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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C27B13 it is the complementary color #3D84EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C27B13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C27B13 shade: #C77B0E, #D88D21, #E99F34, #FAB147 and #FFC35A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C27B13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C27B13 shade: #C27B13, #B16900, #A05700, #8F4500 and #7E3300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C27B13 shade: #C27B13, #C24C13, #C21C13 and #C21313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C27B13 shade: #C27B13, #C2AB13, #ABC213, #7CC213 and #4CC213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C27B13 shade matches the following richer shades: #C27B13 and #D47E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C27B13 shade: #C27B13, #B17824, #A07535, #8E7147 and #7D6E58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C27B13 shade: #C21C13, #C24A13, #C27913, #C2A813 and #AEC213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C27B13 shade: #774C0B, #9D630F, #C27B13, #E89317 and #EBA43C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C27B13 shade: #C27B13, #39C213 and #3313C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C27B13 shade: #C27B13, #13C279 and #7913C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C27B13 shade: #C27B13, #39C213, #135CC2 and #9C13C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C27B13 shade: #C27B13, #13C221, #135CC2 and #C213B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

Complementary color

CMYK 74 / 44 / 0 / 7

HEX #3D84EC

RGB 61 132 236

HSL 215.66, 0.82%, 0.58%

LAB 55.64, 12.93, -58.87

 

CMYK 0 / 38 / 93 / 22

HEX #C77B0E

RGB 199 123 14

HSL 35.35, 0.87%, 0.42%

LAB 58.36, 22.61, 62.39

 

CMYK 0 / 35 / 85 / 15

HEX #D88D21

RGB 216 141 33

HSL 35.41, 0.73%, 0.49%

LAB 64.77, 20.58, 63.38

 

CMYK 0 / 32 / 78 / 9

HEX #E99F34

RGB 233 159 52

HSL 35.47, 0.8%, 0.56%

LAB 71.12, 18.79, 63.19

 

CMYK 0 / 29 / 72 / 2

HEX #FAB147

RGB 250 177 71

HSL 35.53, 0.95%, 0.63%

LAB 77.41, 17.23, 62.39

 

CMYK 0 / 24 / 65 / 0

HEX #FFC35A

RGB 255 195 90

HSL 38.18, 1%, 0.68%

LAB 82.39, 10.92, 59.57

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 41 / 100 / 31

HEX #B16900

RGB 177 105 0

HSL 35.59, 1%, 0.35%

LAB 51.21, 22.7, 58.79

 

CMYK 0 / 46 / 100 / 37

HEX #A05700

RGB 160 87 0

HSL 32.63, 1%, 0.31%

LAB 44.65, 25.22, 53.48

 

CMYK 0 / 52 / 100 / 44

HEX #8F4500

RGB 143 69 0

HSL 28.95, 1%, 0.28%

LAB 38.01, 27.77, 48.14

 

CMYK 0 / 60 / 100 / 51

HEX #7E3300

RGB 126 51 0

HSL 24.29, 1%, 0.25%

LAB 31.35, 30.25, 42.66

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 61 / 90 / 24

HEX #C24C13

RGB 194 76 19

HSL 19.54, 0.82%, 0.42%

LAB 47.86, 44.88, 53.1

 

CMYK 0 / 86 / 90 / 24

HEX #C21C13

RGB 194 28 19

HSL 3.09, 0.82%, 0.42%

LAB 41.76, 61.61, 48.65

 

CMYK 0 / 90 / 90 / 24

HEX #C21313

RGB 194 19 19

HSL 0, 0.82%, 0.42%

LAB 41.19, 63.26, 48.24

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 12 / 90 / 24

HEX #C2AB13

RGB 194 171 19

HSL 52.11, 0.82%, 0.42%

LAB 69.92, -5.52, 69.92

 

CMYK 12 / 0 / 90 / 24

HEX #ABC213

RGB 171 194 19

HSL 67.89, 0.82%, 0.42%

LAB 74.37, -27.1, 72.63

 

CMYK 36 / 0 / 90 / 24

HEX #7CC213

RGB 124 194 19

HSL 84, 0.82%, 0.42%

LAB 71.5, -45.56, 69.1

 

CMYK 61 / 0 / 90 / 24

HEX #4CC213

RGB 76 194 19

HSL 100.46, 0.82%, 0.42%

LAB 69.59, -60.12, 66.73

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 41 / 100 / 17

HEX #D47E01

RGB 212 126 1

HSL 35.55, 0.99%, 0.42%

LAB 60.71, 26.42, 66.98

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 32 / 80 / 31

HEX #B17824

RGB 177 120 36

HSL 35.74, 0.66%, 0.42%

LAB 54.98, 15.13, 51.9

 

