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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2B06F it is the complementary color #3D4F90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2B06F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2B06F shade: #C7B06A, #D8C27D, #E9D490, #FAE6A3 and #FFF8B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2B06F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2B06F shade: #C2B06F, #B19E5C, #A08C49, #8F7A36 and #7E6823

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2B06F shade: #C1B070, #C19A70, #C18470 and #C17070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2B06F shade: #C1B070, #BDC170, #A7C170, #91C170 and #7BC170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2B06F shade matches the following richer shades: #C1B070, #D2B95F, #E2C24F and #F3CC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2B06F shade: #C1B070, #B1A680, #A09D91, #9094A1 and #7F8AB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2B06F shade: #C18370, #C19970, #C1AE70, #BFC170 and #A9C170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2B06F shade: #9C8943, #B5A053, #C1B070, #CEC08D and #DAD0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2B06F shade: #C2B06F, #72C170 and #8E70C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2B06F shade: #C2B06F, #70C1AE and #AE70C1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2B06F shade: #C2B06F, #72C170, #7083C1 and #BF70C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2B06F shade: #C2B06F, #70C185, #7083C1 and #C170AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 43 / 24

HEX #C2B06F

RGB 194 176 111

HSL 46.99, 0.4%, 0.6%

LAB 72.01, -2.64, 35.59

 

Complementary color

CMYK 58 / 45 / 0 / 44

HEX #3D4F90

RGB 61 79 144

HSL 226.99, 0.4%, 0.4%

LAB 35.2, 13.41, -38.2

 

CMYK 0 / 12 / 47 / 22

HEX #C7B06A

RGB 199 176 106

HSL 45.16, 0.45%, 0.6%

LAB 72.38, -1.1, 38.74

 

CMYK 0 / 10 / 42 / 15

HEX #D8C27D

RGB 216 194 125

HSL 45.49, 0.54%, 0.67%

LAB 78.85, -1.69, 37.49

 

CMYK 0 / 9 / 38 / 9

HEX #E9D490

RGB 233 212 144

HSL 45.84, 0.67%, 0.74%

LAB 85.21, -2.2, 36.3

 

CMYK 0 / 8 / 35 / 2

HEX #FAE6A3

RGB 250 230 163

HSL 46.21, 0.9%, 0.81%

LAB 91.49, -2.65, 35.16

 

CMYK 0 / 3 / 29 / 0

HEX #FFF8B6

RGB 255 248 182

HSL 54.25, 1%, 0.86%

LAB 96.73, -7.5, 32.62

 

CMYK 0 / 9 / 43 / 24

HEX #C2B06F

RGB 194 176 111

HSL 46.99, 0.4%, 0.6%

LAB 72.01, -2.64, 35.59

 

CMYK 0 / 11 / 48 / 31

HEX #B19E5C

RGB 177 158 92

HSL 46.59, 0.35%, 0.53%

LAB 65.42, -2.04, 36.86

 

CMYK 0 / 13 / 54 / 37

HEX #A08C49

RGB 160 140 73

HSL 46.21, 0.37%, 0.46%

LAB 58.71, -1.32, 38.16

 

CMYK 0 / 15 / 62 / 44

HEX #8F7A36

RGB 143 122 54

HSL 45.84, 0.45%, 0.39%

LAB 51.87, -0.41, 39.42

 

CMYK 0 / 17 / 72 / 51

HEX #7E6823

RGB 126 104 35

HSL 45.49, 0.57%, 0.32%

LAB 44.88, 0.74, 40.48

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 0 / 20 / 42 / 24

HEX #C19A70

RGB 193 154 112

HSL 31.11, 0.4%, 0.6%

LAB 66.23, 8.91, 27.55

 

CMYK 0 / 32 / 42 / 24

HEX #C18470

RGB 193 132 112

HSL 14.81, 0.4%, 0.6%

LAB 60.79, 21.03, 20.28

 

CMYK 0 / 42 / 42 / 24

HEX #C17070

RGB 193 112 112

HSL 0, 0.4%, 0.6%

LAB 56.18, 31.97, 13.96

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 2 / 0 / 42 / 24

HEX #BDC170

RGB 189 193 112

HSL 62.96, 0.4%, 0.6%

LAB 76.15, -13.41, 40.22

 

CMYK 13 / 0 / 42 / 24

HEX #A7C170

RGB 167 193 112

HSL 79.26, 0.4%, 0.6%

LAB 74.52, -22.07, 37.83

 

CMYK 25 / 0 / 42 / 24

HEX #91C170

RGB 145 193 112

HSL 95.56, 0.4%, 0.6%

LAB 73.11, -30.3, 35.74

 

CMYK 36 / 0 / 42 / 24

HEX #7BC170

RGB 123 193 112

HSL 111.85, 0.4%, 0.6%

LAB 71.91, -37.86, 33.96

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 0 / 12 / 55 / 18

HEX #D2B95F

RGB 210 185 95

HSL 46.96, 0.56%, 0.6%

LAB 75.59, -2.25, 48.35

 

CMYK 0 / 14 / 65 / 11

HEX #E2C24F

RGB 226 194 79

HSL 46.94, 0.72%, 0.6%

LAB 79.22, -1.33, 60.13

 

CMYK 0 / 16 / 74 / 5

HEX #F3CC3E

RGB 243 204 62

HSL 47.07, 0.88%, 0.6%

LAB 83.23, -0.15, 71.33

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 0 / 6 / 28 / 31

HEX #B1A680

RGB 177 166 128

HSL 46.53, 0.24%, 0.6%

LAB 68.15, -2.09, 21.15

 

