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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1E38A it is the complementary color #3E1C75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1E38A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1E38A shade: #C6E385, #D7F598, #E8FFAB, #F9FFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1E38A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1E38A shade: #C1E38A, #B0D177, #9FBF64, #8EAD51 and #7D9B3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1E38A shade: #C1E38C, #D9E38C, #E3D58C, #E3BD8C and #E3A68C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1E38A shade: #C1E38C, #AAE38C, #92E38C, #8CE39C and #8CE3B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1E38A shade matches the following richer shades: #C1E38C, #C4EE80 and #C7FA74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1E38A shade: #C1E38C, #BFD797, #BCCCA3, #B9C0AE and #B6B4BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1E38A shade: #E3D48C, #DAE38C, #C3E38C, #ABE38C and #94E38C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1E38A shade: #9ED349, #B0DB6A, #C1E38C, #D3EBAD and #E5F3CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1E38A shade: #C1E38A, #8CE3BD and #E08CE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1E38A shade: #C1E38A, #8CC3E3 and #E38CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1E38A shade: #C1E38A, #8CE3BD, #AB8CE3 and #E38CB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1E38A shade: #C1E38A, #8CE3D7, #AB8CE3 and #E38C97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 39 / 11

HEX #C1E38A

RGB 193 227 138

HSL 82.92, 0.61%, 0.72%

LAB 86.06, -25.68, 39.83

 

Complementary color

CMYK 47 / 76 / 0 / 54

HEX #3E1C75

RGB 62 28 117

HSL 262.92, 0.61%, 0.28%

LAB 20.59, 36.98, -44.9

 

CMYK 13 / 0 / 41 / 11

HEX #C6E385

RGB 198 227 133

HSL 78.51, 0.63%, 0.71%

LAB 86.32, -24.42, 42.7

 

CMYK 12 / 0 / 38 / 4

HEX #D7F598

RGB 215 245 152

HSL 79.35, 0.82%, 0.78%

LAB 92.58, -24.5, 41.58

 

CMYK 9 / 0 / 33 / 0

HEX #E8FFAB

RGB 232 255 171

HSL 76.43, 1%, 0.84%

LAB 96.66, -20.74, 37.73

 

CMYK 2 / 0 / 25 / 0

HEX #F9FFBE

RGB 249 255 190

HSL 65.54, 1%, 0.87%

LAB 98.18, -12.12, 30.49

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 15 / 0 / 39 / 11

HEX #C1E38A

RGB 193 227 138

HSL 82.92, 0.61%, 0.72%

LAB 86.06, -25.68, 39.83

 

CMYK 16 / 0 / 43 / 18

HEX #B0D177

RGB 176 209 119

HSL 82, 0.49%, 0.64%

LAB 79.71, -25.64, 40.98

 

CMYK 17 / 0 / 48 / 25

HEX #9FBF64

RGB 159 191 100

HSL 81.1, 0.42%, 0.57%

LAB 73.25, -25.55, 42.14

 

CMYK 18 / 0 / 53 / 32

HEX #8EAD51

RGB 142 173 81

HSL 80.22, 0.36%, 0.5%

LAB 66.7, -25.41, 43.29

 

CMYK 19 / 0 / 60 / 39

HEX #7D9B3E

RGB 125 155 62

HSL 79.35, 0.43%, 0.43%

LAB 60.02, -25.19, 44.34

 

CMYK 15 / 0 / 38 / 11

HEX #C1E38C

RGB 193 227 140

HSL 83.45, 0.61%, 0.72%

LAB 86.09, -25.43, 38.87

 

CMYK 4 / 0 / 38 / 11

HEX #D9E38C

RGB 217 227 140

HSL 66.9, 0.61%, 0.72%

LAB 87.77, -16.42, 41.36

 

CMYK 0 / 6 / 38 / 11

HEX #E3D58C

RGB 227 213 140

HSL 50.34, 0.61%, 0.72%

LAB 84.9, -5.51, 37.83

 

