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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C23394 it is the complementary color #3DCC6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C23394. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C23394 shade: #C7338F, #D845A2, #E957B5, #FA69C8 and #FF7BDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C23394. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C23394 shade: #C23394, #B12181, #A00F6E, #8F005B and #7E0048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C23394 shade: #C13393, #C1336D, #C13347 and #C13333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C23394 shade: #C13393, #C133BA, #A233C1, #7C33C1 and #5533C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C23394 shade matches the following richer shades: #C13393, #D51F9A and #E90BA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C23394 shade: #C13393, #AD478C, #995B85, #856E7E and #728277

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C23394 shade: #A233C1, #C133BA, #C13394, #C1336E and #C13348

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C23394 shade: #802261, #A02A7A, #C13393, #CF4EA6 and #D86EB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C23394 shade: #C23394, #C17C33 and #33C1B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C23394 shade: #C23394, #94C133 and #3394C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C23394 shade: #C23394, #C17C33, #33C160 and #3378C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C23394 shade: #C23394, #C1A733, #33C160 and #334DC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 24 / 24

HEX #C23394

RGB 194 51 148

HSL 319.3, 0.58%, 0.48%

LAB 46.94, 64.44, -21.02

 

Complementary color

CMYK 70 / 0 / 48 / 20

HEX #3DCC6B

RGB 61 204 107

HSL 139.3, 0.58%, 0.52%

LAB 73.05, -58.55, 37.5

 

CMYK 0 / 74 / 28 / 22

HEX #C7338F

RGB 199 51 143

HSL 322.7, 0.59%, 0.49%

LAB 47.61, 65.07, -16.9

 

CMYK 0 / 68 / 25 / 15

HEX #D845A2

RGB 216 69 162

HSL 322.04, 0.65%, 0.56%

LAB 53.45, 65.61, -19.03

 

CMYK 0 / 63 / 22 / 9

HEX #E957B5

RGB 233 87 181

HSL 321.37, 0.77%, 0.63%

LAB 59.41, 65.66, -20.73

 

CMYK 0 / 58 / 20 / 2

HEX #FA69C8

RGB 250 105 200

HSL 320.69, 0.94%, 0.7%

LAB 65.43, 65.4, -22.12

 

CMYK 0 / 52 / 14 / 0

HEX #FF7BDB

RGB 255 123 219

HSL 316.36, 1%, 0.74%

LAB 69.85, 61.49, -25.92

 

CMYK 0 / 74 / 24 / 24

HEX #C23394

RGB 194 51 148

HSL 319.3, 0.58%, 0.48%

LAB 46.94, 64.44, -21.02

 

CMYK 0 / 81 / 27 / 31

HEX #B12181

RGB 177 33 129

HSL 320, 0.69%, 0.41%

LAB 41.25, 63.18, -18.47

 

CMYK 0 / 91 / 31 / 37

HEX #A00F6E

RGB 160 15 110

HSL 320.69, 0.83%, 0.34%

LAB 35.87, 60.77, -15.12

 

CMYK 0 / 100 / 36 / 44

HEX #8F005B

RGB 143 0 91

HSL 321.82, 1%, 0.28%

LAB 30.87, 57.02, -10.83

 

CMYK 0 / 100 / 43 / 51

HEX #7E0048

RGB 126 0 72

HSL 325.71, 1%, 0.25%

LAB 26.46, 51.24, -5.21

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 74 / 44 / 24

HEX #C1336D

RGB 193 51 109

HSL 335.49, 0.58%, 0.48%

LAB 45.37, 59.78, 0.36

 

CMYK 0 / 74 / 63 / 24

HEX #C13347

RGB 193 51 71

HSL 351.55, 0.58%, 0.48%

LAB 44.46, 56.79, 22.58

 

CMYK 0 / 74 / 74 / 24

HEX #C13333

RGB 193 51 51

HSL 0, 0.58%, 0.48%

LAB 44.15, 55.75, 34.2

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 74 / 4 / 24

HEX #C133BA

RGB 193 51 186

HSL 302.96, 0.58%, 0.48%

LAB 48.57, 69.64, -40.98

 

CMYK 16 / 74 / 0 / 24

HEX #A233C1

RGB 162 51 193

HSL 286.9, 0.58%, 0.48%

LAB 44.09, 64.36, -52.51

 

CMYK 36 / 74 / 0 / 24

HEX #7C33C1

RGB 124 51 193

HSL 270.85, 0.58%, 0.48%

LAB 38.73, 57.07, -61.44

 

CMYK 56 / 74 / 0 / 24

HEX #5533C1

RGB 85 51 193

HSL 254.37, 0.58%, 0.48%

LAB 34.29, 50.73, -68.87

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 85 / 28 / 16

HEX #D51F9A

RGB 213 31 154

HSL 319.45, 0.75%, 0.48%

LAB 48.83, 74.66, -21.41

 

CMYK 0 / 95 / 31 / 9

HEX #E90BA1

RGB 233 11 161

HSL 319.46, 0.91%, 0.48%

LAB 51.99, 82.12, -20.41

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 59 / 19 / 32

HEX #AD478C

RGB 173 71 140

HSL 319.41, 0.42%, 0.48%

LAB 46.02, 49.66, -17.91

 

