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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2A1C8 it is the complementary color #3D5E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2A1C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2A1C8 shade: #C7A1C3, #D8B3D6, #E9C5E9, #FAD7FC and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2A1C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2A1C8 shade: #C2A1C8, #B18FB5, #A07DA2, #8F6B8F and #7E597C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2A1C8 shade: #C2A1C8, #C8A1C3, #C8A1B9, #C8A1AF and #C8A1A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2A1C8 shade: #C2A1C8, #B7A1C8, #ADA1C8, #A3A1C8 and #A1A1C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2A1C8 shade matches the following richer shades: #C2A1C8, #CA95D4, #D289E0, #DB7DEC and #E371F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2A1C8 shade: #C2A1C8, #BAADBC, #B1B9B0, #A9C5A4 and #A1D198

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2A1C8 shade: #ADA1C8, #B7A1C8, #C1A1C8, #C8A1C4 and #C8A1BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2A1C8 shade: #A06DA9, #B187B9, #C2A1C8, #D3BBD7 and #E4D5E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2A1C8 shade: #C2A1C8, #C8A3A1 and #A1C8B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2A1C8 shade: #C2A1C8, #C8C1A1 and #A1C8C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2A1C8 shade: #C2A1C8, #C8A3A1, #A8C8A1 and #A1C6C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2A1C8 shade: #C2A1C8, #C8AEA1, #A8C8A1 and #A1BBC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

Complementary color

CMYK 35 / 0 / 41 / 63

HEX #3D5E37

RGB 61 94 55

HSL 110.77, 0.26%, 0.29%

LAB 36.51, -20.63, 18.64

 

CMYK 0 / 19 / 2 / 22

HEX #C7A1C3

RGB 199 161 195

HSL 306.32, 0.25%, 0.71%

LAB 70.57, 19.82, -12.13

 

CMYK 0 / 17 / 1 / 15

HEX #D8B3D6

RGB 216 179 214

HSL 303.24, 0.32%, 0.77%

LAB 77.1, 19.32, -12.6

 

CMYK 0 / 15 / 0 / 9

HEX #E9C5E9

RGB 233 197 233

HSL 300, 0.45%, 0.84%

LAB 83.52, 18.85, -13.07

 

CMYK 1 / 15 / 0 / 1

HEX #FAD7FC

RGB 250 215 252

HSL 296.76, 0.86%, 0.92%

LAB 89.84, 18.42, -13.52

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 2 / 21 / 0 / 29

HEX #B18FB5

RGB 177 143 181

HSL 293.68, 0.2%, 0.64%

LAB 63.61, 19.59, -15

 

CMYK 1 / 23 / 0 / 36

HEX #A07DA2

RGB 160 125 162

HSL 296.76, 0.17%, 0.56%

LAB 56.83, 20.16, -14.58

 

CMYK 0 / 25 / 0 / 44

HEX #8F6B8F

RGB 143 107 143

HSL 300, 0.14%, 0.49%

LAB 49.9, 20.79, -14.14

 

CMYK 0 / 29 / 2 / 51

HEX #7E597C

RGB 126 89 124

HSL 303.24, 0.17%, 0.42%

LAB 42.82, 21.49, -13.69

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 0 / 20 / 3 / 22

HEX #C8A1C3

RGB 200 161 195

HSL 307.69, 0.26%, 0.71%

LAB 70.67, 20.16, -11.98

 

CMYK 0 / 20 / 8 / 22

HEX #C8A1B9

RGB 200 161 185

HSL 323.08, 0.26%, 0.71%

LAB 70.37, 18.36, -6.9

 

CMYK 0 / 20 / 13 / 22

HEX #C8A1AF

RGB 200 161 175

HSL 338.46, 0.26%, 0.71%

LAB 70.08, 16.64, -1.78

 

CMYK 0 / 20 / 18 / 22

HEX #C8A1A4

RGB 200 161 164

HSL 355.38, 0.26%, 0.71%

LAB 69.79, 14.85, 3.9

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 9 / 20 / 0 / 22

HEX #B7A1C8

RGB 183 161 200

HSL 273.85, 0.26%, 0.71%

LAB 69.27, 15.37, -17

 

CMYK 14 / 20 / 0 / 22

HEX #ADA1C8

RGB 173 161 200

HSL 258.46, 0.26%, 0.71%

LAB 68.42, 12.07, -18.38

 

CMYK 19 / 20 / 0 / 22

HEX #A3A1C8

RGB 163 161 200

HSL 243.08, 0.26%, 0.71%

LAB 67.61, 8.84, -19.68

 

CMYK 20 / 20 / 0 / 22

HEX #A1A1C8

RGB 161 161 200

HSL 240, 0.26%, 0.71%

LAB 67.45, 8.2, -19.93

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 5 / 30 / 0 / 17

HEX #CA95D4

RGB 202 149 212

HSL 290.48, 0.42%, 0.71%

LAB 68.61, 30.66, -24.49

 

CMYK 6 / 39 / 0 / 12

HEX #D289E0

RGB 210 137 224

HSL 290.34, 0.58%, 0.71%

LAB 67.26, 41.99, -33.14

 

