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Color name
HEX #C2AA2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2AA2D it is the complementary color #3D55D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2AA2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2AA2D shade: #C7AA28, #D8BC3B, #E9CE4E, #FAE061 and #FFF274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2AA2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2AA2D shade: #C2AA2D, #B1981A, #A08607, #8F7400 and #7E6200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2AA2D shade: #C2AA2D, #C2822D, #C25A2D, #C2322D and #C22D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2AA2D shade: #C2AA2D, #B2C22D, #89C22D, #61C22D and #39C22D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2AA2D shade matches the following richer shades: #C2AA2D, #D5B71A and #E8C406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2AA2D shade: #C2AA2D, #AE9D40, #9B8F54, #878267 and #74757B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2AA2D shade: #C25A2D, #C2812D, #C2A92D, #B3C22D and #8BC22D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2AA2D shade: #7F6F1D, #A08C25, #C2AA2D, #D3BC45 and #DBC866

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2AA2D shade: #C2AA2D, #2DC232 and #6D2DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2AA2D shade: #C2AA2D, #2DC2A9 and #A92DC2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2AA2D shade: #C2AA2D, #2DC232, #2D46C2 and #C22DBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2AA2D shade: #C2AA2D, #2DC25F, #2D46C2 and #C22D90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

Complementary color

CMYK 71 / 60 / 0 / 18

HEX #3D55D2

RGB 61 85 210

HSL 230.34, 0.62%, 0.53%

LAB 41.44, 33.04, -67.12

 

CMYK 0 / 15 / 80 / 22

HEX #C7AA28

RGB 199 170 40

HSL 49.06, 0.67%, 0.47%

LAB 70.21, -2.24, 65.18

 

CMYK 0 / 13 / 73 / 15

HEX #D8BC3B

RGB 216 188 59

HSL 49.3, 0.67%, 0.54%

LAB 76.61, -3.52, 65.19

 

CMYK 0 / 12 / 67 / 9

HEX #E9CE4E

RGB 233 206 78

HSL 49.55, 0.78%, 0.61%

LAB 82.92, -4.62, 64.64

 

CMYK 0 / 10 / 61 / 2

HEX #FAE061

RGB 250 224 97

HSL 49.8, 0.94%, 0.68%

LAB 89.16, -5.55, 63.78

 

CMYK 0 / 5 / 55 / 0

HEX #FFF274

RGB 255 242 116

HSL 54.39, 1%, 0.73%

LAB 94.32, -11.15, 61.36

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 0 / 14 / 85 / 31

HEX #B1981A

RGB 177 152 26

HSL 50.07, 0.74%, 0.4%

LAB 63.24, -2.85, 62.37

 

CMYK 0 / 16 / 96 / 37

HEX #A08607

RGB 160 134 7

HSL 49.8, 0.92%, 0.33%

LAB 56.62, -1.18, 60.3

 

CMYK 0 / 19 / 100 / 44

HEX #8F7400

RGB 143 116 0

HSL 48.67, 1%, 0.28%

LAB 49.89, 0.82, 55.93

 

CMYK 0 / 22 / 100 / 51

HEX #7E6200

RGB 126 98 0

HSL 46.67, 1%, 0.25%

LAB 43.02, 3.03, 50.26

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 0 / 33 / 77 / 24

HEX #C2822D

RGB 194 130 45

HSL 34.23, 0.62%, 0.47%

LAB 59.55, 17.44, 53.33

 

CMYK 0 / 54 / 77 / 24

HEX #C25A2D

RGB 194 90 45

HSL 18.12, 0.62%, 0.47%

LAB 50.65, 38.84, 44.49

 

CMYK 0 / 74 / 77 / 24

HEX #C2322D

RGB 194 50 45

HSL 2.01, 0.62%, 0.47%

LAB 44.15, 56.17, 37.69

 

CMYK 0 / 77 / 77 / 24

HEX #C22D2D

RGB 194 45 45

HSL 0, 0.62%, 0.47%

LAB 43.56, 57.81, 37.05

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 8 / 0 / 77 / 24

HEX #B2C22D

RGB 178 194 45

HSL 66.44, 0.62%, 0.47%

LAB 74.97, -23.39, 67.27

 

CMYK 29 / 0 / 77 / 24

HEX #89C22D

RGB 137 194 45

HSL 82.95, 0.62%, 0.47%

LAB 72.29, -39.82, 63.81

 

CMYK 50 / 0 / 77 / 24

HEX #61C22D

RGB 97 194 45

HSL 99.06, 0.62%, 0.47%

LAB 70.4, -53.34, 61.34

 

CMYK 71 / 0 / 77 / 24

HEX #39C22D

RGB 57 194 45

HSL 115.17, 0.62%, 0.47%

LAB 69.21, -62.88, 59.79

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 0 / 14 / 88 / 16

HEX #D5B71A

RGB 213 183 26

HSL 50.37, 0.78%, 0.47%

LAB 74.88, -3.3, 73.24

 