CMYK 0 / 27 / 67 / 37

HEX #A07535

RGB 160 117 53

HSL 35.89, 0.5%, 0.42%

LAB 52.35, 10.06, 40.96

 

CMYK 0 / 20 / 50 / 44

HEX #8E7147

RGB 142 113 71

HSL 35.49, 0.33%, 0.42%

LAB 49.52, 5.79, 27.55

 

CMYK 0 / 12 / 30 / 51

HEX #7D6E58

RGB 125 110 88

HSL 35.68, 0.17%, 0.42%

LAB 47.26, 2.23, 14.44

 

CMYK 0 / 86 / 90 / 24

HEX #C21C13

RGB 194 28 19

HSL 3.09, 0.82%, 0.42%

LAB 41.76, 61.61, 48.65

 

CMYK 0 / 62 / 90 / 24

HEX #C24A13

RGB 194 74 19

HSL 18.86, 0.82%, 0.42%

LAB 47.51, 45.8, 52.84

 

CMYK 0 / 38 / 90 / 24

HEX #C27913

RGB 194 121 19

HSL 34.97, 0.82%, 0.42%

LAB 57.26, 21.61, 60.16

 

CMYK 0 / 13 / 90 / 24

HEX #C2A813

RGB 194 168 19

HSL 51.09, 0.82%, 0.42%

LAB 69.13, -3.94, 69.3

 

CMYK 10 / 0 / 90 / 24

HEX #AEC213

RGB 174 194 19

HSL 66.86, 0.82%, 0.42%

LAB 74.59, -25.84, 72.89

 

CMYK 0 / 36 / 91 / 53

HEX #774C0B

RGB 119 76 11

HSL 36.11, 0.83%, 0.25%

LAB 36.2, 12.99, 41.69

 

CMYK 0 / 37 / 90 / 38

HEX #9D630F

RGB 157 99 15

HSL 35.49, 0.83%, 0.34%

LAB 47.14, 17.37, 51.33

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 0 / 37 / 90 / 9

HEX #E89317

RGB 232 147 23

HSL 35.6, 0.82%, 0.5%

LAB 68.08, 23.97, 69.5

 

CMYK 0 / 30 / 74 / 8

HEX #EBA43C

RGB 235 164 60

HSL 35.66, 0.81%, 0.58%

LAB 72.59, 17.3, 61.54

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 71 / 0 / 90 / 24

HEX #39C213

RGB 57 194 19

HSL 106.97, 0.82%, 0.42%

LAB 69.11, -64.13, 66.14

 

CMYK 74 / 90 / 0 / 24

HEX #3313C2

RGB 51 19 194

HSL 250.97, 0.82%, 0.42%

LAB 26.92, 61.12, -81.75

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 90 / 0 / 38 / 24

HEX #13C279

RGB 19 194 121

HSL 154.97, 0.82%, 0.42%

LAB 69.54, -57.09, 25.65

 

CMYK 38 / 90 / 0 / 24

HEX #7913C2

RGB 121 19 194

HSL 274.97, 0.82%, 0.42%

LAB 34.85, 67.16, -68.37

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 71 / 0 / 90 / 24

HEX #39C213

RGB 57 194 19

HSL 106.97, 0.82%, 0.42%

LAB 69.11, -64.13, 66.14

 

CMYK 90 / 53 / 0 / 24

HEX #135CC2

RGB 19 92 194

HSL 214.97, 0.82%, 0.42%

LAB 40.72, 18.54, -59.11

 

CMYK 20 / 90 / 0 / 24

HEX #9C13C2

RGB 156 19 194

HSL 286.97, 0.82%, 0.42%

LAB 40.29, 71.98, -59.27

 

CMYK 0 / 37 / 90 / 24

HEX #C27B13

RGB 194 123 19

HSL 35.66, 0.82%, 0.42%

LAB 57.73, 20.51, 60.53

 

CMYK 90 / 0 / 83 / 24

HEX #13C221

RGB 19 194 33

HSL 124.8, 0.82%, 0.42%

LAB 68.63, -68.21, 62.54

 

CMYK 90 / 53 / 0 / 24

HEX #135CC2

RGB 19 92 194

HSL 214.97, 0.82%, 0.42%

LAB 40.72, 18.54, -59.11

 

CMYK 0 / 90 / 7 / 24

HEX #C213B4

RGB 194 19 180

HSL 304.8, 0.82%, 0.42%

LAB 45.95, 76.11, -41.62

 

Description

Color code: HEX #C27B13 | qconv.com Color code: HEX #C27B13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 123 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 123 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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