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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A079 it is the complementary color #3D5F86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A079 shade: #C7A074, #D8B287, #E9C49A, #FAD6AD and #FFE8C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A079 shade: #C2A079, #B18E66, #A07C53, #8F6A40 and #7E582D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A079 shade: #C1A07A, #C18D7A and #C17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A079 shade: #C1A07A, #C1B37A, #BCC17A, #A9C17A and #96C17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A079 shade matches the following richer shades: #C1A07A, #D1A16A, #E1A25A and #F0A34B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A079 shade: #C1A07A, #B29F89, #A29E99, #929DA9 and #839CB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A079 shade: #C17A7A, #C18D7A, #C1A07A, #C1B37A and #BDC17A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A079 shade: #A07749, #B48C5D, #C1A07A, #CEB496 and #DBC8B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A079 shade: #C2A079, #8DC17A and #837AC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A079 shade: #C2A079, #7AC1A0 and #A07AC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A079 shade: #C2A079, #8DC17A, #7A9BC1 and #AE7AC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A079 shade: #C2A079, #7AC17C, #7A9BC1 and #C17ABF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

Complementary color

CMYK 54 / 29 / 0 / 47

HEX #3D5F86

RGB 61 95 134

HSL 212.05, 0.37%, 0.38%

LAB 39.41, -0.29, -25.47

 

CMYK 0 / 20 / 42 / 22

HEX #C7A074

RGB 199 160 116

HSL 31.81, 0.43%, 0.62%

LAB 68.42, 8.54, 28.38

 

CMYK 0 / 18 / 38 / 15

HEX #D8B287

RGB 216 178 135

HSL 31.85, 0.51%, 0.69%

LAB 74.94, 7.86, 27.15

 

CMYK 0 / 16 / 34 / 9

HEX #E9C49A

RGB 233 196 154

HSL 31.9, 0.64%, 0.76%

LAB 81.37, 7.26, 26

 

CMYK 0 / 14 / 31 / 2

HEX #FAD6AD

RGB 250 214 173

HSL 31.95, 0.89%, 0.83%

LAB 87.7, 6.74, 24.92

 

CMYK 0 / 9 / 25 / 0

HEX #FFE8C0

RGB 255 232 192

HSL 38.1, 1%, 0.88%

LAB 92.92, 1.85, 22.33

 

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

CMYK 0 / 20 / 42 / 31

HEX #B18E66

RGB 177 142 102

HSL 32, 0.32%, 0.55%

LAB 61.35, 7.78, 26.31

 

CMYK 0 / 23 / 48 / 37

HEX #A07C53

RGB 160 124 83

HSL 31.95, 0.32%, 0.48%

LAB 54.57, 8.6, 27.67

 

CMYK 0 / 26 / 55 / 44

HEX #8F6A40

RGB 143 106 64

HSL 31.9, 0.38%, 0.41%

LAB 47.65, 9.6, 29.16

 

CMYK 0 / 30 / 64 / 51

HEX #7E582D

RGB 126 88 45

HSL 31.85, 0.47%, 0.34%

LAB 40.58, 10.84, 30.74

 

CMYK 0 / 17 / 37 / 24

HEX #C1A07A

RGB 193 160 122

HSL 32.11, 0.36%, 0.62%

LAB 67.94, 6.8, 24.38

 

CMYK 0 / 27 / 37 / 24

HEX #C18D7A

RGB 193 141 122

HSL 16.06, 0.36%, 0.62%

LAB 63.17, 17.23, 17.91

 

CMYK 0 / 37 / 37 / 24

HEX #C17A7A

RGB 193 122 122

HSL 0, 0.36%, 0.62%

LAB 58.66, 27.7, 11.64

 

CMYK 0 / 17 / 37 / 24

HEX #C1A07A

RGB 193 160 122

HSL 32.11, 0.36%, 0.62%

LAB 67.94, 6.8, 24.38

 

CMYK 0 / 7 / 37 / 24

HEX #C1B37A

RGB 193 179 122

HSL 48.17, 0.36%, 0.62%

LAB 72.88, -3.4, 30.94

 

CMYK 3 / 0 / 37 / 24

HEX #BCC17A

RGB 188 193 122

HSL 64.23, 0.36%, 0.62%

LAB 76.21, -12.68, 35.19

 

CMYK 12 / 0 / 37 / 24

HEX #A9C17A

RGB 169 193 122

HSL 80.28, 0.36%, 0.62%

LAB 74.81, -20.06, 33.1

 

CMYK 22 / 0 / 37 / 24

HEX #96C17A

RGB 150 193 122

HSL 96.34, 0.36%, 0.62%

LAB 73.56, -27.12, 31.23

 

CMYK 0 / 17 / 37 / 24

HEX #C1A07A

RGB 193 160 122

HSL 32.11, 0.36%, 0.62%

LAB 67.94, 6.8, 24.38

 

CMYK 0 / 23 / 49 / 18

HEX #D1A16A

RGB 209 161 106

HSL 32.04, 0.53%, 0.62%

LAB 69.53, 11.08, 35.36

 

CMYK 0 / 28 / 60 / 12

HEX #E1A25A

RGB 225 162 90

HSL 32, 0.69%, 0.62%

LAB 71.27, 15.86, 46.09

 

CMYK 0 / 32 / 69 / 6

HEX #F0A34B

RGB 240 163 75

HSL 32, 0.85%, 0.62%

LAB 73.04, 20.64, 55.71

 

