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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C24151 it is the complementary color #3DBEAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C24151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C24151 shade: #C7414C, #D8535F, #E96572, #FA7785 and #FF8998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C24151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C24151 shade: #C24151, #B12F3E, #A01D2B, #8F0B18 and #7E0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C24151 shade: #C14252 and #C14242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C24151 shade: #C14252, #C14274, #C14296, #C142B9 and #A742C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C24151 shade matches the following richer shades: #C14252, #D52E42, #EA1933 and #FE0524

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C24151 shade: #C14252, #AD5661, #996A70, #857E7F and #70938E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C24151 shade: #C14297, #C14275, #C14253, #C15342 and #C17542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C24151 shade: #862B36, #A53543, #C14252, #CB616E and #D5808B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C24151 shade: #C24151, #B9C142 and #4286C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C24151 shade: #C24151, #53C142 and #4253C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C24151 shade: #C24151, #B9C142, #42C1B0 and #4A42C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C24151 shade: #C24151, #93C142, #42C1B0 and #7142C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 58 / 24

HEX #C24151

RGB 194 65 81

HSL 352.56, 0.51%, 0.51%

LAB 46.77, 52.44, 19.54

 

Complementary color

CMYK 68 / 0 / 8 / 25

HEX #3DBEAE

RGB 61 190 174

HSL 172.56, 0.51%, 0.49%

LAB 70.09, -38.46, -2.14

 

CMYK 0 / 67 / 62 / 22

HEX #C7414C

RGB 199 65 76

HSL 355.07, 0.54%, 0.52%

LAB 47.55, 53.73, 23.76

 

CMYK 0 / 62 / 56 / 15

HEX #D8535F

RGB 216 83 95

HSL 354.59, 0.63%, 0.59%

LAB 53.61, 53.06, 20.95

 

CMYK 0 / 57 / 51 / 9

HEX #E96572

RGB 233 101 114

HSL 354.09, 0.75%, 0.65%

LAB 59.75, 52.19, 18.61

 

CMYK 0 / 52 / 47 / 2

HEX #FA7785

RGB 250 119 133

HSL 353.59, 0.93%, 0.72%

LAB 65.91, 51.24, 16.61

 

CMYK 0 / 46 / 40 / 0

HEX #FF8998

RGB 255 137 152

HSL 352.37, 1%, 0.77%

LAB 70.47, 46.09, 12.4

 

CMYK 0 / 66 / 58 / 24

HEX #C24151

RGB 194 65 81

HSL 352.56, 0.51%, 0.51%

LAB 46.77, 52.44, 19.54

 

CMYK 0 / 73 / 65 / 31

HEX #B12F3E

RGB 177 47 62

HSL 353.08, 0.58%, 0.44%

LAB 40.78, 52.74, 22.79

 

CMYK 0 / 82 / 73 / 37

HEX #A01D2B

RGB 160 29 43

HSL 353.59, 0.69%, 0.37%

LAB 35.06, 52.35, 26.82

 

CMYK 0 / 92 / 83 / 44

HEX #8F0B18

RGB 143 11 24

HSL 354.09, 0.86%, 0.3%

LAB 29.78, 50.79, 31.65

 

CMYK 0 / 100 / 96 / 51

HEX #7E0005

RGB 126 0 5

HSL 357.62, 1%, 0.25%

LAB 25.1, 47.61, 35.45

 

CMYK 0 / 66 / 58 / 24

HEX #C14252

RGB 193 66 82

HSL 352.44, 0.51%, 0.51%

LAB 46.77, 51.78, 18.9

 

CMYK 0 / 66 / 66 / 24

HEX #C14242

RGB 193 66 66

HSL 0, 0.51%, 0.51%

LAB 46.48, 50.72, 28.16

 

CMYK 0 / 66 / 58 / 24

HEX #C14252

RGB 193 66 82

HSL 352.44, 0.51%, 0.51%

LAB 46.77, 51.78, 18.9

 

CMYK 0 / 66 / 40 / 24

HEX #C14274

RGB 193 66 116

HSL 336.38, 0.51%, 0.51%

LAB 47.62, 54.85, -0.65

 

CMYK 0 / 66 / 22 / 24

HEX #C14296

RGB 193 66 150

HSL 320.31, 0.51%, 0.51%

LAB 48.8, 58.99, -19.37

 

CMYK 0 / 66 / 4 / 24

HEX #C142B9

RGB 193 66 185

HSL 303.78, 0.51%, 0.51%

LAB 50.38, 64.23, -37.55

 

CMYK 13 / 66 / 0 / 24

HEX #A742C1

RGB 167 66 193

HSL 287.72, 0.51%, 0.51%

LAB 46.92, 59.51, -47.92

 

CMYK 0 / 66 / 58 / 24

HEX #C14252

RGB 193 66 82

HSL 352.44, 0.51%, 0.51%

LAB 46.77, 51.78, 18.9

 

CMYK 0 / 78 / 69 / 16

HEX #D52E42

RGB 213 46 66

HSL 352.81, 0.67%, 0.51%

LAB 47.62, 63.95, 30.38

 

CMYK 0 / 89 / 78 / 8

HEX #EA1933

RGB 234 25 51

HSL 352.54, 0.83%, 0.51%

LAB 50.01, 73.44, 42.91

 

CMYK 0 / 98 / 86 / 0

HEX #FE0524

RGB 254 5 36

HSL 352.53, 0.99%, 0.51%

LAB 53.28, 79.91, 55.22

 

CMYK 0 / 66 / 58 / 24

HEX #C14252

RGB 193 66 82

HSL 352.44, 0.51%, 0.51%

LAB 46.77, 51.78, 18.9

 

