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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1E424 it is the complementary color #3E1BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1E424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1E424 shade: #C6E41F, #D7F632, #E8FF45, #F9FF58 and #FFFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1E424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1E424 shade: #C1E424, #B0D211, #9FC000, #8EAE00 and #7D9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1E424 shade: #C1E425, #E4D325, #E49F25, #E46C25 and #E43825

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1E424 shade: #C1E425, #8DE425, #5AE425, #26E425 and #25E456

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1E424 shade matches the following richer shades: #C1E425 and #CDF711

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1E424 shade: #C1E425, #B4D038, #A8BC4C, #9BA860 and #8E9474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1E424 shade: #E49E25, #E4D025, #C4E425, #91E425 and #5EE425

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1E424 shade: #88A214, #A7C718, #C1E425, #CBE849 and #D6ED6E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1E424 shade: #C1E424, #25E46B and #B725E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1E424 shade: #C1E424, #25C4E4 and #E425C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1E424 shade: #C1E424, #25E46B, #4425E4 and #E4259E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1E424 shade: #C1E424, #25E4A4, #4425E4 and #E42564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 84 / 11

HEX #C1E424

RGB 193 228 36

HSL 70.94, 0.78%, 0.52%

LAB 85.48, -33.64, 79.2

 

Complementary color

CMYK 72 / 88 / 0 / 14

HEX #3E1BDB

RGB 62 27 219

HSL 250.94, 0.78%, 0.48%

LAB 31.63, 65.89, -88.46

 

CMYK 13 / 0 / 86 / 11

HEX #C6E41F

RGB 198 228 31

HSL 69.14, 0.78%, 0.51%

LAB 85.8, -31.76, 80.6

 

CMYK 13 / 0 / 80 / 4

HEX #D7F632

RGB 215 246 50

HSL 69.49, 0.92%, 0.58%

LAB 91.95, -32.7, 82.08

 

CMYK 9 / 0 / 73 / 0

HEX #E8FF45

RGB 232 255 69

HSL 67.42, 1%, 0.64%

LAB 95.62, -29.36, 80.43

 

CMYK 2 / 0 / 65 / 0

HEX #F9FF58

RGB 249 255 88

HSL 62.16, 1%, 0.67%

LAB 96.97, -21.66, 75.62

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6B

RGB 255 255 107

HSL 60, 1%, 0.71%

LAB 97.57, -18.11, 68.89

 

CMYK 15 / 0 / 84 / 11

HEX #C1E424

RGB 193 228 36

HSL 70.94, 0.78%, 0.52%

LAB 85.48, -33.64, 79.2

 

CMYK 16 / 0 / 92 / 18

HEX #B0D211

RGB 176 210 17

HSL 70.57, 0.85%, 0.45%

LAB 79.25, -32.61, 76.93

 

CMYK 17 / 0 / 100 / 25

HEX #9FC000

RGB 159 192 0

HSL 70.31, 1%, 0.38%

LAB 72.94, -31.41, 73.4

 

CMYK 18 / 0 / 100 / 32

HEX #8EAE00

RGB 142 174 0

HSL 71.03, 1%, 0.34%

LAB 66.54, -29.98, 68.07

 

CMYK 20 / 0 / 100 / 39

HEX #7D9C00

RGB 125 156 0

HSL 71.92, 1%, 0.31%

LAB 60.01, -28.54, 62.64

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 0 / 7 / 84 / 11

HEX #E4D325

RGB 228 211 37

HSL 54.66, 0.78%, 0.52%

LAB 83.56, -10.9, 78.44

 

CMYK 0 / 30 / 84 / 11

HEX #E49F25

RGB 228 159 37

HSL 38.32, 0.78%, 0.52%

LAB 70.47, 16.18, 67.51

 

CMYK 0 / 53 / 84 / 11

HEX #E46C25

RGB 228 108 37

HSL 22.3, 0.78%, 0.52%

LAB 59.3, 42.78, 58

 

CMYK 0 / 75 / 84 / 11

HEX #E43825

RGB 228 56 37

HSL 5.97, 0.78%, 0.52%

LAB 51.22, 64.31, 50.95

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 38 / 0 / 84 / 11

HEX #8DE425

RGB 141 228 37

HSL 87.33, 0.78%, 0.52%

LAB 82.53, -52.96, 75.29

 

CMYK 61 / 0 / 84 / 11

HEX #5AE425

RGB 90 228 37

HSL 103.35, 0.78%, 0.52%

LAB 80.62, -67.59, 72.87

 

CMYK 83 / 0 / 84 / 11

HEX #26E425

RGB 38 228 37

HSL 119.69, 0.78%, 0.52%

LAB 79.63, -76.08, 71.61

 

CMYK 84 / 0 / 62 / 11

HEX #25E456

RGB 37 228 86

HSL 135.39, 0.78%, 0.52%

LAB 79.93, -72.34, 55.36

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 17 / 0 / 93 / 3

HEX #CDF711

RGB 205 247 17

HSL 70.96, 0.93%, 0.52%

LAB 91.48, -37.86, 87.34

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 13 / 0 / 73 / 18

HEX #B4D038

RGB 180 208 56

HSL 71.05, 0.62%, 0.52%

LAB 79.1, -28.79, 67.65

 

