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Color name
HEX #C25C32

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25C32 it is the complementary color #3DA3CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25C32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25C32 shade: #C75C2D, #D86E40, #E98053, #FA9266 and #FFA479

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25C32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25C32 shade: #C25C32, #B14A1F, #A0380C, #8F2600 and #7E1400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25C32 shade: #C25C32, #C23532 and #C23232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25C32 shade: #C25C32, #C28332, #C2AA32, #B4C232 and #8DC232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25C32 shade matches the following richer shades: #C25C32, #D6541E and #EA4B0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25C32 shade: #C25C32, #AE6445, #9B6C59, #87756D and #737D81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25C32 shade: #C23256, #C23432, #C25B32, #C28132 and #C2A832

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25C32 shade: #813D21, #A14C29, #C25C32, #D1734C and #D98D6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25C32 shade: #C25C32, #7CC232 and #3243C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25C32 shade: #C25C32, #32C25B and #5B32C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25C32 shade: #C25C32, #7CC232, #3299C2 and #7732C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25C32 shade: #C25C32, #51C232, #3299C2 and #A332C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

Complementary color

CMYK 70 / 20 / 0 / 20

HEX #3DA3CD

RGB 61 163 205

HSL 197.5, 0.59%, 0.52%

LAB 63.01, -15.8, -29.98

 

CMYK 0 / 54 / 77 / 22

HEX #C75C2D

RGB 199 92 45

HSL 18.31, 0.63%, 0.48%

LAB 51.82, 39.78, 45.93

 

CMYK 0 / 49 / 70 / 15

HEX #D86E40

RGB 216 110 64

HSL 18.16, 0.66%, 0.55%

LAB 58.15, 38.15, 43.88

 

CMYK 0 / 45 / 64 / 9

HEX #E98053

RGB 233 128 83

HSL 18, 0.77%, 0.62%

LAB 64.47, 36.63, 41.89

 

CMYK 0 / 42 / 59 / 2

HEX #FA9266

RGB 250 146 102

HSL 17.84, 0.94%, 0.69%

LAB 70.76, 35.23, 40.03

 

CMYK 0 / 36 / 53 / 0

HEX #FFA479

RGB 255 164 121

HSL 19.25, 1%, 0.74%

LAB 75.57, 29.32, 36.19

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 0 / 58 / 82 / 31

HEX #B14A1F

RGB 177 74 31

HSL 17.67, 0.7%, 0.41%

LAB 44.72, 39.71, 44.51

 

CMYK 0 / 65 / 93 / 37

HEX #A0380C

RGB 160 56 12

HSL 17.84, 0.86%, 0.34%

LAB 38.43, 41.36, 45.9

 

CMYK 0 / 73 / 100 / 44

HEX #8F2600

RGB 143 38 0

HSL 15.94, 1%, 0.28%

LAB 32.32, 42.72, 44.83

 

CMYK 0 / 84 / 100 / 51

HEX #7E1400

RGB 126 20 0

HSL 9.52, 1%, 0.25%

LAB 26.55, 43.25, 38.83

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 0 / 73 / 74 / 24

HEX #C23532

RGB 194 53 50

HSL 1.25, 0.59%, 0.48%

LAB 44.58, 55.32, 35.32

 

CMYK 0 / 74 / 74 / 24

HEX #C23232

RGB 194 50 50

HSL 0, 0.59%, 0.48%

LAB 44.21, 56.37, 34.9

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 0 / 32 / 74 / 24

HEX #C28332

RGB 194 131 50

HSL 33.75, 0.59%, 0.48%

LAB 59.83, 17.11, 51.47

 

CMYK 0 / 12 / 74 / 24

HEX #C2AA32

RGB 194 170 50

HSL 50, 0.59%, 0.48%

LAB 69.79, -4.04, 61.23

 

CMYK 7 / 0 / 74 / 24

HEX #B4C232

RGB 180 194 50

HSL 65.83, 0.59%, 0.48%

LAB 75.15, -22.33, 65.9

 

CMYK 27 / 0 / 74 / 24

HEX #8DC232

RGB 141 194 50

HSL 82.08, 0.59%, 0.48%

LAB 72.55, -38.04, 62.5

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 0 / 61 / 86 / 16

HEX #D6541E

RGB 214 84 30

HSL 17.61, 0.75%, 0.48%

LAB 52.65, 48.76, 54.24

 

CMYK 0 / 68 / 96 / 8

HEX #EA4B0A

RGB 234 75 10

HSL 17.41, 0.92%, 0.48%

LAB 54.6, 59.12, 63.3

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 0 / 43 / 60 / 32

HEX #AE6445

RGB 174 100 69

HSL 17.71, 0.43%, 0.48%

LAB 50.15, 26.85, 30.31

 

