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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2796A it is the complementary color #3D8695. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2796A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2796A shade: #C77965, #D88B78, #E99D8B, #FAAF9E and #FFC1B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2796A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2796A shade: #C2796A, #B16757, #A05544, #8F4331 and #7E311E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2796A shade: #C2796A and #C26A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2796A shade: #C2796A, #C2916A, #C2A86A, #C2C06A and #ACC26A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2796A shade matches the following richer shades: #C2796A, #D36E59, #E46348 and #F55837

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2796A shade: #C2796A, #B1847B, #A08F8C, #8F9A9D and #7EA6AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2796A shade: #C26A8A, #C26A73, #C2796A, #C2906A and #C2A86A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2796A shade: #9B4E3F, #B65F4D, #C2796A, #CE9387 and #DAAEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2796A shade: #C2796A, #A2C26A and #6A7FC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2796A shade: #C2796A, #6AC279 and #796AC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2796A shade: #C2796A, #A2C26A, #6AB3C2 and #8A6AC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2796A shade: #C2796A, #87C26A, #6AB3C2 and #A56AC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

Complementary color

CMYK 59 / 10 / 0 / 42

HEX #3D8695

RGB 61 134 149

HSL 190.23, 0.42%, 0.41%

LAB 52.08, -18.08, -14.9

 

CMYK 0 / 39 / 49 / 22

HEX #C77965

RGB 199 121 101

HSL 12.24, 0.47%, 0.59%

LAB 58.75, 28.3, 23.89

 

CMYK 0 / 36 / 44 / 15

HEX #D88B78

RGB 216 139 120

HSL 11.88, 0.55%, 0.66%

LAB 65.29, 27.2, 22.35

 

CMYK 0 / 33 / 40 / 9

HEX #E99D8B

RGB 233 157 139

HSL 11.49, 0.68%, 0.73%

LAB 71.76, 26.22, 20.98

 

CMYK 0 / 30 / 37 / 2

HEX #FAAF9E

RGB 250 175 158

HSL 11.09, 0.9%, 0.8%

LAB 78.14, 25.33, 19.73

 

CMYK 0 / 24 / 31 / 0

HEX #FFC1B1

RGB 255 193 177

HSL 12.31, 1%, 0.85%

LAB 83.22, 20.07, 16.69

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 42 / 51 / 31

HEX #B16757

RGB 177 103 87

HSL 10.67, 0.37%, 0.52%

LAB 51.54, 27.97, 21.84

 

CMYK 0 / 47 / 58 / 37

HEX #A05544

RGB 160 85 68

HSL 11.09, 0.4%, 0.45%

LAB 44.78, 29.27, 23.72

 

CMYK 0 / 53 / 66 / 44

HEX #8F4331

RGB 143 67 49

HSL 11.49, 0.49%, 0.38%

LAB 37.98, 30.7, 25.93

 

CMYK 0 / 61 / 76 / 51

HEX #7E311E

RGB 126 49 30

HSL 11.88, 0.62%, 0.31%

LAB 31.17, 32.21, 28.54

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 45 / 45 / 24

HEX #C26A6A

RGB 194 106 106

HSL 0, 0.42%, 0.59%

LAB 54.88, 34.91, 15.68

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 25 / 45 / 24

HEX #C2916A

RGB 194 145 106

HSL 26.59, 0.42%, 0.59%

LAB 63.97, 13.61, 27.87

 

CMYK 0 / 13 / 45 / 24

HEX #C2A86A

RGB 194 168 106

HSL 42.27, 0.42%, 0.59%

LAB 69.83, 1.1, 35.43

 

CMYK 0 / 1 / 45 / 24

HEX #C2C06A

RGB 194 192 106

HSL 58.64, 0.42%, 0.59%

LAB 76.2, -11.5, 43.36

 

CMYK 11 / 0 / 45 / 24

HEX #ACC26A

RGB 172 194 106

HSL 75, 0.42%, 0.59%

LAB 75.07, -21.31, 41.6

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 48 / 58 / 17

HEX #D36E59

RGB 211 110 89

HSL 10.33, 0.58%, 0.59%

LAB 57.77, 37.8, 29.7

 

CMYK 0 / 57 / 68 / 11

HEX #E46348

RGB 228 99 72

HSL 10.38, 0.74%, 0.59%

LAB 57.93, 48.48, 39.88

 

CMYK 0 / 64 / 78 / 4

HEX #F55837

RGB 245 88 55

HSL 10.42, 0.9%, 0.59%

LAB 58.67, 58.51, 50.34

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 25 / 31 / 31

HEX #B1847B

RGB 177 132 123

HSL 10, 0.26%, 0.59%

LAB 59.23, 16, 11.6

 

