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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C278AA it is the complementary color #3D8755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C278AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C278AA shade: #C778A5, #D88AB8, #E99CCB, #FAAEDE and #FFC0F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C278AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C278AA shade: #C278AA, #B16697, #A05484, #8F4271 and #7E305E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C278AA shade: #C279AB, #C27997, #C27983 and #C27979

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C278AA shade: #C279AB, #C279BE, #B379C2, #9F79C2 and #8B79C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C278AA shade matches the following richer shades: #C279AB, #D269B0, #E259B6 and #F14ABB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C278AA shade: #C279AB, #B388A5, #A398A0, #93A89A and #84B795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C278AA shade: #B279C2, #C279BF, #C279AB, #C27997 and #C27984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C278AA shade: #A14884, #B65C99, #C279AB, #CF95BC and #DCB2CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C278AA shade: #C278AA, #C29F79 and #79C2BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C278AA shade: #C278AA, #ABC279 and #79ABC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C278AA shade: #C278AA, #C29F79, #79C290 and #799CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C278AA shade: #C278AA, #C2B579, #79C290 and #7986C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 12 / 24

HEX #C278AA

RGB 194 120 170

HSL 319.46, 0.38%, 0.62%

LAB 59.71, 36.16, -14.46

 

Complementary color

CMYK 55 / 0 / 37 / 47

HEX #3D8755

RGB 61 135 85

HSL 139.46, 0.38%, 0.38%

LAB 50.66, -34.91, 20.08

 

CMYK 0 / 40 / 17 / 22

HEX #C778A5

RGB 199 120 165

HSL 325.82, 0.41%, 0.63%

LAB 60.15, 37.05, -10.87

 

CMYK 0 / 36 / 15 / 15

HEX #D88AB8

RGB 216 138 184

HSL 324.62, 0.5%, 0.69%

LAB 66.7, 36.26, -11.63

 

CMYK 0 / 33 / 13 / 9

HEX #E99CCB

RGB 233 156 203

HSL 323.38, 0.64%, 0.76%

LAB 73.16, 35.52, -12.31

 

CMYK 0 / 30 / 11 / 2

HEX #FAAEDE

RGB 250 174 222

HSL 322.11, 0.88%, 0.83%

LAB 79.54, 34.82, -12.94

 

CMYK 0 / 25 / 5 / 0

HEX #FFC0F1

RGB 255 192 241

HSL 313.33, 1%, 0.88%

LAB 84.64, 30.21, -15.43

 

CMYK 0 / 38 / 12 / 24

HEX #C278AA

RGB 194 120 170

HSL 319.46, 0.38%, 0.62%

LAB 59.71, 36.16, -14.46

 

CMYK 0 / 42 / 15 / 31

HEX #B16697

RGB 177 102 151

HSL 320.8, 0.32%, 0.55%

LAB 53.04, 36.95, -13.72

 

CMYK 0 / 48 / 18 / 37

HEX #A05484

RGB 160 84 132

HSL 322.11, 0.31%, 0.48%

LAB 46.28, 37.74, -12.86

 

CMYK 0 / 54 / 21 / 44

HEX #8F4271

RGB 143 66 113

HSL 323.38, 0.37%, 0.41%

LAB 39.46, 38.5, -11.81

 

CMYK 0 / 62 / 25 / 51

HEX #7E305E

RGB 126 48 94

HSL 324.62, 0.45%, 0.34%

LAB 32.61, 39.08, -10.44

 

CMYK 0 / 38 / 12 / 24

HEX #C279AB

RGB 194 121 171

HSL 318.9, 0.37%, 0.62%

LAB 59.96, 35.78, -14.65

 

CMYK 0 / 38 / 22 / 24

HEX #C27997

RGB 194 121 151

HSL 335.34, 0.37%, 0.62%

LAB 59.32, 32.59, -4.12

 

CMYK 0 / 38 / 32 / 24

HEX #C27983

RGB 194 121 131

HSL 351.78, 0.37%, 0.62%

LAB 58.77, 29.77, 6.62

 