CMYK 0 / 2 / 9 / 37

HEX #A09D91

RGB 160 157 145

HSL 48, 0.07%, 0.6%

LAB 64.67, -1.1, 6.65

 

CMYK 11 / 8 / 0 / 37

HEX #9094A1

RGB 144 148 161

HSL 225.88, 0.08%, 0.6%

LAB 61.38, 1.23, -7.33

 

CMYK 29 / 22 / 0 / 30

HEX #7F8AB2

RGB 127 138 178

HSL 227.06, 0.25%, 0.6%

LAB 57.95, 5.33, -22.31

 

CMYK 0 / 32 / 42 / 24

HEX #C18370

RGB 193 131 112

HSL 14.07, 0.4%, 0.6%

LAB 60.55, 21.58, 19.96

 

CMYK 0 / 21 / 42 / 24

HEX #C19970

RGB 193 153 112

HSL 30.37, 0.4%, 0.6%

LAB 65.97, 9.46, 27.22

 

CMYK 0 / 10 / 42 / 24

HEX #C1AE70

RGB 193 174 112

HSL 45.93, 0.4%, 0.6%

LAB 71.4, -1.89, 34.28

 

CMYK 1 / 0 / 42 / 24

HEX #BFC170

RGB 191 193 112

HSL 61.48, 0.4%, 0.6%

LAB 76.31, -12.61, 40.45

 

CMYK 12 / 0 / 42 / 24

HEX #A9C170

RGB 169 193 112

HSL 77.78, 0.4%, 0.6%

LAB 74.66, -21.3, 38.03

 

CMYK 0 / 12 / 57 / 39

HEX #9C8943

RGB 156 137 67

HSL 47.19, 0.4%, 0.44%

LAB 57.43, -1.93, 39.61

 

CMYK 0 / 12 / 54 / 29

HEX #B5A053

RGB 181 160 83

HSL 47.14, 0.4%, 0.52%

LAB 66.21, -2.25, 42.49

 

CMYK 0 / 9 / 42 / 24

HEX #C1B070

RGB 193 176 112

HSL 47.41, 0.4%, 0.6%

LAB 71.93, -2.95, 34.95

 

CMYK 0 / 7 / 32 / 19

HEX #CEC08D

RGB 206 192 141

HSL 47.08, 0.4%, 0.68%

LAB 77.72, -2.76, 27.53

 

CMYK 0 / 5 / 22 / 15

HEX #DAD0A9

RGB 218 208 169

HSL 47.76, 0.4%, 0.76%

LAB 83.38, -2.73, 20.64

 

CMYK 0 / 9 / 43 / 24

HEX #C2B06F

RGB 194 176 111

HSL 46.99, 0.4%, 0.6%

LAB 72.01, -2.64, 35.59

 

CMYK 41 / 0 / 42 / 24

HEX #72C170

RGB 114 193 112

HSL 118.52, 0.4%, 0.6%

LAB 71.48, -40.71, 33.32

 

CMYK 26 / 42 / 0 / 24

HEX #8E70C1

RGB 142 112 193

HSL 262.22, 0.4%, 0.6%

LAB 53.16, 28.86, -38.23

 

CMYK 0 / 9 / 43 / 24

HEX #C2B06F

RGB 194 176 111

HSL 46.99, 0.4%, 0.6%

LAB 72.01, -2.64, 35.59

 

CMYK 42 / 0 / 10 / 24

HEX #70C1AE

RGB 112 193 174

HSL 165.93, 0.4%, 0.6%

LAB 72.65, -29.32, 1.81

 

CMYK 10 / 42 / 0 / 24

HEX #AE70C1

RGB 174 112 193

HSL 285.93, 0.4%, 0.6%

LAB 56.52, 38.38, -32.72

 

CMYK 0 / 9 / 43 / 24

HEX #C2B06F

RGB 194 176 111

HSL 46.99, 0.4%, 0.6%

LAB 72.01, -2.64, 35.59

 

CMYK 41 / 0 / 42 / 24

HEX #72C170

RGB 114 193 112

HSL 118.52, 0.4%, 0.6%

LAB 71.48, -40.71, 33.32

 

CMYK 42 / 32 / 0 / 24

HEX #7083C1

RGB 112 131 193

HSL 225.93, 0.4%, 0.6%

LAB 55.61, 9.21, -34.55

 

CMYK 1 / 42 / 0 / 24

HEX #BF70C1

RGB 191 112 193

HSL 298.52, 0.4%, 0.6%

LAB 58.52, 43.55, -29.46

 

CMYK 0 / 9 / 43 / 24

HEX #C2B06F

RGB 194 176 111

HSL 46.99, 0.4%, 0.6%

LAB 72.01, -2.64, 35.59

 

CMYK 42 / 0 / 31 / 24

HEX #70C185

RGB 112 193 133

HSL 135.56, 0.4%, 0.6%

LAB 71.74, -37.83, 22.66

 

CMYK 42 / 32 / 0 / 24

HEX #7083C1

RGB 112 131 193

HSL 225.93, 0.4%, 0.6%

LAB 55.61, 9.21, -34.55

 

CMYK 0 / 42 / 11 / 24

HEX #C170AC

RGB 193 112 172

HSL 315.56, 0.4%, 0.6%

LAB 57.95, 40.44, -18.29

 

Description

Color code: HEX #C2B06F | qconv.com Color code: HEX #C2B06F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 176 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 176 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 43 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 43% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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