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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C294A9 it is the complementary color #3D6B56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C294A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C294A9 shade: #C794A4, #D8A6B7, #E9B8CA, #FACADD and #FFDCF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C294A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C294A9 shade: #C294A9, #B18296, #A07083, #8F5E70 and #7E4C5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C294A9 shade: #C194A8, #C1949C and #C19494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C294A9 shade: #C194A8, #C194B5, #C194C1, #B594C1 and #A994C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C294A9 shade matches the following richer shades: #C194A8, #CF86A7, #DC78A6, #EA6BA5 and #F85DA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C294A9 shade: #C194A8, #B3A1AA, #A6AFAB, #98BCAC and #8BCAAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C294A9 shade: #C194C1, #C194B5, #C194A9, #C1949D and #C19794

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C294A9 shade: #A35F7E, #B27993, #C194A8, #D0AEBD and #DFC8D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C294A9 shade: #C294A9, #C1B594 and #94BBC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C294A9 shade: #C294A9, #A9C194 and #94A9C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C294A9 shade: #C294A9, #C1B594, #94C1AC and #94A0C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C294A9 shade: #C294A9, #C0C194, #94C1AC and #9594C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

Complementary color

CMYK 43 / 0 / 20 / 58

HEX #3D6B56

RGB 61 107 86

HSL 152.61, 0.27%, 0.33%

LAB 41.5, -21.12, 6.88

 

CMYK 0 / 26 / 18 / 22

HEX #C794A4

RGB 199 148 164

HSL 341.18, 0.31%, 0.68%

LAB 66.52, 21.61, -0.86

 

CMYK 0 / 23 / 15 / 15

HEX #D8A6B7

RGB 216 166 183

HSL 339.6, 0.39%, 0.75%

LAB 73.08, 21, -1.61

 

CMYK 0 / 21 / 13 / 9

HEX #E9B8CA

RGB 233 184 202

HSL 337.96, 0.53%, 0.82%

LAB 79.54, 20.43, -2.31

 

CMYK 0 / 19 / 12 / 2

HEX #FACADD

RGB 250 202 221

HSL 336.25, 0.83%, 0.89%

LAB 85.9, 19.92, -2.97

 

CMYK 0 / 14 / 6 / 0

HEX #FFDCF0

RGB 255 220 240

HSL 325.71, 1%, 0.93%

LAB 91.12, 15.37, -5.27

 

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

CMYK 0 / 27 / 15 / 31

HEX #B18296

RGB 177 130 150

HSL 334.47, 0.23%, 0.6%

LAB 59.45, 21.25, -3.58

 

CMYK 0 / 30 / 18 / 37

HEX #A07083

RGB 160 112 131

HSL 336.25, 0.2%, 0.53%

LAB 52.62, 21.95, -2.81

 

CMYK 0 / 34 / 22 / 44

HEX #8F5E70

RGB 143 94 112

HSL 337.96, 0.21%, 0.46%

LAB 45.65, 22.73, -1.95

 

CMYK 0 / 40 / 26 / 51

HEX #7E4C5D

RGB 126 76 93

HSL 339.6, 0.25%, 0.4%

LAB 38.54, 23.6, -0.96

 

CMYK 0 / 23 / 13 / 24

HEX #C194A8

RGB 193 148 168

HSL 333.33, 0.27%, 0.67%

LAB 66.02, 20.08, -3.92

 

CMYK 0 / 23 / 19 / 24

HEX #C1949C

RGB 193 148 156

HSL 349.33, 0.27%, 0.67%

LAB 65.68, 18.13, 2.34

 

CMYK 0 / 23 / 23 / 24

HEX #C19494

RGB 193 148 148

HSL 0, 0.27%, 0.67%

LAB 65.48, 16.9, 6.54

 

CMYK 0 / 23 / 13 / 24

HEX #C194A8

RGB 193 148 168

HSL 333.33, 0.27%, 0.67%

LAB 66.02, 20.08, -3.92

 

CMYK 0 / 23 / 6 / 24

HEX #C194B5

RGB 193 148 181

HSL 316, 0.27%, 0.67%

LAB 66.41, 22.35, -10.64

 

CMYK 0 / 23 / 0 / 24

HEX #C194C1

RGB 193 148 193

HSL 300, 0.27%, 0.67%

LAB 66.8, 24.57, -16.76

 

CMYK 6 / 23 / 0 / 24

HEX #B594C1

RGB 181 148 193

HSL 284, 0.27%, 0.67%

LAB 65.63, 20.53, -18.64

 

CMYK 12 / 23 / 0 / 24

HEX #A994C1

RGB 169 148 193

HSL 268, 0.27%, 0.67%

LAB 64.54, 16.55, -20.41

 

CMYK 0 / 23 / 13 / 24

HEX #C194A8

RGB 193 148 168

HSL 333.33, 0.27%, 0.67%

LAB 66.02, 20.08, -3.92

 

CMYK 0 / 35 / 19 / 19

HEX #CF86A7

RGB 207 134 167

HSL 332.88, 0.43%, 0.67%

LAB 64.25, 32.61, -5.8

 

CMYK 0 / 45 / 25 / 14

HEX #DC78A6

RGB 220 120 166

HSL 332.4, 0.59%, 0.67%

LAB 62.85, 44.33, -7.14

 

