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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C25EDE it is the complementary color #3DA121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C25EDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C25EDE shade: #C75ED9, #D870EC, #E982FF, #FA94FF and #FFA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C25EDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C25EDE shade: #C25EDE, #B14CCB, #A03AB8, #8F28A5 and #7E1692

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C25EDE shade: #C25EDE, #DE5ED7, #DE5EB5, #DE5E92 and #DE5E70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C25EDE shade: #C25EDE, #9F5EDE, #7D5EDE and #5E5EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C25EDE shade matches the following richer shades: #C25EDE, #CA4EED and #D33EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C25EDE shade: #C25EDE, #B96DCE, #B07DBE, #A78DAF and #9E9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C25EDE shade: #7B5EDE, #9E5EDE, #C05EDE, #DE5ED9 and #DE5EB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C25EDE shade: #A027C1, #B53BD7, #C25EDE, #CF80E5 and #DCA2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C25EDE shade: #C25EDE, #DE5E62 and #5EDE8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C25EDE shade: #C25EDE, #DEC05E and #5EDEC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C25EDE shade: #C25EDE, #DE5E62, #7BDE5E and #5EDED9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C25EDE shade: #C25EDE, #DE805E, #7BDE5E and #5EBBDE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

Complementary color

CMYK 62 / 0 / 80 / 37

HEX #3DA121

RGB 61 161 33

HSL 106.88, 0.66%, 0.38%

LAB 58.59, -51.66, 53.43

 

CMYK 8 / 57 / 0 / 15

HEX #C75ED9

RGB 199 94 217

HSL 291.22, 0.62%, 0.61%

LAB 57.23, 59.31, -45.02

 

CMYK 8 / 53 / 0 / 7

HEX #D870EC

RGB 216 112 236

HSL 290.32, 0.77%, 0.68%

LAB 63.54, 58.75, -45.54

 

CMYK 9 / 49 / 0 / 0

HEX #E982FF

RGB 233 130 255

HSL 289.44, 1%, 0.75%

LAB 69.83, 58.09, -45.96

 

CMYK 2 / 42 / 0 / 0

HEX #FA94FF

RGB 250 148 255

HSL 297.2, 1%, 0.79%

LAB 75.28, 53.89, -37.3

 

CMYK 0 / 35 / 0 / 0

HEX #FFA6FF

RGB 255 166 255

HSL 300, 1%, 0.83%

LAB 79.47, 46.22, -30.78

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 13 / 63 / 0 / 20

HEX #B14CCB

RGB 177 76 203

HSL 287.72, 0.55%, 0.55%

LAB 50.49, 59.42, -47.94

 

CMYK 13 / 68 / 0 / 28

HEX #A03AB8

RGB 160 58 184

HSL 288.57, 0.52%, 0.47%

LAB 44.18, 59.53, -47.12

 

CMYK 13 / 76 / 0 / 35

HEX #8F28A5

RGB 143 40 165

HSL 289.44, 0.61%, 0.4%

LAB 37.97, 59.08, -45.93

 

CMYK 14 / 85 / 0 / 43

HEX #7E1692

RGB 126 22 146

HSL 290.32, 0.74%, 0.33%

LAB 32, 57.66, -44.15

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 0 / 58 / 3 / 13

HEX #DE5ED7

RGB 222 94 215

HSL 303.28, 0.66%, 0.62%

LAB 60.29, 64.86, -38.87

 

CMYK 0 / 58 / 18 / 13

HEX #DE5EB5

RGB 222 94 181

HSL 319.22, 0.66%, 0.62%

LAB 58.85, 59.6, -21.73

 

CMYK 0 / 58 / 34 / 13

HEX #DE5E92

RGB 222 94 146

HSL 335.63, 0.66%, 0.62%

LAB 57.67, 55.02, -3.23

 

CMYK 0 / 58 / 50 / 13

HEX #DE5E70

RGB 222 94 112

HSL 351.56, 0.66%, 0.62%

LAB 56.79, 51.52, 15.43

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 28 / 58 / 0 / 13

HEX #9F5EDE

RGB 159 94 222

HSL 270.47, 0.66%, 0.62%

LAB 52.56, 50.42, -55.57

 

CMYK 44 / 58 / 0 / 13

HEX #7D5EDE

RGB 125 94 222

HSL 254.53, 0.66%, 0.62%

LAB 49.06, 42.68, -61.4

 

CMYK 58 / 58 / 0 / 13

HEX #5E5EDE

RGB 94 94 222

HSL 240, 0.66%, 0.62%

LAB 46.52, 36.58, -65.62

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 15 / 67 / 0 / 7

HEX #CA4EED

RGB 202 78 237

HSL 286.79, 0.82%, 0.62%

LAB 56.21, 70.71, -57.87

 

