 and #A7A3B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1DA7A shade: #D9BF7B, #D9D87B, #C2D97B, #A9D97B and #90D97B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1DA7A shade: #A3C73B, #B2D05B, #C1D97B, #D0E39B and #DFECBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1DA7A shade: #C1DA7A, #7BD9A6 and #CB7BD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1DA7A shade: #C1DA7A, #7BC2D9 and #D97BC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1DA7A shade: #C1DA7A, #7BD9A6, #937BD9 and #D97BAF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1DA7A shade: #C1DA7A, #7BD9C2, #937BD9 and #D97B93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 44 / 15

HEX #C1DA7A

RGB 193 218 122

HSL 75.63, 0.56%, 0.67%

LAB 83.38, -23.2, 44.34

 

Complementary color

CMYK 53 / 72 / 0 / 48

HEX #3E2585

RGB 62 37 133

HSL 255.63, 0.56%, 0.33%

LAB 23.81, 36.82, -49.8

 

CMYK 9 / 0 / 46 / 15

HEX #C6DA75

RGB 198 218 117

HSL 71.88, 0.58%, 0.66%

LAB 83.67, -21.8, 47.2

 

CMYK 9 / 0 / 42 / 7

HEX #D7EC88

RGB 215 236 136

HSL 72.6, 0.72%, 0.73%

LAB 89.96, -22.01, 46.06

 

CMYK 9 / 0 / 39 / 0

HEX #E8FE9B

RGB 232 254 155

HSL 73.33, 0.98%, 0.8%

LAB 96.16, -22.18, 44.94

 

CMYK 2 / 0 / 32 / 0

HEX #F9FFAE

RGB 249 255 174

HSL 64.44, 1%, 0.84%

LAB 97.92, -14.14, 38.12

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC1

RGB 255 255 193

HSL 60, 1%, 0.88%

LAB 98.68, -9.55, 29.73

 

CMYK 11 / 0 / 44 / 15

HEX #C1DA7A

RGB 193 218 122

HSL 75.63, 0.56%, 0.67%

LAB 83.38, -23.2, 44.34

 

CMYK 12 / 0 / 49 / 22

HEX #B0C867

RGB 176 200 103

HSL 74.85, 0.47%, 0.59%

LAB 76.99, -23.01, 45.49

 

CMYK 13 / 0 / 54 / 29

HEX #9FB654

RGB 159 182 84

HSL 74.08, 0.4%, 0.52%

LAB 70.5, -22.76, 46.61

 

CMYK 13 / 0 / 60 / 36

HEX #8EA441

RGB 142 164 65

HSL 73.33, 0.43%, 0.45%

LAB 63.9, -22.42, 47.62

 

CMYK 14 / 0 / 68 / 43

HEX #7D922E

RGB 125 146 46

HSL 72.6, 0.52%, 0.38%

LAB 57.19, -21.94, 48.35

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97B

RGB 193 217 123

HSL 75.32, 0.55%, 0.67%

LAB 83.12, -22.6, 43.53

 

CMYK 0 / 0 / 43 / 15

HEX #D9D97B

RGB 217 217 123

HSL 60, 0.55%, 0.67%

LAB 84.9, -13.25, 46.12

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 24 / 43 / 15

HEX #D9A67B

RGB 217 166 123

HSL 27.45, 0.55%, 0.67%

LAB 71.86, 13.35, 29.49

 

CMYK 0 / 35 / 43 / 15

HEX #D98C7B

RGB 217 140 123

HSL 10.85, 0.55%, 0.67%

LAB 65.7, 27.37, 21.25

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97B

RGB 193 217 123

HSL 75.32, 0.55%, 0.67%

LAB 83.12, -22.6, 43.53

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 35 / 0 / 43 / 15

HEX #8ED97B

RGB 142 217 123

HSL 107.87, 0.55%, 0.67%

LAB 80.07, -40.83, 39.03

 

CMYK 43 / 0 / 40 / 15

HEX #7BD982

RGB 123 217 130

HSL 124.47, 0.55%, 0.67%

LAB 79.3, -45.65, 34.35

 

CMYK 43 / 0 / 29 / 15

HEX #7BD99B

RGB 123 217 155

HSL 140.43, 0.55%, 0.67%

LAB 79.73, -41.41, 22.04

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97B

RGB 193 217 123

HSL 75.32, 0.55%, 0.67%

LAB 83.12, -22.6, 43.53

 

CMYK 14 / 0 / 52 / 9

HEX #C7E76E

RGB 199 231 110

HSL 75.87, 0.72%, 0.67%

LAB 87.2, -28.32, 54.74

 

CMYK 16 / 0 / 61 / 4

HEX #CEF560

RGB 206 245 96

HSL 75.7, 0.88%, 0.67%

LAB 91.36, -33.31, 65.65

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97B

RGB 193 217 123

HSL 75.32, 0.55%, 0.67%

LAB 83.12, -22.6, 43.53

 

CMYK 9 / 0 / 33 / 20

HEX #BACC89

RGB 186 204 137

HSL 76.12, 0.4%, 0.67%

LAB 79.29, -17.15, 31.43

 

CMYK 5 / 0 / 21 / 25

HEX #B4BE96

RGB 180 190 150

HSL 75, 0.24%, 0.67%

LAB 75.28, -10.4, 19.08

 

