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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1E471 it is the complementary color #3E1B8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1E471. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1E471 shade: #C6E46C, #D7F67F, #E8FF92, #F9FFA5 and #FFFFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1E471. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1E471 shade: #C1E471, #B0D25E, #9FC04B, #8EAE38 and #7D9C25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1E471 shade: #C1E471, #E0E471, #E4C971, #E4AA71 and #E48B71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1E471 shade: #C1E471, #A2E471, #83E471, #71E47E and #71E49D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1E471 shade matches the following richer shades: #C1E471 and #C6F164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1E471 shade: #C1E471, #BBD67F, #B6C88C, #B1BB9A and #ABADA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1E471 shade: #E4C971, #E0E471, #C1E471, #A3E471 and #84E471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1E471 shade: #A2D62C, #B2DD4E, #C1E471, #D0EA94 and #DFF1B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1E471 shade: #C1E471, #71E4AA and #D871E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1E471 shade: #C1E471, #71C1E4 and #E471C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1E471 shade: #C1E471, #71E4AA, #9371E4 and #E471AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1E471 shade: #C1E471, #71E4CD, #9371E4 and #E47188

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

Complementary color

CMYK 56 / 81 / 0 / 44

HEX #3E1B8E

RGB 62 27 142

HSL 258.26, 0.68%, 0.33%

LAB 22.87, 44.63, -56.97

 

CMYK 13 / 0 / 53 / 11

HEX #C6E46C

RGB 198 228 108

HSL 75, 0.69%, 0.66%

LAB 86.29, -27.47, 54.57

 

CMYK 13 / 0 / 48 / 4

HEX #D7F67F

RGB 215 246 127

HSL 75.63, 0.87%, 0.73%

LAB 92.53, -27.7, 53.5

 

CMYK 9 / 0 / 43 / 0

HEX #E8FF92

RGB 232 255 146

HSL 72.66, 1%, 0.79%

LAB 96.31, -23.64, 49.45

 

CMYK 2 / 0 / 35 / 0

HEX #F9FFA5

RGB 249 255 165

HSL 64, 1%, 0.82%

LAB 97.78, -15.2, 42.38

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB8

RGB 255 255 184

HSL 60, 1%, 0.86%

LAB 98.53, -10.7, 34.03

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 16 / 0 / 55 / 18

HEX #B0D25E

RGB 176 210 94

HSL 77.59, 0.56%, 0.6%

LAB 79.69, -28.7, 52.91

 

CMYK 17 / 0 / 61 / 25

HEX #9FC04B

RGB 159 192 75

HSL 76.92, 0.48%, 0.52%

LAB 73.27, -28.41, 53.84

 

CMYK 18 / 0 / 68 / 32

HEX #8EAE38

RGB 142 174 56

HSL 76.27, 0.51%, 0.45%

LAB 66.75, -28, 54.52

 

CMYK 20 / 0 / 76 / 39

HEX #7D9C25

RGB 125 156 37

HSL 75.63, 0.62%, 0.38%

LAB 60.13, -27.43, 54.66

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 2 / 0 / 50 / 11

HEX #E0E471

RGB 224 228 113

HSL 62.09, 0.68%, 0.67%

LAB 88.22, -16.85, 55.01

 

CMYK 0 / 12 / 50 / 11

HEX #E4C971

RGB 228 201 113

HSL 45.91, 0.68%, 0.67%

LAB 81.54, -1.62, 47.11

 

CMYK 0 / 25 / 50 / 11

HEX #E4AA71

RGB 228 170 113

HSL 29.74, 0.68%, 0.67%

LAB 73.83, 14.68, 37.54

 

CMYK 0 / 39 / 50 / 11

HEX #E48B71

RGB 228 139 113

HSL 13.57, 0.68%, 0.67%

LAB 66.64, 31.21, 28.27

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 29 / 0 / 50 / 11

HEX #A2E471

RGB 162 228 113

HSL 94.43, 0.68%, 0.67%

LAB 84.15, -40.2, 49.17

 

CMYK 43 / 0 / 50 / 11

HEX #83E471

RGB 131 228 113

HSL 110.61, 0.68%, 0.67%

LAB 82.65, -50.25, 47

 

CMYK 50 / 0 / 45 / 11

HEX #71E47E

RGB 113 228 126

HSL 126.78, 0.68%, 0.67%

LAB 82.11, -53.52, 39.89

 

