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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B561 it is the complementary color #3D4A9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B561 shade: #C7B55C, #D8C76F, #E9D982, #FAEB95 and #FFFDA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B561 shade: #C2B561, #B1A34E, #A0913B, #8F7F28 and #7E6D15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B561 shade: #C1B461, #C19A61, #C18061, #C16661 and #C16161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B561 shade: #C1B461, #B4C161, #9AC161, #80C161 and #66C161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B561 shade matches the following richer shades: #C1B461, #D3C14F, #E5CE3D and #F6DB2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B561 shade: #C1B461, #AFA772, #9E9A84, #8C8D96 and #7A80A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B561 shade: #C17F61, #C19961, #C1B361, #B6C161 and #9CC161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B561 shade: #95893A, #B3A445, #C1B461, #CDC27E and #D8D09C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B561 shade: #C2B561, #61C165 and #8C61C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B561 shade: #C2B561, #61C1B3 and #B361C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B561 shade: #C2B561, #61C165, #616FC1 and #C161BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B561 shade: #C2B561, #61C182, #616FC1 and #C1619F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

Complementary color

CMYK 61 / 53 / 0 / 38

HEX #3D4A9E

RGB 61 74 158

HSL 231.96, 0.44%, 0.43%

LAB 34.72, 21.64, -47.45

 

CMYK 0 / 9 / 54 / 22

HEX #C7B55C

RGB 199 181 92

HSL 49.91, 0.49%, 0.57%

LAB 73.52, -5, 47.11

 

CMYK 0 / 8 / 49 / 15

HEX #D8C76F

RGB 216 199 111

HSL 50.29, 0.57%, 0.64%

LAB 79.95, -5.66, 45.9

 

CMYK 0 / 7 / 44 / 9

HEX #E9D982

RGB 233 217 130

HSL 50.68, 0.7%, 0.71%

LAB 86.29, -6.22, 44.7

 

CMYK 0 / 6 / 40 / 2

HEX #FAEB95

RGB 250 235 149

HSL 51.09, 0.91%, 0.78%

LAB 92.54, -6.7, 43.52

 

CMYK 0 / 1 / 34 / 0

HEX #FFFDA8

RGB 255 253 168

HSL 58.62, 1%, 0.83%

LAB 97.77, -11.63, 40.97

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 0 / 8 / 56 / 31

HEX #B1A34E

RGB 177 163 78

HSL 51.52, 0.39%, 0.5%

LAB 66.59, -5.98, 45.31

 

CMYK 0 / 9 / 63 / 37

HEX #A0913B

RGB 160 145 59

HSL 51.09, 0.46%, 0.43%

LAB 59.92, -5.15, 46.41

 

CMYK 0 / 11 / 72 / 44

HEX #8F7F28

RGB 143 127 40

HSL 50.68, 0.56%, 0.36%

LAB 53.14, -4.12, 47.22

 

CMYK 0 / 13 / 83 / 51

HEX #7E6D15

RGB 126 109 21

HSL 50.29, 0.71%, 0.29%

LAB 46.21, -2.8, 47.28

 

CMYK 0 / 7 / 50 / 24

HEX #C1B461

RGB 193 180 97

HSL 51.88, 0.44%, 0.57%

LAB 72.79, -6.55, 43.66

 

CMYK 0 / 20 / 50 / 24

HEX #C19A61

RGB 193 154 97

HSL 35.63, 0.44%, 0.57%

LAB 65.99, 7.37, 35.29

 

CMYK 0 / 34 / 50 / 24

HEX #C18061

RGB 193 128 97

HSL 19.38, 0.44%, 0.57%

LAB 59.56, 21.67, 27.07

 

CMYK 0 / 47 / 50 / 24

HEX #C16661

RGB 193 102 97

HSL 3.13, 0.44%, 0.57%

LAB 53.71, 35.75, 19.31

 

CMYK 0 / 50 / 50 / 24

HEX #C16161

RGB 193 97 97

HSL 0, 0.44%, 0.57%

LAB 52.67, 38.35, 17.9

 

CMYK 0 / 7 / 50 / 24

HEX #C1B461

RGB 193 180 97

HSL 51.88, 0.44%, 0.57%

LAB 72.79, -6.55, 43.66

 

CMYK 7 / 0 / 50 / 24

HEX #B4C161

RGB 180 193 97

HSL 68.13, 0.44%, 0.57%

LAB 75.27, -18.55, 46.39

 

CMYK 20 / 0 / 50 / 24

HEX #9AC161

RGB 154 193 97

HSL 84.38, 0.44%, 0.57%

LAB 73.46, -28.76, 43.79

 

CMYK 34 / 0 / 50 / 24

HEX #80C161

RGB 128 193 97

HSL 100.63, 0.44%, 0.57%

LAB 71.96, -38.19, 41.61

 

CMYK 47 / 0 / 50 / 24

HEX #66C161

RGB 102 193 97

HSL 116.88, 0.44%, 0.57%

LAB 70.75, -46.44, 39.86

 

CMYK 0 / 7 / 50 / 24

HEX #C1B461

RGB 193 180 97

HSL 51.88, 0.44%, 0.57%

LAB 72.79, -6.55, 43.66

 

CMYK 0 / 9 / 63 / 17

HEX #D3C14F

RGB 211 193 79

HSL 51.82, 0.6%, 0.57%

LAB 77.61, -7.14, 58

 

