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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B679 it is the complementary color #3D4986. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B679. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B679 shade: #C7B674, #D8C887, #E9DA9A, #FAECAD and #FFFEC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B679. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B679 shade: #C2B679, #B1A466, #A09253, #8F8040 and #7E6E2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B679 shade: #C1B67A, #C1A27A, #C18F7A, #C17C7A and #C17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B679 shade: #C1B67A, #BAC17A, #A7C17A, #93C17A and #80C17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B679 shade matches the following richer shades: #C1B67A, #D1C06A, #E1CB5A and #F0D54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B679 shade: #C1B67A, #B2AB89, #A2A199, #9296A9 and #838CB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B679 shade: #C18F7A, #C1A27A, #C1B67A, #BAC17A and #A7C17A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B679 shade: #A09149, #B4A65D, #C1B67A, #CEC596 and #DBD5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B679 shade: #C2B679, #7AC17C and #997AC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B679 shade: #C2B679, #7AC1B6 and #B67AC1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B679 shade: #C2B679, #7AC17C, #7A86C1 and #C17ABF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B679 shade: #C2B679, #7AC192, #7A86C1 and #C17AAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

Complementary color

CMYK 54 / 46 / 0 / 47

HEX #3D4986

RGB 61 73 134

HSL 230.14, 0.37%, 0.38%

LAB 32.87, 13.9, -35.78

 

CMYK 0 / 9 / 42 / 22

HEX #C7B674

RGB 199 182 116

HSL 47.71, 0.43%, 0.62%

LAB 74.1, -3.24, 35.75

 

CMYK 0 / 7 / 38 / 15

HEX #D8C887

RGB 216 200 135

HSL 48.15, 0.51%, 0.69%

LAB 80.55, -3.72, 34.55

 

CMYK 0 / 6 / 34 / 9

HEX #E9DA9A

RGB 233 218 154

HSL 48.61, 0.64%, 0.76%

LAB 86.9, -4.13, 33.41

 

CMYK 0 / 6 / 31 / 2

HEX #FAECAD

RGB 250 236 173

HSL 49.09, 0.89%, 0.83%

LAB 93.16, -4.48, 32.31

 

CMYK 0 / 0 / 25 / 0

HEX #FFFEC0

RGB 255 254 192

HSL 59.05, 1%, 0.88%

LAB 98.41, -9.18, 29.86

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 0 / 7 / 42 / 31

HEX #B1A466

RGB 177 164 102

HSL 49.6, 0.32%, 0.55%

LAB 67.17, -4.23, 33.83

 

CMYK 0 / 9 / 48 / 37

HEX #A09253

RGB 160 146 83

HSL 49.09, 0.32%, 0.48%

LAB 60.48, -3.67, 35.1

 

CMYK 0 / 10 / 55 / 44

HEX #8F8040

RGB 143 128 64

HSL 48.61, 0.38%, 0.41%

LAB 53.65, -2.97, 36.4

 

CMYK 0 / 13 / 64 / 51

HEX #7E6E2D

RGB 126 110 45

HSL 48.15, 0.47%, 0.34%

LAB 46.68, -2.07, 37.64

 

CMYK 0 / 6 / 37 / 24

HEX #C1B67A

RGB 193 182 122

HSL 50.7, 0.36%, 0.62%

LAB 73.67, -4.99, 31.97

 

CMYK 0 / 16 / 37 / 24

HEX #C1A27A

RGB 193 162 122

HSL 33.8, 0.36%, 0.62%

LAB 68.45, 5.71, 25.07

 

CMYK 0 / 26 / 37 / 24

HEX #C18F7A

RGB 193 143 122

HSL 17.75, 0.36%, 0.62%

LAB 63.66, 16.13, 18.58

 

CMYK 0 / 36 / 37 / 24

HEX #C17C7A

RGB 193 124 122

HSL 1.69, 0.36%, 0.62%

LAB 59.12, 26.61, 12.28

 

CMYK 0 / 37 / 37 / 24

HEX #C17A7A

RGB 193 122 122

HSL 0, 0.36%, 0.62%

LAB 58.66, 27.7, 11.64

 

CMYK 0 / 6 / 37 / 24

HEX #C1B67A

RGB 193 182 122

HSL 50.7, 0.36%, 0.62%

LAB 73.67, -4.99, 31.97

 

CMYK 4 / 0 / 37 / 24

HEX #BAC17A

RGB 186 193 122

HSL 65.92, 0.36%, 0.62%

LAB 76.06, -13.47, 34.96

 

CMYK 13 / 0 / 37 / 24

HEX #A7C17A

RGB 167 193 122

HSL 81.97, 0.36%, 0.62%

LAB 74.67, -20.82, 32.89

 

CMYK 24 / 0 / 37 / 24

HEX #93C17A

RGB 147 193 122

HSL 98.87, 0.36%, 0.62%

LAB 73.38, -28.2, 30.96

 

CMYK 34 / 0 / 37 / 24

HEX #80C17A

RGB 128 193 122

HSL 114.93, 0.36%, 0.62%

LAB 72.32, -34.72, 29.36

 

CMYK 0 / 6 / 37 / 24

HEX #C1B67A

RGB 193 182 122

HSL 50.7, 0.36%, 0.62%

LAB 73.67, -4.99, 31.97

 

CMYK 0 / 8 / 49 / 18

HEX #D1C06A

RGB 209 192 106

HSL 50.1, 0.53%, 0.62%

LAB 77.46, -5.36, 45.19

 