CMYK 0 / 50 / 44 / 32

HEX #AD5661

RGB 173 86 97

HSL 352.41, 0.35%, 0.51%

LAB 47.5, 36.6, 10.3

 

CMYK 0 / 31 / 27 / 40

HEX #996A70

RGB 153 106 112

HSL 352.34, 0.19%, 0.51%

LAB 49.8, 19.69, 4.22

 

CMYK 0 / 5 / 5 / 48

HEX #857E7F

RGB 133 126 127

HSL 351.43, 0.03%, 0.51%

LAB 53.43, 2.84, 0.4

 

CMYK 24 / 0 / 3 / 42

HEX #70938E

RGB 112 147 142

HSL 171.43, 0.14%, 0.51%

LAB 58.29, -13.22, -1.33

 

CMYK 0 / 66 / 22 / 24

HEX #C14297

RGB 193 66 151

HSL 319.84, 0.51%, 0.51%

LAB 48.84, 59.13, -19.9

 

CMYK 0 / 66 / 39 / 24

HEX #C14275

RGB 193 66 117

HSL 335.91, 0.51%, 0.51%

LAB 47.65, 54.96, -1.21

 

CMYK 0 / 66 / 57 / 24

HEX #C14253

RGB 193 66 83

HSL 351.97, 0.51%, 0.51%

LAB 46.79, 51.85, 18.32

 

CMYK 0 / 57 / 66 / 24

HEX #C15342

RGB 193 83 66

HSL 8.03, 0.51%, 0.51%

LAB 49.4, 42.98, 31.73

 

CMYK 0 / 39 / 66 / 24

HEX #C17542

RGB 193 117 66

HSL 24.09, 0.51%, 0.51%

LAB 56.54, 25.24, 40.17

 

CMYK 0 / 68 / 60 / 47

HEX #862B36

RGB 134 43 54

HSL 352.75, 0.51%, 0.35%

LAB 31.95, 39.63, 14.8

 

CMYK 0 / 68 / 59 / 35

HEX #A53543

RGB 165 53 67

HSL 352.5, 0.51%, 0.43%

LAB 39.5, 46.87, 17.58

 

CMYK 0 / 66 / 58 / 24

HEX #C14252

RGB 193 66 82

HSL 352.44, 0.51%, 0.51%

LAB 46.77, 51.78, 18.9

 

CMYK 0 / 52 / 46 / 20

HEX #CB616E

RGB 203 97 110

HSL 352.64, 0.5%, 0.59%

LAB 54.42, 43.28, 12.88

 

CMYK 0 / 40 / 35 / 16

HEX #D5808B

RGB 213 128 139

HSL 352.24, 0.5%, 0.67%

LAB 62.88, 34.11, 8.23

 

CMYK 0 / 66 / 58 / 24

HEX #C24151

RGB 194 65 81

HSL 352.56, 0.51%, 0.51%

LAB 46.77, 52.44, 19.54

 

CMYK 4 / 0 / 66 / 24

HEX #B9C142

RGB 185 193 66

HSL 63.78, 0.51%, 0.51%

LAB 75.36, -18.89, 60.38

 

CMYK 66 / 31 / 0 / 24

HEX #4286C1

RGB 66 134 193

HSL 207.87, 0.51%, 0.51%

LAB 54.09, -2.76, -37.11

 

CMYK 0 / 66 / 58 / 24

HEX #C24151

RGB 194 65 81

HSL 352.56, 0.51%, 0.51%

LAB 46.77, 52.44, 19.54

 

CMYK 57 / 0 / 66 / 24

HEX #53C142

RGB 83 193 66

HSL 111.97, 0.51%, 0.51%

LAB 69.73, -55.19, 52.73

 

CMYK 66 / 57 / 0 / 24

HEX #4253C1

RGB 66 83 193

HSL 231.97, 0.51%, 0.51%

LAB 39.91, 29.02, -59.76

 

CMYK 0 / 66 / 58 / 24

HEX #C24151

RGB 194 65 81

HSL 352.56, 0.51%, 0.51%

LAB 46.77, 52.44, 19.54

 

CMYK 4 / 0 / 66 / 24

HEX #B9C142

RGB 185 193 66

HSL 63.78, 0.51%, 0.51%

LAB 75.36, -18.89, 60.38

 

CMYK 66 / 0 / 9 / 24

HEX #42C1B0

RGB 66 193 176

HSL 171.97, 0.51%, 0.51%

LAB 71.17, -38.53, -1.64

 

CMYK 62 / 66 / 0 / 24

HEX #4A42C1

RGB 74 66 193

HSL 243.78, 0.51%, 0.51%

LAB 36.37, 40.8, -65.5

 

CMYK 0 / 66 / 58 / 24

HEX #C24151

RGB 194 65 81

HSL 352.56, 0.51%, 0.51%

LAB 46.77, 52.44, 19.54

 

CMYK 24 / 0 / 66 / 24

HEX #93C142

RGB 147 193 66

HSL 81.73, 0.51%, 0.51%

LAB 72.72, -34.26, 56.81

 

CMYK 66 / 0 / 9 / 24

HEX #42C1B0

RGB 66 193 176

HSL 171.97, 0.51%, 0.51%

LAB 71.17, -38.53, -1.64

 

CMYK 41 / 66 / 0 / 24

HEX #7142C1

RGB 113 66 193

HSL 262.2, 0.51%, 0.51%

LAB 40.01, 47.73, -59.42

 

Description

Color code: HEX #C24151 | qconv.com Color code: HEX #C24151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 65 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 65 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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