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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2588B it is the complementary color #3DA774. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2588B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2588B shade: #C75886, #D86A99, #E97CAC, #FA8EBF and #FFA0D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2588B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2588B shade: #C2588B, #B14678, #A03465, #8F2252 and #7E103F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2588B shade: #C1578A, #C1576D and #C15757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2588B shade: #C1578A, #C157A6, #BE57C1, #A257C1 and #8557C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2588B shade matches the following richer shades: #C1578A, #D34489, #E63288 and #F81F88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2588B shade: #C1578A, #AE6A8A, #9B7C8B, #898F8C and #76A18D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2588B shade: #BF57C1, #C157A6, #C1578A, #C1576E and #C15C57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2588B shade: #903561, #AE4075, #C1578A, #CC759F and #D793B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2588B shade: #C2588B, #C1A357 and #57B4C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2588B shade: #C2588B, #8AC157 and #578AC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2588B shade: #C2588B, #C1A357, #57C18E and #5775C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2588B shade: #C2588B, #BFC157, #57C18E and #5957C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 28 / 24

HEX #C2588B

RGB 194 88 139

HSL 331.13, 0.46%, 0.55%

LAB 52.19, 48.01, -7.69

 

Complementary color

CMYK 63 / 0 / 31 / 35

HEX #3DA774

RGB 61 167 116

HSL 151.13, 0.46%, 0.45%

LAB 61.56, -42.49, 17.63

 

CMYK 0 / 56 / 33 / 22

HEX #C75886

RGB 199 88 134

HSL 335.14, 0.5%, 0.56%

LAB 52.78, 49, -3.76

 

CMYK 0 / 51 / 29 / 15

HEX #D86A99

RGB 216 106 153

HSL 334.36, 0.59%, 0.63%

LAB 59.17, 48.26, -5.18

 

CMYK 0 / 47 / 26 / 9

HEX #E97CAC

RGB 233 124 172

HSL 333.58, 0.71%, 0.7%

LAB 65.53, 47.47, -6.38

 

CMYK 0 / 43 / 24 / 2

HEX #FA8EBF

RGB 250 142 191

HSL 332.78, 0.92%, 0.77%

LAB 71.85, 46.67, -7.42

 

CMYK 0 / 37 / 18 / 0

HEX #FFA0D2

RGB 255 160 210

HSL 328.42, 1%, 0.81%

LAB 76.71, 41.89, -10.58

 

CMYK 0 / 55 / 28 / 24

HEX #C2588B

RGB 194 88 139

HSL 331.13, 0.46%, 0.55%

LAB 52.19, 48.01, -7.69

 

CMYK 0 / 60 / 32 / 31

HEX #B14678

RGB 177 70 120

HSL 331.96, 0.43%, 0.48%

LAB 45.75, 48.6, -6.14

 

CMYK 0 / 68 / 37 / 37

HEX #A03465

RGB 160 52 101

HSL 332.78, 0.51%, 0.42%

LAB 39.36, 48.91, -4.18

 

CMYK 0 / 76 / 43 / 44

HEX #8F2252

RGB 143 34 82

HSL 333.58, 0.62%, 0.35%

LAB 33.12, 48.65, -1.59

 

CMYK 0 / 87 / 50 / 51

HEX #7E103F

RGB 126 16 63

HSL 334.36, 0.77%, 0.28%

LAB 27.2, 47.34, 1.97

 

CMYK 0 / 55 / 28 / 24

HEX #C1578A

RGB 193 87 138

HSL 331.13, 0.46%, 0.55%

LAB 51.82, 48.04, -7.65

 

CMYK 0 / 55 / 44 / 24

HEX #C1576D

RGB 193 87 109

HSL 347.55, 0.46%, 0.55%

LAB 50.99, 44.59, 8.44

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 28 / 24

HEX #C1578A

RGB 193 87 138

HSL 331.13, 0.46%, 0.55%

LAB 51.82, 48.04, -7.65

 

CMYK 0 / 55 / 14 / 24

HEX #C157A6

RGB 193 87 166

HSL 315.28, 0.46%, 0.55%

LAB 52.85, 52.1, -22.61

 

CMYK 2 / 55 / 0 / 24

HEX #BE57C1

RGB 190 87 193

HSL 298.3, 0.46%, 0.55%

LAB 53.61, 55.81, -37.12

 

CMYK 16 / 55 / 0 / 24

HEX #A257C1

RGB 162 87 193

HSL 282.45, 0.46%, 0.55%

LAB 49.92, 48.31, -43.2

 

CMYK 31 / 55 / 0 / 24

HEX #8557C1

RGB 133 87 193

HSL 266.04, 0.46%, 0.55%

LAB 46.52, 40.78, -48.82

 

CMYK 0 / 55 / 28 / 24

HEX #C1578A

RGB 193 87 138

HSL 331.13, 0.46%, 0.55%

LAB 51.82, 48.04, -7.65

 

CMYK 0 / 68 / 35 / 17

HEX #D34489

RGB 211 68 137

HSL 331.05, 0.62%, 0.55%

LAB 51.6, 61.63, -7.09

 

CMYK 0 / 78 / 41 / 10

HEX #E63288

RGB 230 50 136

HSL 331.33, 0.78%, 0.55%

LAB 52.82, 72.41, -4.32

 

CMYK 0 / 88 / 45 / 3

HEX #F81F88

RGB 248 31 136

HSL 330.97, 0.94%, 0.55%

LAB 54.78, 80.68, -1.05

 

CMYK 0 / 55 / 28 / 24

HEX #C1578A

RGB 193 87 138

HSL 331.13, 0.46%, 0.55%

LAB 51.82, 48.04, -7.65

 

