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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C27ADA it is the complementary color #3D8525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C27ADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C27ADA shade: #C77AD5, #D88CE8, #E99EFB, #FAB0FF and #FFC2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C27ADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C27ADA shade: #C27ADA, #B168C7, #A056B4, #8F44A1 and #7E328E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C27ADA shade: #C27BD9, #D97BD8, #D97BBE, #D97BA5 and #D97B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C27ADA shade: #C27BD9, #A87BD9, #8F7BD9 and #7B7BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C27ADA shade matches the following richer shades: #C27BD9, #C96EE7 and #D060F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C27ADA shade: #C27BD9, #BB89CC, #B496BE, #ADA4B1 and #A7B2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C27ADA shade: #907BD9, #A97BD9, #C27BD9, #D97BD8 and #D97BBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C27ADA shade: #A43BC7, #B35BD0, #C27BD9, #D19BE3 and #E0BCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C27ADA shade: #C27ADA, #D97B80 and #7BD99C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C27ADA shade: #C27ADA, #D9C27B and #7BD9C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C27ADA shade: #C27ADA, #D97B80, #93D97B and #7BD9D5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C27ADA shade: #C27ADA, #D9937B, #93D97B and #7BC2D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 44 / 0 / 15

HEX #C27ADA

RGB 194 122 218

HSL 285, 0.56%, 0.67%

LAB 62.04, 44.04, -38.06

 

Complementary color

CMYK 54 / 0 / 72 / 48

HEX #3D8525

RGB 61 133 37

HSL 105, 0.56%, 0.33%

LAB 49.38, -40.77, 42.84

 

CMYK 7 / 43 / 0 / 16

HEX #C77AD5

RGB 199 122 213

HSL 290.77, 0.52%, 0.66%

LAB 62.39, 44.51, -34.67

 

CMYK 7 / 40 / 0 / 9

HEX #D88CE8

RGB 216 140 232

HSL 289.57, 0.67%, 0.73%

LAB 68.88, 43.75, -34.98

 

CMYK 7 / 37 / 0 / 2

HEX #E99EFB

RGB 233 158 251

HSL 288.39, 0.92%, 0.8%

LAB 75.29, 43.02, -35.27

 

CMYK 2 / 31 / 0 / 0

HEX #FAB0FF

RGB 250 176 255

HSL 296.2, 1%, 0.85%

LAB 81.07, 39.5, -28.38

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 11 / 44 / 0 / 15

HEX #C27ADA

RGB 194 122 218

HSL 285, 0.56%, 0.67%

LAB 62.04, 44.04, -38.06

 

CMYK 11 / 48 / 0 / 22

HEX #B168C7

RGB 177 104 199

HSL 286.11, 0.46%, 0.59%

LAB 55.45, 44.82, -37.79

 

CMYK 11 / 52 / 0 / 29

HEX #A056B4

RGB 160 86 180

HSL 287.23, 0.39%, 0.52%

LAB 48.79, 45.57, -37.45

 

CMYK 11 / 58 / 0 / 37

HEX #8F44A1

RGB 143 68 161

HSL 288.39, 0.41%, 0.45%

LAB 42.07, 46.23, -37

 

CMYK 11 / 65 / 0 / 44

HEX #7E328E

RGB 126 50 142

HSL 289.57, 0.48%, 0.38%

LAB 35.34, 46.65, -36.34

 

CMYK 11 / 43 / 0 / 15

HEX #C27BD9

RGB 194 123 217

HSL 285.32, 0.55%, 0.67%

LAB 62.21, 43.3, -37.24

 

CMYK 0 / 43 / 0 / 15

HEX #D97BD8

RGB 217 123 216

HSL 300.64, 0.55%, 0.67%

LAB 64.86, 49.88, -32.34

 

CMYK 0 / 43 / 12 / 15

HEX #D97BBE

RGB 217 123 190

HSL 317.23, 0.55%, 0.67%

LAB 63.86, 45.43, -19.28

 

CMYK 0 / 43 / 24 / 15

HEX #D97BA5

RGB 217 123 165

HSL 333.19, 0.55%, 0.67%

LAB 63.04, 41.63, -6.32

 

CMYK 0 / 43 / 36 / 15

HEX #D97B8B

RGB 217 123 139

HSL 349.79, 0.55%, 0.67%

LAB 62.32, 38.21, 7.49

 

CMYK 11 / 43 / 0 / 15

HEX #C27BD9

RGB 194 123 217

HSL 285.32, 0.55%, 0.67%

LAB 62.21, 43.3, -37.24

 

CMYK 23 / 43 / 0 / 15

HEX #A87BD9

RGB 168 123 217

HSL 268.72, 0.55%, 0.67%

LAB 59.43, 35.79, -41.79

 

CMYK 34 / 43 / 0 / 15

HEX #8F7BD9

RGB 143 123 217

HSL 252.77, 0.55%, 0.67%

LAB 57.09, 28.89, -45.64

 

CMYK 43 / 43 / 0 / 15

HEX #7B7BD9

RGB 123 123 217

HSL 240, 0.55%, 0.67%

LAB 55.47, 23.75, -48.31

 

CMYK 11 / 43 / 0 / 15

HEX #C27BD9

RGB 194 123 217

HSL 285.32, 0.55%, 0.67%

LAB 62.21, 43.3, -37.24

 

CMYK 13 / 52 / 0 / 9

HEX #C96EE7

RGB 201 110 231

HSL 285.12, 0.72%, 0.67%

LAB 61.08, 54.81, -46.77

 

CMYK 15 / 61 / 0 / 4

HEX #D060F5

RGB 208 96 245

HSL 285.1, 0.88%, 0.67%

LAB 60.22, 65.94, -55.87

 