CMYK 0 / 41 / 13 / 40

HEX #995B85

RGB 153 91 133

HSL 319.35, 0.25%, 0.48%

LAB 46.91, 31.66, -12.62

 

CMYK 0 / 17 / 5 / 48

HEX #856E7E

RGB 133 110 126

HSL 318.26, 0.09%, 0.48%

LAB 49.06, 11.99, -5.44

 

CMYK 12 / 0 / 8 / 49

HEX #728277

RGB 114 130 119

HSL 138.75, 0.07%, 0.48%

LAB 52.81, -8.14, 3.98

 

CMYK 16 / 74 / 0 / 24

HEX #A233C1

RGB 162 51 193

HSL 286.9, 0.58%, 0.48%

LAB 44.09, 64.36, -52.51

 

CMYK 0 / 74 / 4 / 24

HEX #C133BA

RGB 193 51 186

HSL 302.96, 0.58%, 0.48%

LAB 48.57, 69.64, -40.98

 

CMYK 0 / 74 / 23 / 24

HEX #C13394

RGB 193 51 148

HSL 319.01, 0.58%, 0.48%

LAB 46.77, 64.19, -21.3

 

CMYK 0 / 74 / 43 / 24

HEX #C1336E

RGB 193 51 110

HSL 335.07, 0.58%, 0.48%

LAB 45.4, 59.87, -0.21

 

CMYK 0 / 74 / 63 / 24

HEX #C13348

RGB 193 51 72

HSL 351.13, 0.58%, 0.48%

LAB 44.48, 56.85, 21.99

 

CMYK 0 / 73 / 24 / 50

HEX #802261

RGB 128 34 97

HSL 319.79, 0.58%, 0.32%

LAB 30.87, 46.22, -15

 

CMYK 0 / 74 / 24 / 37

HEX #A02A7A

RGB 160 42 122

HSL 319.32, 0.58%, 0.4%

LAB 38.79, 55.38, -18.19

 

CMYK 0 / 74 / 24 / 24

HEX #C13393

RGB 193 51 147

HSL 319.44, 0.58%, 0.48%

LAB 46.73, 64.06, -20.76

 

CMYK 0 / 62 / 20 / 19

HEX #CF4EA6

RGB 207 78 166

HSL 319.07, 0.57%, 0.56%

LAB 53.46, 60.15, -21.5

 

CMYK 0 / 49 / 16 / 15

HEX #D86EB6

RGB 216 110 182

HSL 319.25, 0.58%, 0.64%

LAB 60.89, 50.42, -19.26

 

CMYK 0 / 74 / 24 / 24

HEX #C23394

RGB 194 51 148

HSL 319.3, 0.58%, 0.48%

LAB 46.94, 64.44, -21.02

 

CMYK 0 / 36 / 74 / 24

HEX #C17C33

RGB 193 124 51

HSL 30.85, 0.58%, 0.48%

LAB 58.03, 20.57, 49.16

 

CMYK 74 / 0 / 6 / 24

HEX #33C1B5

RGB 51 193 181

HSL 174.93, 0.58%, 0.48%

LAB 70.99, -39.24, -4.66

 

CMYK 0 / 74 / 24 / 24

HEX #C23394

RGB 194 51 148

HSL 319.3, 0.58%, 0.48%

LAB 46.94, 64.44, -21.02

 

CMYK 23 / 0 / 74 / 24

HEX #94C133

RGB 148 193 51

HSL 79.01, 0.58%, 0.48%

LAB 72.68, -34.83, 62.43

 

CMYK 74 / 23 / 0 / 24

HEX #3394C1

RGB 51 148 193

HSL 199.01, 0.58%, 0.48%

LAB 57.78, -13, -31.37

 

CMYK 0 / 74 / 24 / 24

HEX #C23394

RGB 194 51 148

HSL 319.3, 0.58%, 0.48%

LAB 46.94, 64.44, -21.02

 

CMYK 0 / 36 / 74 / 24

HEX #C17C33

RGB 193 124 51

HSL 30.85, 0.58%, 0.48%

LAB 58.03, 20.57, 49.16

 

CMYK 74 / 0 / 50 / 24

HEX #33C160

RGB 51 193 96

HSL 139.01, 0.58%, 0.48%

LAB 69.25, -57.93, 38.16

 

CMYK 74 / 38 / 0 / 24

HEX #3378C1

RGB 51 120 193

HSL 210.85, 0.58%, 0.48%

LAB 49.48, 3.32, -44.42

 

CMYK 0 / 74 / 24 / 24

HEX #C23394

RGB 194 51 148

HSL 319.3, 0.58%, 0.48%

LAB 46.94, 64.44, -21.02

 

CMYK 0 / 13 / 74 / 24

HEX #C1A733

RGB 193 167 51

HSL 49.01, 0.58%, 0.48%

LAB 68.91, -2.85, 59.98

 

CMYK 74 / 0 / 50 / 24

HEX #33C160

RGB 51 193 96

HSL 139.01, 0.58%, 0.48%

LAB 69.25, -57.93, 38.16

 

CMYK 74 / 60 / 0 / 24

HEX #334DC1

RGB 51 77 193

HSL 229.01, 0.58%, 0.48%

LAB 37.59, 30.8, -63.56

 

Description

Color code: HEX #C23394 | qconv.com Color code: HEX #C23394 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 51 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 51 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 24 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 24% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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