CMYK 0 / 17 / 37 / 24

HEX #C1A07A

RGB 193 160 122

HSL 32.11, 0.36%, 0.62%

LAB 67.94, 6.8, 24.38

 

CMYK 0 / 11 / 23 / 30

HEX #B29F89

RGB 178 159 137

HSL 32.2, 0.21%, 0.62%

LAB 66.57, 3.4, 14.03

 

CMYK 0 / 2 / 6 / 36

HEX #A29E99

RGB 162 158 153

HSL 33.33, 0.05%, 0.62%

LAB 65.31, 0.53, 3.11

 

CMYK 14 / 7 / 0 / 34

HEX #929DA9

RGB 146 157 169

HSL 211.3, 0.12%, 0.62%

LAB 64.23, -1.39, -7.58

 

CMYK 29 / 15 / 0 / 28

HEX #839CB8

RGB 131 156 184

HSL 211.7, 0.27%, 0.62%

LAB 63.39, -2.16, -17.37

 

CMYK 0 / 37 / 37 / 24

HEX #C17A7A

RGB 193 122 122

HSL 0, 0.36%, 0.62%

LAB 58.66, 27.7, 11.64

 

CMYK 0 / 27 / 37 / 24

HEX #C18D7A

RGB 193 141 122

HSL 16.06, 0.36%, 0.62%

LAB 63.17, 17.23, 17.91

 

CMYK 0 / 17 / 37 / 24

HEX #C1A07A

RGB 193 160 122

HSL 32.11, 0.36%, 0.62%

LAB 67.94, 6.8, 24.38

 

CMYK 0 / 7 / 37 / 24

HEX #C1B37A

RGB 193 179 122

HSL 48.17, 0.36%, 0.62%

LAB 72.88, -3.4, 30.94

 

CMYK 2 / 0 / 37 / 24

HEX #BDC17A

RGB 189 193 122

HSL 63.38, 0.36%, 0.62%

LAB 76.29, -12.29, 35.3

 

CMYK 0 / 26 / 54 / 37

HEX #A07749

RGB 160 119 73

HSL 31.72, 0.37%, 0.46%

LAB 53.11, 10.47, 31.36

 

CMYK 0 / 22 / 48 / 29

HEX #B48C5D

RGB 180 140 93

HSL 32.41, 0.37%, 0.54%

LAB 61, 9.2, 30.84

 

CMYK 0 / 17 / 37 / 24

HEX #C1A07A

RGB 193 160 122

HSL 32.11, 0.36%, 0.62%

LAB 67.94, 6.8, 24.38

 

CMYK 0 / 13 / 27 / 19

HEX #CEB496

RGB 206 180 150

HSL 32.14, 0.36%, 0.7%

LAB 74.8, 4.78, 18.75

 

CMYK 0 / 9 / 19 / 14

HEX #DBC8B2

RGB 219 200 178

HSL 32.2, 0.36%, 0.78%

LAB 81.61, 3.13, 13.41

 

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

CMYK 27 / 0 / 37 / 24

HEX #8DC17A

RGB 141 193 122

HSL 103.94, 0.36%, 0.62%

LAB 73.03, -30.32, 30.43

 

CMYK 32 / 37 / 0 / 24

HEX #837AC1

RGB 131 122 193

HSL 247.61, 0.36%, 0.62%

LAB 54.65, 19.81, -35.95

 

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

CMYK 37 / 0 / 17 / 24

HEX #7AC1A0

RGB 122 193 160

HSL 152.11, 0.36%, 0.62%

LAB 72.77, -29.65, 9.64

 

CMYK 17 / 37 / 0 / 24

HEX #A07AC1

RGB 160 122 193

HSL 272.11, 0.36%, 0.62%

LAB 57.31, 28.48, -31.6

 

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

CMYK 27 / 0 / 37 / 24

HEX #8DC17A

RGB 141 193 122

HSL 103.94, 0.36%, 0.62%

LAB 73.03, -30.32, 30.43

 

CMYK 37 / 20 / 0 / 24

HEX #7A9BC1

RGB 122 155 193

HSL 212.11, 0.36%, 0.62%

LAB 62.87, -1.91, -23.27

 

CMYK 10 / 37 / 0 / 24

HEX #AE7AC1

RGB 174 122 193

HSL 283.94, 0.36%, 0.62%

LAB 58.76, 32.84, -29.24

 

CMYK 0 / 18 / 38 / 24

HEX #C2A079

RGB 194 160 121

HSL 32.05, 0.37%, 0.62%

LAB 68.01, 7.08, 25.05

 

CMYK 37 / 0 / 36 / 24

HEX #7AC17C

RGB 122 193 124

HSL 121.69, 0.36%, 0.62%

LAB 72.05, -36.34, 27.9

 

CMYK 37 / 20 / 0 / 24

HEX #7A9BC1

RGB 122 155 193

HSL 212.11, 0.36%, 0.62%

LAB 62.87, -1.91, -23.27

 

CMYK 0 / 37 / 1 / 24

HEX #C17ABF

RGB 193 122 191

HSL 301.69, 0.36%, 0.62%

LAB 60.8, 38.46, -24.79

 

Description

Color code: HEX #C2A079 | qconv.com Color code: HEX #C2A079 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 160 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 160 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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