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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A899 it is the complementary color #3D5766. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A899. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A899 shade: #C7A894, #D8BAA7, #E9CCBA, #FADECD and #FFF0E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A899. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A899 shade: #C2A899, #B19686, #A08473, #8F7260 and #7E604D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A899 shade: #C1A799, #C19C99 and #C19999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A899 shade: #C1A799, #C1B299, #C1BD99, #BAC199 and #AFC199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A899 shade matches the following richer shades: #C1A799, #CFA48B, #DCA07E, #E99D71 and #F69964

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A899 shade: #C1A799, #B4ABA6, #A7AFB3, #9AB2C0 and #8CB6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A899 shade: #C199A0, #C19C99, #C1A799, #C1B299 and #C1BD99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A899 shade: #A27B65, #B2917F, #C1A799, #D1BDB2 and #E0D3CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A899 shade: #C2A899, #ABC199 and #999BC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A899 shade: #C2A899, #99C1A7 and #A799C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A899 shade: #C2A899, #ABC199, #99B3C1 and #AF99C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A899 shade: #C2A899, #9FC199, #99B3C1 and #BB99C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 21 / 24

HEX #C2A899

RGB 194 168 153

HSL 21.95, 0.25%, 0.68%

LAB 70.72, 7.07, 11.23

 

Complementary color

CMYK 40 / 15 / 0 / 60

HEX #3D5766

RGB 61 87 102

HSL 201.95, 0.25%, 0.32%

LAB 35.53, -5.49, -11.75

 

CMYK 0 / 16 / 26 / 22

HEX #C7A894

RGB 199 168 148

HSL 23.53, 0.31%, 0.68%

LAB 71.07, 8.25, 14.54

 

CMYK 0 / 14 / 23 / 15

HEX #D8BAA7

RGB 216 186 167

HSL 23.27, 0.39%, 0.75%

LAB 77.58, 7.79, 13.59

 

CMYK 0 / 12 / 20 / 9

HEX #E9CCBA

RGB 233 204 186

HSL 22.98, 0.52%, 0.82%

LAB 83.99, 7.37, 12.7

 

CMYK 0 / 11 / 18 / 2

HEX #FADECD

RGB 250 222 205

HSL 22.67, 0.82%, 0.89%

LAB 90.31, 7, 11.85

 

CMYK 0 / 6 / 12 / 0

HEX #FFF0E0

RGB 255 240 224

HSL 30.97, 1%, 0.94%

LAB 95.56, 2.45, 9.53

 

CMYK 0 / 13 / 21 / 24

HEX #C2A899

RGB 194 168 153

HSL 21.95, 0.25%, 0.68%

LAB 70.72, 7.07, 11.23

 

CMYK 0 / 15 / 24 / 31

HEX #B19686

RGB 177 150 134

HSL 22.33, 0.22%, 0.61%

LAB 64.06, 7.52, 12.17

 

CMYK 0 / 18 / 28 / 37

HEX #A08473

RGB 160 132 115

HSL 22.67, 0.19%, 0.54%

LAB 57.28, 8.04, 13.19

 

CMYK 0 / 20 / 33 / 44

HEX #8F7260

RGB 143 114 96

HSL 22.98, 0.2%, 0.47%

LAB 50.36, 8.66, 14.3

 

CMYK 0 / 24 / 39 / 51

HEX #7E604D

RGB 126 96 77

HSL 23.27, 0.24%, 0.4%

LAB 43.27, 9.39, 15.55

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 19 / 21 / 24

HEX #C19C99

RGB 193 156 153

HSL 4.5, 0.24%, 0.68%

LAB 67.59, 13.25, 6.76

 

CMYK 0 / 21 / 21 / 24

HEX #C19999

RGB 193 153 153

HSL 0, 0.24%, 0.68%

LAB 66.84, 14.9, 5.69

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 8 / 21 / 24

HEX #C1B299

RGB 193 178 153

HSL 37.5, 0.24%, 0.68%

LAB 73.21, 1.29, 14.72

 

CMYK 0 / 2 / 21 / 24

HEX #C1BD99

RGB 193 189 153

HSL 54, 0.24%, 0.68%

LAB 76.09, -4.54, 18.74

 

CMYK 4 / 0 / 21 / 24

HEX #BAC199

RGB 186 193 153

HSL 70.5, 0.24%, 0.68%

LAB 76.61, -9.26, 19.37

 

CMYK 9 / 0 / 21 / 24

HEX #AFC199

RGB 175 193 153

HSL 87, 0.24%, 0.68%

LAB 75.79, -13.33, 18.12

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 21 / 33 / 19

HEX #CFA48B

RGB 207 164 139

HSL 22.06, 0.41%, 0.68%

LAB 70.65, 12.32, 19.01

 

CMYK 0 / 27 / 43 / 14

HEX #DCA07E

RGB 220 160 126

HSL 21.7, 0.57%, 0.68%

LAB 70.78, 18.1, 26.49

 

CMYK 0 / 33 / 52 / 9

HEX #E99D71

RGB 233 157 113

HSL 22, 0.73%, 0.68%

LAB 71.3, 23.63, 34.44

 

CMYK 0 / 38 / 59 / 4

HEX #F69964

RGB 246 153 100

HSL 21.78, 0.89%, 0.68%

LAB 71.76, 29.89, 42.17

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 5 / 8 / 29

HEX #B4ABA6

RGB 180 171 166

HSL 21.43, 0.09%, 0.68%

LAB 70.58, 2.33, 3.71

 

