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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2828D it is the complementary color #3D7D72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2828D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2828D shade: #C78288, #D8949B, #E9A6AE, #FAB8C1 and #FFCAD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2828D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2828D shade: #C2828D, #B1707A, #A05E67, #8F4C54 and #7E3A41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2828D shade: #C2838E and #C28383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2828D shade: #C2838E, #C2839F, #C283B0, #C283C1 and #B283C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2828D shade matches the following richer shades: #C2838E, #D17584, #E0667B, #EE5771 and #FD4867

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2828D shade: #C2838E, #B39298, #A4A1A2, #95B0AB and #86BFB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2828D shade: #C283B0, #C283A0, #C2838F, #C28983 and #C29983

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2828D shade: #A3505E, #B46875, #C2838E, #D09FA7 and #DDBBC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2828D shade: #C2828D, #C1C283 and #83A8C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2828D shade: #C2828D, #8FC283 and #838FC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2828D shade: #C2828D, #C1C283, #83C2B6 and #8583C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2828D shade: #C2828D, #AEC283, #83C2B6 and #9783C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 27 / 24

HEX #C2828D

RGB 194 130 141

HSL 349.69, 0.34%, 0.64%

LAB 61.1, 26.2, 4.22

 

Complementary color

CMYK 51 / 0 / 9 / 51

HEX #3D7D72

RGB 61 125 114

HSL 169.69, 0.34%, 0.36%

LAB 48.1, -23.42, -0.31

 

CMYK 0 / 35 / 32 / 22

HEX #C78288

RGB 199 130 136

HSL 354.78, 0.38%, 0.65%

LAB 61.55, 27.41, 7.81

 

CMYK 0 / 31 / 28 / 15

HEX #D8949B

RGB 216 148 155

HSL 353.82, 0.47%, 0.71%

LAB 68.13, 26.57, 6.74

 

CMYK 0 / 29 / 25 / 9

HEX #E9A6AE

RGB 233 166 174

HSL 352.84, 0.6%, 0.78%

LAB 74.6, 25.82, 5.77

 

CMYK 0 / 26 / 23 / 2

HEX #FAB8C1

RGB 250 184 193

HSL 351.82, 0.87%, 0.85%

LAB 80.99, 25.12, 4.87

 

CMYK 0 / 21 / 17 / 0

HEX #FFCAD4

RGB 255 202 212

HSL 348.68, 1%, 0.9%

LAB 86.13, 20.25, 2.21

 

CMYK 0 / 33 / 27 / 24

HEX #C2828D

RGB 194 130 141

HSL 349.69, 0.34%, 0.64%

LAB 61.1, 26.2, 4.22

 

CMYK 0 / 37 / 31 / 31

HEX #B1707A

RGB 177 112 122

HSL 350.77, 0.29%, 0.57%

LAB 54.39, 27.06, 5.29

 

CMYK 0 / 41 / 36 / 37

HEX #A05E67

RGB 160 94 103

HSL 351.82, 0.26%, 0.5%

LAB 47.57, 28.01, 6.53

 

CMYK 0 / 47 / 41 / 44

HEX #8F4C54

RGB 143 76 84

HSL 352.84, 0.31%, 0.43%

LAB 40.65, 29.05, 7.99

 

CMYK 0 / 54 / 48 / 51

HEX #7E3A41

RGB 126 58 65

HSL 353.82, 0.37%, 0.36%

LAB 33.65, 30.16, 9.79

 

CMYK 0 / 32 / 27 / 24

HEX #C2838E

RGB 194 131 142

HSL 349.52, 0.34%, 0.64%

LAB 61.36, 25.79, 4.02

 

CMYK 0 / 32 / 32 / 24

HEX #C28383

RGB 194 131 131

HSL 0, 0.34%, 0.64%

LAB 61.08, 24.29, 9.91

 

