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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C21ACB it is the complementary color #3DE534. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C21ACB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C21ACB shade: #C71AC6, #D82CD9, #E93EEC, #FA50FF and #FF62FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C21ACB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C21ACB shade: #C21ACB, #B108B8, #A000A5, #8F0092 and #7E007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C21ACB shade: #C21ACB, #CB1AA4, #CB1A74, #CB1A45 and #CB1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C21ACB shade: #C21ACB, #921ACB, #621ACB, #331ACB and #1A1ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C21ACB shade matches the following richer shades: #C21ACB and #D207DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C21ACB shade: #C21ACB, #B12CB8, #A03FA5, #905293 and #7F6480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C21ACB shade: #611ACB, #901ACB, #BF1ACB, #CB1AA7 and #CB1A78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C21ACB shade: #7C1082, #9F15A6, #C21ACB, #DA2BE3 and #E04FE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C21ACB shade: #C21ACB, #CB311A and #1ACB78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C21ACB shade: #C21ACB, #CBBF1A and #1ACBBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C21ACB shade: #C21ACB, #CB311A, #26CB1A and #1AB3CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C21ACB shade: #C21ACB, #CB661A, #26CB1A and #1A7ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

Complementary color

CMYK 73 / 0 / 77 / 10

HEX #3DE534

RGB 61 229 52

HSL 116.95, 0.77%, 0.55%

LAB 80.34, -72.69, 68.39

 

CMYK 0 / 87 / 1 / 22

HEX #C71AC6

RGB 199 26 198

HSL 300.35, 0.77%, 0.44%

LAB 48.21, 78.58, -48.48

 

CMYK 0 / 80 / 0 / 15

HEX #D82CD9

RGB 216 44 217

HSL 299.65, 0.69%, 0.51%

LAB 53.4, 80.94, -50.95

 

CMYK 1 / 74 / 0 / 7

HEX #E93EEC

RGB 233 62 236

HSL 298.97, 0.82%, 0.58%

LAB 58.81, 82.42, -52.88

 

CMYK 2 / 69 / 0 / 0

HEX #FA50FF

RGB 250 80 255

HSL 298.29, 1%, 0.66%

LAB 64.39, 83.23, -54.4

 

CMYK 0 / 62 / 0 / 0

HEX #FF62FF

RGB 255 98 255

HSL 300, 1%, 0.69%

LAB 67.44, 77.81, -49.53

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 4 / 96 / 0 / 28

HEX #B108B8

RGB 177 8 184

HSL 297.61, 0.92%, 0.38%

LAB 42.74, 74.99, -49.28

 

CMYK 3 / 100 / 0 / 35

HEX #A000A5

RGB 160 0 165

HSL 298.18, 1%, 0.32%

LAB 38.18, 70.11, -45.44

 

CMYK 2 / 100 / 0 / 43

HEX #8F0092

RGB 143 0 146

HSL 298.77, 1%, 0.29%

LAB 33.81, 64.34, -41.09

 

CMYK 1 / 100 / 0 / 50

HEX #7E007F

RGB 126 0 127

HSL 299.53, 1%, 0.25%

LAB 29.33, 58.43, -36.61

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 87 / 19 / 20

HEX #CB1AA4

RGB 203 26 164

HSL 313.22, 0.77%, 0.45%

LAB 47.13, 74.65, -30.17

 

CMYK 0 / 87 / 43 / 20

HEX #CB1A74

RGB 203 26 116

HSL 329.49, 0.77%, 0.45%

LAB 45.22, 69.43, -3.97

 

CMYK 0 / 87 / 66 / 20

HEX #CB1A45

RGB 203 26 69

HSL 345.42, 0.77%, 0.45%

LAB 44.04, 66.09, 23.65

 

CMYK 0 / 87 / 87 / 20

HEX #CB1A1A

RGB 203 26 26

HSL 0, 0.77%, 0.45%

LAB 43.52, 64.59, 47.68

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 28 / 87 / 0 / 20

HEX #921ACB

RGB 146 26 203

HSL 280.68, 0.77%, 0.45%

LAB 39.85, 70.85, -65.31

 

CMYK 52 / 87 / 0 / 20

HEX #621ACB

RGB 98 26 203

HSL 264.41, 0.77%, 0.45%

LAB 33.24, 64.91, -76.41

 

CMYK 75 / 87 / 0 / 20

HEX #331ACB

RGB 51 26 203

HSL 248.47, 0.77%, 0.45%

LAB 28.78, 61.33, -83.93

 

CMYK 87 / 87 / 0 / 20

HEX #1A1ACB

RGB 26 26 203

HSL 240, 0.77%, 0.45%

LAB 27.49, 60.37, -86.12

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 5 / 97 / 0 / 13

HEX #D207DD

RGB 210 7 221

HSL 296.92, 0.94%, 0.45%

LAB 50.77, 85.95, -57.48

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 4 / 76 / 0 / 28

HEX #B12CB8

RGB 177 44 184

HSL 297, 0.61%, 0.45%

LAB 45.09, 68.1, -45.5

 

