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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C1F17E it is the complementary color #3E0E81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C1F17E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C1F17E shade: #C6F179, #D7FF8C, #E8FF9F, #F9FFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C1F17E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C1F17E shade: #C1F17E, #B0DF6B, #9FCD58, #8EBB45 and #7DA932

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C1F17E shade: #C1F07E, #DFF07E, #F0E27E, #F0C37E and #F0A57E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C1F17E shade: #C1F07E, #A2F07E, #83F07E, #7EF098 and #7EF0B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C1F17E shade matches the following richer shades: #C1F07E and #C2FC72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C1F17E shade: #C1F07E, #BFE58A, #BDD995, #BBCEA1 and #B9C2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C1F17E shade: #F0E37E, #DFF07E, #C1F07E, #A2F07E and #84F07E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C1F17E shade: #9DE834, #AFEC59, #C1F07E, #D2F4A3 and #E4F8C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C1F17E shade: #C1F17E, #7EF0C4 and #F07EEE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C1F17E shade: #C1F17E, #7EC1F0 and #F07EC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C1F17E shade: #C1F17E, #7EF0C4, #AE7EF0 and #F07EAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C1F17E shade: #C1F17E, #7EF0E7, #AE7EF0 and #F07E87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 48 / 5

HEX #C1F17E

RGB 193 241 126

HSL 85.04, 0.8%, 0.72%

LAB 89.75, -33.63, 50.26

 

Complementary color

CMYK 52 / 89 / 0 / 49

HEX #3E0E81

RGB 62 14 129

HSL 265.04, 0.8%, 0.28%

LAB 19.73, 46.23, -53.96

 

CMYK 18 / 0 / 50 / 5

HEX #C6F179

RGB 198 241 121

HSL 81.5, 0.81%, 0.71%

LAB 90, -32.31, 52.98

 

CMYK 16 / 0 / 45 / 0

HEX #D7FF8C

RGB 215 255 140

HSL 80.87, 1%, 0.77%

LAB 95.1, -30.56, 50.55

 

CMYK 9 / 0 / 38 / 0

HEX #E8FF9F

RGB 232 255 159

HSL 74.38, 1%, 0.81%

LAB 96.48, -22.2, 43.4

 

CMYK 2 / 0 / 30 / 0

HEX #F9FFB2

RGB 249 255 178

HSL 64.68, 1%, 0.85%

LAB 97.98, -13.66, 36.22

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 20 / 0 / 48 / 5

HEX #C1F17E

RGB 193 241 126

HSL 85.04, 0.8%, 0.72%

LAB 89.75, -33.63, 50.26

 

CMYK 21 / 0 / 52 / 13

HEX #B0DF6B

RGB 176 223 107

HSL 84.31, 0.64%, 0.65%

LAB 83.48, -33.55, 51.36

 

CMYK 22 / 0 / 57 / 20

HEX #9FCD58

RGB 159 205 88

HSL 83.59, 0.54%, 0.57%

LAB 77.12, -33.41, 52.4

 

CMYK 24 / 0 / 63 / 27

HEX #8EBB45

RGB 142 187 69

HSL 82.88, 0.46%, 0.5%

LAB 70.68, -33.18, 53.28

 

CMYK 26 / 0 / 70 / 34

HEX #7DA932

RGB 125 169 50

HSL 82.18, 0.54%, 0.43%

LAB 64.13, -32.83, 53.85

 

CMYK 20 / 0 / 48 / 6

HEX #C1F07E

RGB 193 240 126

HSL 84.74, 0.79%, 0.72%

LAB 89.47, -33.17, 49.92

 

CMYK 7 / 0 / 48 / 6

HEX #DFF07E

RGB 223 240 126

HSL 68.95, 0.79%, 0.72%

LAB 91.47, -21.9, 52.81

 

CMYK 0 / 6 / 48 / 6

HEX #F0E27E

RGB 240 226 126

HSL 52.63, 0.79%, 0.72%

LAB 89.12, -8.35, 50.27

 

