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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C251EF it is the complementary color #3DAE10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C251EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C251EF shade: #C751EA, #D863FD, #E975FF, #FA87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C251EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C251EF shade: #C251EF, #B13FDC, #A02DC9, #8F1BB6 and #7E09A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C251EF shade: #C252EE, #EC52EE, #EE52C7, #EE529C and #EE5272

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C251EF shade: #C252EE, #9852EE, #6D52EE and #5252EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C251EF shade matches the following richer shades: #C252EE and #C843FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C251EF shade: #C252EE, #BB61DF, #B570D0, #AE80C1 and #A88FB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C251EF shade: #6C52EE, #9652EE, #BF52EE, #E952EE and #EE52CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C251EF shade: #A214DA, #B52CEB, #C252EE, #CF78F2 and #DC9DF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C251EF shade: #C251EF, #EE5262 and #52EE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C251EF shade: #C251EF, #EEBF52 and #52EEBF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C251EF shade: #C251EF, #EE5262, #81EE52 and #52EEDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C251EF shade: #C251EF, #EE7152, #81EE52 and #52CFEE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 66 / 0 / 6

HEX #C251EF

RGB 194 81 239

HSL 282.91, 0.83%, 0.63%

LAB 55.67, 68.16, -59.91

 

Complementary color

CMYK 65 / 0 / 91 / 32

HEX #3DAE10

RGB 61 174 16

HSL 102.91, 0.83%, 0.37%

LAB 62.76, -56.93, 61.3

 

CMYK 15 / 65 / 0 / 8

HEX #C751EA

RGB 199 81 234

HSL 286.27, 0.78%, 0.62%

LAB 56.06, 68.27, -56.45

 

CMYK 15 / 61 / 0 / 1

HEX #D863FD

RGB 216 99 253

HSL 285.58, 0.97%, 0.69%

LAB 62.18, 68.01, -57.1

 

CMYK 9 / 54 / 0 / 0

HEX #E975FF

RGB 233 117 255

HSL 290.43, 1%, 0.73%

LAB 67.48, 64.32, -49.66

 

CMYK 2 / 47 / 0 / 0

HEX #FA87FF

RGB 250 135 255

HSL 297.5, 1%, 0.76%

LAB 72.81, 60.28, -41.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 19 / 66 / 0 / 6

HEX #C251EF

RGB 194 81 239

HSL 282.91, 0.83%, 0.63%

LAB 55.67, 68.16, -59.91

 

CMYK 20 / 71 / 0 / 14

HEX #B13FDC

RGB 177 63 220

HSL 283.57, 0.69%, 0.55%

LAB 49.58, 68.13, -59.11

 

CMYK 20 / 78 / 0 / 21

HEX #A02DC9

RGB 160 45 201

HSL 284.23, 0.63%, 0.48%

LAB 43.61, 67.56, -57.95

 

CMYK 21 / 85 / 0 / 29

HEX #8F1BB6

RGB 143 27 182

HSL 284.9, 0.74%, 0.41%

LAB 37.84, 66.12, -56.28

 

CMYK 23 / 94 / 0 / 36

HEX #7E09A3

RGB 126 9 163

HSL 285.58, 0.9%, 0.34%

LAB 32.43, 63.33, -53.83

 

CMYK 18 / 66 / 0 / 7

HEX #C252EE

RGB 194 82 238

HSL 283.08, 0.82%, 0.63%

LAB 55.76, 67.54, -59.2

 

CMYK 1 / 66 / 0 / 7

HEX #EC52EE

RGB 236 82 238

HSL 299.23, 0.82%, 0.63%

LAB 61.69, 76.79, -49.4

 

CMYK 0 / 66 / 16 / 7

HEX #EE52C7

RGB 238 82 199

HSL 315, 0.82%, 0.63%

LAB 60.19, 71.38, -29.77

 

CMYK 0 / 66 / 34 / 7

HEX #EE529C

RGB 238 82 156

HSL 331.54, 0.82%, 0.63%

LAB 58.61, 65.99, -7.38

 

CMYK 0 / 66 / 52 / 7

HEX #EE5272

RGB 238 82 114

HSL 347.69, 0.82%, 0.63%

LAB 57.49, 61.99, 15.63

 

CMYK 18 / 66 / 0 / 7

HEX #C252EE

RGB 194 82 238

HSL 283.08, 0.82%, 0.63%

LAB 55.76, 67.54, -59.2

 

CMYK 36 / 66 / 0 / 7

HEX #9852EE

RGB 152 82 238

HSL 266.92, 0.82%, 0.63%

LAB 50.55, 58.79, -67.87

 

CMYK 54 / 66 / 0 / 7

HEX #6D52EE

RGB 109 82 238

HSL 250.38, 0.82%, 0.63%

LAB 46.26, 50.97, -75.04

 

CMYK 66 / 66 / 0 / 7

HEX #5252EE

RGB 82 82 238

HSL 240, 0.82%, 0.63%

LAB 44.24, 47.03, -78.43

 

CMYK 18 / 66 / 0 / 7

HEX #C252EE

RGB 194 82 238

HSL 283.08, 0.82%, 0.63%

LAB 55.76, 67.54, -59.2

 

CMYK 21 / 74 / 0 / 0

HEX #C843FE

RGB 200 67 254

HSL 282.67, 0.99%, 0.63%

LAB 55.53, 77.63, -68.44

 

CMYK 18 / 66 / 0 / 7

HEX #C252EE

RGB 194 82 238

HSL 283.08, 0.82%, 0.63%

LAB 55.76, 67.54, -59.2

 