CMYK 0 / 11 / 13 / 37

HEX #A08F8C

RGB 160 143 140

HSL 9, 0.1%, 0.59%

LAB 60.79, 5.81, 3.9

 

CMYK 9 / 2 / 0 / 38

HEX #8F9A9D

RGB 143 154 157

HSL 192.86, 0.07%, 0.59%

LAB 62.83, -3.3, -2.93

 

CMYK 28 / 5 / 0 / 32

HEX #7EA6AE

RGB 126 166 174

HSL 190, 0.23%, 0.59%

LAB 65.56, -11.59, -8.54

 

CMYK 0 / 45 / 29 / 24

HEX #C26A8A

RGB 194 106 138

HSL 338.18, 0.42%, 0.59%

LAB 55.7, 38.76, -1.9

 

CMYK 0 / 45 / 41 / 24

HEX #C26A73

RGB 194 106 115

HSL 353.86, 0.42%, 0.59%

LAB 55.09, 35.89, 10.7

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 26 / 45 / 24

HEX #C2906A

RGB 194 144 106

HSL 25.91, 0.42%, 0.59%

LAB 63.72, 14.16, 27.55

 

CMYK 0 / 13 / 45 / 24

HEX #C2A86A

RGB 194 168 106

HSL 42.27, 0.42%, 0.59%

LAB 69.83, 1.1, 35.43

 

CMYK 0 / 50 / 59 / 39

HEX #9B4E3F

RGB 155 78 63

HSL 9.78, 0.42%, 0.43%

LAB 42.42, 30.65, 23.52

 

CMYK 0 / 48 / 58 / 29

HEX #B65F4D

RGB 182 95 77

HSL 10.29, 0.42%, 0.51%

LAB 50.29, 33.43, 26.15

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 0 / 29 / 34 / 19

HEX #CE9387

RGB 206 147 135

HSL 10.14, 0.42%, 0.67%

LAB 66.32, 20.68, 15.21

 

CMYK 0 / 20 / 24 / 15

HEX #DAAEA5

RGB 218 174 165

HSL 10.19, 0.42%, 0.75%

LAB 74.76, 14.68, 10.7

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 16 / 0 / 45 / 24

HEX #A2C26A

RGB 162 194 106

HSL 81.82, 0.42%, 0.59%

LAB 74.38, -25.19, 40.6

 

CMYK 45 / 35 / 0 / 24

HEX #6A7FC2

RGB 106 127 194

HSL 225.68, 0.42%, 0.59%

LAB 54.17, 10.33, -37.41

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 45 / 0 / 38 / 24

HEX #6AC279

RGB 106 194 121

HSL 130.23, 0.42%, 0.59%

LAB 71.57, -42.08, 28.71

 

CMYK 38 / 45 / 0 / 24

HEX #796AC2

RGB 121 106 194

HSL 250.23, 0.42%, 0.59%

LAB 49.82, 26.86, -44.2

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 16 / 0 / 45 / 24

HEX #A2C26A

RGB 162 194 106

HSL 81.82, 0.42%, 0.59%

LAB 74.38, -25.19, 40.6

 

CMYK 45 / 8 / 0 / 24

HEX #6AB3C2

RGB 106 179 194

HSL 190.23, 0.42%, 0.59%

LAB 68.9, -18.81, -14.75

 

CMYK 29 / 45 / 0 / 24

HEX #8A6AC2

RGB 138 106 194

HSL 261.82, 0.42%, 0.59%

LAB 51.39, 31.47, -41.62

 

CMYK 0 / 38 / 45 / 24

HEX #C2796A

RGB 194 121 106

HSL 10.23, 0.42%, 0.59%

LAB 58.21, 26.82, 20.22

 

CMYK 30 / 0 / 45 / 24

HEX #87C26A

RGB 135 194 106

HSL 100.23, 0.42%, 0.59%

LAB 72.74, -35.1, 38.2

 

CMYK 45 / 8 / 0 / 24

HEX #6AB3C2

RGB 106 179 194

HSL 190.23, 0.42%, 0.59%

LAB 68.9, -18.81, -14.75

 

CMYK 15 / 45 / 0 / 24

HEX #A56AC2

RGB 165 106 194

HSL 280.23, 0.42%, 0.59%

LAB 54.24, 39.21, -36.93

 

Description

Color code: HEX #C2796A | qconv.com Color code: HEX #C2796A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 121 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 121 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 45 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 45% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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