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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1DD97 it is the complementary color #3E2268. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1DD97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1DD97 shade: #C6DD92, #D7EFA5, #E8FFB8, #F9FFCB and #FFFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1DD97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1DD97 shade: #C1DD97, #B0CB84, #9FB971, #8EA75E and #7D954B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1DD97 shade: #C1DD97, #D4DD97, #DDD397, #DDC097 and #DDAD97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1DD97 shade: #C1DD97, #AEDD97, #9BDD97, #97DDA5 and #97DDB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1DD97 shade matches the following richer shades: #C1DD97, #C3E88B, #C5F380 and #C7FE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1DD97 shade: #C1DD97, #BED2A2, #BCC6AD, #BABBB8 and #B8B0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1DD97 shade: #DDD397, #D3DD97, #C1DD97, #AEDD97 and #9BDD97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1DD97 shade: #9CC958, #AED377, #C1DD97, #D3E7B6 and #E6F1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1DD97 shade: #C1DD97, #97DDC1 and #DD97DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1DD97 shade: #C1DD97, #97C1DD and #DD97C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1DD97 shade: #C1DD97, #97DDC1, #B397DD and #DD97B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1DD97 shade: #C1DD97, #97DDD6, #B397DD and #DD979E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

Complementary color

CMYK 40 / 67 / 0 / 59

HEX #3E2268

RGB 62 34 104

HSL 264, 0.51%, 0.27%

LAB 20.7, 29.86, -36.3

 

CMYK 10 / 0 / 34 / 13

HEX #C6DD92

RGB 198 221 146

HSL 78.4, 0.52%, 0.72%

LAB 84.89, -19.91, 34.35

 

CMYK 10 / 0 / 31 / 6

HEX #D7EFA5

RGB 215 239 165

HSL 79.46, 0.7%, 0.79%

LAB 91.19, -19.96, 33.27

 

CMYK 9 / 0 / 28 / 0

HEX #E8FFB8

RGB 232 255 184

HSL 79.44, 1%, 0.86%

LAB 96.88, -19.04, 31.53

 

CMYK 2 / 0 / 20 / 0

HEX #F9FFCB

RGB 249 255 203

HSL 66.92, 1%, 0.9%

LAB 98.42, -10.33, 24.24

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 13 / 0 / 35 / 20

HEX #B0CB84

RGB 176 203 132

HSL 82.82, 0.41%, 0.66%

LAB 78.23, -21.08, 32.49

 

CMYK 14 / 0 / 39 / 27

HEX #9FB971

RGB 159 185 113

HSL 81.67, 0.34%, 0.58%

LAB 71.73, -21.05, 33.64

 

CMYK 15 / 0 / 44 / 35

HEX #8EA75E

RGB 142 167 94

HSL 80.55, 0.29%, 0.51%

LAB 65.12, -20.99, 34.83

 

CMYK 16 / 0 / 50 / 42

HEX #7D954B

RGB 125 149 75

HSL 79.46, 0.33%, 0.44%

LAB 58.38, -20.87, 36.05

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 4 / 0 / 32 / 13

HEX #D4DD97

RGB 212 221 151

HSL 67.71, 0.51%, 0.73%

LAB 85.98, -14.02, 33.42

 

CMYK 0 / 5 / 32 / 13

HEX #DDD397

RGB 221 211 151

HSL 51.43, 0.51%, 0.73%

LAB 84.07, -5.53, 31.01

 

CMYK 0 / 13 / 32 / 13

HEX #DDC097

RGB 221 192 151

HSL 35.14, 0.51%, 0.73%

LAB 79.22, 4.35, 24.48

 

CMYK 0 / 22 / 32 / 13

HEX #DDAD97

RGB 221 173 151

HSL 18.86, 0.51%, 0.73%

LAB 74.5, 14.46, 18.01

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 21 / 0 / 32 / 13

HEX #AEDD97

RGB 174 221 151

HSL 100.29, 0.51%, 0.73%

LAB 83.41, -27.87, 29.55

 

CMYK 30 / 0 / 32 / 13

HEX #9BDD97

RGB 155 221 151

HSL 116.57, 0.51%, 0.73%

LAB 82.33, -34.27, 27.91

 

CMYK 32 / 0 / 25 / 13

HEX #97DDA5

RGB 151 221 165

HSL 132, 0.51%, 0.73%

LAB 82.38, -33.19, 20.67

 

CMYK 32 / 0 / 17 / 13

HEX #97DDB8

RGB 151 221 184

HSL 148.29, 0.51%, 0.73%

LAB 82.78, -29.64, 11.25

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 16 / 0 / 40 / 9

HEX #C3E88B

RGB 195 232 139

HSL 83.87, 0.67%, 0.73%

LAB 87.57, -27.21, 41.29

 

