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Color name
HEX #C2AF6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2AF6C it is the complementary color #3D5093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2AF6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2AF6C shade: #C7AF67, #D8C17A, #E9D38D, #FAE5A0 and #FFF7B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2AF6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2AF6C shade: #C2AF6C, #B19D59, #A08B46, #8F7933 and #7E6720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2AF6C shade: #C1AE6B, #C1976B, #C1806B and #C16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2AF6C shade: #C1AE6B, #BDC16B, #A6C16B, #8EC16B and #77C16B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2AF6C shade matches the following richer shades: #C1AE6B, #D2B75A, #E3C149 and #F4CA38

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2AF6C shade: #C1AE6B, #B0A47C, #9F9B8D, #8E929E and #7D88AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2AF6C shade: #C17F6B, #C1966B, #C1AD6B, #BEC16B and #A7C16B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2AF6C shade: #998640, #B59E4E, #C1AE6B, #CDBE88 and #D9CEA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2AF6C shade: #C2AF6C, #6EC16B and #8B6BC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2AF6C shade: #C2AF6C, #6BC1AD and #AD6BC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2AF6C shade: #C2AF6C, #6EC16B, #6B7FC1 and #BE6BC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2AF6C shade: #C2AF6C, #6BC182, #6B7FC1 and #C16BAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 44 / 24

HEX #C2AF6C

RGB 194 175 108

HSL 46.74, 0.41%, 0.59%

LAB 71.7, -2.43, 36.75

 

Complementary color

CMYK 59 / 46 / 0 / 42

HEX #3D5093

RGB 61 80 147

HSL 226.74, 0.41%, 0.41%

LAB 35.67, 13.81, -39.27

 

CMYK 0 / 12 / 48 / 22

HEX #C7AF67

RGB 199 175 103

HSL 45, 0.46%, 0.59%

LAB 72.08, -0.86, 39.9

 

CMYK 0 / 11 / 44 / 15

HEX #D8C17A

RGB 216 193 122

HSL 45.32, 0.55%, 0.66%

LAB 78.55, -1.48, 38.64

 

CMYK 0 / 9 / 39 / 9

HEX #E9D38D

RGB 233 211 141

HSL 45.65, 0.68%, 0.73%

LAB 84.91, -2.02, 37.44

 

CMYK 0 / 8 / 36 / 2

HEX #FAE5A0

RGB 250 229 160

HSL 46, 0.9%, 0.8%

LAB 91.19, -2.49, 36.28

 

CMYK 0 / 3 / 30 / 0

HEX #FFF7B3

RGB 255 247 179

HSL 53.68, 1%, 0.85%

LAB 96.42, -7.37, 33.73

 

CMYK 0 / 10 / 44 / 24

HEX #C2AF6C

RGB 194 175 108

HSL 46.74, 0.41%, 0.59%

LAB 71.7, -2.43, 36.75

 

CMYK 0 / 11 / 50 / 31

HEX #B19D59

RGB 177 157 89

HSL 46.36, 0.36%, 0.52%

LAB 65.11, -1.79, 38.03

 

CMYK 0 / 13 / 56 / 37

HEX #A08B46

RGB 160 139 70

HSL 46, 0.39%, 0.45%

LAB 58.4, -1.02, 39.32

 

CMYK 0 / 15 / 64 / 44

HEX #8F7933

RGB 143 121 51

HSL 45.65, 0.47%, 0.38%

LAB 51.56, -0.06, 40.56

 

CMYK 0 / 18 / 75 / 51

HEX #7E6720

RGB 126 103 32

HSL 45.32, 0.59%, 0.31%

LAB 44.58, 1.15, 41.51

 

CMYK 0 / 10 / 45 / 24

HEX #C1AE6B

RGB 193 174 107

HSL 46.74, 0.41%, 0.59%

LAB 71.33, -2.41, 36.79

 

CMYK 0 / 22 / 45 / 24

HEX #C1976B

RGB 193 151 107

HSL 30.7, 0.41%, 0.59%

LAB 65.38, 10.01, 29.16

 

