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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A04B it is the complementary color #3D5FB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A04B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A04B shade: #C7A046, #D8B259, #E9C46C, #FAD67F and #FFE892

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A04B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A04B shade: #C2A04B, #B18E38, #A07C25, #8F6A12 and #7E5800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A04B shade: #C1A04C, #C1804C, #C1604C and #C14C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A04B shade: #C1A04C, #C1BF4C, #A4C14C, #84C14C and #64C14C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A04B shade matches the following richer shades: #C1A04C, #D5A839, #E8B025 and #FCB912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A04B shade: #C1A04C, #AE985F, #9B8F73, #878786 and #747F99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A04B shade: #C15F4C, #C17F4C, #C19E4C, #C1BD4C and #A6C14C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A04B shade: #8B712F, #AA8A3A, #C1A04C, #CCB06B and #D6C089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A04B shade: #C2A04B, #58C14C and #6F4CC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A04B shade: #C2A04B, #4CC19E and #9E4CC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A04B shade: #C2A04B, #58C14C, #4C6FC1 and #B64CC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A04B shade: #C2A04B, #4CC163, #4C6FC1 and #C14CAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 61 / 24

HEX #C2A04B

RGB 194 160 75

HSL 42.86, 0.49%, 0.53%

LAB 67.37, 2.72, 48.06

 

Complementary color

CMYK 66 / 47 / 0 / 29

HEX #3D5FB4

RGB 61 95 180

HSL 222.86, 0.49%, 0.47%

LAB 41.96, 15.84, -48.87

 

CMYK 0 / 20 / 65 / 22

HEX #C7A046

RGB 199 160 70

HSL 41.86, 0.54%, 0.53%

LAB 67.82, 4.55, 51.05

 

CMYK 0 / 18 / 59 / 15

HEX #D8B259

RGB 216 178 89

HSL 42.05, 0.62%, 0.6%

LAB 74.29, 3.49, 49.86

 

CMYK 0 / 16 / 54 / 9

HEX #E9C46C

RGB 233 196 108

HSL 42.24, 0.74%, 0.67%

LAB 80.68, 2.59, 48.6

 

CMYK 0 / 14 / 49 / 2

HEX #FAD67F

RGB 250 214 127

HSL 42.44, 0.92%, 0.74%

LAB 86.97, 1.81, 47.35

 

CMYK 0 / 9 / 43 / 0

HEX #FFE892

RGB 255 232 146

HSL 47.34, 1%, 0.79%

LAB 92.15, -3.56, 44.59

 

CMYK 0 / 18 / 61 / 24

HEX #C2A04B

RGB 194 160 75

HSL 42.86, 0.49%, 0.53%

LAB 67.37, 2.72, 48.06

 

CMYK 0 / 20 / 68 / 31

HEX #B18E38

RGB 177 142 56

HSL 42.64, 0.52%, 0.46%

LAB 60.76, 3.86, 49.17

 

CMYK 0 / 23 / 77 / 37

HEX #A07C25

RGB 160 124 37

HSL 42.44, 0.62%, 0.39%

LAB 54.05, 5.23, 49.93

 

CMYK 0 / 26 / 87 / 44

HEX #8F6A12

RGB 143 106 18

HSL 42.24, 0.78%, 0.32%

LAB 47.22, 6.92, 49.81

 

CMYK 0 / 30 / 100 / 51

HEX #7E5800

RGB 126 88 0

HSL 41.9, 1%, 0.25%

LAB 40.27, 8.94, 48.38

 

CMYK 0 / 17 / 61 / 24

HEX #C1A04C

RGB 193 160 76

HSL 43.08, 0.49%, 0.53%

LAB 67.28, 2.36, 47.46

 

CMYK 0 / 34 / 61 / 24

HEX #C1804C

RGB 193 128 76

HSL 26.67, 0.49%, 0.53%

LAB 59.25, 19.88, 38.11

 

