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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C29CFC it is the complementary color #3D6303. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C29CFC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C29CFC shade: #C79CF7, #D8AEFF, #E9C0FF, #FAD2FF and #FFE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C29CFC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C29CFC shade: #C29CFC, #B18AE9, #A078D6, #8F66C3 and #7E54B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C29CFC shade: #C29CFB, #DB9CFB, #F59CFB, #FB9CE8 and #FB9CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C29CFC shade: #C29CFB, #A89CFB and #9C9CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C29CFC shade matches the following richer shades: #C29CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C29CFC shade: #C29CFB, #C3A4F3, #C5ACEB, #C7B4E3 and #C8BDDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C29CFC shade: #9CAAFB, #A79CFB, #C09CFB, #DA9CFB and #F39CFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C29CFC shade: #904CF9, #A974FA, #C29CFB, #DAC4FD and #F3ECFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C29CFC shade: #C29CFC, #FB9CC4 and #9DFB9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C29CFC shade: #C29CFC, #FBC09C and #9CFBC0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C29CFC shade: #C29CFC, #FB9CC4, #D7FB9C and #9CFBD3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C29CFC shade: #C29CFC, #FB9CA7, #D7FB9C and #9CFBF0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

Complementary color

CMYK 38 / 0 / 97 / 61

HEX #3D6303

RGB 61 99 3

HSL 83.75, 0.94%, 0.2%

LAB 37.7, -28.03, 42.96

 

CMYK 19 / 37 / 0 / 3

HEX #C79CF7

RGB 199 156 247

HSL 268.35, 0.85%, 0.79%

LAB 71.31, 33.22, -39.55

 

CMYK 15 / 32 / 0 / 0

HEX #D8AEFF

RGB 216 174 255

HSL 271.11, 1%, 0.84%

LAB 77.34, 30.17, -34.4

 

CMYK 9 / 25 / 0 / 0

HEX #E9C0FF

RGB 233 192 255

HSL 279.05, 1%, 0.88%

LAB 83.04, 25.71, -25.51

 

CMYK 2 / 18 / 0 / 0

HEX #FAD2FF

RGB 250 210 255

HSL 293.33, 1%, 0.91%

LAB 88.75, 21.6, -16.72

 

CMYK 0 / 11 / 0 / 0

HEX #FFE4FF

RGB 255 228 255

HSL 300, 1%, 0.95%

LAB 93.44, 13.83, -9.68

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 24 / 41 / 0 / 9

HEX #B18AE9

RGB 177 138 233

HSL 264.63, 0.68%, 0.73%

LAB 64.49, 33.68, -42.69

 

CMYK 25 / 44 / 0 / 16

HEX #A078D6

RGB 160 120 214

HSL 265.53, 0.53%, 0.65%

LAB 57.81, 34.52, -42.71

 

CMYK 27 / 48 / 0 / 24

HEX #8F66C3

RGB 143 102 195

HSL 266.45, 0.44%, 0.58%

LAB 51.02, 35.42, -42.75

 

CMYK 28 / 52 / 0 / 31

HEX #7E54B0

RGB 126 84 176

HSL 267.39, 0.37%, 0.51%

LAB 44.1, 36.38, -42.79

 

CMYK 23 / 38 / 0 / 2

HEX #C29CFB

RGB 194 156 251

HSL 264, 0.92%, 0.8%

LAB 71.02, 32.68, -42.21

 

CMYK 13 / 38 / 0 / 2

HEX #DB9CFB

RGB 219 156 251

HSL 279.79, 0.92%, 0.8%

LAB 73.42, 39.93, -38.29

 

CMYK 2 / 38 / 0 / 2

HEX #F59CFB

RGB 245 156 251

HSL 296.21, 0.92%, 0.8%

LAB 76.16, 47.64, -33.82

 

CMYK 0 / 38 / 8 / 2

HEX #FB9CE8

RGB 251 156 232

HSL 312, 0.92%, 0.8%

LAB 76.14, 46.15, -23.49

 

CMYK 0 / 38 / 18 / 2

HEX #FB9CCE

RGB 251 156 206

HSL 328.42, 0.92%, 0.8%

LAB 75.29, 42.02, -10.56

 

CMYK 23 / 38 / 0 / 2

HEX #C29CFB

RGB 194 156 251

HSL 264, 0.92%, 0.8%

LAB 71.02, 32.68, -42.21

 

CMYK 33 / 38 / 0 / 2

HEX #A89CFB

RGB 168 156 251

HSL 247.58, 0.92%, 0.8%

LAB 68.8, 25.48, -45.85

 

CMYK 38 / 38 / 0 / 2

HEX #9C9CFB

RGB 156 156 251

HSL 240, 0.92%, 0.8%

LAB 67.88, 22.32, -47.36

 

CMYK 23 / 38 / 0 / 2

HEX #C29CFB

RGB 194 156 251

HSL 264, 0.92%, 0.8%

LAB 71.02, 32.68, -42.21

 

CMYK 23 / 38 / 0 / 2

HEX #C29CFB

RGB 194 156 251

HSL 264, 0.92%, 0.8%

LAB 71.02, 32.68, -42.21

 

