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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C20951 it is the complementary color #3DF6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C20951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C20951 shade: #C7094C, #D81B5F, #E92D72, #FA3F85 and #FF5198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C20951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C20951 shade: #C20951, #B1003E, #A0002B, #8F0018 and #7E0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C20951 shade: #C20951, #C2091F and #C20909

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C20951 shade: #C20951, #C20983, #C209B5, #9E09C2 and #6B09C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C20951 shade matches the following richer shades: #C20951

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C20951 shade: #C20951, #B21955, #A12A58, #913A5C and #804B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C20951 shade: #C209B6, #C20984, #C20953, #C20921 and #C22109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C20951 shade: #740530, #9B0740, #C20951, #EA0B61 and #F42978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C20951 shade: #C20951, #C29D09 and #099DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C20951 shade: #C20951, #53C209 and #0953C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C20951 shade: #C20951, #C29D09, #09C278 and #092EC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C20951 shade: #C20951, #B0C209, #09C278 and #1B09C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

Complementary color

CMYK 75 / 0 / 29 / 4

HEX #3DF6AE

RGB 61 246 174

HSL 156.65, 0.91%, 0.6%

LAB 86.98, -61.46, 21.91

 

CMYK 0 / 95 / 62 / 22

HEX #C7094C

RGB 199 9 76

HSL 338.84, 0.91%, 0.41%

LAB 42.55, 67.8, 17.17

 

CMYK 0 / 88 / 56 / 15

HEX #D81B5F

RGB 216 27 95

HSL 338.41, 0.78%, 0.48%

LAB 47.25, 70.73, 12.28

 

CMYK 0 / 81 / 51 / 9

HEX #E92D72

RGB 233 45 114

HSL 337.98, 0.81%, 0.55%

LAB 52.3, 72.57, 8.24

 

CMYK 0 / 75 / 47 / 2

HEX #FA3F85

RGB 250 63 133

HSL 337.54, 0.95%, 0.61%

LAB 57.63, 73.58, 4.92

 

CMYK 0 / 68 / 40 / 0

HEX #FF5198

RGB 255 81 152

HSL 335.52, 1%, 0.66%

LAB 61.14, 70.71, -1

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 100 / 65 / 31

HEX #B1003E

RGB 177 0 62

HSL 338.98, 1%, 0.35%

LAB 37.29, 62.66, 18.27

 

CMYK 0 / 100 / 73 / 37

HEX #A0002B

RGB 160 0 43

HSL 343.88, 1%, 0.31%

LAB 33.24, 57.56, 24.66

 

CMYK 0 / 100 / 83 / 44

HEX #8F0018

RGB 143 0 24

HSL 349.93, 1%, 0.28%

LAB 29.17, 52.53, 31.05

 

CMYK 0 / 100 / 96 / 51

HEX #7E0005

RGB 126 0 5

HSL 357.62, 1%, 0.25%

LAB 25.1, 47.61, 35.45

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 95 / 84 / 24

HEX #C2091F

RGB 194 9 31

HSL 352.86, 0.91%, 0.4%

LAB 40.84, 64.74, 42.11

 

CMYK 0 / 95 / 95 / 24

HEX #C20909

RGB 194 9 9

HSL 0, 0.91%, 0.4%

LAB 40.71, 64.38, 51.68

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 95 / 32 / 24

HEX #C20983

RGB 194 9 131

HSL 320.43, 0.91%, 0.4%

LAB 43.22, 71.16, -16.4

 

CMYK 0 / 95 / 7 / 24

HEX #C209B5

RGB 194 9 181

HSL 304.22, 0.91%, 0.4%

LAB 45.64, 77.34, -42.7

 

CMYK 19 / 95 / 0 / 24

HEX #9E09C2

RGB 158 9 194

HSL 288.32, 0.91%, 0.4%

LAB 40.18, 73.59, -59.44

 

CMYK 45 / 95 / 0 / 24

HEX #6B09C2

RGB 107 9 194

HSL 271.78, 0.91%, 0.4%

LAB 32.29, 67.33, -72.66

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 86 / 52 / 30

HEX #B21955

RGB 178 25 85

HSL 336.47, 0.75%, 0.4%

LAB 39.27, 60.88, 6.25

 

CMYK 0 / 74 / 45 / 37

HEX #A12A58

RGB 161 42 88

HSL 336.81, 0.59%, 0.4%

LAB 37.73, 51.7, 1.69

 