CMYK 0 / 38 / 38 / 24

HEX #C27979

RGB 194 121 121

HSL 0, 0.37%, 0.62%

LAB 58.53, 28.51, 12.05

 

CMYK 0 / 38 / 12 / 24

HEX #C279AB

RGB 194 121 171

HSL 318.9, 0.37%, 0.62%

LAB 59.96, 35.78, -14.65

 

CMYK 0 / 38 / 2 / 24

HEX #C279BE

RGB 194 121 190

HSL 303.29, 0.37%, 0.62%

LAB 60.66, 39.14, -24.42

 

CMYK 8 / 38 / 0 / 24

HEX #B379C2

RGB 179 121 194

HSL 287.67, 0.37%, 0.62%

LAB 59.12, 35.17, -29.22

 

CMYK 18 / 38 / 0 / 24

HEX #9F79C2

RGB 159 121 194

HSL 271.23, 0.37%, 0.62%

LAB 57.02, 28.97, -32.64

 

CMYK 28 / 38 / 0 / 24

HEX #8B79C2

RGB 139 121 194

HSL 254.79, 0.37%, 0.62%

LAB 55.13, 22.98, -35.72

 

CMYK 0 / 38 / 12 / 24

HEX #C279AB

RGB 194 121 171

HSL 318.9, 0.37%, 0.62%

LAB 59.96, 35.78, -14.65

 

CMYK 0 / 50 / 16 / 18

HEX #D269B0

RGB 210 105 176

HSL 319.43, 0.54%, 0.62%

LAB 58.92, 50.1, -18.91

 

CMYK 0 / 61 / 19 / 11

HEX #E259B6

RGB 226 89 182

HSL 319.27, 0.7%, 0.62%

LAB 58.69, 63.04, -22.51

 

CMYK 0 / 69 / 22 / 5

HEX #F14ABB

RGB 241 74 187

HSL 319.4, 0.86%, 0.62%

LAB 59.15, 73.42, -24.48

 

CMYK 0 / 38 / 12 / 24

HEX #C279AB

RGB 194 121 171

HSL 318.9, 0.37%, 0.62%

LAB 59.96, 35.78, -14.65

 

CMYK 0 / 24 / 8 / 30

HEX #B388A5

RGB 179 136 165

HSL 319.53, 0.22%, 0.62%

LAB 61.58, 21.21, -8.97

 

CMYK 0 / 7 / 2 / 36

HEX #A398A0

RGB 163 152 160

HSL 316.36, 0.06%, 0.62%

LAB 63.98, 5.52, -2.74

 

CMYK 13 / 0 / 8 / 34

HEX #93A89A

RGB 147 168 154

HSL 140, 0.11%, 0.62%

LAB 66.93, -10.11, 4.76

 

CMYK 28 / 0 / 19 / 28

HEX #84B795

RGB 132 183 149

HSL 140, 0.26%, 0.62%

LAB 70.14, -23.9, 11.96

 

CMYK 8 / 38 / 0 / 24

HEX #B279C2

RGB 178 121 194

HSL 286.85, 0.37%, 0.62%

LAB 59.01, 34.86, -29.39

 

CMYK 0 / 38 / 2 / 24

HEX #C279BF

RGB 194 121 191

HSL 302.47, 0.37%, 0.62%

LAB 60.7, 39.32, -24.93

 

CMYK 0 / 38 / 12 / 24

HEX #C279AB

RGB 194 121 171

HSL 318.9, 0.37%, 0.62%

LAB 59.96, 35.78, -14.65

 

CMYK 0 / 38 / 22 / 24

HEX #C27997

RGB 194 121 151

HSL 335.34, 0.37%, 0.62%

LAB 59.32, 32.59, -4.12

 

CMYK 0 / 38 / 32 / 24

HEX #C27984

RGB 194 121 132

HSL 350.96, 0.37%, 0.62%

LAB 58.8, 29.9, 6.08

 