CMYK 0 / 17 / 38 / 11

HEX #E3BD8C

RGB 227 189 140

HSL 33.79, 0.61%, 0.72%

LAB 78.82, 6.95, 29.86

 

CMYK 0 / 27 / 38 / 11

HEX #E3A68C

RGB 227 166 140

HSL 17.93, 0.61%, 0.72%

LAB 73.22, 19.2, 22.32

 

CMYK 15 / 0 / 38 / 11

HEX #C1E38C

RGB 193 227 140

HSL 83.45, 0.61%, 0.72%

LAB 86.09, -25.43, 38.87

 

CMYK 25 / 0 / 38 / 11

HEX #AAE38C

RGB 170 227 140

HSL 99.31, 0.61%, 0.72%

LAB 84.68, -33.64, 36.76

 

CMYK 36 / 0 / 38 / 11

HEX #92E38C

RGB 146 227 140

HSL 115.86, 0.61%, 0.72%

LAB 83.41, -41.54, 34.87

 

CMYK 38 / 0 / 31 / 11

HEX #8CE39C

RGB 140 227 156

HSL 131.03, 0.61%, 0.72%

LAB 83.4, -40.81, 26.64

 

CMYK 38 / 0 / 21 / 11

HEX #8CE3B4

RGB 140 227 180

HSL 147.59, 0.61%, 0.72%

LAB 83.87, -36.41, 14.81

 

CMYK 15 / 0 / 38 / 11

HEX #C1E38C

RGB 193 227 140

HSL 83.45, 0.61%, 0.72%

LAB 86.09, -25.43, 38.87

 

CMYK 18 / 0 / 46 / 7

HEX #C4EE80

RGB 196 238 128

HSL 82.91, 0.76%, 0.72%

LAB 89.13, -30.93, 48.6

 

CMYK 20 / 0 / 54 / 2

HEX #C7FA74

RGB 199 250 116

HSL 82.84, 0.93%, 0.72%

LAB 92.48, -36.53, 58.2

 

CMYK 15 / 0 / 38 / 11

HEX #C1E38C

RGB 193 227 140

HSL 83.45, 0.61%, 0.72%

LAB 86.09, -25.43, 38.87

 

CMYK 11 / 0 / 30 / 16

HEX #BFD797

RGB 191 215 151

HSL 82.5, 0.44%, 0.72%

LAB 82.87, -18.86, 29.01

 

CMYK 8 / 0 / 20 / 20

HEX #BCCCA3

RGB 188 204 163

HSL 83.41, 0.29%, 0.72%

LAB 79.91, -12.64, 18.65

 

CMYK 4 / 0 / 9 / 25

HEX #B9C0AE

RGB 185 192 174

HSL 83.33, 0.13%, 0.72%

LAB 76.72, -5.69, 8.23

 

CMYK 2 / 3 / 0 / 27

HEX #B6B4BA

RGB 182 180 186

HSL 260, 0.04%, 0.72%

LAB 73.63, 1.84, -2.8

 

CMYK 0 / 7 / 38 / 11

HEX #E3D48C

RGB 227 212 140

HSL 49.66, 0.61%, 0.72%

LAB 84.64, -5, 37.5

 

CMYK 4 / 0 / 38 / 11

HEX #DAE38C

RGB 218 227 140

HSL 66.21, 0.61%, 0.72%

LAB 87.84, -16.03, 41.47

 

CMYK 14 / 0 / 38 / 11

HEX #C3E38C

RGB 195 227 140

HSL 82.07, 0.61%, 0.72%

LAB 86.22, -24.7, 39.06

 

CMYK 25 / 0 / 38 / 11

HEX #ABE38C

RGB 171 227 140

HSL 98.62, 0.61%, 0.72%

LAB 84.74, -33.29, 36.85

 

CMYK 35 / 0 / 38 / 11

HEX #94E38C

RGB 148 227 140

HSL 114.48, 0.61%, 0.72%

LAB 83.51, -40.92, 35.02

 

