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Color name
HEX #C2AB6F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2AB6F it is the complementary color #3D5490. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2AB6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2AB6F shade: #C7AB6A, #D8BD7D, #E9CF90, #FAE1A3 and #FFF3B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2AB6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2AB6F shade: #C2AB6F, #B1995C, #A08749, #8F7536 and #7E6323

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2AB6F shade: #C1AB70, #C19570, #C17F70 and #C17070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2AB6F shade: #C1AB70, #C1C170, #ACC170, #96C170 and #80C170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2AB6F shade matches the following richer shades: #C1AB70, #D2B25F, #E2B94F and #F3C13E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2AB6F shade: #C1AB70, #B1A380, #A09C91, #9095A1 and #7F8DB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2AB6F shade: #C17F70, #C19470, #C1AA70, #C1C070 and #ADC170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2AB6F shade: #9C8343, #B59A53, #C1AB70, #CEBC8D and #DACDA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2AB6F shade: #C2AB6F, #76C170 and #8A70C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2AB6F shade: #C2AB6F, #70C1AA and #AA70C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2AB6F shade: #C2AB6F, #76C170, #7087C1 and #BB70C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2AB6F shade: #C2AB6F, #70C181, #7087C1 and #C170B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 43 / 24

HEX #C2AB6F

RGB 194 171 111

HSL 43.37, 0.4%, 0.6%

LAB 70.69, 0.02, 33.91

 

Complementary color

CMYK 58 / 42 / 0 / 44

HEX #3D5490

RGB 61 84 144

HSL 223.37, 0.4%, 0.4%

LAB 36.64, 10.14, -35.9

 

CMYK 0 / 14 / 47 / 22

HEX #C7AB6A

RGB 199 171 106

HSL 41.94, 0.45%, 0.6%

LAB 71.08, 1.56, 37.11

 

CMYK 0 / 13 / 42 / 15

HEX #D8BD7D

RGB 216 189 125

HSL 42.2, 0.54%, 0.67%

LAB 77.56, 0.92, 35.85

 

CMYK 0 / 11 / 38 / 9

HEX #E9CF90

RGB 233 207 144

HSL 42.47, 0.67%, 0.74%

LAB 83.95, 0.37, 34.64

 

CMYK 0 / 10 / 35 / 2

HEX #FAE1A3

RGB 250 225 163

HSL 42.76, 0.9%, 0.81%

LAB 90.24, -0.11, 33.5

 

CMYK 0 / 5 / 29 / 0

HEX #FFF3B6

RGB 255 243 182

HSL 50.14, 1%, 0.86%

LAB 95.47, -5.01, 30.93

 

CMYK 0 / 12 / 43 / 24

HEX #C2AB6F

RGB 194 171 111

HSL 43.37, 0.4%, 0.6%

LAB 70.69, 0.02, 33.91

 

CMYK 0 / 14 / 48 / 31

HEX #B1995C

RGB 177 153 92

HSL 43.06, 0.35%, 0.53%

LAB 64.08, 0.67, 35.2

 

CMYK 0 / 16 / 54 / 37

HEX #A08749

RGB 160 135 73

HSL 42.76, 0.37%, 0.46%

LAB 57.35, 1.46, 36.53

 

CMYK 0 / 18 / 62 / 44

HEX #8F7536

RGB 143 117 54

HSL 42.47, 0.45%, 0.39%

LAB 50.49, 2.43, 37.87

 

CMYK 0 / 21 / 72 / 51

HEX #7E6323

RGB 126 99 35

HSL 42.2, 0.57%, 0.32%

LAB 43.48, 3.66, 39.03

 

CMYK 0 / 11 / 42 / 24

HEX #C1AB70

RGB 193 171 112

HSL 43.7, 0.4%, 0.6%

LAB 70.62, -0.29, 33.27

 

CMYK 0 / 23 / 42 / 24

HEX #C19570

RGB 193 149 112

HSL 27.41, 0.4%, 0.6%

LAB 64.96, 11.65, 25.88

 

