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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2409A it is the complementary color #3DBF65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2409A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2409A shade: #C74095, #D852A8, #E964BB, #FA76CE and #FF88E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2409A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2409A shade: #C2409A, #B12E87, #A01C74, #8F0A61 and #7E004E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2409A shade: #C3419B, #C34178, #C34154 and #C34141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2409A shade: #C3419B, #C341BE, #A441C3, #8141C3 and #5E41C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2409A shade matches the following richer shades: #C3419B, #D72CA2 and #EB18AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2409A shade: #C3419B, #AE5593, #9A698B, #867D83 and #72917B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2409A shade: #A441C3, #C341BE, #C3419C, #C34179 and #C34156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2409A shade: #862A6A, #A63483, #C3419B, #CC60AB and #D67FBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2409A shade: #C2409A, #C38241 and #41C3B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2409A shade: #C2409A, #9CC341 and #419CC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2409A shade: #C2409A, #C38241, #41C368 and #4182C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2409A shade: #C2409A, #C3A941, #41C368 and #415BC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 21 / 24

HEX #C2409A

RGB 194 64 154

HSL 318.46, 0.52%, 0.51%

LAB 48.85, 60.6, -21.68

 

Complementary color

CMYK 68 / 0 / 47 / 25

HEX #3DBF65

RGB 61 191 101

HSL 138.46, 0.52%, 0.49%

LAB 68.89, -54.76, 35.25

 

CMYK 0 / 68 / 25 / 22

HEX #C74095

RGB 199 64 149

HSL 322.22, 0.55%, 0.52%

LAB 49.47, 61.27, -17.67

 

CMYK 0 / 62 / 22 / 15

HEX #D852A8

RGB 216 82 168

HSL 321.49, 0.63%, 0.58%

LAB 55.54, 61.27, -19.35

 

CMYK 0 / 57 / 20 / 9

HEX #E964BB

RGB 233 100 187

HSL 320.75, 0.75%, 0.65%

LAB 61.68, 60.94, -20.71

 

CMYK 0 / 53 / 18 / 2

HEX #FA76CE

RGB 250 118 206

HSL 320, 0.93%, 0.72%

LAB 67.83, 60.43, -21.84

 

CMYK 0 / 47 / 12 / 0

HEX #FF88E1

RGB 255 136 225

HSL 315.13, 1%, 0.77%

LAB 72.43, 56.24, -25.28

 

CMYK 0 / 67 / 21 / 24

HEX #C2409A

RGB 194 64 154

HSL 318.46, 0.52%, 0.51%

LAB 48.85, 60.6, -21.68

 

CMYK 0 / 74 / 24 / 31

HEX #B12E87

RGB 177 46 135

HSL 319.24, 0.59%, 0.44%

LAB 42.84, 60.12, -19.71

 

CMYK 0 / 83 / 28 / 37

HEX #A01C74

RGB 160 28 116

HSL 320, 0.7%, 0.37%

LAB 37.05, 58.81, -17.1

 

CMYK 0 / 93 / 32 / 44

HEX #8F0A61

RGB 143 10 97

HSL 320.75, 0.87%, 0.3%

LAB 31.62, 56.21, -13.59

 

CMYK 0 / 100 / 38 / 51

HEX #7E004E

RGB 126 0 78

HSL 322.86, 1%, 0.25%

LAB 26.69, 51.85, -8.9

 

CMYK 0 / 67 / 21 / 24

HEX #C3419B

RGB 195 65 155

HSL 318.46, 0.52%, 0.51%

LAB 49.19, 60.62, -21.73

 

CMYK 0 / 67 / 38 / 24

HEX #C34178

RGB 195 65 120

HSL 334.62, 0.52%, 0.51%

LAB 47.93, 56.29, -2.58

 

CMYK 0 / 67 / 57 / 24

HEX #C34154

RGB 195 65 84

HSL 351.23, 0.52%, 0.51%

LAB 47, 52.99, 18.06

 

CMYK 0 / 67 / 67 / 24

HEX #C34141

RGB 195 65 65

HSL 0, 0.52%, 0.51%

LAB 46.66, 51.75, 29.05

 

CMYK 0 / 67 / 21 / 24

HEX #C3419B

RGB 195 65 155

HSL 318.46, 0.52%, 0.51%

LAB 49.19, 60.62, -21.73

 

CMYK 0 / 67 / 3 / 24

HEX #C341BE

RGB 195 65 190

HSL 302.31, 0.52%, 0.51%

LAB 50.8, 65.9, -39.76

 

CMYK 16 / 67 / 0 / 24

HEX #A441C3

RGB 164 65 195

HSL 285.69, 0.52%, 0.51%

LAB 46.46, 59.65, -49.85

 

CMYK 34 / 67 / 0 / 24

HEX #8141C3

RGB 129 65 195

HSL 269.54, 0.52%, 0.51%

LAB 41.83, 52.03, -57.55

 

CMYK 52 / 67 / 0 / 24

HEX #5E41C3

RGB 94 65 195

HSL 253.38, 0.52%, 0.51%

LAB 38.02, 45.26, -63.9

 

CMYK 0 / 67 / 21 / 24

HEX #C3419B

RGB 195 65 155

HSL 318.46, 0.52%, 0.51%

LAB 49.19, 60.62, -21.73

 

CMYK 0 / 80 / 25 / 16

HEX #D72CA2

RGB 215 44 162

HSL 318.6, 0.68%, 0.51%

LAB 50.52, 73.18, -23.55

 

CMYK 0 / 90 / 28 / 8

HEX #EB18AA

RGB 235 24 170

HSL 318.48, 0.84%, 0.51%

LAB 53.19, 82.14, -23.86

 