CMYK 0 / 32 / 27 / 24

HEX #C2838E

RGB 194 131 142

HSL 349.52, 0.34%, 0.64%

LAB 61.36, 25.79, 4.02

 

CMYK 0 / 32 / 18 / 24

HEX #C2839F

RGB 194 131 159

HSL 333.33, 0.34%, 0.64%

LAB 61.83, 28.36, -5

 

CMYK 0 / 32 / 9 / 24

HEX #C283B0

RGB 194 131 176

HSL 317.14, 0.34%, 0.64%

LAB 62.37, 31.19, -13.87

 

CMYK 0 / 32 / 1 / 24

HEX #C283C1

RGB 194 131 193

HSL 300.95, 0.34%, 0.64%

LAB 62.97, 34.27, -22.58

 

CMYK 8 / 32 / 0 / 24

HEX #B283C2

RGB 178 131 194

HSL 284.76, 0.34%, 0.64%

LAB 61.3, 29.28, -25.85

 

CMYK 0 / 32 / 27 / 24

HEX #C2838E

RGB 194 131 142

HSL 349.52, 0.34%, 0.64%

LAB 61.36, 25.79, 4.02

 

CMYK 0 / 44 / 37 / 18

HEX #D17584

RGB 209 117 132

HSL 350.22, 0.5%, 0.64%

LAB 59.84, 37.6, 7.83

 

CMYK 0 / 54 / 45 / 12

HEX #E0667B

RGB 224 102 123

HSL 349.67, 0.66%, 0.64%

LAB 58.77, 49.47, 11.82

 

CMYK 0 / 63 / 53 / 7

HEX #EE5771

RGB 238 87 113

HSL 349.67, 0.82%, 0.64%

LAB 58.21, 59.89, 17.22

 

CMYK 0 / 72 / 59 / 1

HEX #FD4867

RGB 253 72 103

HSL 349.72, 0.98%, 0.64%

LAB 58.51, 69.34, 23.89

 

CMYK 0 / 32 / 27 / 24

HEX #C2838E

RGB 194 131 142

HSL 349.52, 0.34%, 0.64%

LAB 61.36, 25.79, 4.02

 

CMYK 0 / 18 / 15 / 30

HEX #B39298

RGB 179 146 152

HSL 349.09, 0.18%, 0.64%

LAB 63.68, 13.35, 1.5

 

CMYK 0 / 2 / 1 / 36

HEX #A4A1A2

RGB 164 161 162

HSL 340, 0.02%, 0.64%

LAB 66.51, 1.27, -0.14

 

CMYK 15 / 0 / 3 / 31

HEX #95B0AB

RGB 149 176 171

HSL 168.89, 0.15%, 0.64%

LAB 69.74, -10.26, -0.55

 

CMYK 30 / 0 / 5 / 25

HEX #86BFB5

RGB 134 191 181

HSL 169.47, 0.31%, 0.64%

LAB 73.33, -20.6, -0.89

 

CMYK 0 / 32 / 9 / 24

HEX #C283B0

RGB 194 131 176

HSL 317.14, 0.34%, 0.64%

LAB 62.37, 31.19, -13.87

 

CMYK 0 / 32 / 18 / 24

HEX #C283A0

RGB 194 131 160

HSL 332.38, 0.34%, 0.64%

LAB 61.86, 28.52, -5.52

 

CMYK 0 / 32 / 26 / 24

HEX #C2838F

RGB 194 131 143

HSL 348.57, 0.34%, 0.64%

LAB 61.38, 25.94, 3.49

 

CMYK 0 / 29 / 32 / 24

HEX #C28983

RGB 194 137 131

HSL 5.71, 0.34%, 0.64%

LAB 62.51, 20.98, 11.92

 

CMYK 0 / 21 / 32 / 24

HEX #C29983

RGB 194 153 131

HSL 20.95, 0.34%, 0.64%

LAB 66.44, 12.16, 17.4

 