CMYK 0 / 50 / 61 / 24

HEX #C1604C

RGB 193 96 76

HSL 10.26, 0.49%, 0.53%

LAB 52.09, 37.12, 29.34

 

CMYK 0 / 61 / 61 / 24

HEX #C14C4C

RGB 193 76 76

HSL 0, 0.49%, 0.53%

LAB 48.3, 46.94, 24.51

 

CMYK 0 / 17 / 61 / 24

HEX #C1A04C

RGB 193 160 76

HSL 43.08, 0.49%, 0.53%

LAB 67.28, 2.36, 47.46

 

CMYK 0 / 1 / 61 / 24

HEX #C1BF4C

RGB 193 191 76

HSL 58.97, 0.49%, 0.53%

LAB 75.53, -13.89, 56.6

 

CMYK 15 / 0 / 61 / 24

HEX #A4C14C

RGB 164 193 76

HSL 74.87, 0.49%, 0.53%

LAB 73.9, -26.81, 54.2

 

CMYK 32 / 0 / 61 / 24

HEX #84C14C

RGB 132 193 76

HSL 91.28, 0.49%, 0.53%

LAB 71.94, -39.03, 51.47

 

CMYK 48 / 0 / 61 / 24

HEX #64C14C

RGB 100 193 76

HSL 107.69, 0.49%, 0.53%

LAB 70.44, -49.54, 49.37

 

CMYK 0 / 17 / 61 / 24

HEX #C1A04C

RGB 193 160 76

HSL 43.08, 0.49%, 0.53%

LAB 67.28, 2.36, 47.46

 

CMYK 0 / 21 / 73 / 16

HEX #D5A839

RGB 213 168 57

HSL 42.69, 0.65%, 0.53%

LAB 71.18, 5.62, 60.55

 

CMYK 0 / 24 / 84 / 9

HEX #E8B025

RGB 232 176 37

HSL 42.77, 0.81%, 0.53%

LAB 75.04, 8.89, 71.52

 

CMYK 0 / 27 / 93 / 1

HEX #FCB912

RGB 252 185 18

HSL 42.82, 0.98%, 0.53%

LAB 79.29, 12.39, 79.71

 

CMYK 0 / 17 / 61 / 24

HEX #C1A04C

RGB 193 160 76

HSL 43.08, 0.49%, 0.53%

LAB 67.28, 2.36, 47.46

 

CMYK 0 / 13 / 45 / 32

HEX #AE985F

RGB 174 152 95

HSL 43.29, 0.33%, 0.53%

LAB 63.57, 0.25, 32.91

 

CMYK 0 / 8 / 26 / 39

HEX #9B8F73

RGB 155 143 115

HSL 42, 0.17%, 0.53%

LAB 59.75, -0.15, 16.54

 

CMYK 0 / 0 / 1 / 47

HEX #878786

RGB 135 135 134

HSL 60, 0%, 0.53%

LAB 56.29, -0.19, 0.53

 

CMYK 24 / 17 / 0 / 40

HEX #747F99

RGB 116 127 153

HSL 222.16, 0.15%, 0.53%

LAB 53.16, 1.96, -15.3

 

CMYK 0 / 51 / 61 / 24

HEX #C15F4C

RGB 193 95 76

HSL 9.74, 0.49%, 0.53%

LAB 51.89, 37.64, 29.08

 

CMYK 0 / 34 / 61 / 24

HEX #C17F4C

RGB 193 127 76

HSL 26.15, 0.49%, 0.53%

LAB 59.01, 20.44, 37.82

 

CMYK 0 / 18 / 61 / 24

HEX #C19E4C

RGB 193 158 76

HSL 42.05, 0.49%, 0.53%

LAB 66.76, 3.44, 46.87

 

CMYK 0 / 2 / 61 / 24

HEX #C1BD4C

RGB 193 189 76

HSL 57.95, 0.49%, 0.53%

LAB 74.99, -12.87, 56.01

 

CMYK 14 / 0 / 61 / 24

HEX #A6C14C

RGB 166 193 76

HSL 73.85, 0.49%, 0.53%

LAB 74.04, -26.01, 54.39

 