CMYK 0 / 39 / 21 / 32

HEX #AE6A8A

RGB 174 106 138

HSL 331.76, 0.3%, 0.55%

LAB 53.1, 31.62, -6.03

 

CMYK 0 / 20 / 10 / 39

HEX #9B7C8B

RGB 155 124 139

HSL 330.97, 0.13%, 0.55%

LAB 55.33, 14.55, -3.56

 

CMYK 4 / 0 / 2 / 44

HEX #898F8C

RGB 137 143 140

HSL 150, 0.03%, 0.55%

LAB 58.84, -2.78, 0.83

 

CMYK 27 / 0 / 12 / 37

HEX #76A18D

RGB 118 161 141

HSL 152.09, 0.19%, 0.55%

LAB 62.73, -18.89, 5.72

 

CMYK 1 / 55 / 0 / 24

HEX #BF57C1

RGB 191 87 193

HSL 298.87, 0.46%, 0.55%

LAB 53.75, 56.07, -36.89

 

CMYK 0 / 55 / 14 / 24

HEX #C157A6

RGB 193 87 166

HSL 315.28, 0.46%, 0.55%

LAB 52.85, 52.1, -22.61

 

CMYK 0 / 55 / 28 / 24

HEX #C1578A

RGB 193 87 138

HSL 331.13, 0.46%, 0.55%

LAB 51.82, 48.04, -7.65

 

CMYK 0 / 55 / 43 / 24

HEX #C1576E

RGB 193 87 110

HSL 346.98, 0.46%, 0.55%

LAB 51.01, 44.69, 7.87

 

CMYK 0 / 52 / 55 / 24

HEX #C15C57

RGB 193 92 87

HSL 2.83, 0.46%, 0.55%

LAB 51.47, 40.03, 22.17

 

CMYK 0 / 63 / 33 / 44

HEX #903561

RGB 144 53 97

HSL 330.99, 0.46%, 0.39%

LAB 36.63, 42.95, -6.01

 

CMYK 0 / 63 / 33 / 32

HEX #AE4075

RGB 174 64 117

HSL 331.09, 0.46%, 0.47%

LAB 44.16, 49.99, -6.72

 

CMYK 0 / 55 / 28 / 24

HEX #C1578A

RGB 193 87 138

HSL 331.13, 0.46%, 0.55%

LAB 51.82, 48.04, -7.65

 

CMYK 0 / 43 / 22 / 20

HEX #CC759F

RGB 204 117 159

HSL 331.03, 0.46%, 0.63%

LAB 59.95, 39.44, -7.66

 

CMYK 0 / 32 / 16 / 16

HEX #D793B4

RGB 215 147 180

HSL 330.88, 0.46%, 0.71%

LAB 68.47, 30.45, -6.76

 

CMYK 0 / 55 / 28 / 24

HEX #C2588B

RGB 194 88 139

HSL 331.13, 0.46%, 0.55%

LAB 52.19, 48.01, -7.69

 

CMYK 0 / 16 / 55 / 24

HEX #C1A357

RGB 193 163 87

HSL 43.02, 0.46%, 0.55%

LAB 68.18, 1.6, 43.12

 

CMYK 55 / 7 / 0 / 24

HEX #57B4C1

RGB 87 180 193

HSL 187.36, 0.46%, 0.55%

LAB 68.4, -23.83, -15.02

 

CMYK 0 / 55 / 28 / 24

HEX #C2588B

RGB 194 88 139

HSL 331.13, 0.46%, 0.55%

LAB 52.19, 48.01, -7.69

 

CMYK 28 / 0 / 55 / 24

HEX #8AC157

RGB 138 193 87

HSL 91.13, 0.46%, 0.55%

LAB 72.38, -35.78, 47.05

 

CMYK 55 / 28 / 0 / 24

HEX #578AC1

RGB 87 138 193

HSL 211.13, 0.46%, 0.55%

LAB 56.14, -0.99, -33.83

 

CMYK 0 / 55 / 28 / 24

HEX #C2588B

RGB 194 88 139

HSL 331.13, 0.46%, 0.55%

LAB 52.19, 48.01, -7.69

 

CMYK 0 / 16 / 55 / 24

HEX #C1A357

RGB 193 163 87

HSL 43.02, 0.46%, 0.55%

LAB 68.18, 1.6, 43.12

 

CMYK 55 / 0 / 26 / 24

HEX #57C18E

RGB 87 193 142

HSL 151.13, 0.46%, 0.55%

LAB 70.95, -42.57, 16.6

 

CMYK 55 / 39 / 0 / 24

HEX #5775C1

RGB 87 117 193

HSL 223.02, 0.46%, 0.55%

LAB 50.21, 11.58, -43.16

 

CMYK 0 / 55 / 28 / 24

HEX #C2588B

RGB 194 88 139

HSL 331.13, 0.46%, 0.55%

LAB 52.19, 48.01, -7.69

 

CMYK 1 / 0 / 55 / 24

HEX #BFC157

RGB 191 193 87

HSL 61.13, 0.46%, 0.55%

LAB 76.01, -14.93, 52.18

 

CMYK 55 / 0 / 26 / 24

HEX #57C18E

RGB 87 193 142

HSL 151.13, 0.46%, 0.55%

LAB 70.95, -42.57, 16.6

 

CMYK 54 / 55 / 0 / 24

HEX #5957C1

RGB 89 87 193

HSL 241.13, 0.46%, 0.55%

LAB 42.45, 30.64, -55.58

 

Description

Color code: HEX #C2588B | qconv.com Color code: HEX #C2588B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 88 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 88 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 28 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 28% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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