CMYK 17 / 75 / 0 / 1

HEX #D33EFD

RGB 211 62 253

HSL 286.81, 0.98%, 0.62%

LAB 56.47, 81.08, -66.29

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 10 / 47 / 0 / 19

HEX #B96DCE

RGB 185 109 206

HSL 287.01, 0.5%, 0.62%

LAB 57.76, 45.89, -38.09

 

CMYK 7 / 34 / 0 / 25

HEX #B07DBE

RGB 176 125 190

HSL 287.08, 0.33%, 0.62%

LAB 59.54, 31.18, -26.32

 

CMYK 5 / 19 / 0 / 31

HEX #A78DAF

RGB 167 141 175

HSL 285.88, 0.18%, 0.62%

LAB 61.96, 16.08, -14.19

 

CMYK 1 / 2 / 0 / 38

HEX #9E9C9F

RGB 158 156 159

HSL 280, 0.02%, 0.62%

LAB 64.6, 1.3, -1.32

 

CMYK 45 / 58 / 0 / 13

HEX #7B5EDE

RGB 123 94 222

HSL 253.59, 0.66%, 0.62%

LAB 48.87, 42.25, -61.7

 

CMYK 29 / 58 / 0 / 13

HEX #9E5EDE

RGB 158 94 222

HSL 270, 0.66%, 0.62%

LAB 52.45, 50.19, -55.76

 

CMYK 14 / 58 / 0 / 13

HEX #C05EDE

RGB 192 94 222

HSL 285.94, 0.66%, 0.62%

LAB 56.57, 58.5, -48.94

 

CMYK 0 / 58 / 2 / 13

HEX #DE5ED9

RGB 222 94 217

HSL 302.34, 0.66%, 0.62%

LAB 60.38, 65.19, -39.85

 

CMYK 0 / 58 / 18 / 13

HEX #DE5EB7

RGB 222 94 183

HSL 318.28, 0.66%, 0.62%

LAB 58.93, 59.88, -22.76

 

CMYK 17 / 80 / 0 / 24

HEX #A027C1

RGB 160 39 193

HSL 287.14, 0.66%, 0.45%

LAB 42.42, 67.89, -55.21

 

CMYK 16 / 73 / 0 / 16

HEX #B53BD7

RGB 181 59 215

HSL 286.92, 0.66%, 0.54%

LAB 49.32, 69.45, -56.64

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 10 / 44 / 0 / 10

HEX #CF80E5

RGB 207 128 229

HSL 286.93, 0.66%, 0.7%

LAB 65.25, 46.84, -39.06

 

CMYK 7 / 31 / 0 / 7

HEX #DCA2EC

RGB 220 162 236

HSL 287.03, 0.66%, 0.78%

LAB 74.26, 34, -28.83

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 0 / 58 / 56 / 13

HEX #DE5E62

RGB 222 94 98

HSL 358.13, 0.66%, 0.62%

LAB 56.5, 50.36, 23.22

 

CMYK 58 / 0 / 36 / 13

HEX #5EDE8D

RGB 94 222 141

HSL 142.03, 0.66%, 0.62%

LAB 79.92, -53.23, 29.38

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 0 / 14 / 58 / 13

HEX #DEC05E

RGB 222 192 94

HSL 45.94, 0.66%, 0.62%

LAB 78.48, -0.97, 52.47

 

CMYK 58 / 0 / 14 / 13

HEX #5EDEC0

RGB 94 222 192

HSL 165.94, 0.66%, 0.62%

LAB 80.98, -42.52, 4.12

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 0 / 58 / 56 / 13

HEX #DE5E62

RGB 222 94 98

HSL 358.13, 0.66%, 0.62%

LAB 56.5, 50.36, 23.22

 

CMYK 45 / 0 / 58 / 13

HEX #7BDE5E

RGB 123 222 94

HSL 106.41, 0.66%, 0.62%

LAB 80.33, -52.4, 52.91

 

CMYK 58 / 0 / 2 / 13

HEX #5EDED9

RGB 94 222 217

HSL 177.66, 0.66%, 0.62%

LAB 81.64, -36.24, -8.19

 

CMYK 13 / 58 / 0 / 13

HEX #C25EDE

RGB 194 94 222

HSL 286.88, 0.66%, 0.62%

LAB 56.83, 59, -48.52

 

CMYK 0 / 42 / 58 / 13

HEX #DE805E

RGB 222 128 94

HSL 15.94, 0.66%, 0.62%

LAB 63.16, 33.07, 34.06

 

CMYK 45 / 0 / 58 / 13

HEX #7BDE5E

RGB 123 222 94

HSL 106.41, 0.66%, 0.62%

LAB 80.33, -52.4, 52.91

 

CMYK 58 / 16 / 0 / 13

HEX #5EBBDE

RGB 94 187 222

HSL 196.41, 0.66%, 0.62%

LAB 71.69, -17.64, -25.89

 

Description

Color code: HEX #C25EDE | qconv.com Color code: HEX #C25EDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 94 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 94 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 58 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 58% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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