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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A59C it is the complementary color #3D5A63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A59C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A59C shade: #C7A597, #D8B7AA, #E9C9BD, #FADBD0 and #FFEDE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A59C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A59C shade: #C2A59C, #B19389, #A08176, #8F6F63 and #7E5D50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A59C shade: #C2A59C and #C29C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A59C shade: #C2A59C, #C2B09C, #C2BA9C, #C1C29C and #B6C29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A59C shade matches the following richer shades: #C2A59C, #CF9F90, #DC9883, #E99176 and #F68B69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A59C shade: #C2A59C, #B6ACA9, #A9B3B6, #9CBAC3 and #8FC0D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A59C shade: #C29CA8, #C29C9E, #C2A59C, #C2AF9C and #C2BA9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A59C shade: #A37769, #B38E83, #C2A59C, #D2BDB6 and #E2D4D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A59C shade: #C2A59C, #B2C29C and #9CA3C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A59C shade: #C2A59C, #9CC2A5 and #A59CC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A59C shade: #C2A59C, #B2C29C, #9CBAC2 and #AD9CC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A59C shade: #C2A59C, #A7C29C, #9CBAC2 and #B89CC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

Complementary color

CMYK 38 / 9 / 0 / 61

HEX #3D5A63

RGB 61 90 99

HSL 194.21, 0.24%, 0.31%

LAB 36.38, -8.18, -8.6

 

CMYK 0 / 17 / 24 / 22

HEX #C7A597

RGB 199 165 151

HSL 17.5, 0.3%, 0.69%

LAB 70.38, 10.31, 11.92

 

CMYK 0 / 15 / 21 / 15

HEX #D8B7AA

RGB 216 183 170

HSL 16.96, 0.37%, 0.76%

LAB 76.9, 9.83, 11

 

CMYK 0 / 14 / 19 / 9

HEX #E9C9BD

RGB 233 201 189

HSL 16.36, 0.5%, 0.83%

LAB 83.32, 9.39, 10.15

 

CMYK 0 / 12 / 17 / 2

HEX #FADBD0

RGB 250 219 208

HSL 15.71, 0.81%, 0.9%

LAB 89.65, 9, 9.34

 

CMYK 0 / 7 / 11 / 0

HEX #FFEDE3

RGB 255 237 227

HSL 21.43, 1%, 0.95%

LAB 94.9, 4.45, 7.02

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 17 / 23 / 31

HEX #B19389

RGB 177 147 137

HSL 15, 0.2%, 0.62%

LAB 63.36, 9.64, 9.49

 

CMYK 0 / 19 / 26 / 37

HEX #A08176

RGB 160 129 118

HSL 15.71, 0.18%, 0.55%

LAB 56.57, 10.19, 10.46

 

CMYK 0 / 22 / 31 / 44

HEX #8F6F63

RGB 143 111 99

HSL 16.36, 0.18%, 0.47%

LAB 49.63, 10.82, 11.53

 

CMYK 0 / 26 / 37 / 51

HEX #7E5D50

RGB 126 93 80

HSL 16.96, 0.22%, 0.4%

LAB 42.53, 11.58, 12.73

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 20 / 20 / 24

HEX #C29C9C

RGB 194 156 156

HSL 0, 0.24%, 0.69%

LAB 67.76, 14.09, 5.35

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 9 / 20 / 24

HEX #C2B09C

RGB 194 176 156

HSL 31.58, 0.24%, 0.69%

LAB 72.84, 3.2, 12.59

 

CMYK 0 / 4 / 20 / 24

HEX #C2BA9C

RGB 194 186 156

HSL 47.37, 0.24%, 0.69%

LAB 75.44, -2.14, 16.24

 

CMYK 1 / 0 / 20 / 24

HEX #C1C29C

RGB 193 194 156

HSL 61.58, 0.24%, 0.69%

LAB 77.47, -6.71, 19.05

 

CMYK 6 / 0 / 20 / 24

HEX #B6C29C

RGB 182 194 156

HSL 78.95, 0.24%, 0.69%

LAB 76.64, -10.8, 17.76

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 23 / 30 / 19

HEX #CF9F90

RGB 207 159 144

HSL 14.29, 0.4%, 0.69%

LAB 69.52, 15.69, 14.7

 

CMYK 0 / 31 / 40 / 14

HEX #DC9883

RGB 220 152 131

HSL 14.16, 0.56%, 0.69%

LAB 68.98, 22.96, 21.33

 

CMYK 0 / 38 / 49 / 9

HEX #E99176

RGB 233 145 118

HSL 14.09, 0.72%, 0.69%

LAB 68.67, 30.45, 28.32

 