CMYK 0 / 19 / 48 / 6

HEX #F0C37E

RGB 240 195 126

HSL 36.32, 0.79%, 0.72%

LAB 81.33, 7.54, 40.59

 

CMYK 0 / 31 / 48 / 6

HEX #F0A57E

RGB 240 165 126

HSL 20.53, 0.79%, 0.72%

LAB 74.15, 23.36, 31.36

 

CMYK 20 / 0 / 48 / 6

HEX #C1F07E

RGB 193 240 126

HSL 84.74, 0.79%, 0.72%

LAB 89.47, -33.17, 49.92

 

CMYK 33 / 0 / 48 / 6

HEX #A2F07E

RGB 162 240 126

HSL 101.05, 0.79%, 0.72%

LAB 87.73, -43.96, 47.4

 

CMYK 45 / 0 / 48 / 6

HEX #83F07E

RGB 131 240 126

HSL 117.37, 0.79%, 0.72%

LAB 86.33, -53.46, 45.35

 

CMYK 48 / 0 / 37 / 6

HEX #7EF098

RGB 126 240 152

HSL 133.68, 0.79%, 0.72%

LAB 86.52, -50.94, 32.76

 

CMYK 48 / 0 / 24 / 6

HEX #7EF0B7

RGB 126 240 183

HSL 150, 0.79%, 0.72%

LAB 87.08, -45.29, 17.68

 

CMYK 20 / 0 / 48 / 6

HEX #C1F07E

RGB 193 240 126

HSL 84.74, 0.79%, 0.72%

LAB 89.47, -33.17, 49.92

 

CMYK 23 / 0 / 55 / 1

HEX #C2FC72

RGB 194 252 114

HSL 85.22, 0.96%, 0.72%

LAB 92.71, -39.43, 59.29

 

CMYK 20 / 0 / 48 / 6

HEX #C1F07E

RGB 193 240 126

HSL 84.74, 0.79%, 0.72%

LAB 89.47, -33.17, 49.92

 

CMYK 17 / 0 / 40 / 10

HEX #BFE58A

RGB 191 229 138

HSL 85.05, 0.64%, 0.72%

LAB 86.48, -27.37, 40.34

 

CMYK 13 / 0 / 31 / 15

HEX #BDD995

RGB 189 217 149

HSL 84.71, 0.47%, 0.72%

LAB 83.24, -20.86, 30.51

 

CMYK 9 / 0 / 22 / 19

HEX #BBCEA1

RGB 187 206 161

HSL 85.33, 0.31%, 0.72%

LAB 80.34, -14.33, 20.29

 

CMYK 5 / 0 / 11 / 24

HEX #B9C2AC

RGB 185 194 172

HSL 84.55, 0.15%, 0.72%

LAB 77.21, -7.08, 10

 

CMYK 0 / 5 / 48 / 6

HEX #F0E37E

RGB 240 227 126

HSL 53.16, 0.79%, 0.72%

LAB 89.38, -8.85, 50.59

 

CMYK 7 / 0 / 48 / 6

HEX #DFF07E

RGB 223 240 126

HSL 68.95, 0.79%, 0.72%

LAB 91.47, -21.9, 52.81

 

CMYK 20 / 0 / 48 / 6

HEX #C1F07E

RGB 193 240 126

HSL 84.74, 0.79%, 0.72%

LAB 89.47, -33.17, 49.92

 

CMYK 33 / 0 / 48 / 6

HEX #A2F07E

RGB 162 240 126

HSL 101.05, 0.79%, 0.72%

LAB 87.73, -43.96, 47.4

 

CMYK 45 / 0 / 48 / 6

HEX #84F07E

RGB 132 240 126

HSL 116.84, 0.79%, 0.72%

LAB 86.37, -53.18, 45.41

 