CMYK 0 / 67 / 21 / 24

HEX #C3419B

RGB 195 65 155

HSL 318.46, 0.52%, 0.51%

LAB 49.19, 60.62, -21.73

 

CMYK 0 / 51 / 16 / 32

HEX #AE5593

RGB 174 85 147

HSL 318.2, 0.35%, 0.51%

LAB 49.01, 44.24, -17.52

 

CMYK 0 / 32 / 10 / 40

HEX #9A698B

RGB 154 105 139

HSL 318.37, 0.2%, 0.51%

LAB 50.5, 25.13, -10.77

 

CMYK 0 / 7 / 2 / 47

HEX #867D83

RGB 134 125 131

HSL 320, 0.04%, 0.51%

LAB 53.36, 4.57, -2.03

 

CMYK 21 / 0 / 15 / 43

HEX #72917B

RGB 114 145 123

HSL 137.42, 0.12%, 0.51%

LAB 57.33, -15.53, 8.14

 

CMYK 16 / 67 / 0 / 24

HEX #A441C3

RGB 164 65 195

HSL 285.69, 0.52%, 0.51%

LAB 46.46, 59.65, -49.85

 

CMYK 0 / 67 / 3 / 24

HEX #C341BE

RGB 195 65 190

HSL 302.31, 0.52%, 0.51%

LAB 50.8, 65.9, -39.76

 

CMYK 0 / 67 / 20 / 24

HEX #C3419C

RGB 195 65 156

HSL 318, 0.52%, 0.51%

LAB 49.23, 60.75, -22.26

 

CMYK 0 / 67 / 38 / 24

HEX #C34179

RGB 195 65 121

HSL 334.15, 0.52%, 0.51%

LAB 47.96, 56.4, -3.14

 

CMYK 0 / 67 / 56 / 24

HEX #C34156

RGB 195 65 86

HSL 350.31, 0.52%, 0.51%

LAB 47.05, 53.14, 16.9

 

CMYK 0 / 69 / 21 / 47

HEX #862A6A

RGB 134 42 106

HSL 318.26, 0.52%, 0.35%

LAB 33.49, 46.02, -16.66

 

CMYK 0 / 69 / 21 / 35

HEX #A63483

RGB 166 52 131

HSL 318.42, 0.52%, 0.43%

LAB 41.53, 54.52, -19.43

 

CMYK 0 / 67 / 21 / 24

HEX #C3419B

RGB 195 65 155

HSL 318.46, 0.52%, 0.51%

LAB 49.19, 60.62, -21.73

 

CMYK 0 / 53 / 16 / 20

HEX #CC60AB

RGB 204 96 171

HSL 318.33, 0.51%, 0.59%

LAB 56.23, 51.88, -20.2

 

CMYK 0 / 41 / 12 / 16

HEX #D67FBC

RGB 214 127 188

HSL 317.93, 0.51%, 0.67%

LAB 64.25, 42.06, -17.6

 

CMYK 0 / 67 / 21 / 24

HEX #C2409A

RGB 194 64 154

HSL 318.46, 0.52%, 0.51%

LAB 48.85, 60.6, -21.68

 

CMYK 0 / 33 / 67 / 24

HEX #C38241

RGB 195 130 65

HSL 30, 0.52%, 0.51%

LAB 59.84, 18.9, 44.49

 

CMYK 67 / 0 / 7 / 24

HEX #41C3B6

RGB 65 195 182

HSL 174, 0.52%, 0.51%

LAB 71.91, -37.98, -3.82

 

CMYK 0 / 67 / 21 / 24

HEX #C2409A

RGB 194 64 154

HSL 318.46, 0.52%, 0.51%

LAB 48.85, 60.6, -21.68

 

CMYK 20 / 0 / 67 / 24

HEX #9CC341

RGB 156 195 65

HSL 78, 0.52%, 0.51%

LAB 73.86, -31.75, 58.58

 

CMYK 67 / 20 / 0 / 24

HEX #419CC3

RGB 65 156 195

HSL 198, 0.52%, 0.51%

LAB 60.64, -14.68, -28.04

 

CMYK 0 / 67 / 21 / 24

HEX #C2409A

RGB 194 64 154

HSL 318.46, 0.52%, 0.51%

LAB 48.85, 60.6, -21.68

 

CMYK 0 / 33 / 67 / 24

HEX #C38241

RGB 195 130 65

HSL 30, 0.52%, 0.51%

LAB 59.84, 18.9, 44.49

 

CMYK 67 / 0 / 47 / 24

HEX #41C368

RGB 65 195 104

HSL 138, 0.52%, 0.51%

LAB 70.28, -55.03, 35.52

 

CMYK 67 / 33 / 0 / 24

HEX #4182C3

RGB 65 130 195

HSL 210, 0.52%, 0.51%

LAB 52.98, 0.13, -39.99

 

CMYK 0 / 67 / 21 / 24

HEX #C2409A

RGB 194 64 154

HSL 318.46, 0.52%, 0.51%

LAB 48.85, 60.6, -21.68

 

CMYK 0 / 13 / 67 / 24

HEX #C3A941

RGB 195 169 65

HSL 48, 0.52%, 0.51%

LAB 69.72, -2.3, 55.2

 

CMYK 67 / 0 / 47 / 24

HEX #41C368

RGB 65 195 104

HSL 138, 0.52%, 0.51%

LAB 70.28, -55.03, 35.52

 

CMYK 67 / 53 / 0 / 24

HEX #415BC3

RGB 65 91 195

HSL 228, 0.52%, 0.51%

LAB 42.07, 24.45, -57.42

 

Description

Color code: HEX #C2409A | qconv.com Color code: HEX #C2409A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 64 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 64 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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