CMYK 11 / 43 / 0 / 15

HEX #C27BD9

RGB 194 123 217

HSL 285.32, 0.55%, 0.67%

LAB 62.21, 43.3, -37.24

 

CMYK 8 / 33 / 0 / 20

HEX #BB89CC

RGB 187 137 204

HSL 284.78, 0.4%, 0.67%

LAB 64.01, 30.87, -27.22

 

CMYK 5 / 21 / 0 / 25

HEX #B496BE

RGB 180 150 190

HSL 285, 0.24%, 0.67%

LAB 65.93, 18.47, -16.52

 

CMYK 2 / 7 / 0 / 31

HEX #ADA4B1

RGB 173 164 177

HSL 281.54, 0.08%, 0.67%

LAB 68.47, 5.69, -5.54

 

CMYK 6 / 0 / 8 / 30

HEX #A7B2A3

RGB 167 178 163

HSL 104, 0.09%, 0.67%

LAB 71.35, -6.67, 6.34

 

CMYK 34 / 43 / 0 / 15

HEX #907BD9

RGB 144 123 217

HSL 253.4, 0.55%, 0.67%

LAB 57.18, 29.16, -45.5

 

CMYK 22 / 43 / 0 / 15

HEX #A97BD9

RGB 169 123 217

HSL 269.36, 0.55%, 0.67%

LAB 59.54, 36.08, -41.62

 

CMYK 11 / 43 / 0 / 15

HEX #C27BD9

RGB 194 123 217

HSL 285.32, 0.55%, 0.67%

LAB 62.21, 43.3, -37.24

 

CMYK 0 / 43 / 0 / 15

HEX #D97BD8

RGB 217 123 216

HSL 300.64, 0.55%, 0.67%

LAB 64.86, 49.88, -32.34

 

CMYK 0 / 43 / 12 / 15

HEX #D97BBF

RGB 217 123 191

HSL 316.6, 0.55%, 0.67%

LAB 63.9, 45.59, -19.79

 

CMYK 18 / 70 / 0 / 22

HEX #A43BC7

RGB 164 59 199

HSL 285, 0.56%, 0.51%

LAB 45.83, 62.91, -53.18

 

CMYK 14 / 56 / 0 / 18

HEX #B35BD0

RGB 179 91 208

HSL 285.13, 0.55%, 0.59%

LAB 53.62, 53.86, -45.8

 

CMYK 11 / 43 / 0 / 15

HEX #C27BD9

RGB 194 123 217

HSL 285.32, 0.55%, 0.67%

LAB 62.21, 43.3, -37.24

 

CMYK 8 / 32 / 0 / 11

HEX #D19BE3

RGB 209 155 227

HSL 285, 0.56%, 0.75%

LAB 71.24, 32.57, -28.65

 

CMYK 5 / 20 / 0 / 7

HEX #E0BCEC

RGB 224 188 236

HSL 285, 0.56%, 0.83%

LAB 80.67, 21.27, -19.04

 

CMYK 11 / 44 / 0 / 15

HEX #C27ADA

RGB 194 122 218

HSL 285, 0.56%, 0.67%

LAB 62.04, 44.04, -38.06

 

CMYK 0 / 43 / 41 / 15

HEX #D97B80

RGB 217 123 128

HSL 356.81, 0.55%, 0.67%

LAB 62.06, 36.95, 13.41

 

CMYK 43 / 0 / 28 / 15

HEX #7BD99C

RGB 123 217 156

HSL 141.06, 0.55%, 0.67%

LAB 79.75, -41.22, 21.54

 

CMYK 11 / 44 / 0 / 15

HEX #C27ADA

RGB 194 122 218

HSL 285, 0.56%, 0.67%

LAB 62.04, 44.04, -38.06

 

CMYK 0 / 11 / 43 / 15

HEX #D9C27B

RGB 217 194 123

HSL 45.32, 0.55%, 0.67%

LAB 78.91, -1.5, 38.61

 

CMYK 43 / 0 / 11 / 15

HEX #7BD9C2

RGB 123 217 194

HSL 165.32, 0.55%, 0.67%

LAB 80.59, -33.34, 2.63

 

CMYK 11 / 44 / 0 / 15

HEX #C27ADA

RGB 194 122 218

HSL 285, 0.56%, 0.67%

LAB 62.04, 44.04, -38.06

 

CMYK 0 / 43 / 41 / 15

HEX #D97B80

RGB 217 123 128

HSL 356.81, 0.55%, 0.67%

LAB 62.06, 36.95, 13.41

 

CMYK 32 / 0 / 43 / 15

HEX #93D97B

RGB 147 217 123

HSL 104.68, 0.55%, 0.67%

LAB 80.32, -39.19, 39.41

 

CMYK 43 / 0 / 2 / 15

HEX #7BD9D5

RGB 123 217 213

HSL 177.45, 0.55%, 0.67%

LAB 81.09, -28.83, -6.76

 

CMYK 11 / 44 / 0 / 15

HEX #C27ADA

RGB 194 122 218

HSL 285, 0.56%, 0.67%

LAB 62.04, 44.04, -38.06

 

CMYK 0 / 32 / 43 / 15

HEX #D9937B

RGB 217 147 123

HSL 15.32, 0.55%, 0.67%

LAB 67.31, 23.6, 23.43

 

CMYK 32 / 0 / 43 / 15

HEX #93D97B

RGB 147 217 123

HSL 104.68, 0.55%, 0.67%

LAB 80.32, -39.19, 39.41

 

CMYK 43 / 11 / 0 / 15

HEX #7BC2D9

RGB 123 194 217

HSL 194.68, 0.55%, 0.67%

LAB 74.7, -16.31, -18.48

 

Description

Color code: HEX #C27ADA | qconv.com Color code: HEX #C27ADA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 122 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 122 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 44 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 44% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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