CMYK 32 / 0 / 78 / 9

HEX #9DE834

RGB 157 232 52

HSL 85, 0.8%, 0.56%

LAB 84.55, -48.44, 73.55

 

CMYK 26 / 0 / 62 / 7

HEX #AFEC59

RGB 175 236 89

HSL 84.9, 0.79%, 0.64%

LAB 86.91, -41.37, 63.14

 

CMYK 20 / 0 / 48 / 6

HEX #C1F07E

RGB 193 240 126

HSL 84.74, 0.79%, 0.72%

LAB 89.47, -33.17, 49.92

 

CMYK 14 / 0 / 33 / 4

HEX #D2F4A3

RGB 210 244 163

HSL 85.19, 0.79%, 0.8%

LAB 92.15, -24.44, 35.49

 

CMYK 8 / 0 / 19 / 3

HEX #E4F8C8

RGB 228 248 200

HSL 85, 0.77%, 0.88%

LAB 95.08, -14.72, 20.9

 

CMYK 20 / 0 / 48 / 5

HEX #C1F17E

RGB 193 241 126

HSL 85.04, 0.8%, 0.72%

LAB 89.75, -33.63, 50.26

 

CMYK 48 / 0 / 18 / 6

HEX #7EF0C4

RGB 126 240 196

HSL 156.84, 0.79%, 0.72%

LAB 87.36, -42.62, 11.32

 

CMYK 0 / 48 / 1 / 6

HEX #F07EEE

RGB 240 126 238

HSL 301.05, 0.79%, 0.72%

LAB 69.2, 58.88, -37.58

 

CMYK 20 / 0 / 48 / 5

HEX #C1F17E

RGB 193 241 126

HSL 85.04, 0.8%, 0.72%

LAB 89.75, -33.63, 50.26

 

CMYK 48 / 20 / 0 / 6

HEX #7EC1F0

RGB 126 193 240

HSL 204.74, 0.79%, 0.72%

LAB 75.37, -8.8, -29.87

 

CMYK 0 / 48 / 20 / 6

HEX #F07EC1

RGB 240 126 193

HSL 324.74, 0.79%, 0.72%

LAB 67.5, 51.69, -15.18

 

CMYK 20 / 0 / 48 / 5

HEX #C1F17E

RGB 193 241 126

HSL 85.04, 0.8%, 0.72%

LAB 89.75, -33.63, 50.26

 

CMYK 48 / 0 / 18 / 6

HEX #7EF0C4

RGB 126 240 196

HSL 156.84, 0.79%, 0.72%

LAB 87.36, -42.62, 11.32

 

CMYK 28 / 48 / 0 / 6

HEX #AE7EF0

RGB 174 126 240

HSL 265.26, 0.79%, 0.72%

LAB 61.84, 41.19, -50.76

 

CMYK 0 / 48 / 29 / 6

HEX #F07EAA

RGB 240 126 170

HSL 336.84, 0.79%, 0.72%

LAB 66.79, 48.54, -3.29

 

CMYK 20 / 0 / 48 / 5

HEX #C1F17E

RGB 193 241 126

HSL 85.04, 0.8%, 0.72%

LAB 89.75, -33.63, 50.26

 

CMYK 48 / 0 / 4 / 6

HEX #7EF0E7

RGB 126 240 231

HSL 175.26, 0.79%, 0.72%

LAB 88.22, -34.63, -5.71

 

CMYK 28 / 48 / 0 / 6

HEX #AE7EF0

RGB 174 126 240

HSL 265.26, 0.79%, 0.72%

LAB 61.84, 41.19, -50.76

 

CMYK 0 / 48 / 44 / 6

HEX #F07E87

RGB 240 126 135

HSL 355.26, 0.79%, 0.72%

LAB 65.9, 44.51, 15.25

 

Description

Color code: HEX #C1F17E | qconv.com Color code: HEX #C1F17E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 241 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 241 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 48 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 48% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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