CMYK 19 / 0 / 47 / 5

HEX #C5F380

RGB 197 243 128

HSL 84, 0.83%, 0.73%

LAB 90.57, -32.88, 50.38

 

CMYK 22 / 0 / 54 / 0

HEX #C7FE75

RGB 199 254 117

HSL 84.09, 0.99%, 0.73%

LAB 93.59, -38.24, 59.05

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 10 / 0 / 23 / 18

HEX #BED2A2

RGB 190 210 162

HSL 85, 0.35%, 0.73%

LAB 81.65, -15.11, 21.6

 

CMYK 5 / 0 / 13 / 22

HEX #BCC6AD

RGB 188 198 173

HSL 84, 0.18%, 0.73%

LAB 78.52, -7.92, 11.36

 

CMYK 1 / 0 / 2 / 27

HEX #BABBB8

RGB 186 187 184

HSL 80, 0.02%, 0.73%

LAB 75.72, -0.9, 1.38

 

CMYK 6 / 10 / 0 / 24

HEX #B8B0C3

RGB 184 176 195

HSL 265.26, 0.14%, 0.73%

LAB 73.01, 6.44, -8.63

 

CMYK 0 / 5 / 32 / 13

HEX #DDD397

RGB 221 211 151

HSL 51.43, 0.51%, 0.73%

LAB 84.07, -5.53, 31.01

 

CMYK 5 / 0 / 32 / 13

HEX #D3DD97

RGB 211 221 151

HSL 68.57, 0.51%, 0.73%

LAB 85.9, -14.4, 33.31

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 21 / 0 / 32 / 13

HEX #AEDD97

RGB 174 221 151

HSL 100.29, 0.51%, 0.73%

LAB 83.41, -27.87, 29.55

 

CMYK 30 / 0 / 32 / 13

HEX #9BDD97

RGB 155 221 151

HSL 116.57, 0.51%, 0.73%

LAB 82.33, -34.27, 27.91

 

CMYK 22 / 0 / 56 / 21

HEX #9CC958

RGB 156 201 88

HSL 83.89, 0.51%, 0.57%

LAB 75.79, -32.68, 50.82

 

CMYK 18 / 0 / 44 / 17

HEX #AED377

RGB 174 211 119

HSL 84.13, 0.51%, 0.65%

LAB 80.13, -27.35, 41.48

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 9 / 0 / 21 / 9

HEX #D3E7B6

RGB 211 231 182

HSL 84.49, 0.51%, 0.81%

LAB 89.1, -15.04, 21.69

 

CMYK 5 / 0 / 12 / 5

HEX #E6F1D5

RGB 230 241 213

HSL 83.57, 0.5%, 0.89%

LAB 93.68, -8.49, 12.28

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 32 / 0 / 13 / 13

HEX #97DDC1

RGB 151 221 193

HSL 156, 0.51%, 0.73%

LAB 82.99, -27.83, 6.79

 

CMYK 0 / 32 / 0 / 13

HEX #DD97DD

RGB 221 151 221

HSL 300, 0.51%, 0.73%

LAB 71.37, 37.37, -25.06

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 32 / 13 / 0 / 13

HEX #97C1DD

RGB 151 193 221

HSL 204, 0.51%, 0.73%

LAB 76.03, -7.33, -18.49

 

CMYK 0 / 32 / 13 / 13

HEX #DD97C1

RGB 221 151 193

HSL 324, 0.51%, 0.73%

LAB 70.42, 32.48, -11.02

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 32 / 0 / 13 / 13

HEX #97DDC1

RGB 151 221 193

HSL 156, 0.51%, 0.73%

LAB 82.99, -27.83, 6.79

 

CMYK 19 / 32 / 0 / 13

HEX #B397DD

RGB 179 151 221

HSL 264, 0.51%, 0.73%

LAB 67.23, 24.22, -31.77

 

CMYK 0 / 32 / 19 / 13

HEX #DD97B3

RGB 221 151 179

HSL 336, 0.51%, 0.73%

LAB 70.01, 30.26, -3.85

 

CMYK 13 / 0 / 32 / 13

HEX #C1DD97

RGB 193 221 151

HSL 84, 0.51%, 0.73%

LAB 84.63, -21.09, 31.39

 

CMYK 32 / 0 / 3 / 13

HEX #97DDD6

RGB 151 221 214

HSL 174, 0.51%, 0.73%

LAB 83.52, -23.31, -3.56

 

CMYK 19 / 32 / 0 / 13

HEX #B397DD

RGB 179 151 221

HSL 264, 0.51%, 0.73%

LAB 67.23, 24.22, -31.77

 

CMYK 0 / 32 / 29 / 13

HEX #DD979E

RGB 221 151 158

HSL 354, 0.51%, 0.73%

LAB 69.45, 27.22, 7.03

 

Description

Color code: HEX #C1DD97 | qconv.com Color code: HEX #C1DD97 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 221 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 221 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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