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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C223FF it is the complementary color #3DDC00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C223FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C223FF shade: #C723FA, #D835FF, #E947FF, #FA59FF and #FF6BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C223FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C223FF shade: #C223FF, #B111EC, #A000D9, #8F00C6 and #7E00B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C223FF shade: #C223FF, #FD23FF, #FF23C5, #FF238A and #FF234F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C223FF shade: #C223FF, #8723FF, #4B23FF and #2323FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C223FF shade matches the following richer shades: #C223FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C223FF shade: #C223FF, #BA35ED, #B247DB, #AA58C9 and #A26AB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C223FF shade: #4B23FF, #8623FF, #C023FF, #FB23FF and #FF23C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C223FF shade: #9600D0, #B400F9, #C223FF, #CD4CFF and #D976FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C223FF shade: #C223FF, #FF2335 and #23FF69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C223FF shade: #C223FF, #FFC023 and #23FFC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C223FF shade: #C223FF, #FF2335, #61FF23 and #23FFEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C223FF shade: #C223FF, #FF5323, #61FF23 and #23CFFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

Complementary color

CMYK 72 / 0 / 100 / 14

HEX #3DDC00

RGB 61 220 0

HSL 103.36, 1%, 0.43%

LAB 77.39, -71.76, 75.13

 

CMYK 20 / 86 / 0 / 2

HEX #C723FA

RGB 199 35 250

HSL 285.77, 0.96%, 0.56%

LAB 52.11, 85.45, -71.75

 

CMYK 15 / 79 / 0 / 0

HEX #D835FF

RGB 216 53 255

HSL 288.42, 1%, 0.6%

LAB 56.45, 84.89, -67.39

 

CMYK 9 / 72 / 0 / 0

HEX #E947FF

RGB 233 71 255

HSL 292.83, 1%, 0.64%

LAB 60.83, 82.73, -60.23

 

CMYK 2 / 65 / 0 / 0

HEX #FA59FF

RGB 250 89 255

HSL 298.19, 1%, 0.67%

LAB 65.51, 80.08, -52.63

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 25 / 93 / 0 / 7

HEX #B111EC

RGB 177 17 236

HSL 283.84, 0.87%, 0.5%

LAB 46.72, 82.76, -72.82

 

CMYK 26 / 100 / 0 / 15

HEX #A000D9

RGB 160 0 217

HSL 284.24, 1%, 0.43%

LAB 41.97, 78.88, -69.84

 

CMYK 28 / 100 / 0 / 22

HEX #8F00C6

RGB 143 0 198

HSL 283.33, 1%, 0.39%

LAB 37.69, 73.31, -65.94

 

CMYK 30 / 100 / 0 / 30

HEX #7E00B3

RGB 126 0 179

HSL 282.23, 1%, 0.35%

LAB 33.33, 67.65, -61.97

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 1 / 86 / 0 / 0

HEX #FD23FF

RGB 253 35 255

HSL 299.45, 1%, 0.57%

LAB 61.05, 94.79, -59.69

 

CMYK 0 / 86 / 23 / 0

HEX #FF23C5

RGB 255 35 197

HSL 315.82, 1%, 0.57%

LAB 58.5, 87.6, -31.02

 

CMYK 0 / 86 / 46 / 0

HEX #FF238A

RGB 255 35 138

HSL 331.91, 1%, 0.57%

LAB 56.38, 81.78, 0.26

 

CMYK 0 / 86 / 69 / 0

HEX #FF234F

RGB 255 35 79

HSL 348, 1%, 0.57%

LAB 55.1, 78.12, 33.69

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 47 / 86 / 0 / 0

HEX #8723FF

RGB 135 35 255

HSL 267.27, 1%, 0.57%

LAB 43.61, 78.26, -88.81

 

CMYK 71 / 86 / 0 / 0

HEX #4B23FF

RGB 75 35 255

HSL 250.91, 1%, 0.57%

LAB 37.69, 73.46, -98.79

 

CMYK 86 / 86 / 0 / 0

HEX #2323FF

RGB 35 35 255

HSL 240, 1%, 0.57%

LAB 35.56, 71.88, -102.41

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 22 / 78 / 0 / 7

HEX #BA35ED

RGB 186 53 237

HSL 283.37, 0.84%, 0.57%

LAB 50.8, 76.51, -66.69

 