CMYK 20 / 33 / 0 / 5

HEX #C3A4F3

RGB 195 164 243

HSL 263.54, 0.77%, 0.8%

LAB 72.64, 26.75, -35.33

 

CMYK 16 / 27 / 0 / 8

HEX #C5ACEB

RGB 197 172 235

HSL 263.81, 0.61%, 0.8%

LAB 74.43, 21.18, -28.22

 

CMYK 12 / 21 / 0 / 11

HEX #C7B4E3

RGB 199 180 227

HSL 264.26, 0.46%, 0.8%

LAB 76.27, 15.73, -21.05

 

CMYK 8 / 13 / 0 / 15

HEX #C8BDDA

RGB 200 189 218

HSL 262.76, 0.28%, 0.8%

LAB 78.31, 9.33, -13.1

 

CMYK 38 / 32 / 0 / 2

HEX #9CAAFB

RGB 156 170 251

HSL 231.16, 0.92%, 0.8%

LAB 71.41, 14.37, -41.82

 

CMYK 33 / 38 / 0 / 2

HEX #A79CFB

RGB 167 156 251

HSL 246.95, 0.92%, 0.8%

LAB 68.72, 25.21, -45.98

 

CMYK 24 / 38 / 0 / 2

HEX #C09CFB

RGB 192 156 251

HSL 262.74, 0.92%, 0.8%

LAB 70.84, 32.11, -42.51

 

CMYK 13 / 38 / 0 / 2

HEX #DA9CFB

RGB 218 156 251

HSL 279.16, 0.92%, 0.8%

LAB 73.32, 39.64, -38.46

 

CMYK 3 / 38 / 0 / 2

HEX #F39CFB

RGB 243 156 251

HSL 294.95, 0.92%, 0.8%

LAB 75.94, 47.04, -34.17

 

CMYK 42 / 69 / 0 / 2

HEX #904CF9

RGB 144 76 249

HSL 263.58, 0.94%, 0.64%

LAB 49.42, 62.87, -75.9

 

CMYK 32 / 54 / 0 / 2

HEX #A974FA

RGB 169 116 250

HSL 263.73, 0.93%, 0.72%

LAB 59.73, 47.83, -59.67

 

CMYK 23 / 38 / 0 / 2

HEX #C29CFB

RGB 194 156 251

HSL 264, 0.92%, 0.8%

LAB 71.02, 32.68, -42.21

 

CMYK 14 / 23 / 0 / 1

HEX #DAC4FD

RGB 218 196 253

HSL 263.16, 0.93%, 0.88%

LAB 82.63, 18.47, -25.18

 

CMYK 4 / 7 / 0 / 0

HEX #F3ECFE

RGB 243 236 254

HSL 263.33, 0.9%, 0.96%

LAB 94.4, 5.58, -7.83

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 0 / 38 / 22 / 2

HEX #FB9CC4

RGB 251 156 196

HSL 334.74, 0.92%, 0.8%

LAB 75, 40.56, -5.51

 

CMYK 37 / 0 / 38 / 2

HEX #9DFB9C

RGB 157 251 156

HSL 119.37, 0.92%, 0.8%

LAB 91.04, -46.22, 36.96

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 0 / 24 / 38 / 2

HEX #FBC09C

RGB 251 192 156

HSL 22.74, 0.92%, 0.8%

LAB 82.17, 16.55, 26.32

 

CMYK 38 / 0 / 24 / 2

HEX #9CFBC0

RGB 156 251 192

HSL 142.74, 0.92%, 0.8%

LAB 91.63, -40.48, 19.57

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 0 / 38 / 22 / 2

HEX #FB9CC4

RGB 251 156 196

HSL 334.74, 0.92%, 0.8%

LAB 75, 40.56, -5.51

 

CMYK 14 / 0 / 38 / 2

HEX #D7FB9C

RGB 215 251 156

HSL 82.74, 0.92%, 0.8%

LAB 94.24, -26.86, 41.76

 

CMYK 38 / 0 / 16 / 2

HEX #9CFBD3

RGB 156 251 211

HSL 154.74, 0.92%, 0.8%

LAB 92.03, -36.8, 10.37

 

CMYK 23 / 38 / 0 / 1

HEX #C29CFC

RGB 194 156 252

HSL 263.75, 0.94%, 0.8%

LAB 71.06, 32.91, -42.69

 

CMYK 0 / 38 / 33 / 2

HEX #FB9CA7

RGB 251 156 167

HSL 353.05, 0.92%, 0.8%

LAB 74.24, 36.71, 9.36

 

CMYK 14 / 0 / 38 / 2

HEX #D7FB9C

RGB 215 251 156

HSL 82.74, 0.92%, 0.8%

LAB 94.24, -26.86, 41.76

 

CMYK 38 / 0 / 4 / 2

HEX #9CFBF0

RGB 156 251 240

HSL 173.05, 0.92%, 0.8%

LAB 92.73, -30.57, -3.62

 

Description

Color code: HEX #C29CFC | qconv.com Color code: HEX #C29CFC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 156 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 156 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 38 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 38% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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