CMYK 0 / 55 / 18 / 37

HEX #A14884

RGB 161 72 132

HSL 319.55, 0.38%, 0.46%

LAB 44.06, 44.27, -16.24

 

CMYK 0 / 49 / 16 / 29

HEX #B65C99

RGB 182 92 153

HSL 319.33, 0.38%, 0.54%

LAB 51.72, 44.19, -16.84

 

CMYK 0 / 38 / 12 / 24

HEX #C279AB

RGB 194 121 171

HSL 318.9, 0.37%, 0.62%

LAB 59.96, 35.78, -14.65

 

CMYK 0 / 28 / 9 / 19

HEX #CF95BC

RGB 207 149 188

HSL 319.66, 0.38%, 0.7%

LAB 68.31, 27.9, -11.56

 

CMYK 0 / 19 / 6 / 14

HEX #DCB2CE

RGB 220 178 206

HSL 320, 0.38%, 0.78%

LAB 76.99, 19.79, -8.38

 

CMYK 0 / 38 / 12 / 24

HEX #C278AA

RGB 194 120 170

HSL 319.46, 0.38%, 0.62%

LAB 59.71, 36.16, -14.46

 

CMYK 0 / 18 / 38 / 24

HEX #C29F79

RGB 194 159 121

HSL 31.23, 0.37%, 0.62%

LAB 67.76, 7.63, 24.7

 

CMYK 38 / 0 / 3 / 24

HEX #79C2BC

RGB 121 194 188

HSL 175.07, 0.37%, 0.62%

LAB 73.73, -24.14, -4.19

 

CMYK 0 / 38 / 12 / 24

HEX #C278AA

RGB 194 120 170

HSL 319.46, 0.38%, 0.62%

LAB 59.71, 36.16, -14.46

 

CMYK 12 / 0 / 38 / 24

HEX #ABC279

RGB 171 194 121

HSL 78.9, 0.37%, 0.62%

LAB 75.22, -19.93, 34.17

 

CMYK 38 / 12 / 0 / 24

HEX #79ABC2

RGB 121 171 194

HSL 198.9, 0.37%, 0.62%

LAB 67.34, -10.72, -17.02

 

CMYK 0 / 38 / 12 / 24

HEX #C278AA

RGB 194 120 170

HSL 319.46, 0.38%, 0.62%

LAB 59.71, 36.16, -14.46

 

CMYK 0 / 18 / 38 / 24

HEX #C29F79

RGB 194 159 121

HSL 31.23, 0.37%, 0.62%

LAB 67.76, 7.63, 24.7

 

CMYK 38 / 0 / 26 / 24

HEX #79C290

RGB 121 194 144

HSL 138.9, 0.37%, 0.62%

LAB 72.67, -33.6, 18.12

 

CMYK 38 / 20 / 0 / 24

HEX #799CC2

RGB 121 156 194

HSL 211.23, 0.37%, 0.62%

LAB 63.12, -2.48, -23.45

 

CMYK 0 / 38 / 12 / 24

HEX #C278AA

RGB 194 120 170

HSL 319.46, 0.38%, 0.62%

LAB 59.71, 36.16, -14.46

 

CMYK 0 / 7 / 38 / 24

HEX #C2B579

RGB 194 181 121

HSL 49.32, 0.37%, 0.62%

LAB 73.48, -4.17, 32.26

 

CMYK 38 / 0 / 26 / 24

HEX #79C290

RGB 121 194 144

HSL 138.9, 0.37%, 0.62%

LAB 72.67, -33.6, 18.12

 

CMYK 38 / 31 / 0 / 24

HEX #7986C2

RGB 121 134 194

HSL 229.32, 0.37%, 0.62%

LAB 57.09, 10.17, -32.78

 

Description

Color code: HEX #C278AA | qconv.com Color code: HEX #C278AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 120 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 120 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 12 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 12% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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