CMYK 0 / 30 / 43 / 39

HEX #9B6C59

RGB 155 108 89

HSL 17.27, 0.27%, 0.48%

LAB 50, 16.28, 18.12

 

CMYK 0 / 13 / 19 / 47

HEX #87756D

RGB 135 117 109

HSL 18.46, 0.11%, 0.48%

LAB 50.66, 5.6, 6.98

 

CMYK 11 / 3 / 0 / 49

HEX #737D81

RGB 115 125 129

HSL 197.14, 0.06%, 0.48%

LAB 51.72, -2.83, -3.45

 

CMYK 0 / 74 / 56 / 24

HEX #C23256

RGB 194 50 86

HSL 345, 0.59%, 0.48%

LAB 44.83, 58.44, 13.85

 

CMYK 0 / 73 / 74 / 24

HEX #C23432

RGB 194 52 50

HSL 0.83, 0.59%, 0.48%

LAB 44.46, 55.67, 35.18

 

CMYK 0 / 53 / 74 / 24

HEX #C25B32

RGB 194 91 50

HSL 17.08, 0.59%, 0.48%

LAB 50.9, 38.55, 42.23

 

CMYK 0 / 34 / 74 / 24

HEX #C28132

RGB 194 129 50

HSL 32.92, 0.59%, 0.48%

LAB 59.34, 18.21, 50.98

 

CMYK 0 / 13 / 74 / 24

HEX #C2A832

RGB 194 168 50

HSL 49.17, 0.59%, 0.48%

LAB 69.26, -2.98, 60.72

 

CMYK 0 / 53 / 74 / 49

HEX #813D21

RGB 129 61 33

HSL 17.5, 0.59%, 0.32%

LAB 34.22, 27.17, 30.31

 

CMYK 0 / 53 / 75 / 37

HEX #A14C29

RGB 161 76 41

HSL 17.5, 0.59%, 0.4%

LAB 42.62, 32.76, 36.54

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 0 / 45 / 64 / 18

HEX #D1734C

RGB 209 115 76

HSL 17.59, 0.59%, 0.56%

LAB 58.36, 33.49, 37.54

 

CMYK 0 / 35 / 50 / 15

HEX #D98D6D

RGB 217 141 109

HSL 17.78, 0.59%, 0.64%

LAB 65.68, 25.44, 28.96

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 36 / 0 / 74 / 24

HEX #7CC232

RGB 124 194 50

HSL 89.17, 0.59%, 0.48%

LAB 71.62, -44.28, 61.29

 

CMYK 74 / 65 / 0 / 24

HEX #3243C2

RGB 50 67 194

HSL 232.92, 0.59%, 0.48%

LAB 35.18, 37.42, -68.1

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 74 / 0 / 53 / 24

HEX #32C25B

RGB 50 194 91

HSL 137.08, 0.59%, 0.48%

LAB 69.48, -59.17, 40.89

 

CMYK 53 / 74 / 0 / 24

HEX #5B32C2

RGB 91 50 194

HSL 257.08, 0.59%, 0.48%

LAB 34.8, 52.37, -68.6

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 36 / 0 / 74 / 24

HEX #7CC232

RGB 124 194 50

HSL 89.17, 0.59%, 0.48%

LAB 71.62, -44.28, 61.29

 

CMYK 74 / 21 / 0 / 24

HEX #3299C2

RGB 50 153 194

HSL 197.08, 0.59%, 0.48%

LAB 59.3, -15.53, -29.58

 

CMYK 39 / 74 / 0 / 24

HEX #7732C2

RGB 119 50 194

HSL 268.75, 0.59%, 0.48%

LAB 38.02, 56.86, -63.21

 

CMYK 0 / 53 / 74 / 24

HEX #C25C32

RGB 194 92 50

HSL 17.5, 0.59%, 0.48%

LAB 51.1, 38.04, 42.44

 

CMYK 58 / 0 / 74 / 24

HEX #51C232

RGB 81 194 50

HSL 107.08, 0.59%, 0.48%

LAB 69.87, -57.37, 58.97

 

CMYK 74 / 21 / 0 / 24

HEX #3299C2

RGB 50 153 194

HSL 197.08, 0.59%, 0.48%

LAB 59.3, -15.53, -29.58

 

CMYK 16 / 74 / 0 / 24

HEX #A332C2

RGB 163 50 194

HSL 287.08, 0.59%, 0.48%

LAB 44.18, 65.11, -52.94

 

Description

Color code: HEX #C25C32 | qconv.com Color code: HEX #C25C32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 92 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 92 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 74 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 74% 24% C M Y K

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Provide designers and agencies with accurate color values.

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