CMYK 7 / 47 / 0 / 7

HEX #DB7DEC

RGB 219 125 236

HSL 290.81, 0.74%, 0.71%

LAB 66.35, 53.14, -41.1

 

CMYK 8 / 54 / 0 / 3

HEX #E371F8

RGB 227 113 248

HSL 290.67, 0.91%, 0.71%

LAB 65.69, 63.37, -48.7

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 1 / 8 / 0 / 26

HEX #BAADBC

RGB 186 173 188

HSL 292, 0.1%, 0.71%

LAB 72.2, 7.41, -5.98

 

CMYK 4 / 0 / 5 / 27

HEX #B1B9B0

RGB 177 185 176

HSL 113.33, 0.06%, 0.71%

LAB 74.3, -4.47, 3.59

 

CMYK 14 / 0 / 17 / 23

HEX #A9C5A4

RGB 169 197 164

HSL 110.91, 0.22%, 0.71%

LAB 76.71, -15.68, 13.44

 

CMYK 23 / 0 / 27 / 18

HEX #A1D198

RGB 161 209 152

HSL 110.53, 0.38%, 0.71%

LAB 79.3, -26.43, 23.33

 

CMYK 14 / 20 / 0 / 22

HEX #ADA1C8

RGB 173 161 200

HSL 258.46, 0.26%, 0.71%

LAB 68.42, 12.07, -18.38

 

CMYK 9 / 20 / 0 / 22

HEX #B7A1C8

RGB 183 161 200

HSL 273.85, 0.26%, 0.71%

LAB 69.27, 15.37, -17

 

CMYK 4 / 20 / 0 / 22

HEX #C1A1C8

RGB 193 161 200

HSL 289.23, 0.26%, 0.71%

LAB 70.17, 18.73, -15.55

 

CMYK 0 / 20 / 2 / 22

HEX #C8A1C4

RGB 200 161 196

HSL 306.15, 0.26%, 0.71%

LAB 70.7, 20.35, -12.48

 

CMYK 0 / 20 / 7 / 22

HEX #C8A1BA

RGB 200 161 186

HSL 321.54, 0.26%, 0.71%

LAB 70.4, 18.53, -7.41

 

CMYK 5 / 36 / 0 / 34

HEX #A06DA9

RGB 160 109 169

HSL 291, 0.26%, 0.55%

LAB 53.25, 30.71, -24.1

 

CMYK 4 / 27 / 0 / 27

HEX #B187B9

RGB 177 135 185

HSL 290.4, 0.26%, 0.63%

LAB 61.81, 24.88, -20

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 2 / 13 / 0 / 16

HEX #D3BBD7

RGB 211 187 215

HSL 291.43, 0.26%, 0.79%

LAB 78.63, 13.5, -10.9

 

CMYK 1 / 7 / 0 / 10

HEX #E4D5E6

RGB 228 213 230

HSL 292.94, 0.25%, 0.87%

LAB 86.9, 8.17, -6.49

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 0 / 19 / 20 / 22

HEX #C8A3A1

RGB 200 163 161

HSL 3.08, 0.26%, 0.71%

LAB 70.21, 13.28, 6.17

 

CMYK 20 / 0 / 11 / 22

HEX #A1C8B2

RGB 161 200 178

HSL 146.15, 0.26%, 0.71%

LAB 77.34, -17.34, 6.75

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 0 / 4 / 20 / 22

HEX #C8C1A1

RGB 200 193 161

HSL 49.23, 0.26%, 0.71%

LAB 77.87, -2.82, 17.02

 

CMYK 20 / 0 / 4 / 22

HEX #A1C8C1

RGB 161 200 193

HSL 169.23, 0.26%, 0.71%

LAB 77.72, -14.33, -0.78

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 0 / 19 / 20 / 22

HEX #C8A3A1

RGB 200 163 161

HSL 3.08, 0.26%, 0.71%

LAB 70.21, 13.28, 6.17

 

CMYK 16 / 0 / 20 / 22

HEX #A8C8A1

RGB 168 200 161

HSL 109.23, 0.26%, 0.71%

LAB 77.4, -18.07, 16.01

 

CMYK 20 / 1 / 0 / 22

HEX #A1C6C8

RGB 161 198 200

HSL 183.08, 0.26%, 0.71%

LAB 77.36, -11.81, -5.09

 

CMYK 3 / 20 / 0 / 22

HEX #C2A1C8

RGB 194 161 200

HSL 290.77, 0.26%, 0.71%

LAB 70.27, 19.06, -15.4

 

CMYK 0 / 13 / 20 / 22

HEX #C8AEA1

RGB 200 174 161

HSL 20, 0.26%, 0.71%

LAB 72.97, 7.31, 10.12

 

CMYK 16 / 0 / 20 / 22

HEX #A8C8A1

RGB 168 200 161

HSL 109.23, 0.26%, 0.71%

LAB 77.4, -18.07, 16.01

 

CMYK 20 / 7 / 0 / 22

HEX #A1BBC8

RGB 161 187 200

HSL 200, 0.26%, 0.71%

LAB 74.37, -6.02, -9.52

 

Description

Color code: HEX #C2A1C8 | qconv.com Color code: HEX #C2A1C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 161 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 161 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 20 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 20% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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