CMYK 0 / 51 / 42 / 36

HEX #A3505E

RGB 163 80 94

HSL 349.88, 0.34%, 0.48%

LAB 44.71, 35.7, 7.98

 

CMYK 0 / 42 / 35 / 29

HEX #B46875

RGB 180 104 117

HSL 349.74, 0.34%, 0.56%

LAB 52.83, 31.95, 6.05

 

CMYK 0 / 32 / 27 / 24

HEX #C2838E

RGB 194 131 142

HSL 349.52, 0.34%, 0.64%

LAB 61.36, 25.79, 4.02

 

CMYK 0 / 24 / 20 / 18

HEX #D09FA7

RGB 208 159 167

HSL 350.2, 0.34%, 0.72%

LAB 70.17, 19.37, 2.89

 

CMYK 0 / 15 / 13 / 13

HEX #DDBBC1

RGB 221 187 193

HSL 349.41, 0.33%, 0.8%

LAB 78.9, 13.1, 1.5

 

CMYK 0 / 33 / 27 / 24

HEX #C2828D

RGB 194 130 141

HSL 349.69, 0.34%, 0.64%

LAB 61.1, 26.2, 4.22

 

CMYK 1 / 0 / 32 / 24

HEX #C1C283

RGB 193 194 131

HSL 60.95, 0.34%, 0.64%

LAB 77.02, -10.14, 31.65

 

CMYK 32 / 13 / 0 / 24

HEX #83A8C2

RGB 131 168 194

HSL 204.76, 0.34%, 0.64%

LAB 67.07, -6.29, -17.38

 

CMYK 0 / 33 / 27 / 24

HEX #C2828D

RGB 194 130 141

HSL 349.69, 0.34%, 0.64%

LAB 61.1, 26.2, 4.22

 

CMYK 26 / 0 / 32 / 24

HEX #8FC283

RGB 143 194 131

HSL 108.57, 0.34%, 0.64%

LAB 73.59, -28.73, 26.47

 

CMYK 32 / 26 / 0 / 24

HEX #838FC2

RGB 131 143 194

HSL 228.57, 0.34%, 0.64%

LAB 60.22, 7.77, -27.86

 

CMYK 0 / 33 / 27 / 24

HEX #C2828D

RGB 194 130 141

HSL 349.69, 0.34%, 0.64%

LAB 61.1, 26.2, 4.22

 

CMYK 1 / 0 / 32 / 24

HEX #C1C283

RGB 193 194 131

HSL 60.95, 0.34%, 0.64%

LAB 77.02, -10.14, 31.65

 

CMYK 32 / 0 / 6 / 24

HEX #83C2B6

RGB 131 194 182

HSL 168.57, 0.34%, 0.64%

LAB 74.05, -22.76, -0.39

 

CMYK 31 / 32 / 0 / 24

HEX #8583C2

RGB 133 131 194

HSL 241.9, 0.34%, 0.64%

LAB 57.19, 15.35, -32.55

 

CMYK 0 / 33 / 27 / 24

HEX #C2828D

RGB 194 130 141

HSL 349.69, 0.34%, 0.64%

LAB 61.1, 26.2, 4.22

 

CMYK 10 / 0 / 32 / 24

HEX #AEC283

RGB 174 194 131

HSL 79.05, 0.34%, 0.64%

LAB 75.59, -17.47, 29.5

 

CMYK 32 / 0 / 6 / 24

HEX #83C2B6

RGB 131 194 182

HSL 168.57, 0.34%, 0.64%

LAB 74.05, -22.76, -0.39

 

CMYK 22 / 32 / 0 / 24

HEX #9783C2

RGB 151 131 194

HSL 259.05, 0.34%, 0.64%

LAB 58.7, 20.76, -30.08

 

Description

Color code: HEX #C2828D | qconv.com Color code: HEX #C2828D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 130 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 130 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 27 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 27% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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