CMYK 0 / 34 / 45 / 24

HEX #C1806B

RGB 193 128 107

HSL 14.65, 0.41%, 0.59%

LAB 59.74, 22.68, 21.69

 

CMYK 0 / 45 / 45 / 24

HEX #C16B6B

RGB 193 107 107

HSL 0, 0.41%, 0.59%

LAB 54.98, 34.1, 15.21

 

CMYK 0 / 10 / 45 / 24

HEX #C1AE6B

RGB 193 174 107

HSL 46.74, 0.41%, 0.59%

LAB 71.33, -2.41, 36.79

 

CMYK 2 / 0 / 45 / 24

HEX #BDC16B

RGB 189 193 107

HSL 62.79, 0.41%, 0.59%

LAB 76.08, -13.93, 42.64

 

CMYK 14 / 0 / 45 / 24

HEX #A6C16B

RGB 166 193 107

HSL 78.84, 0.41%, 0.59%

LAB 74.39, -23.04, 40.16

 

CMYK 26 / 0 / 45 / 24

HEX #8EC16B

RGB 142 193 107

HSL 95.58, 0.41%, 0.59%

LAB 72.86, -32.03, 37.92

 

CMYK 38 / 0 / 45 / 24

HEX #77C16B

RGB 119 193 107

HSL 111.63, 0.41%, 0.59%

LAB 71.64, -39.87, 36.12

 

CMYK 0 / 10 / 45 / 24

HEX #C1AE6B

RGB 193 174 107

HSL 46.74, 0.41%, 0.59%

LAB 71.33, -2.41, 36.79

 

CMYK 0 / 13 / 57 / 18

HEX #D2B75A

RGB 210 183 90

HSL 46.5, 0.57%, 0.59%

LAB 75.02, -1.59, 50.07

 

CMYK 0 / 15 / 68 / 11

HEX #E3C149

RGB 227 193 73

HSL 46.75, 0.73%, 0.59%

LAB 79.01, -0.73, 62.46

 

CMYK 0 / 17 / 77 / 4

HEX #F4CA38

RGB 244 202 56

HSL 46.6, 0.9%, 0.59%

LAB 82.79, 1.07, 73

 

CMYK 0 / 10 / 45 / 24

HEX #C1AE6B

RGB 193 174 107

HSL 46.74, 0.41%, 0.59%

LAB 71.33, -2.41, 36.79

 

CMYK 0 / 7 / 30 / 31

HEX #B0A47C

RGB 176 164 124

HSL 46.15, 0.25%, 0.59%

LAB 67.45, -1.95, 22.37

 

CMYK 0 / 3 / 11 / 38

HEX #9F9B8D

RGB 159 155 141

HSL 46.67, 0.09%, 0.59%

LAB 63.95, -1.07, 7.85

 

CMYK 10 / 8 / 0 / 38

HEX #8E929E

RGB 142 146 158

HSL 225, 0.08%, 0.59%

LAB 60.58, 1.02, -6.82

 

CMYK 29 / 22 / 0 / 31

HEX #7D88AF

RGB 125 136 175

HSL 226.8, 0.24%, 0.59%

LAB 57.14, 5.11, -21.85

 

CMYK 0 / 34 / 45 / 24

HEX #C17F6B

RGB 193 127 107

HSL 13.95, 0.41%, 0.59%

LAB 59.51, 23.23, 21.37

 

CMYK 0 / 22 / 45 / 24

HEX #C1966B

RGB 193 150 107

HSL 30, 0.41%, 0.59%

LAB 65.13, 10.56, 28.83

 

CMYK 0 / 10 / 45 / 24

HEX #C1AD6B

RGB 193 173 107

HSL 46.05, 0.41%, 0.59%

LAB 71.07, -1.88, 36.46

 

CMYK 2 / 0 / 45 / 24

HEX #BEC16B

RGB 190 193 107

HSL 62.09, 0.41%, 0.59%

LAB 76.16, -13.53, 42.75

 

CMYK 13 / 0 / 45 / 24

HEX #A7C16B

RGB 167 193 107

HSL 78.14, 0.41%, 0.59%

LAB 74.46, -22.65, 40.26

 