CMYK 0 / 54 / 29 / 8

HEX #EA6BA5

RGB 234 107 165

HSL 332.6, 0.75%, 0.67%

LAB 62.27, 55.12, -7.21

 

CMYK 0 / 63 / 34 / 3

HEX #F85DA4

RGB 248 93 164

HSL 332.52, 0.92%, 0.67%

LAB 62.05, 65.37, -6.73

 

CMYK 0 / 23 / 13 / 24

HEX #C194A8

RGB 193 148 168

HSL 333.33, 0.27%, 0.67%

LAB 66.02, 20.08, -3.92

 

CMYK 0 / 10 / 5 / 30

HEX #B3A1AA

RGB 179 161 170

HSL 330, 0.11%, 0.67%

LAB 68, 8.16, -2.27

 

CMYK 5 / 0 / 2 / 31

HEX #A6AFAB

RGB 166 175 171

HSL 153.33, 0.05%, 0.67%

LAB 70.67, -3.92, 0.95

 

CMYK 19 / 0 / 9 / 26

HEX #98BCAC

RGB 152 188 172

HSL 153.33, 0.21%, 0.67%

LAB 73.3, -15.35, 4.1

 

CMYK 31 / 0 / 14 / 21

HEX #8BCAAD

RGB 139 202 173

HSL 152.38, 0.37%, 0.67%

LAB 76.53, -26.29, 8.1

 

CMYK 0 / 23 / 0 / 24

HEX #C194C1

RGB 193 148 193

HSL 300, 0.27%, 0.67%

LAB 66.8, 24.57, -16.76

 

CMYK 0 / 23 / 6 / 24

HEX #C194B5

RGB 193 148 181

HSL 316, 0.27%, 0.67%

LAB 66.41, 22.35, -10.64

 

CMYK 0 / 23 / 12 / 24

HEX #C194A9

RGB 193 148 169

HSL 332, 0.27%, 0.67%

LAB 66.04, 20.25, -4.44

 

CMYK 0 / 23 / 19 / 24

HEX #C1949D

RGB 193 148 157

HSL 348, 0.27%, 0.67%

LAB 65.71, 18.29, 1.81

 

CMYK 0 / 22 / 23 / 24

HEX #C19794

RGB 193 151 148

HSL 4, 0.27%, 0.67%

LAB 66.22, 15.25, 7.6

 

CMYK 0 / 42 / 23 / 36

HEX #A35F7E

RGB 163 95 126

HSL 332.65, 0.27%, 0.51%

LAB 48.86, 31.86, -5.36

 

CMYK 0 / 32 / 17 / 30

HEX #B27993

RGB 178 121 147

HSL 332.63, 0.27%, 0.59%

LAB 57.31, 26.17, -4.99

 

CMYK 0 / 23 / 13 / 24

HEX #C194A8

RGB 193 148 168

HSL 333.33, 0.27%, 0.67%

LAB 66.02, 20.08, -3.92

 

CMYK 0 / 16 / 9 / 18

HEX #D0AEBD

RGB 208 174 189

HSL 333.53, 0.27%, 0.75%

LAB 74.42, 14.8, -3.03

 

CMYK 0 / 10 / 5 / 13

HEX #DFC8D3

RGB 223 200 211

HSL 331.3, 0.26%, 0.83%

LAB 82.75, 9.93, -2.53

 

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

CMYK 0 / 6 / 23 / 24

HEX #C1B594

RGB 193 181 148

HSL 44, 0.27%, 0.67%

LAB 73.88, -1.05, 18.38

 

CMYK 23 / 3 / 0 / 24

HEX #94BBC1

RGB 148 187 193

HSL 188, 0.27%, 0.67%

LAB 73.34, -11.63, -7.32

 

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

CMYK 12 / 0 / 23 / 24

HEX #A9C194

RGB 169 193 148

HSL 92, 0.27%, 0.67%

LAB 75.27, -16.31, 20.01

 

CMYK 23 / 12 / 0 / 24

HEX #94A9C1

RGB 148 169 193

HSL 212, 0.27%, 0.67%

LAB 68.4, -1.96, -14.71

 

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

CMYK 0 / 6 / 23 / 24

HEX #C1B594

RGB 193 181 148

HSL 44, 0.27%, 0.67%

LAB 73.88, -1.05, 18.38

 

CMYK 23 / 0 / 11 / 24

HEX #94C1AC

RGB 148 193 172

HSL 152, 0.27%, 0.67%

LAB 74.45, -19.2, 5.73

 

CMYK 23 / 17 / 0 / 24

HEX #94A0C1

RGB 148 160 193

HSL 224, 0.27%, 0.67%

LAB 65.97, 3.03, -18.38

 

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

CMYK 1 / 0 / 23 / 24

HEX #C0C194

RGB 192 193 148

HSL 61.33, 0.27%, 0.67%

LAB 76.97, -7.74, 22.61

 

CMYK 23 / 0 / 11 / 24

HEX #94C1AC

RGB 148 193 172

HSL 152, 0.27%, 0.67%

LAB 74.45, -19.2, 5.73

 

CMYK 23 / 23 / 0 / 24

HEX #9594C1

RGB 149 148 193

HSL 241.33, 0.27%, 0.67%

LAB 62.86, 10.12, -23.12

 

Description

Color code: HEX #C294A9 | qconv.com Color code: HEX #C294A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 148 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 148 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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