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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2BF3C it is the complementary color #3D40C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2BF3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2BF3C shade: #C7BF37, #D8D14A, #E9E35D, #FAF570 and #FFFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2BF3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2BF3C shade: #C2BF3C, #B1AD29, #A09B16, #8F8903 and #7E7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2BF3C shade: #C3C03B, #C39B3B, #C3773B, #C3523B and #C33B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2BF3C shade: #C3C03B, #A1C33B, #7DC33B, #58C33B and #3BC343

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2BF3C shade matches the following richer shades: #C3C03B, #D7D327 and #ECE712

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2BF3C shade: #C3C03B, #AEAC50, #999865, #858479 and #70718E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2BF3C shade: #C3763B, #C39A3B, #C3BE3B, #A3C33B and #7FC33B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2BF3C shade: #838128, #A3A032, #C3C03B, #CCCA5B and #D6D47B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2BF3C shade: #C2BF3C, #3BC352 and #883BC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2BF3C shade: #C2BF3C, #3BC3BE and #BE3BC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2BF3C shade: #C2BF3C, #3BC352, #3B40C3 and #C33BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2BF3C shade: #C2BF3C, #3BC37A, #3B40C3 and #C33B84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 69 / 24

HEX #C2BF3C

RGB 194 191 60

HSL 58.66, 0.53%, 0.5%

LAB 75.49, -14.43, 63.07

 

Complementary color

CMYK 69 / 67 / 0 / 24

HEX #3D40C3

RGB 61 64 195

HSL 238.66, 0.53%, 0.5%

LAB 35.2, 40.88, -68.63

 

CMYK 0 / 4 / 72 / 22

HEX #C7BF37

RGB 199 191 55

HSL 56.67, 0.57%, 0.5%

LAB 75.87, -12.54, 65.41

 

CMYK 0 / 3 / 66 / 15

HEX #D8D14A

RGB 216 209 74

HSL 57.04, 0.65%, 0.57%

LAB 82.21, -13.47, 65.05

 

CMYK 0 / 3 / 60 / 9

HEX #E9E35D

RGB 233 227 93

HSL 57.43, 0.76%, 0.64%

LAB 88.47, -14.25, 64.33

 

CMYK 0 / 2 / 55 / 2

HEX #FAF570

RGB 250 245 112

HSL 57.83, 0.93%, 0.71%

LAB 94.65, -14.91, 63.4

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 2 / 69 / 24

HEX #C2BF3C

RGB 194 191 60

HSL 58.66, 0.53%, 0.5%

LAB 75.49, -14.43, 63.07

 

CMYK 0 / 2 / 77 / 31

HEX #B1AD29

RGB 177 173 41

HSL 58.24, 0.62%, 0.43%

LAB 69.04, -13.43, 63.07

 

CMYK 0 / 3 / 86 / 37

HEX #A09B16

RGB 160 155 22

HSL 57.83, 0.76%, 0.36%

LAB 62.49, -12.22, 62.08

 

CMYK 0 / 4 / 98 / 44

HEX #8F8903

RGB 143 137 3

HSL 57.43, 0.96%, 0.29%

LAB 55.82, -10.76, 59.65

 

CMYK 0 / 6 / 100 / 51

HEX #7E7700

RGB 126 119 0

HSL 56.67, 1%, 0.25%

LAB 49.04, -8.96, 54.54

 

CMYK 0 / 2 / 70 / 24

HEX #C3C03B

RGB 195 192 59

HSL 58.68, 0.54%, 0.5%

LAB 75.83, -14.56, 63.81

 

CMYK 0 / 21 / 70 / 24

HEX #C39B3B

RGB 195 155 59

HSL 42.35, 0.54%, 0.5%

LAB 66.03, 4.87, 53.93

 

CMYK 0 / 39 / 70 / 24

HEX #C3773B

RGB 195 119 59

HSL 26.47, 0.54%, 0.5%

LAB 57.18, 24.58, 44.53

 

CMYK 0 / 58 / 70 / 24

HEX #C3523B

RGB 195 82 59

HSL 10.15, 0.54%, 0.5%

LAB 49.44, 43.81, 35.81

 

CMYK 0 / 70 / 70 / 24

HEX #C33B3B

RGB 195 59 59

HSL 0, 0.54%, 0.5%

LAB 45.7, 53.82, 31.42

 

CMYK 0 / 2 / 70 / 24

HEX #C3C03B

RGB 195 192 59

HSL 58.68, 0.54%, 0.5%

LAB 75.83, -14.56, 63.81

 

CMYK 17 / 0 / 70 / 24

HEX #A1C33B

RGB 161 195 59

HSL 75, 0.54%, 0.5%

LAB 74.14, -30.15, 61.29

 

CMYK 36 / 0 / 70 / 24

HEX #7DC33B

RGB 125 195 59

HSL 90.88, 0.54%, 0.5%

LAB 72.03, -43.76, 58.47

 