CMYK 7 / 2 / 0 / 30

HEX #A7AFB3

RGB 167 175 179

HSL 200, 0.07%, 0.68%

LAB 70.96, -2.01, -3.02

 

CMYK 20 / 7 / 0 / 25

HEX #9AB2C0

RGB 154 178 192

HSL 202.11, 0.23%, 0.68%

LAB 71.23, -5.19, -9.88

 

CMYK 32 / 11 / 0 / 20

HEX #8CB6CD

RGB 140 182 205

HSL 201.23, 0.39%, 0.68%

LAB 71.85, -8.52, -16.16

 

CMYK 0 / 21 / 17 / 24

HEX #C199A0

RGB 193 153 160

HSL 349.5, 0.24%, 0.68%

LAB 67.02, 16, 2.03

 

CMYK 0 / 19 / 21 / 24

HEX #C19C99

RGB 193 156 153

HSL 4.5, 0.24%, 0.68%

LAB 67.59, 13.25, 6.76

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 8 / 21 / 24

HEX #C1B299

RGB 193 178 153

HSL 37.5, 0.24%, 0.68%

LAB 73.21, 1.29, 14.72

 

CMYK 0 / 2 / 21 / 24

HEX #C1BD99

RGB 193 189 153

HSL 54, 0.24%, 0.68%

LAB 76.09, -4.54, 18.74

 

CMYK 0 / 24 / 38 / 36

HEX #A27B65

RGB 162 123 101

HSL 21.64, 0.25%, 0.52%

LAB 54.85, 12.08, 17.89

 

CMYK 0 / 19 / 29 / 30

HEX #B2917F

RGB 178 145 127

HSL 21.18, 0.25%, 0.6%

LAB 62.72, 9.68, 14.23

 

CMYK 0 / 13 / 21 / 24

HEX #C1A799

RGB 193 167 153

HSL 21, 0.24%, 0.68%

LAB 70.37, 7.23, 10.73

 

CMYK 0 / 10 / 15 / 18

HEX #D1BDB2

RGB 209 189 178

HSL 21.29, 0.25%, 0.76%

LAB 77.97, 5.27, 8.12

 

CMYK 0 / 6 / 9 / 12

HEX #E0D3CC

RGB 224 211 204

HSL 21, 0.24%, 0.84%

LAB 85.4, 3.3, 5.06

 

CMYK 0 / 13 / 21 / 24

HEX #C2A899

RGB 194 168 153

HSL 21.95, 0.25%, 0.68%

LAB 70.72, 7.07, 11.23

 

CMYK 11 / 0 / 21 / 24

HEX #ABC199

RGB 171 193 153

HSL 93, 0.24%, 0.68%

LAB 75.51, -14.78, 17.69

 

CMYK 21 / 20 / 0 / 24

HEX #999BC1

RGB 153 155 193

HSL 237, 0.24%, 0.68%

LAB 65.01, 7.41, -19.8

 

CMYK 0 / 13 / 21 / 24

HEX #C2A899

RGB 194 168 153

HSL 21.95, 0.25%, 0.68%

LAB 70.72, 7.07, 11.23

 

CMYK 21 / 0 / 13 / 24

HEX #99C1A7

RGB 153 193 167

HSL 141, 0.24%, 0.68%

LAB 74.64, -18.55, 8.74

 

CMYK 13 / 21 / 0 / 24

HEX #A799C1

RGB 167 153 193

HSL 261, 0.24%, 0.68%

LAB 65.63, 13.07, -18.76

 

CMYK 0 / 13 / 21 / 24

HEX #C2A899

RGB 194 168 153

HSL 21.95, 0.25%, 0.68%

LAB 70.72, 7.07, 11.23

 

CMYK 11 / 0 / 21 / 24

HEX #ABC199

RGB 171 193 153

HSL 93, 0.24%, 0.68%

LAB 75.51, -14.78, 17.69

 

CMYK 21 / 7 / 0 / 24

HEX #99B3C1

RGB 153 179 193

HSL 201, 0.24%, 0.68%

LAB 71.46, -5.82, -10.09

 

CMYK 9 / 21 / 0 / 24

HEX #AF99C1

RGB 175 153 193

HSL 273, 0.24%, 0.68%

LAB 66.33, 15.72, -17.64

 

CMYK 0 / 13 / 21 / 24

HEX #C2A899

RGB 194 168 153

HSL 21.95, 0.25%, 0.68%

LAB 70.72, 7.07, 11.23

 

CMYK 18 / 0 / 21 / 24

HEX #9FC199

RGB 159 193 153

HSL 111, 0.24%, 0.68%

LAB 74.71, -19.05, 16.44

 

CMYK 21 / 7 / 0 / 24

HEX #99B3C1

RGB 153 179 193

HSL 201, 0.24%, 0.68%

LAB 71.46, -5.82, -10.09

 

CMYK 3 / 21 / 0 / 24

HEX #BB99C1

RGB 187 153 193

HSL 291, 0.24%, 0.68%

LAB 67.42, 19.76, -15.87

 

Description

Color code: HEX #C2A899 | qconv.com Color code: HEX #C2A899 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 168 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 168 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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