CMYK 3 / 62 / 0 / 35

HEX #A03FA5

RGB 160 63 165

HSL 297.06, 0.45%, 0.45%

LAB 43.87, 53.84, -36.39

 

CMYK 2 / 44 / 0 / 42

HEX #905293

RGB 144 82 147

HSL 297.23, 0.28%, 0.45%

LAB 44.33, 36.27, -25.06

 

CMYK 1 / 22 / 0 / 50

HEX #7F6480

RGB 127 100 128

HSL 297.86, 0.12%, 0.45%

LAB 45.89, 16.09, -11.45

 

CMYK 52 / 87 / 0 / 20

HEX #611ACB

RGB 97 26 203

HSL 264.07, 0.77%, 0.45%

LAB 33.12, 64.81, -76.61

 

CMYK 29 / 87 / 0 / 20

HEX #901ACB

RGB 144 26 203

HSL 280, 0.77%, 0.45%

LAB 39.55, 70.57, -65.82

 

CMYK 6 / 87 / 0 / 20

HEX #BF1ACB

RGB 191 26 203

HSL 295.93, 0.77%, 0.45%

LAB 47.14, 77.96, -53.16

 

CMYK 0 / 87 / 18 / 20

HEX #CB1AA7

RGB 203 26 167

HSL 312.2, 0.77%, 0.45%

LAB 47.27, 75.03, -31.73

 

CMYK 0 / 87 / 41 / 20

HEX #CB1A78

RGB 203 26 120

HSL 328.14, 0.77%, 0.45%

LAB 45.35, 69.8, -6.24

 

CMYK 5 / 88 / 0 / 49

HEX #7C1082

RGB 124 16 130

HSL 296.84, 0.78%, 0.29%

LAB 30.08, 55.84, -37.32

 

CMYK 4 / 87 / 0 / 35

HEX #9F15A6

RGB 159 21 166

HSL 297.1, 0.78%, 0.37%

LAB 39, 67.33, -44.74

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 4 / 81 / 0 / 11

HEX #DA2BE3

RGB 218 43 227

HSL 297.07, 0.77%, 0.53%

LAB 54.22, 83.08, -55.29

 

CMYK 3 / 66 / 0 / 9

HEX #E04FE8

RGB 224 79 232

HSL 296.86, 0.77%, 0.61%

LAB 59.22, 74.23, -50.08

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 76 / 87 / 20

HEX #CB311A

RGB 203 49 26

HSL 7.8, 0.77%, 0.45%

LAB 45.59, 58.74, 49.34

 

CMYK 87 / 0 / 41 / 20

HEX #1ACB78

RGB 26 203 120

HSL 151.86, 0.77%, 0.45%

LAB 72.42, -60.03, 30

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 6 / 87 / 20

HEX #CBBF1A

RGB 203 191 26

HSL 55.93, 0.77%, 0.45%

LAB 76.09, -11.78, 73.82

 

CMYK 87 / 0 / 6 / 20

HEX #1ACBBF

RGB 26 203 191

HSL 175.93, 0.77%, 0.45%

LAB 73.99, -43.04, -5.71

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 76 / 87 / 20

HEX #CB311A

RGB 203 49 26

HSL 7.8, 0.77%, 0.45%

LAB 45.59, 58.74, 49.34

 

CMYK 81 / 0 / 87 / 20

HEX #26CB1A

RGB 38 203 26

HSL 115.93, 0.77%, 0.45%

LAB 71.69, -69.4, 66.94

 

CMYK 87 / 12 / 0 / 20

HEX #1AB3CB

RGB 26 179 203

HSL 188.14, 0.77%, 0.45%

LAB 67.11, -28.21, -22.63

 

CMYK 4 / 87 / 0 / 20

HEX #C21ACB

RGB 194 26 203

HSL 296.95, 0.77%, 0.45%

LAB 47.65, 78.47, -52.32

 

CMYK 0 / 50 / 87 / 20

HEX #CB661A

RGB 203 102 26

HSL 25.76, 0.77%, 0.45%

LAB 54.32, 35.7, 56.35

 

CMYK 81 / 0 / 87 / 20

HEX #26CB1A

RGB 38 203 26

HSL 115.93, 0.77%, 0.45%

LAB 71.69, -69.4, 66.94

 

CMYK 87 / 38 / 0 / 20

HEX #1A7ECB

RGB 26 126 203

HSL 206.1, 0.77%, 0.45%

LAB 51.21, 0.92, -47.42

 

Description

Color code: HEX #C21ACB | qconv.com Color code: HEX #C21ACB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 26 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 26 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 87 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 87% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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