CMYK 0 / 10 / 60 / 12

HEX #E1CB5A

RGB 225 203 90

HSL 50.22, 0.69%, 0.62%

LAB 81.54, -5.68, 57.82

 

CMYK 0 / 11 / 69 / 6

HEX #F0D54B

RGB 240 213 75

HSL 50.18, 0.85%, 0.62%

LAB 85.31, -5.41, 68.48

 

CMYK 0 / 6 / 37 / 24

HEX #C1B67A

RGB 193 182 122

HSL 50.7, 0.36%, 0.62%

LAB 73.67, -4.99, 31.97

 

CMYK 0 / 4 / 23 / 30

HEX #B2AB89

RGB 178 171 137

HSL 49.76, 0.21%, 0.62%

LAB 69.75, -3.1, 18.45

 

CMYK 0 / 1 / 6 / 36

HEX #A2A199

RGB 162 161 153

HSL 53.33, 0.05%, 0.62%

LAB 66.11, -1.12, 4.28

 

CMYK 14 / 11 / 0 / 34

HEX #9296A9

RGB 146 150 169

HSL 229.57, 0.12%, 0.62%

LAB 62.33, 2.51, -10.43

 

CMYK 29 / 24 / 0 / 28

HEX #838CB8

RGB 131 140 184

HSL 229.81, 0.27%, 0.62%

LAB 59.01, 6.93, -24.06

 

CMYK 0 / 26 / 37 / 24

HEX #C18F7A

RGB 193 143 122

HSL 17.75, 0.36%, 0.62%

LAB 63.66, 16.13, 18.58

 

CMYK 0 / 16 / 37 / 24

HEX #C1A27A

RGB 193 162 122

HSL 33.8, 0.36%, 0.62%

LAB 68.45, 5.71, 25.07

 

CMYK 0 / 6 / 37 / 24

HEX #C1B67A

RGB 193 182 122

HSL 50.7, 0.36%, 0.62%

LAB 73.67, -4.99, 31.97

 

CMYK 4 / 0 / 37 / 24

HEX #BAC17A

RGB 186 193 122

HSL 65.92, 0.36%, 0.62%

LAB 76.06, -13.47, 34.96

 

CMYK 13 / 0 / 37 / 24

HEX #A7C17A

RGB 167 193 122

HSL 81.97, 0.36%, 0.62%

LAB 74.67, -20.82, 32.89

 

CMYK 0 / 9 / 54 / 37

HEX #A09149

RGB 160 145 73

HSL 49.66, 0.37%, 0.46%

LAB 60.07, -4.06, 39.78

 

CMYK 0 / 8 / 48 / 29

HEX #B4A65D

RGB 180 166 93

HSL 50.34, 0.37%, 0.54%

LAB 67.85, -4.97, 39.4

 

CMYK 0 / 6 / 37 / 24

HEX #C1B67A

RGB 193 182 122

HSL 50.7, 0.36%, 0.62%

LAB 73.67, -4.99, 31.97

 

CMYK 0 / 4 / 27 / 19

HEX #CEC596

RGB 206 197 150

HSL 50.36, 0.36%, 0.7%

LAB 79.19, -4.2, 24.76

 

CMYK 0 / 3 / 19 / 14

HEX #DBD5B2

RGB 219 213 178

HSL 51.22, 0.36%, 0.78%

LAB 84.93, -3.64, 18.07

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 37 / 0 / 36 / 24

HEX #7AC17C

RGB 122 193 124

HSL 121.69, 0.36%, 0.62%

LAB 72.05, -36.34, 27.9

 

CMYK 21 / 37 / 0 / 24

HEX #997AC1

RGB 153 122 193

HSL 266.2, 0.36%, 0.62%

LAB 56.63, 26.33, -32.72

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 37 / 0 / 6 / 24

HEX #7AC1B6

RGB 122 193 182

HSL 170.7, 0.36%, 0.62%

LAB 73.32, -24.79, -1.52

 

CMYK 6 / 37 / 0 / 24

HEX #B67AC1

RGB 182 122 193

HSL 290.7, 0.36%, 0.62%

LAB 59.63, 35.36, -27.83

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 37 / 0 / 36 / 24

HEX #7AC17C

RGB 122 193 124

HSL 121.69, 0.36%, 0.62%

LAB 72.05, -36.34, 27.9

 

CMYK 37 / 31 / 0 / 24

HEX #7A86C1

RGB 122 134 193

HSL 229.86, 0.36%, 0.62%

LAB 57.11, 10.17, -32.16

 

CMYK 0 / 37 / 1 / 24

HEX #C17ABF

RGB 193 122 191

HSL 301.69, 0.36%, 0.62%

LAB 60.8, 38.46, -24.79

 

CMYK 0 / 6 / 38 / 24

HEX #C2B679

RGB 194 182 121

HSL 50.14, 0.37%, 0.62%

LAB 73.74, -4.7, 32.6

 

CMYK 37 / 0 / 24 / 24

HEX #7AC192

RGB 122 193 146

HSL 140.28, 0.36%, 0.62%

LAB 72.46, -32.45, 16.77

 

CMYK 37 / 31 / 0 / 24

HEX #7A86C1

RGB 122 134 193

HSL 229.86, 0.36%, 0.62%

LAB 57.11, 10.17, -32.16

 

CMYK 0 / 37 / 12 / 24

HEX #C17AAA

RGB 193 122 170

HSL 319.44, 0.36%, 0.62%

LAB 60.03, 34.73, -13.99

 

Description

Color code: HEX #C2B679 | qconv.com Color code: HEX #C2B679 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 182 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 182 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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