CMYK 0 / 43 / 57 / 4

HEX #F68B69

RGB 246 139 105

HSL 14.47, 0.89%, 0.69%

LAB 68.81, 37.51, 35.88

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 5 / 7 / 29

HEX #B6ACA9

RGB 182 172 169

HSL 13.85, 0.08%, 0.69%

LAB 71.09, 3.04, 2.81

 

CMYK 7 / 2 / 0 / 29

HEX #A9B3B6

RGB 169 179 182

HSL 193.85, 0.08%, 0.69%

LAB 72.26, -2.88, -2.74

 

CMYK 20 / 5 / 0 / 24

HEX #9CBAC3

RGB 156 186 195

HSL 193.85, 0.25%, 0.69%

LAB 73.63, -8.17, -7.94

 

CMYK 31 / 8 / 0 / 18

HEX #8FC0D0

RGB 143 192 208

HSL 194.77, 0.41%, 0.69%

LAB 74.88, -12.23, -13.22

 

CMYK 0 / 20 / 13 / 24

HEX #C29CA8

RGB 194 156 168

HSL 341.05, 0.24%, 0.69%

LAB 68.07, 16.03, -0.89

 

CMYK 0 / 20 / 19 / 24

HEX #C29C9E

RGB 194 156 158

HSL 356.84, 0.24%, 0.69%

LAB 67.81, 14.4, 4.31

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 10 / 20 / 24

HEX #C2AF9C

RGB 194 175 156

HSL 30, 0.24%, 0.69%

LAB 72.58, 3.74, 12.22

 

CMYK 0 / 4 / 20 / 24

HEX #C2BA9C

RGB 194 186 156

HSL 47.37, 0.24%, 0.69%

LAB 75.44, -2.14, 16.24

 

CMYK 0 / 27 / 36 / 36

HEX #A37769

RGB 163 119 105

HSL 14.48, 0.24%, 0.53%

LAB 54.03, 15.29, 14.47

 

CMYK 0 / 21 / 27 / 30

HEX #B38E83

RGB 179 142 131

HSL 13.75, 0.24%, 0.61%

LAB 62.14, 12.32, 11.18

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 0 / 10 / 13 / 18

HEX #D2BDB6

RGB 210 189 182

HSL 15, 0.24%, 0.77%

LAB 78.15, 6.27, 6.23

 

CMYK 0 / 6 / 8 / 11

HEX #E2D4D0

RGB 226 212 208

HSL 13.33, 0.24%, 0.85%

LAB 85.91, 4.14, 3.7

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 8 / 0 / 20 / 24

HEX #B2C29C

RGB 178 194 156

HSL 85.26, 0.24%, 0.69%

LAB 76.34, -12.27, 17.31

 

CMYK 20 / 16 / 0 / 24

HEX #9CA3C2

RGB 156 163 194

HSL 228.95, 0.24%, 0.69%

LAB 67.39, 4.12, -16.73

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 20 / 0 / 15 / 24

HEX #9CC2A5

RGB 156 194 165

HSL 134.21, 0.24%, 0.69%

LAB 75.06, -18.44, 10.45

 

CMYK 15 / 20 / 0 / 24

HEX #A59CC2

RGB 165 156 194

HSL 254.21, 0.24%, 0.69%

LAB 66.27, 10.95, -18.37

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 8 / 0 / 20 / 24

HEX #B2C29C

RGB 178 194 156

HSL 85.26, 0.24%, 0.69%

LAB 76.34, -12.27, 17.31

 

CMYK 20 / 4 / 0 / 24

HEX #9CBAC2

RGB 156 186 194

HSL 192.63, 0.24%, 0.69%

LAB 73.6, -8.39, -7.43

 

CMYK 11 / 20 / 0 / 24

HEX #AD9CC2

RGB 173 156 194

HSL 266.84, 0.24%, 0.69%

LAB 66.94, 13.59, -17.28

 

CMYK 0 / 15 / 20 / 24

HEX #C2A59C

RGB 194 165 156

HSL 14.21, 0.24%, 0.69%

LAB 70.02, 9.16, 8.59

 

CMYK 14 / 0 / 20 / 24

HEX #A7C29C

RGB 167 194 156

HSL 102.63, 0.24%, 0.69%

LAB 75.58, -16.23, 16.12

 

CMYK 20 / 4 / 0 / 24

HEX #9CBAC2

RGB 156 186 194

HSL 192.63, 0.24%, 0.69%

LAB 73.6, -8.39, -7.43

 

CMYK 5 / 20 / 0 / 24

HEX #B89CC2

RGB 184 156 194

HSL 284.21, 0.24%, 0.69%

LAB 67.92, 17.28, -15.71

 

Description

Color code: HEX #C2A59C | qconv.com Color code: HEX #C2A59C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 165 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 165 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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