CMYK 19 / 68 / 0 / 14

HEX #B247DB

RGB 178 71 219

HSL 283.38, 0.67%, 0.57%

LAB 50.79, 64.96, -56.59

 

CMYK 15 / 56 / 0 / 21

HEX #AA58C9

RGB 170 88 201

HSL 283.54, 0.51%, 0.57%

LAB 51.54, 51.58, -45.16

 

CMYK 12 / 42 / 0 / 28

HEX #A26AB8

RGB 162 106 184

HSL 283.08, 0.35%, 0.57%

LAB 53.44, 36.16, -32.47

 

CMYK 71 / 86 / 0 / 0

HEX #4B23FF

RGB 75 35 255

HSL 250.91, 1%, 0.57%

LAB 37.69, 73.46, -98.79

 

CMYK 47 / 86 / 0 / 0

HEX #8623FF

RGB 134 35 255

HSL 267, 1%, 0.57%

LAB 43.49, 78.16, -89.01

 

CMYK 25 / 86 / 0 / 0

HEX #C023FF

RGB 192 35 255

HSL 282.82, 1%, 0.57%

LAB 51.41, 85.33, -75.72

 

CMYK 2 / 86 / 0 / 0

HEX #FB23FF

RGB 251 35 255

HSL 298.91, 1%, 0.57%

LAB 60.72, 94.46, -60.24

 

CMYK 0 / 86 / 22 / 0

HEX #FF23C8

RGB 255 35 200

HSL 315, 1%, 0.57%

LAB 58.63, 87.94, -32.54

 

CMYK 28 / 100 / 0 / 18

HEX #9600D0

RGB 150 0 208

HSL 283.27, 1%, 0.41%

LAB 39.64, 76.02, -68.52

 

CMYK 28 / 100 / 0 / 2

HEX #B400F9

RGB 180 0 249

HSL 283.37, 1%, 0.49%

LAB 47.68, 87.02, -78.55

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 20 / 70 / 0 / 0

HEX #CD4CFF

RGB 205 76 255

HSL 283.24, 1%, 0.65%

LAB 57.43, 75.51, -65.89

 

CMYK 15 / 54 / 0 / 0

HEX #D976FF

RGB 217 118 255

HSL 283.36, 1%, 0.73%

LAB 65.69, 59.79, -52.61

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 0 / 86 / 79 / 0

HEX #FF2335

RGB 255 35 53

HSL 355.09, 1%, 0.57%

LAB 54.78, 77.2, 48.04

 

CMYK 86 / 0 / 59 / 0

HEX #23FF69

RGB 35 255 105

HSL 139.09, 1%, 0.57%

LAB 88.4, -78.44, 56.91

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 0 / 25 / 86 / 0

HEX #FFC023

RGB 255 192 35

HSL 42.82, 1%, 0.57%

LAB 81.34, 10.3, 78.16

 

CMYK 86 / 0 / 25 / 0

HEX #23FFC0

RGB 35 255 192

HSL 162.82, 1%, 0.57%

LAB 89.71, -63.18, 16.44

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 0 / 86 / 79 / 0

HEX #FF2335

RGB 255 35 53

HSL 355.09, 1%, 0.57%

LAB 54.78, 77.2, 48.04

 

CMYK 62 / 0 / 86 / 0

HEX #61FF23

RGB 97 255 35

HSL 103.09, 1%, 0.57%

LAB 89.01, -74.85, 80.71

 

CMYK 86 / 0 / 7 / 0

HEX #23FFEC

RGB 35 255 236

HSL 174.82, 1%, 0.57%

LAB 90.75, -52.26, -4.81

 

CMYK 24 / 86 / 0 / 0

HEX #C223FF

RGB 194 35 255

HSL 283.36, 1%, 0.57%

LAB 51.71, 85.61, -75.22

 

CMYK 0 / 67 / 86 / 0

HEX #FF5323

RGB 255 83 35

HSL 13.09, 1%, 0.57%

LAB 59.5, 63.23, 60.72

 

CMYK 62 / 0 / 86 / 0

HEX #61FF23

RGB 97 255 35

HSL 103.09, 1%, 0.57%

LAB 89.01, -74.85, 80.71

 

CMYK 86 / 19 / 0 / 0

HEX #23CFFF

RGB 35 207 255

HSL 193.09, 1%, 0.57%

LAB 77.4, -24.63, -34.99

 

Description

Color code: HEX #C223FF | qconv.com Color code: HEX #C223FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 35 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 35 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 86 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 86% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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