CMYK 0 / 16 / 97 / 9

HEX #E8C406

RGB 232 196 6

HSL 50.44, 0.95%, 0.47%

LAB 79.98, -2.04, 80.65

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 0 / 10 / 63 / 32

HEX #AE9D40

RGB 174 157 64

HSL 50.73, 0.46%, 0.47%

LAB 64.55, -5.12, 49.53

 

CMYK 0 / 8 / 46 / 39

HEX #9B8F54

RGB 155 143 84

HSL 49.86, 0.3%, 0.47%

LAB 59.21, -4.07, 32.9

 

CMYK 0 / 4 / 24 / 47

HEX #878267

RGB 135 130 103

HSL 50.63, 0.13%, 0.47%

LAB 54.13, -2.8, 15.33

 

CMYK 6 / 5 / 0 / 52

HEX #74757B

RGB 116 117 123

HSL 231.43, 0.03%, 0.47%

LAB 49.33, 0.87, -3.43

 

CMYK 0 / 54 / 77 / 24

HEX #C25A2D

RGB 194 90 45

HSL 18.12, 0.62%, 0.47%

LAB 50.65, 38.84, 44.49

 

CMYK 0 / 34 / 77 / 24

HEX #C2812D

RGB 194 129 45

HSL 33.83, 0.62%, 0.47%

LAB 59.31, 17.99, 53.09

 

CMYK 0 / 13 / 77 / 24

HEX #C2A92D

RGB 194 169 45

HSL 49.93, 0.62%, 0.47%

LAB 69.49, -3.72, 62.72

 

CMYK 8 / 0 / 77 / 24

HEX #B3C22D

RGB 179 194 45

HSL 66.04, 0.62%, 0.47%

LAB 75.05, -22.97, 67.37

 

CMYK 28 / 0 / 77 / 24

HEX #8BC22D

RGB 139 194 45

HSL 82.15, 0.62%, 0.47%

LAB 72.4, -39.06, 63.95

 

CMYK 0 / 13 / 77 / 50

HEX #7F6F1D

RGB 127 111 29

HSL 50.2, 0.63%, 0.31%

LAB 46.93, -3.13, 45.08

 

CMYK 0 / 13 / 77 / 37

HEX #A08C25

RGB 160 140 37

HSL 50.24, 0.62%, 0.39%

LAB 58.38, -3.66, 54.03

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 0 / 11 / 67 / 17

HEX #D3BC45

RGB 211 188 69

HSL 50.28, 0.62%, 0.55%

LAB 76.22, -5.16, 60.75

 

CMYK 0 / 9 / 53 / 14

HEX #DBC866

RGB 219 200 102

HSL 50.26, 0.62%, 0.63%

LAB 80.36, -5.73, 50.81

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 77 / 0 / 74 / 24

HEX #2DC232

RGB 45 194 50

HSL 122.01, 0.62%, 0.47%

LAB 69.02, -64.43, 57.84

 

CMYK 44 / 77 / 0 / 24

HEX #6D2DC2

RGB 109 45 194

HSL 265.77, 0.62%, 0.47%

LAB 36.03, 57.36, -66.51

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 77 / 0 / 13 / 24

HEX #2DC2A9

RGB 45 194 169

HSL 169.93, 0.62%, 0.47%

LAB 70.88, -43.62, 1.71

 

CMYK 13 / 77 / 0 / 24

HEX #A92DC2

RGB 169 45 194

HSL 289.93, 0.62%, 0.47%

LAB 44.53, 67.94, -52.33

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 77 / 0 / 74 / 24

HEX #2DC232

RGB 45 194 50

HSL 122.01, 0.62%, 0.47%

LAB 69.02, -64.43, 57.84

 

CMYK 77 / 64 / 0 / 24

HEX #2D46C2

RGB 45 70 194

HSL 229.93, 0.62%, 0.47%

LAB 35.66, 35, -67.32

 

CMYK 0 / 77 / 3 / 24

HEX #C22DBD

RGB 194 45 189

HSL 302.01, 0.62%, 0.47%

LAB 48.29, 72.08, -43.18

 

CMYK 0 / 12 / 77 / 24

HEX #C2AA2D

RGB 194 170 45

HSL 50.34, 0.62%, 0.47%

LAB 69.76, -4.25, 62.97

 

CMYK 77 / 0 / 51 / 24

HEX #2DC25F

RGB 45 194 95

HSL 140.13, 0.62%, 0.47%

LAB 69.45, -59.28, 38.88

 

CMYK 77 / 64 / 0 / 24

HEX #2D46C2

RGB 45 70 194

HSL 229.93, 0.62%, 0.47%

LAB 35.66, 35, -67.32

 

CMYK 0 / 77 / 26 / 24

HEX #C22D90

RGB 194 45 144

HSL 320.13, 0.62%, 0.47%

LAB 46.12, 65.79, -19.87

 

Description

Color code: HEX #C2AA2D | qconv.com Color code: HEX #C2AA2D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 170 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 170 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 77% 24% C M Y K

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Provide designers and agencies with accurate color values.

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