CMYK 0 / 10 / 73 / 10

HEX #E5CE3D

RGB 229 206 61

HSL 51.79, 0.76%, 0.57%

LAB 82.45, -7.14, 70.5

 

CMYK 0 / 11 / 83 / 4

HEX #F6DB2B

RGB 246 219 43

HSL 52.02, 0.92%, 0.57%

LAB 87.21, -7.13, 80.69

 

CMYK 0 / 7 / 50 / 24

HEX #C1B461

RGB 193 180 97

HSL 51.88, 0.44%, 0.57%

LAB 72.79, -6.55, 43.66

 

CMYK 0 / 5 / 35 / 31

HEX #AFA772

RGB 175 167 114

HSL 52.13, 0.28%, 0.57%

LAB 68, -5.26, 28.49

 

CMYK 0 / 3 / 16 / 38

HEX #9E9A84

RGB 158 154 132

HSL 50.77, 0.12%, 0.57%

LAB 63.38, -2.41, 12.08

 

CMYK 7 / 6 / 0 / 41

HEX #8C8D96

RGB 140 141 150

HSL 234, 0.05%, 0.57%

LAB 58.81, 1.45, -4.9

 

CMYK 27 / 24 / 0 / 34

HEX #7A80A8

RGB 122 128 168

HSL 232.17, 0.21%, 0.57%

LAB 54.45, 7.06, -21.97

 

CMYK 0 / 34 / 50 / 24

HEX #C17F61

RGB 193 127 97

HSL 18.75, 0.44%, 0.57%

LAB 59.32, 22.22, 26.76

 

CMYK 0 / 21 / 50 / 24

HEX #C19961

RGB 193 153 97

HSL 35, 0.44%, 0.57%

LAB 65.74, 7.91, 34.97

 

CMYK 0 / 7 / 50 / 24

HEX #C1B361

RGB 193 179 97

HSL 51.25, 0.44%, 0.57%

LAB 72.52, -6.02, 43.34

 

CMYK 6 / 0 / 50 / 24

HEX #B6C161

RGB 182 193 97

HSL 66.88, 0.44%, 0.57%

LAB 75.42, -17.74, 46.6

 

CMYK 19 / 0 / 50 / 24

HEX #9CC161

RGB 156 193 97

HSL 83.13, 0.44%, 0.57%

LAB 73.59, -28, 43.97

 

CMYK 0 / 8 / 61 / 42

HEX #95893A

RGB 149 137 58

HSL 52.09, 0.44%, 0.41%

LAB 56.67, -5.76, 43.01

 

CMYK 0 / 8 / 61 / 30

HEX #B3A445

RGB 179 164 69

HSL 51.82, 0.44%, 0.49%

LAB 66.95, -6.33, 50

 

CMYK 0 / 7 / 50 / 24

HEX #C1B461

RGB 193 180 97

HSL 51.88, 0.44%, 0.57%

LAB 72.79, -6.55, 43.66

 

CMYK 0 / 5 / 39 / 20

HEX #CDC27E

RGB 205 194 126

HSL 51.65, 0.44%, 0.65%

LAB 77.92, -5.99, 35.59

 

CMYK 0 / 4 / 28 / 15

HEX #D8D09C

RGB 216 208 156

HSL 52, 0.43%, 0.73%

LAB 82.97, -5.27, 26.88

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 50 / 0 / 48 / 24

HEX #61C165

RGB 97 193 101

HSL 122.5, 0.44%, 0.57%

LAB 70.61, -47.29, 37.65

 

CMYK 27 / 50 / 0 / 24

HEX #8C61C1

RGB 140 97 193

HSL 266.88, 0.44%, 0.57%

LAB 49.47, 36.96, -44.08

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 50 / 0 / 7 / 24

HEX #61C1B3

RGB 97 193 179

HSL 171.25, 0.44%, 0.57%

LAB 72.19, -31.78, -1.67

 

CMYK 7 / 50 / 0 / 24

HEX #B361C1

RGB 179 97 193

HSL 291.25, 0.44%, 0.57%

LAB 54.01, 47.84, -36.6

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 50 / 0 / 48 / 24

HEX #61C165

RGB 97 193 101

HSL 122.5, 0.44%, 0.57%

LAB 70.61, -47.29, 37.65

 

CMYK 50 / 42 / 0 / 24

HEX #616FC1

RGB 97 111 193

HSL 231.25, 0.44%, 0.57%

LAB 49.2, 17.53, -44.72

 

CMYK 0 / 50 / 3 / 24

HEX #C161BC

RGB 193 97 188

HSL 303.13, 0.44%, 0.57%

LAB 55.6, 50.93, -31.11

 

CMYK 0 / 7 / 50 / 24

HEX #C2B561

RGB 194 181 97

HSL 51.96, 0.44%, 0.57%

LAB 73.14, -6.66, 44.11

 

CMYK 50 / 0 / 33 / 24

HEX #61C182

RGB 97 193 130

HSL 140.63, 0.44%, 0.57%

LAB 71.07, -42.5, 23.24

 

CMYK 50 / 42 / 0 / 24

HEX #616FC1

RGB 97 111 193

HSL 231.25, 0.44%, 0.57%

LAB 49.2, 17.53, -44.72

 

CMYK 0 / 50 / 18 / 24

HEX #C1619F

RGB 193 97 159

HSL 321.25, 0.44%, 0.57%

LAB 54.44, 46.11, -16.09

 

Description

Color code: HEX #C2B561 | qconv.com Color code: HEX #C2B561 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 181 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 181 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 50 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 50% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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