CMYK 0 / 34 / 42 / 24

HEX #C17F70

RGB 193 127 112

HSL 11.11, 0.4%, 0.6%

LAB 59.6, 23.78, 18.67

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 0 / 11 / 42 / 24

HEX #C1AB70

RGB 193 171 112

HSL 43.7, 0.4%, 0.6%

LAB 70.62, -0.29, 33.27

 

CMYK 0 / 0 / 42 / 24

HEX #C1C170

RGB 193 193 112

HSL 60, 0.4%, 0.6%

LAB 76.46, -11.8, 40.68

 

CMYK 11 / 0 / 42 / 24

HEX #ACC170

RGB 172 193 112

HSL 75.56, 0.4%, 0.6%

LAB 74.88, -20.13, 38.35

 

CMYK 22 / 0 / 42 / 24

HEX #96C170

RGB 150 193 112

HSL 91.85, 0.4%, 0.6%

LAB 73.41, -28.48, 36.19

 

CMYK 34 / 0 / 42 / 24

HEX #80C170

RGB 128 193 112

HSL 108.15, 0.4%, 0.6%

LAB 72.16, -36.21, 34.33

 

CMYK 0 / 11 / 42 / 24

HEX #C1AB70

RGB 193 171 112

HSL 43.7, 0.4%, 0.6%

LAB 70.62, -0.29, 33.27

 

CMYK 0 / 15 / 55 / 18

HEX #D2B25F

RGB 210 178 95

HSL 43.3, 0.56%, 0.6%

LAB 73.78, 1.44, 46.21

 

CMYK 0 / 18 / 65 / 11

HEX #E2B94F

RGB 226 185 79

HSL 43.27, 0.72%, 0.6%

LAB 76.94, 3.36, 57.68

 

CMYK 0 / 21 / 74 / 5

HEX #F3C13E

RGB 243 193 62

HSL 43.43, 0.88%, 0.6%

LAB 80.48, 5.53, 68.72

 

CMYK 0 / 11 / 42 / 24

HEX #C1AB70

RGB 193 171 112

HSL 43.7, 0.4%, 0.6%

LAB 70.62, -0.29, 33.27

 

CMYK 0 / 8 / 28 / 31

HEX #B1A380

RGB 177 163 128

HSL 42.86, 0.24%, 0.6%

LAB 67.35, -0.47, 20.06

 

CMYK 0 / 2 / 9 / 37

HEX #A09C91

RGB 160 156 145

HSL 44, 0.07%, 0.6%

LAB 64.4, -0.55, 6.27

 

CMYK 11 / 7 / 0 / 37

HEX #9095A1

RGB 144 149 161

HSL 222.35, 0.08%, 0.6%

LAB 61.65, 0.67, -6.92

 

CMYK 29 / 21 / 0 / 30

HEX #7F8DB2

RGB 127 141 178

HSL 223.53, 0.25%, 0.6%

LAB 58.77, 3.6, -21.06

 

CMYK 0 / 34 / 42 / 24

HEX #C17F70

RGB 193 127 112

HSL 11.11, 0.4%, 0.6%

LAB 59.6, 23.78, 18.67

 

CMYK 0 / 23 / 42 / 24

HEX #C19470

RGB 193 148 112

HSL 26.67, 0.4%, 0.6%

LAB 64.71, 12.2, 25.55

 

CMYK 0 / 12 / 42 / 24

HEX #C1AA70

RGB 193 170 112

HSL 42.96, 0.4%, 0.6%

LAB 70.36, 0.25, 32.93

 

CMYK 0 / 1 / 42 / 24

HEX #C1C070

RGB 193 192 112

HSL 59.26, 0.4%, 0.6%

LAB 76.2, -11.29, 40.34

 

CMYK 10 / 0 / 42 / 24

HEX #ADC170

RGB 173 193 112

HSL 74.81, 0.4%, 0.6%

LAB 74.95, -19.74, 38.45

 

