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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C221CE it is the complementary color #3DDE31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C221CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C221CE shade: #C721C9, #D833DC, #E945EF, #FA57FF and #FF69FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C221CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C221CE shade: #C221CE, #B10FBB, #A000A8, #8F0095 and #7E0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C221CE shade: #C221CE, #CE21AB, #CE217D, #CE214E and #CE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C221CE shade: #C221CE, #9321CE, #6521CE, #3621CE and #2121CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C221CE shade matches the following richer shades: #C221CE and #D20EE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C221CE shade: #C221CE, #B134BA, #A048A7, #905B93 and #7F6F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C221CE shade: #6321CE, #9121CE, #BF21CE, #CE21AE and #CE2180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C221CE shade: #7F1687, #A01BAA, #C221CE, #D33ADE and #DB5DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C221CE shade: #C221CE, #CE3521 and #21CE7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C221CE shade: #C221CE, #CEBF21 and #21CEBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C221CE shade: #C221CE, #CE3521, #2FCE21 and #21BACE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C221CE shade: #C221CE, #CE6921, #2FCE21 and #2186CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

Complementary color

CMYK 73 / 0 / 78 / 13

HEX #3DDE31

RGB 61 222 49

HSL 115.84, 0.72%, 0.53%

LAB 78.14, -70.74, 67.19

 

CMYK 1 / 84 / 0 / 21

HEX #C721C9

RGB 199 33 201

HSL 299.29, 0.72%, 0.46%

LAB 48.82, 77.76, -49.24

 

CMYK 2 / 77 / 0 / 14

HEX #D833DC

RGB 216 51 220

HSL 298.58, 0.71%, 0.53%

LAB 54.17, 79.65, -51.42

 

CMYK 3 / 71 / 0 / 6

HEX #E945EF

RGB 233 69 239

HSL 297.88, 0.84%, 0.6%

LAB 59.72, 80.76, -53.12

 

CMYK 2 / 66 / 0 / 0

HEX #FA57FF

RGB 250 87 255

HSL 298.21, 1%, 0.67%

LAB 65.25, 80.81, -53.04

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 5 / 92 / 0 / 27

HEX #B10FBB

RGB 177 15 187

HSL 296.51, 0.85%, 0.4%

LAB 43.18, 74.71, -50.33

 

CMYK 5 / 100 / 0 / 34

HEX #A000A8

RGB 160 0 168

HSL 297.14, 1%, 0.33%

LAB 38.38, 70.58, -46.93

 

CMYK 4 / 100 / 0 / 42

HEX #8F0095

RGB 143 0 149

HSL 297.58, 1%, 0.29%

LAB 34, 64.81, -42.61

 

CMYK 3 / 100 / 0 / 49

HEX #7E0082

RGB 126 0 130

HSL 298.15, 1%, 0.25%

LAB 29.53, 58.91, -38.18

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 0 / 84 / 17 / 19

HEX #CE21AB

RGB 206 33 171

HSL 312.14, 0.72%, 0.47%

LAB 48.45, 74.86, -32.22

 

CMYK 0 / 84 / 39 / 19

HEX #CE217D

RGB 206 33 125

HSL 328.09, 0.72%, 0.47%

LAB 46.57, 69.61, -7.43

 

CMYK 0 / 84 / 62 / 19

HEX #CE214E

RGB 206 33 78

HSL 344.39, 0.72%, 0.47%

LAB 45.3, 65.95, 19.84

 

CMYK 0 / 84 / 84 / 19

HEX #CE2121

RGB 206 33 33

HSL 0, 0.72%, 0.47%

LAB 44.69, 64.12, 45.47

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 29 / 84 / 0 / 19

HEX #9321CE

RGB 147 33 206

HSL 279.54, 0.72%, 0.47%

LAB 40.81, 69.91, -65.48

 

CMYK 51 / 84 / 0 / 19

HEX #6521CE

RGB 101 33 206

HSL 263.58, 0.72%, 0.47%

LAB 34.62, 63.8, -75.86

 

CMYK 74 / 84 / 0 / 19

HEX #3621CE

RGB 54 33 206

HSL 247.28, 0.72%, 0.47%

LAB 30.23, 59.72, -83.28

 

CMYK 84 / 84 / 0 / 19

HEX #2121CE

RGB 33 33 206

HSL 240, 0.72%, 0.47%

LAB 29.08, 58.7, -85.22

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 7 / 94 / 0 / 12

HEX #D20EE1

RGB 210 14 225

HSL 295.73, 0.88%, 0.47%

LAB 51.21, 86, -59.05

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 5 / 72 / 0 / 27

HEX #B134BA

RGB 177 52 186

HSL 295.97, 0.56%, 0.47%

LAB 46.11, 65.87, -45.06

 