CMYK 2 / 0 / 7 / 31

HEX #ADB1A4

RGB 173 177 164

HSL 78.46, 0.08%, 0.67%

LAB 71.56, -3.8, 6.15

 

CMYK 6 / 8 / 0 / 30

HEX #A7A3B2

RGB 167 163 178

HSL 256, 0.09%, 0.67%

LAB 67.74, 4.35, -7.22

 

CMYK 0 / 12 / 43 / 15

HEX #D9BF7B

RGB 217 191 123

HSL 43.4, 0.55%, 0.67%

LAB 78.14, 0.07, 37.63

 

CMYK 0 / 0 / 43 / 15

HEX #D9D87B

RGB 217 216 123

HSL 59.36, 0.55%, 0.67%

LAB 84.63, -12.75, 45.8

 

CMYK 11 / 0 / 43 / 15

HEX #C2D97B

RGB 194 217 123

HSL 74.68, 0.55%, 0.67%

LAB 83.19, -22.22, 43.63

 

CMYK 22 / 0 / 43 / 15

HEX #A9D97B

RGB 169 217 123

HSL 90.64, 0.55%, 0.67%

LAB 81.56, -31.54, 41.23

 

CMYK 34 / 0 / 43 / 15

HEX #90D97B

RGB 144 217 123

HSL 106.6, 0.55%, 0.67%

LAB 80.17, -40.18, 39.18

 

CMYK 18 / 0 / 70 / 22

HEX #A3C73B

RGB 163 199 59

HSL 75.43, 0.56%, 0.51%

LAB 75.42, -31.23, 62.61

 

CMYK 14 / 0 / 56 / 18

HEX #B2D05B

RGB 178 208 91

HSL 75.38, 0.55%, 0.59%

LAB 79.23, -27.23, 53.78

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97B

RGB 193 217 123

HSL 75.32, 0.55%, 0.67%

LAB 83.12, -22.6, 43.53

 

CMYK 8 / 0 / 32 / 11

HEX #D0E39B

RGB 208 227 155

HSL 75.83, 0.56%, 0.75%

LAB 87.35, -17.98, 33.14

 

CMYK 6 / 0 / 20 / 7

HEX #DFECBC

RGB 223 236 188

HSL 76.25, 0.56%, 0.83%

LAB 91.37, -12.36, 21.87

 

CMYK 11 / 0 / 44 / 15

HEX #C1DA7A

RGB 193 218 122

HSL 75.63, 0.56%, 0.67%

LAB 83.38, -23.2, 44.34

 

CMYK 43 / 0 / 24 / 15

HEX #7BD9A6

RGB 123 217 166

HSL 147.45, 0.55%, 0.67%

LAB 79.95, -39.3, 16.57

 

CMYK 6 / 43 / 0 / 15

HEX #CB7BD9

RGB 203 123 217

HSL 291.06, 0.55%, 0.67%

LAB 63.24, 45.94, -35.56

 

CMYK 11 / 0 / 44 / 15

HEX #C1DA7A

RGB 193 218 122

HSL 75.63, 0.56%, 0.67%

LAB 83.38, -23.2, 44.34

 

CMYK 43 / 11 / 0 / 15

HEX #7BC2D9

RGB 123 194 217

HSL 194.68, 0.55%, 0.67%

LAB 74.7, -16.31, -18.48

 

CMYK 0 / 43 / 11 / 15

HEX #D97BC2

RGB 217 123 194

HSL 314.68, 0.55%, 0.67%

LAB 64.01, 46.09, -21.31

 

CMYK 11 / 0 / 44 / 15

HEX #C1DA7A

RGB 193 218 122

HSL 75.63, 0.56%, 0.67%

LAB 83.38, -23.2, 44.34

 

CMYK 43 / 0 / 24 / 15

HEX #7BD9A6

RGB 123 217 166

HSL 147.45, 0.55%, 0.67%

LAB 79.95, -39.3, 16.57

 

CMYK 32 / 43 / 0 / 15

HEX #937BD9

RGB 147 123 217

HSL 255.32, 0.55%, 0.67%

LAB 57.44, 29.96, -45.06

 

CMYK 0 / 43 / 19 / 15

HEX #D97BAF

RGB 217 123 175

HSL 326.81, 0.55%, 0.67%

LAB 63.35, 43.09, -11.55

 

CMYK 11 / 0 / 44 / 15

HEX #C1DA7A

RGB 193 218 122

HSL 75.63, 0.56%, 0.67%

LAB 83.38, -23.2, 44.34

 

CMYK 43 / 0 / 11 / 15

HEX #7BD9C2

RGB 123 217 194

HSL 165.32, 0.55%, 0.67%

LAB 80.59, -33.34, 2.63

 

CMYK 32 / 43 / 0 / 15

HEX #937BD9

RGB 147 123 217

HSL 255.32, 0.55%, 0.67%

LAB 57.44, 29.96, -45.06

 

CMYK 0 / 43 / 32 / 15

HEX #D97B93

RGB 217 123 147

HSL 344.68, 0.55%, 0.67%

LAB 62.53, 39.2, 3.21

 

Description

Color code: HEX #C1DA7A | qconv.com Color code: HEX #C1DA7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 218 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 218 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 44 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 44% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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