CMYK 0 / 60 / 37 / 43

HEX #913A5C

RGB 145 58 92

HSL 336.55, 0.43%, 0.4%

LAB 37.51, 40.26, -1.51

 

CMYK 0 / 41 / 25 / 50

HEX #804B60

RGB 128 75 96

HSL 336.23, 0.26%, 0.4%

LAB 38.67, 25.44, -2.62

 

CMYK 0 / 95 / 6 / 24

HEX #C209B6

RGB 194 9 182

HSL 303.89, 0.91%, 0.4%

LAB 45.69, 77.48, -43.2

 

CMYK 0 / 95 / 32 / 24

HEX #C20984

RGB 194 9 132

HSL 320.11, 0.91%, 0.4%

LAB 43.26, 71.27, -16.95

 

CMYK 0 / 95 / 57 / 24

HEX #C20953

RGB 194 9 83

HSL 336, 0.91%, 0.4%

LAB 41.67, 67.03, 11.37

 

CMYK 0 / 95 / 83 / 24

HEX #C20921

RGB 194 9 33

HSL 352.22, 0.91%, 0.4%

LAB 40.86, 64.79, 41.04

 

CMYK 0 / 83 / 95 / 24

HEX #C22109

RGB 194 33 9

HSL 7.78, 0.91%, 0.4%

LAB 42.12, 60.35, 52.45

 

CMYK 0 / 96 / 59 / 55

HEX #740530

RGB 116 5 48

HSL 336.76, 0.92%, 0.24%

LAB 23.79, 45.7, 7.11

 

CMYK 0 / 95 / 59 / 39

HEX #9B0740

RGB 155 7 64

HSL 336.89, 0.91%, 0.32%

LAB 32.9, 56.51, 10.24

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 95 / 59 / 8

HEX #EA0B61

RGB 234 11 97

HSL 336.86, 0.91%, 0.48%

LAB 50.21, 77.08, 15.7

 

CMYK 0 / 83 / 51 / 4

HEX #F42978

RGB 244 41 120

HSL 336.65, 0.9%, 0.56%

LAB 54.21, 76.66, 7.63

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 19 / 95 / 24

HEX #C29D09

RGB 194 157 9

HSL 48, 0.91%, 0.4%

LAB 66.22, 1.79, 68.64

 

CMYK 95 / 19 / 0 / 24

HEX #099DC2

RGB 9 157 194

HSL 192, 0.91%, 0.4%

LAB 59.95, -20.8, -28.62

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 57 / 0 / 95 / 24

HEX #53C209

RGB 83 194 9

HSL 96, 0.91%, 0.4%

LAB 69.78, -58.59, 68.33

 

CMYK 95 / 57 / 0 / 24

HEX #0953C2

RGB 9 83 194

HSL 216, 0.91%, 0.4%

LAB 38.09, 24.09, -63.38

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 0 / 19 / 95 / 24

HEX #C29D09

RGB 194 157 9

HSL 48, 0.91%, 0.4%

LAB 66.22, 1.79, 68.64

 

CMYK 95 / 0 / 38 / 24

HEX #09C278

RGB 9 194 120

HSL 156, 0.91%, 0.4%

LAB 69.47, -57.75, 26.06

 

CMYK 95 / 76 / 0 / 24

HEX #092EC2

RGB 9 46 194

HSL 228, 0.91%, 0.4%

LAB 29.18, 47.65, -78.05

 

CMYK 0 / 95 / 58 / 24

HEX #C20951

RGB 194 9 81

HSL 336.65, 0.91%, 0.4%

LAB 41.62, 66.9, 12.57

 

CMYK 9 / 0 / 95 / 24

HEX #B0C209

RGB 176 194 9

HSL 65.84, 0.91%, 0.4%

LAB 74.72, -25.14, 74.33

 

CMYK 95 / 0 / 38 / 24

HEX #09C278

RGB 9 194 120

HSL 156, 0.91%, 0.4%

LAB 69.47, -57.75, 26.06

 

CMYK 86 / 95 / 0 / 24

HEX #1B09C2

RGB 27 9 194

HSL 245.84, 0.91%, 0.4%

LAB 24.71, 62.79, -85.46

 

Description

Color code: HEX #C20951 | qconv.com Color code: HEX #C20951 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 9 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 9 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 95 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 95% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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