CMYK 4 / 57 / 0 / 35

HEX #A048A7

RGB 160 72 167

HSL 295.58, 0.4%, 0.47%

LAB 45.49, 50.04, -35.01

 

CMYK 2 / 38 / 0 / 42

HEX #905B93

RGB 144 91 147

HSL 296.79, 0.24%, 0.47%

LAB 46.34, 31.21, -21.97

 

CMYK 1 / 13 / 0 / 50

HEX #7F6F80

RGB 127 111 128

HSL 296.47, 0.07%, 0.47%

LAB 48.81, 9.54, -7.06

 

CMYK 52 / 84 / 0 / 19

HEX #6321CE

RGB 99 33 206

HSL 262.89, 0.72%, 0.47%

LAB 34.39, 63.58, -76.26

 

CMYK 30 / 84 / 0 / 19

HEX #9121CE

RGB 145 33 206

HSL 278.84, 0.72%, 0.47%

LAB 40.51, 69.61, -65.98

 

CMYK 7 / 84 / 0 / 19

HEX #BF21CE

RGB 191 33 206

HSL 294.8, 0.72%, 0.47%

LAB 47.78, 77.12, -53.87

 

CMYK 0 / 84 / 16 / 19

HEX #CE21AE

RGB 206 33 174

HSL 311.1, 0.72%, 0.47%

LAB 48.59, 75.25, -33.76

 

CMYK 0 / 84 / 38 / 19

HEX #CE2180

RGB 206 33 128

HSL 327.05, 0.72%, 0.47%

LAB 46.67, 69.91, -9.11

 

CMYK 6 / 84 / 0 / 47

HEX #7F1687

RGB 127 22 135

HSL 295.75, 0.72%, 0.31%

LAB 31.43, 55.88, -38.25

 

CMYK 6 / 84 / 0 / 33

HEX #A01BAA

RGB 160 27 170

HSL 295.8, 0.73%, 0.39%

LAB 39.85, 66.94, -45.77

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 5 / 74 / 0 / 13

HEX #D33ADE

RGB 211 58 222

HSL 295.98, 0.71%, 0.55%

LAB 54.18, 76.99, -52.58

 

CMYK 4 / 59 / 0 / 11

HEX #DB5DE4

RGB 219 93 228

HSL 296, 0.71%, 0.63%

LAB 60.33, 66.75, -46.13

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 0 / 74 / 84 / 19

HEX #CE3521

RGB 206 53 33

HSL 6.94, 0.72%, 0.47%

LAB 46.68, 58.51, 47.26

 

CMYK 84 / 0 / 41 / 19

HEX #21CE7A

RGB 33 206 122

HSL 150.87, 0.72%, 0.47%

LAB 73.46, -60.16, 30.35

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 0 / 7 / 84 / 19

HEX #CEBF21

RGB 206 191 33

HSL 54.8, 0.72%, 0.47%

LAB 76.37, -10.31, 72.64

 

CMYK 84 / 0 / 7 / 19

HEX #21CEBF

RGB 33 206 191

HSL 174.8, 0.72%, 0.47%

LAB 74.97, -43.9, -4.26

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 0 / 74 / 84 / 19

HEX #CE3521

RGB 206 53 33

HSL 6.94, 0.72%, 0.47%

LAB 46.68, 58.51, 47.26

 

CMYK 77 / 0 / 84 / 19

HEX #2FCE21

RGB 47 206 33

HSL 115.14, 0.72%, 0.47%

LAB 72.8, -68.85, 66.44

 

CMYK 84 / 10 / 0 / 19

HEX #21BACE

RGB 33 186 206

HSL 186.94, 0.72%, 0.47%

LAB 69.4, -30.22, -20.78

 

CMYK 6 / 84 / 0 / 19

HEX #C221CE

RGB 194 33 206

HSL 295.84, 0.72%, 0.47%

LAB 48.28, 77.65, -53.04

 

CMYK 0 / 49 / 84 / 19

HEX #CE6921

RGB 206 105 33

HSL 24.97, 0.72%, 0.47%

LAB 55.42, 35.53, 54.91

 

CMYK 77 / 0 / 84 / 19

HEX #2FCE21

RGB 47 206 33

HSL 115.14, 0.72%, 0.47%

LAB 72.8, -68.85, 66.44

 

CMYK 84 / 35 / 0 / 19

HEX #2186CE

RGB 33 134 206

HSL 204.97, 0.72%, 0.47%

LAB 53.85, -2.22, -44.93

 

Description

Color code: HEX #C221CE | qconv.com Color code: HEX #C221CE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 33 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 33 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 84 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 84% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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