CMYK 0 / 19 / 66 / 45

HEX #8B712F

RGB 139 113 47

HSL 43.04, 0.49%, 0.36%

LAB 48.89, 2.38, 39.46

 

CMYK 0 / 19 / 66 / 33

HEX #AA8A3A

RGB 170 138 58

HSL 42.86, 0.49%, 0.45%

LAB 59, 3.07, 46.15

 

CMYK 0 / 17 / 61 / 24

HEX #C1A04C

RGB 193 160 76

HSL 43.08, 0.49%, 0.53%

LAB 67.28, 2.36, 47.46

 

CMYK 0 / 14 / 48 / 20

HEX #CCB06B

RGB 204 176 107

HSL 42.68, 0.49%, 0.61%

LAB 72.86, 1.07, 38.92

 

CMYK 0 / 10 / 36 / 16

HEX #D6C089

RGB 214 192 137

HSL 42.86, 0.48%, 0.69%

LAB 78.35, -0.11, 30.59

 

CMYK 0 / 18 / 61 / 24

HEX #C2A04B

RGB 194 160 75

HSL 42.86, 0.49%, 0.53%

LAB 67.37, 2.72, 48.06

 

CMYK 54 / 0 / 61 / 24

HEX #58C14C

RGB 88 193 76

HSL 113.85, 0.49%, 0.53%

LAB 69.99, -52.88, 48.74

 

CMYK 42 / 61 / 0 / 24

HEX #6F4CC1

RGB 111 76 193

HSL 257.95, 0.49%, 0.53%

LAB 41.84, 41.82, -56.46

 

CMYK 0 / 18 / 61 / 24

HEX #C2A04B

RGB 194 160 75

HSL 42.86, 0.49%, 0.53%

LAB 67.37, 2.72, 48.06

 

CMYK 61 / 0 / 18 / 24

HEX #4CC19E

RGB 76 193 158

HSL 162.05, 0.49%, 0.53%

LAB 70.97, -41.3, 7.92

 

CMYK 18 / 61 / 0 / 24

HEX #9E4CC1

RGB 158 76 193

HSL 282.05, 0.49%, 0.53%

LAB 47.35, 52.8, -47.32

 

CMYK 0 / 18 / 61 / 24

HEX #C2A04B

RGB 194 160 75

HSL 42.86, 0.49%, 0.53%

LAB 67.37, 2.72, 48.06

 

CMYK 54 / 0 / 61 / 24

HEX #58C14C

RGB 88 193 76

HSL 113.85, 0.49%, 0.53%

LAB 69.99, -52.88, 48.74

 

CMYK 61 / 42 / 0 / 24

HEX #4C6FC1

RGB 76 111 193

HSL 222.05, 0.49%, 0.53%

LAB 47.95, 13.02, -46.79

 

CMYK 6 / 61 / 0 / 24

HEX #B64CC1

RGB 182 76 193

HSL 294.36, 0.49%, 0.53%

LAB 50.65, 58.76, -41.88

 

CMYK 0 / 18 / 61 / 24

HEX #C2A04B

RGB 194 160 75

HSL 42.86, 0.49%, 0.53%

LAB 67.37, 2.72, 48.06

 

CMYK 61 / 0 / 49 / 24

HEX #4CC163

RGB 76 193 99

HSL 131.79, 0.49%, 0.53%

LAB 69.88, -52.81, 37.58

 

CMYK 61 / 42 / 0 / 24

HEX #4C6FC1

RGB 76 111 193

HSL 222.05, 0.49%, 0.53%

LAB 47.95, 13.02, -46.79

 

CMYK 0 / 61 / 12 / 24

HEX #C14CAA

RGB 193 76 170

HSL 311.79, 0.49%, 0.53%

LAB 51.16, 57.74, -27.56

 

Description

Color code: HEX #C2A04B | qconv.com Color code: HEX #C2A04B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 160 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 160 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 61 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 61% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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