CMYK 16 / 57 / 0 / 13

HEX #BB61DF

RGB 187 97 223

HSL 282.86, 0.66%, 0.63%

LAB 56.53, 56.01, -49.62

 

CMYK 13 / 46 / 0 / 18

HEX #B570D0

RGB 181 112 208

HSL 283.13, 0.51%, 0.63%

LAB 58, 43.56, -38.87

 

CMYK 10 / 34 / 0 / 24

HEX #AE80C1

RGB 174 128 193

HSL 282.46, 0.34%, 0.63%

LAB 60.15, 29.48, -27.1

 

CMYK 5 / 19 / 0 / 31

HEX #A88FB1

RGB 168 143 177

HSL 284.12, 0.18%, 0.63%

LAB 62.63, 15.69, -14.31

 

CMYK 55 / 66 / 0 / 7

HEX #6C52EE

RGB 108 82 238

HSL 250, 0.82%, 0.63%

LAB 46.17, 50.81, -75.18

 

CMYK 37 / 66 / 0 / 7

HEX #9652EE

RGB 150 82 238

HSL 266.15, 0.82%, 0.63%

LAB 50.32, 58.39, -68.24

 

CMYK 20 / 66 / 0 / 7

HEX #BF52EE

RGB 191 82 238

HSL 281.92, 0.82%, 0.63%

LAB 55.36, 66.89, -59.86

 

CMYK 2 / 66 / 0 / 7

HEX #E952EE

RGB 233 82 238

HSL 298.08, 0.82%, 0.63%

LAB 61.25, 76.12, -50.13

 

CMYK 0 / 66 / 15 / 7

HEX #EE52CA

RGB 238 82 202

HSL 313.85, 0.82%, 0.63%

LAB 60.32, 71.8, -31.28

 

CMYK 26 / 91 / 0 / 15

HEX #A214DA

RGB 162 20 218

HSL 283.03, 0.83%, 0.47%

LAB 43.13, 77.06, -68.52

 

CMYK 23 / 81 / 0 / 8

HEX #B52CEB

RGB 181 44 235

HSL 283.04, 0.83%, 0.55%

LAB 49.04, 77.89, -68.46

 

CMYK 18 / 66 / 0 / 7

HEX #C252EE

RGB 194 82 238

HSL 283.08, 0.82%, 0.63%

LAB 55.76, 67.54, -59.2

 

CMYK 14 / 50 / 0 / 5

HEX #CF78F2

RGB 207 120 242

HSL 282.79, 0.82%, 0.71%

LAB 64.25, 53.58, -47.82

 

CMYK 10 / 36 / 0 / 4

HEX #DC9DF5

RGB 220 157 245

HSL 282.95, 0.81%, 0.79%

LAB 73.49, 38.47, -34.91

 

CMYK 19 / 66 / 0 / 6

HEX #C251EF

RGB 194 81 239

HSL 282.91, 0.83%, 0.63%

LAB 55.67, 68.16, -59.91

 

CMYK 0 / 66 / 59 / 7

HEX #EE5262

RGB 238 82 98

HSL 353.85, 0.82%, 0.63%

LAB 57.17, 60.82, 24.57

 

CMYK 66 / 0 / 46 / 7

HEX #52EE81

RGB 82 238 129

HSL 138.08, 0.82%, 0.63%

LAB 84.24, -63.67, 40.94

 

CMYK 19 / 66 / 0 / 6

HEX #C251EF

RGB 194 81 239

HSL 282.91, 0.83%, 0.63%

LAB 55.67, 68.16, -59.91

 

CMYK 0 / 20 / 66 / 7

HEX #EEBF52

RGB 238 191 82

HSL 41.92, 0.82%, 0.63%

LAB 79.64, 5.45, 59.62

 

CMYK 66 / 0 / 20 / 7

HEX #52EEBF

RGB 82 238 191

HSL 161.92, 0.82%, 0.63%

LAB 85.35, -51.68, 10.89

 

CMYK 19 / 66 / 0 / 6

HEX #C251EF

RGB 194 81 239

HSL 282.91, 0.83%, 0.63%

LAB 55.67, 68.16, -59.91

 

CMYK 0 / 66 / 59 / 7

HEX #EE5262

RGB 238 82 98

HSL 353.85, 0.82%, 0.63%

LAB 57.17, 60.82, 24.57

 

CMYK 46 / 0 / 66 / 7

HEX #81EE52

RGB 129 238 82

HSL 101.92, 0.82%, 0.63%

LAB 85.21, -58.01, 63.46

 

CMYK 66 / 0 / 6 / 7

HEX #52EEDF

RGB 82 238 223

HSL 174.23, 0.82%, 0.63%

LAB 86.14, -43.83, -4.73

 

CMYK 19 / 66 / 0 / 6

HEX #C251EF

RGB 194 81 239

HSL 282.91, 0.83%, 0.63%

LAB 55.67, 68.16, -59.91

 

CMYK 0 / 53 / 66 / 7

HEX #EE7152

RGB 238 113 82

HSL 11.92, 0.82%, 0.63%

LAB 62.17, 45.99, 39.85

 

CMYK 46 / 0 / 66 / 7

HEX #81EE52

RGB 129 238 82

HSL 101.92, 0.82%, 0.63%

LAB 85.21, -58.01, 63.46

 

CMYK 66 / 13 / 0 / 7

HEX #52CFEE

RGB 82 207 238

HSL 191.92, 0.82%, 0.63%

LAB 77.63, -25.11, -25.47

 

Description

Color code: HEX #C251EF | qconv.com Color code: HEX #C251EF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 81 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 81 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 66 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 66% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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