CMYK 11 / 0 / 60 / 26

HEX #A8BC4C

RGB 168 188 76

HSL 70.71, 0.46%, 0.52%

LAB 72.77, -22.76, 53.03

 

CMYK 8 / 0 / 43 / 34

HEX #9BA860

RGB 155 168 96

HSL 70.83, 0.29%, 0.52%

LAB 66.38, -16.06, 35.58

 

CMYK 4 / 0 / 22 / 42

HEX #8E9474

RGB 142 148 116

HSL 71.25, 0.13%, 0.52%

LAB 60.06, -7.93, 16.23

 

CMYK 0 / 31 / 84 / 11

HEX #E49E25

RGB 228 158 37

HSL 38.01, 0.78%, 0.52%

LAB 70.23, 16.72, 67.31

 

CMYK 0 / 9 / 84 / 11

HEX #E4D025

RGB 228 208 37

HSL 53.72, 0.78%, 0.52%

LAB 82.77, -9.39, 77.79

 

CMYK 14 / 0 / 84 / 11

HEX #C4E425

RGB 196 228 37

HSL 70.05, 0.78%, 0.52%

LAB 85.68, -32.41, 79.24

 

CMYK 36 / 0 / 84 / 11

HEX #91E425

RGB 145 228 37

HSL 86.07, 0.78%, 0.52%

LAB 82.72, -51.6, 75.53

 

CMYK 59 / 0 / 84 / 11

HEX #5EE425

RGB 94 228 37

HSL 102.09, 0.78%, 0.52%

LAB 80.74, -66.65, 73.02

 

CMYK 16 / 0 / 88 / 36

HEX #88A214

RGB 136 162 20

HSL 70.99, 0.78%, 0.36%

LAB 62.61, -26.37, 61.85

 

CMYK 16 / 0 / 88 / 22

HEX #A7C718

RGB 167 199 24

HSL 70.97, 0.78%, 0.44%

LAB 75.53, -31.02, 72.6

 

CMYK 15 / 0 / 84 / 11

HEX #C1E425

RGB 193 228 37

HSL 70.99, 0.78%, 0.52%

LAB 85.48, -33.61, 78.99

 

CMYK 13 / 0 / 69 / 9

HEX #CBE849

RGB 203 232 73

HSL 70.94, 0.78%, 0.6%

LAB 87.43, -29.96, 70.42

 

CMYK 10 / 0 / 54 / 7

HEX #D6ED6E

RGB 214 237 110

HSL 70.87, 0.78%, 0.68%

LAB 89.85, -25.38, 58.09

 

CMYK 15 / 0 / 84 / 11

HEX #C1E424

RGB 193 228 36

HSL 70.94, 0.78%, 0.52%

LAB 85.48, -33.64, 79.2

 

CMYK 84 / 0 / 53 / 11

HEX #25E46B

RGB 37 228 107

HSL 141.99, 0.78%, 0.52%

LAB 80.15, -69.66, 46.21

 

CMYK 20 / 84 / 0 / 11

HEX #B725E4

RGB 183 37 228

HSL 285.86, 0.78%, 0.52%

LAB 48.25, 78.67, -65.76

 

CMYK 15 / 0 / 84 / 11

HEX #C1E424

RGB 193 228 36

HSL 70.94, 0.78%, 0.52%

LAB 85.48, -33.64, 79.2

 

CMYK 84 / 14 / 0 / 11

HEX #25C4E4

RGB 37 196 228

HSL 190.05, 0.78%, 0.52%

LAB 73.2, -27.81, -26.94

 

CMYK 0 / 84 / 14 / 11

HEX #E425C4

RGB 228 37 196

HSL 310.05, 0.78%, 0.52%

LAB 53.82, 81.77, -38.12

 

CMYK 15 / 0 / 84 / 11

HEX #C1E424

RGB 193 228 36

HSL 70.94, 0.78%, 0.52%

LAB 85.48, -33.64, 79.2

 

CMYK 84 / 0 / 53 / 11

HEX #25E46B

RGB 37 228 107

HSL 141.99, 0.78%, 0.52%

LAB 80.15, -69.66, 46.21

 

CMYK 70 / 84 / 0 / 11

HEX #4425E4

RGB 68 37 228

HSL 249.74, 0.78%, 0.52%

LAB 34.3, 65.17, -89.17

 

CMYK 0 / 84 / 31 / 11

HEX #E4259E

RGB 228 37 158

HSL 321.99, 0.78%, 0.52%

LAB 52.16, 77.21, -18.46

 

CMYK 15 / 0 / 84 / 11

HEX #C1E424

RGB 193 228 36

HSL 70.94, 0.78%, 0.52%

LAB 85.48, -33.64, 79.2

 

CMYK 84 / 0 / 28 / 11

HEX #25E4A4

RGB 37 228 164

HSL 159.9, 0.78%, 0.52%

LAB 81.05, -59.23, 18.83

 

CMYK 70 / 84 / 0 / 11

HEX #4425E4

RGB 68 37 228

HSL 249.74, 0.78%, 0.52%

LAB 34.3, 65.17, -89.17

 

CMYK 0 / 84 / 56 / 11

HEX #E42564

RGB 228 37 100

HSL 340.21, 0.78%, 0.52%

LAB 50.38, 72.12, 13.91

 

Description

Color code: HEX #C1E424 | qconv.com Color code: HEX #C1E424 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 228 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 228 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 84 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 84% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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