CMYK 50 / 0 / 31 / 11

HEX #71E49D

RGB 113 228 157

HSL 142.96, 0.68%, 0.67%

LAB 82.61, -48.36, 24.88

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 18 / 0 / 59 / 5

HEX #C6F164

RGB 198 241 100

HSL 78.3, 0.83%, 0.67%

LAB 89.78, -34.21, 62.1

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 13 / 0 / 41 / 16

HEX #BBD67F

RGB 187 214 127

HSL 78.62, 0.51%, 0.67%

LAB 81.94, -22.97, 39.97

 

CMYK 9 / 0 / 30 / 22

HEX #B6C88C

RGB 182 200 140

HSL 78, 0.35%, 0.67%

LAB 77.96, -16.24, 28.05

 

CMYK 5 / 0 / 18 / 27

HEX #B1BB9A

RGB 177 187 154

HSL 78.18, 0.2%, 0.67%

LAB 74.33, -9.32, 15.57

 

CMYK 1 / 0 / 3 / 32

HEX #ABADA8

RGB 171 173 168

HSL 84, 0.03%, 0.67%

LAB 70.44, -1.64, 2.31

 

CMYK 0 / 12 / 50 / 11

HEX #E4C971

RGB 228 201 113

HSL 45.91, 0.68%, 0.67%

LAB 81.54, -1.62, 47.11

 

CMYK 2 / 0 / 50 / 11

HEX #E0E471

RGB 224 228 113

HSL 62.09, 0.68%, 0.67%

LAB 88.22, -16.85, 55.01

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 29 / 0 / 50 / 11

HEX #A3E471

RGB 163 228 113

HSL 93.91, 0.68%, 0.67%

LAB 84.21, -39.85, 49.25

 

CMYK 42 / 0 / 50 / 11

HEX #84E471

RGB 132 228 113

HSL 110.09, 0.68%, 0.67%

LAB 82.69, -49.96, 47.06

 

CMYK 24 / 0 / 79 / 16

HEX #A2D62C

RGB 162 214 44

HSL 78.35, 0.67%, 0.51%

LAB 79.59, -39.21, 71.36

 

CMYK 19 / 0 / 65 / 13

HEX #B2DD4E

RGB 178 221 78

HSL 78.04, 0.68%, 0.59%

LAB 82.77, -34.33, 63.19

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 11 / 0 / 37 / 8

HEX #D0EA94

RGB 208 234 148

HSL 78.14, 0.67%, 0.75%

LAB 89.11, -22.28, 38.98

 

CMYK 7 / 0 / 24 / 5

HEX #DFF1B6

RGB 223 241 182

HSL 78.31, 0.68%, 0.83%

LAB 92.56, -15.71, 26.58

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 50 / 0 / 25 / 11

HEX #71E4AA

RGB 113 228 170

HSL 149.74, 0.68%, 0.67%

LAB 82.86, -45.86, 18.47

 

CMYK 5 / 50 / 0 / 11

HEX #D871E4

RGB 216 113 228

HSL 293.74, 0.68%, 0.67%

LAB 63.35, 56.77, -41.4

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 50 / 15 / 0 / 11

HEX #71C1E4

RGB 113 193 228

HSL 198.26, 0.68%, 0.67%

LAB 74.35, -15.11, -25.01

 

CMYK 0 / 50 / 15 / 11

HEX #E471C1

RGB 228 113 193

HSL 318.26, 0.68%, 0.67%

LAB 63.47, 54.31, -21.44

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 50 / 0 / 25 / 11

HEX #71E4AA

RGB 113 228 170

HSL 149.74, 0.68%, 0.67%

LAB 82.86, -45.86, 18.47

 

CMYK 36 / 50 / 0 / 11

HEX #9371E4

RGB 147 113 228

HSL 257.74, 0.68%, 0.67%

LAB 55.7, 38.57, -54

 

CMYK 0 / 50 / 25 / 11

HEX #E471AA

RGB 228 113 170

HSL 330.26, 0.68%, 0.67%

LAB 62.68, 51, -9.55

 

CMYK 15 / 0 / 50 / 11

HEX #C1E471

RGB 193 228 113

HSL 78.26, 0.68%, 0.67%

LAB 86.01, -28.91, 51.85

 

CMYK 50 / 0 / 10 / 11

HEX #71E4CD

RGB 113 228 205

HSL 168, 0.68%, 0.67%

LAB 83.66, -38.2, 1.21

 

CMYK 36 / 50 / 0 / 11

HEX #9371E4

RGB 147 113 228

HSL 257.74, 0.68%, 0.67%

LAB 55.7, 38.57, -54

 

CMYK 0 / 50 / 40 / 11

HEX #E47188

RGB 228 113 136

HSL 348, 0.68%, 0.67%

LAB 61.72, 46.85, 8.56

 

Description

Color code: HEX #C1E471 | qconv.com Color code: HEX #C1E471 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 228 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 228 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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