CMYK 0 / 12 / 58 / 40

HEX #998640

RGB 153 134 64

HSL 47.19, 0.41%, 0.43%

LAB 56.28, -1.85, 39.72

 

CMYK 0 / 13 / 57 / 29

HEX #B59E4E

RGB 181 158 78

HSL 46.6, 0.41%, 0.51%

LAB 65.61, -1.58, 44.27

 

CMYK 0 / 10 / 45 / 24

HEX #C1AE6B

RGB 193 174 107

HSL 46.74, 0.41%, 0.59%

LAB 71.33, -2.41, 36.79

 

CMYK 0 / 7 / 34 / 20

HEX #CDBE88

RGB 205 190 136

HSL 46.96, 0.41%, 0.67%

LAB 77.03, -2.73, 29.23

 

CMYK 0 / 5 / 24 / 15

HEX #D9CEA5

RGB 217 206 165

HSL 47.31, 0.41%, 0.75%

LAB 82.71, -2.63, 21.81

 

CMYK 0 / 10 / 44 / 24

HEX #C2AF6C

RGB 194 175 108

HSL 46.74, 0.41%, 0.59%

LAB 71.7, -2.43, 36.75

 

CMYK 43 / 0 / 45 / 24

HEX #6EC16B

RGB 110 193 107

HSL 117.91, 0.41%, 0.59%

LAB 71.23, -42.67, 35.51

 

CMYK 28 / 45 / 0 / 24

HEX #8B6BC1

RGB 139 107 193

HSL 262.33, 0.41%, 0.59%

LAB 51.67, 30.92, -40.59

 

CMYK 0 / 10 / 44 / 24

HEX #C2AF6C

RGB 194 175 108

HSL 46.74, 0.41%, 0.59%

LAB 71.7, -2.43, 36.75

 

CMYK 45 / 0 / 10 / 24

HEX #6BC1AD

RGB 107 193 173

HSL 166.05, 0.41%, 0.59%

LAB 72.42, -30.84, 1.98

 

CMYK 10 / 45 / 0 / 24

HEX #AD6BC1

RGB 173 107 193

HSL 286.05, 0.41%, 0.59%

LAB 55.33, 40.81, -34.59

 

CMYK 0 / 10 / 44 / 24

HEX #C2AF6C

RGB 194 175 108

HSL 46.74, 0.41%, 0.59%

LAB 71.7, -2.43, 36.75

 

CMYK 43 / 0 / 45 / 24

HEX #6EC16B

RGB 110 193 107

HSL 117.91, 0.41%, 0.59%

LAB 71.23, -42.67, 35.51

 

CMYK 45 / 34 / 0 / 24

HEX #6B7FC1

RGB 107 127 193

HSL 226.05, 0.41%, 0.59%

LAB 54.19, 10.28, -36.8

 

CMYK 2 / 45 / 0 / 24

HEX #BE6BC1

RGB 190 107 193

HSL 297.91, 0.41%, 0.59%

LAB 57.38, 45.87, -31.24

 

CMYK 0 / 10 / 44 / 24

HEX #C2AF6C

RGB 194 175 108

HSL 46.74, 0.41%, 0.59%

LAB 71.7, -2.43, 36.75

 

CMYK 45 / 0 / 33 / 24

HEX #6BC182

RGB 107 193 130

HSL 136.05, 0.41%, 0.59%

LAB 71.47, -39.8, 23.85

 

CMYK 45 / 34 / 0 / 24

HEX #6B7FC1

RGB 107 127 193

HSL 226.05, 0.41%, 0.59%

LAB 54.19, 10.28, -36.8

 

CMYK 0 / 45 / 12 / 24

HEX #C16BAA

RGB 193 107 170

HSL 316.05, 0.41%, 0.59%

LAB 56.84, 42.74, -18.83

 

Description

Color code: HEX #C2AF6C | qconv.com Color code: HEX #C2AF6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 175 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 175 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 44 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 44% 24% C M Y K

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Provide designers and agencies with accurate color values.

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