CMYK 0 / 16 / 57 / 39

HEX #9C8343

RGB 156 131 67

HSL 43.15, 0.4%, 0.44%

LAB 55.79, 1.4, 37.7

 

CMYK 0 / 15 / 54 / 29

HEX #B59A53

RGB 181 154 83

HSL 43.47, 0.4%, 0.52%

LAB 64.61, 1, 40.59

 

CMYK 0 / 11 / 42 / 24

HEX #C1AB70

RGB 193 171 112

HSL 43.7, 0.4%, 0.6%

LAB 70.62, -0.29, 33.27

 

CMYK 0 / 9 / 32 / 19

HEX #CEBC8D

RGB 206 188 141

HSL 43.38, 0.4%, 0.68%

LAB 76.69, -0.66, 26.14

 

CMYK 0 / 6 / 22 / 15

HEX #DACDA9

RGB 218 205 169

HSL 44.08, 0.4%, 0.76%

LAB 82.61, -1.18, 19.58

 

CMYK 0 / 12 / 43 / 24

HEX #C2AB6F

RGB 194 171 111

HSL 43.37, 0.4%, 0.6%

LAB 70.69, 0.02, 33.91

 

CMYK 39 / 0 / 42 / 24

HEX #76C170

RGB 118 193 112

HSL 115.56, 0.4%, 0.6%

LAB 71.66, -39.46, 33.6

 

CMYK 28 / 42 / 0 / 24

HEX #8A70C1

RGB 138 112 193

HSL 259.26, 0.4%, 0.6%

LAB 52.78, 27.71, -38.86

 

CMYK 0 / 12 / 43 / 24

HEX #C2AB6F

RGB 194 171 111

HSL 43.37, 0.4%, 0.6%

LAB 70.69, 0.02, 33.91

 

CMYK 42 / 0 / 12 / 24

HEX #70C1AA

RGB 112 193 170

HSL 162.96, 0.4%, 0.6%

LAB 72.55, -30.24, 3.84

 

CMYK 12 / 42 / 0 / 24

HEX #AA70C1

RGB 170 112 193

HSL 282.96, 0.4%, 0.6%

LAB 56.07, 37.17, -33.45

 

CMYK 0 / 12 / 43 / 24

HEX #C2AB6F

RGB 194 171 111

HSL 43.37, 0.4%, 0.6%

LAB 70.69, 0.02, 33.91

 

CMYK 39 / 0 / 42 / 24

HEX #76C170

RGB 118 193 112

HSL 115.56, 0.4%, 0.6%

LAB 71.66, -39.46, 33.6

 

CMYK 42 / 30 / 0 / 24

HEX #7087C1

RGB 112 135 193

HSL 222.96, 0.4%, 0.6%

LAB 56.71, 6.85, -32.85

 

CMYK 3 / 42 / 0 / 24

HEX #BB70C1

RGB 187 112 193

HSL 295.56, 0.4%, 0.6%

LAB 58.04, 42.33, -30.24

 

CMYK 0 / 12 / 43 / 24

HEX #C2AB6F

RGB 194 171 111

HSL 43.37, 0.4%, 0.6%

LAB 70.69, 0.02, 33.91

 

CMYK 42 / 0 / 33 / 24

HEX #70C181

RGB 112 193 129

HSL 132.59, 0.4%, 0.6%

LAB 71.67, -38.54, 24.68

 

CMYK 42 / 30 / 0 / 24

HEX #7087C1

RGB 112 135 193

HSL 222.96, 0.4%, 0.6%

LAB 56.71, 6.85, -32.85

 

CMYK 0 / 42 / 9 / 24

HEX #C170B0

RGB 193 112 176

HSL 312.59, 0.4%, 0.6%

LAB 58.09, 41.12, -20.37

 

Description

Color code: HEX #C2AB6F | qconv.com Color code: HEX #C2AB6F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 171 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 171 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 43 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 43% 24% C M Y K

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Provide designers and agencies with accurate color values.

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