CMYK 25 / 0 / 65 / 17

HEX #9ED349

RGB 158 211 73

HSL 83.04, 0.61%, 0.56%

LAB 78.66, -37.75, 60.47

 

CMYK 20 / 0 / 52 / 14

HEX #B0DB6A

RGB 176 219 106

HSL 82.83, 0.61%, 0.64%

LAB 82.34, -31.79, 50.48

 

CMYK 15 / 0 / 38 / 11

HEX #C1E38C

RGB 193 227 140

HSL 83.45, 0.61%, 0.72%

LAB 86.09, -25.43, 38.87

 

CMYK 10 / 0 / 26 / 8

HEX #D3EBAD

RGB 211 235 173

HSL 83.23, 0.61%, 0.8%

LAB 89.99, -18.35, 27.54

 

CMYK 6 / 0 / 15 / 5

HEX #E5F3CE

RGB 229 243 206

HSL 82.7, 0.61%, 0.88%

LAB 93.98, -10.96, 16.29

 

CMYK 15 / 0 / 39 / 11

HEX #C1E38A

RGB 193 227 138

HSL 82.92, 0.61%, 0.72%

LAB 86.06, -25.68, 39.83

 

CMYK 38 / 0 / 17 / 11

HEX #8CE3BD

RGB 140 227 189

HSL 153.79, 0.61%, 0.72%

LAB 84.06, -34.61, 10.37

 

CMYK 1 / 38 / 0 / 11

HEX #E08CE3

RGB 224 140 227

HSL 297.93, 0.61%, 0.72%

LAB 69.58, 45.21, -31.09

 

CMYK 15 / 0 / 39 / 11

HEX #C1E38A

RGB 193 227 138

HSL 82.92, 0.61%, 0.72%

LAB 86.06, -25.68, 39.83

 

CMYK 38 / 14 / 0 / 11

HEX #8CC3E3

RGB 140 195 227

HSL 202.07, 0.61%, 0.72%

LAB 76.16, -9.89, -21.59

 

CMYK 0 / 38 / 14 / 11

HEX #E38CC3

RGB 227 140 195

HSL 322.07, 0.61%, 0.72%

LAB 68.77, 40.66, -14.54

 

CMYK 15 / 0 / 39 / 11

HEX #C1E38A

RGB 193 227 138

HSL 82.92, 0.61%, 0.72%

LAB 86.06, -25.68, 39.83

 

CMYK 38 / 0 / 17 / 11

HEX #8CE3BD

RGB 140 227 189

HSL 153.79, 0.61%, 0.72%

LAB 84.06, -34.61, 10.37

 

CMYK 25 / 38 / 0 / 11

HEX #AB8CE3

RGB 171 140 227

HSL 261.38, 0.61%, 0.72%

LAB 64.13, 29.43, -39.98

 

CMYK 0 / 38 / 22 / 11

HEX #E38CB1

RGB 227 140 177

HSL 334.48, 0.61%, 0.72%

LAB 68.21, 37.91, -5.31

 

CMYK 15 / 0 / 39 / 11

HEX #C1E38A

RGB 193 227 138

HSL 82.92, 0.61%, 0.72%

LAB 86.06, -25.68, 39.83

 

CMYK 38 / 0 / 5 / 11

HEX #8CE3D7

RGB 140 227 215

HSL 171.72, 0.61%, 0.72%

LAB 84.7, -28.95, -2.42

 

CMYK 25 / 38 / 0 / 11

HEX #AB8CE3

RGB 171 140 227

HSL 261.38, 0.61%, 0.72%

LAB 64.13, 29.43, -39.98

 

CMYK 0 / 38 / 33 / 11

HEX #E38C97

RGB 227 140 151

HSL 352.41, 0.61%, 0.72%

LAB 67.52, 34.39, 8.28

 

Description

Color code: HEX #C1E38A | qconv.com Color code: HEX #C1E38A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 227 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 227 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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