CMYK 55 / 0 / 70 / 24

HEX #58C33B

RGB 88 195 59

HSL 107.21, 0.54%, 0.5%

LAB 70.47, -55.25, 56.36

 

CMYK 70 / 0 / 66 / 24

HEX #3BC343

RGB 59 195 67

HSL 123.53, 0.54%, 0.5%

LAB 69.73, -60.99, 52.12

 

CMYK 0 / 2 / 70 / 24

HEX #C3C03B

RGB 195 192 59

HSL 58.68, 0.54%, 0.5%

LAB 75.83, -14.56, 63.81

 

CMYK 0 / 2 / 82 / 16

HEX #D7D327

RGB 215 211 39

HSL 58.64, 0.69%, 0.5%

LAB 82.48, -16.36, 76.63

 

CMYK 0 / 2 / 92 / 7

HEX #ECE712

RGB 236 231 18

HSL 58.62, 0.86%, 0.5%

LAB 89.41, -17.75, 86.6

 

CMYK 0 / 2 / 70 / 24

HEX #C3C03B

RGB 195 192 59

HSL 58.68, 0.54%, 0.5%

LAB 75.83, -14.56, 63.81

 

CMYK 0 / 1 / 54 / 32

HEX #AEAC50

RGB 174 172 80

HSL 58.72, 0.37%, 0.5%

LAB 68.81, -11.83, 46.85

 

CMYK 0 / 1 / 34 / 40

HEX #999865

RGB 153 152 101

HSL 58.85, 0.2%, 0.5%

LAB 61.8, -7.82, 27.02

 

CMYK 0 / 1 / 9 / 48

HEX #858479

RGB 133 132 121

HSL 55, 0.05%, 0.5%

LAB 54.94, -1.7, 6.07

 

CMYK 21 / 20 / 0 / 44

HEX #70718E

RGB 112 113 142

HSL 238, 0.12%, 0.5%

LAB 48.52, 6.18, -15.93

 

CMYK 0 / 39 / 70 / 24

HEX #C3763B

RGB 195 118 59

HSL 26.03, 0.54%, 0.5%

LAB 56.95, 25.12, 44.27

 

CMYK 0 / 21 / 70 / 24

HEX #C39A3B

RGB 195 154 59

HSL 41.91, 0.54%, 0.5%

LAB 65.77, 5.41, 53.66

 

CMYK 0 / 3 / 70 / 24

HEX #C3BE3B

RGB 195 190 59

HSL 57.79, 0.54%, 0.5%

LAB 75.29, -13.55, 63.28

 

CMYK 16 / 0 / 70 / 24

HEX #A3C33B

RGB 163 195 59

HSL 74.12, 0.54%, 0.5%

LAB 74.27, -29.34, 61.47

 

CMYK 35 / 0 / 70 / 24

HEX #7FC33B

RGB 127 195 59

HSL 90, 0.54%, 0.5%

LAB 72.13, -43.06, 58.6

 

CMYK 0 / 2 / 69 / 49

HEX #838128

RGB 131 129 40

HSL 58.68, 0.53%, 0.34%

LAB 52.6, -10.72, 46.31

 

CMYK 0 / 2 / 69 / 36

HEX #A3A032

RGB 163 160 50

HSL 58.41, 0.53%, 0.42%

LAB 64.29, -12.39, 54.91

 

CMYK 0 / 2 / 70 / 24

HEX #C3C03B

RGB 195 192 59

HSL 58.68, 0.54%, 0.5%

LAB 75.83, -14.56, 63.81

 

CMYK 0 / 1 / 55 / 20

HEX #CCCA5B

RGB 204 202 91

HSL 58.94, 0.53%, 0.58%

LAB 79.52, -13.8, 54.62

 

CMYK 0 / 1 / 43 / 16

HEX #D6D47B

RGB 214 212 123

HSL 58.68, 0.53%, 0.66%

LAB 83.34, -11.93, 44.14

 

CMYK 0 / 2 / 69 / 24

HEX #C2BF3C

RGB 194 191 60

HSL 58.66, 0.53%, 0.5%

LAB 75.49, -14.43, 63.07

 

CMYK 70 / 0 / 58 / 24

HEX #3BC352

RGB 59 195 82

HSL 130.15, 0.54%, 0.5%

LAB 69.87, -59.28, 45.67

 

CMYK 30 / 70 / 0 / 24

HEX #883BC3

RGB 136 59 195

HSL 273.97, 0.54%, 0.5%

LAB 41.69, 56.3, -57.73

 

CMYK 0 / 2 / 69 / 24

HEX #C2BF3C

RGB 194 191 60

HSL 58.66, 0.53%, 0.5%

LAB 75.49, -14.43, 63.07

 

CMYK 70 / 0 / 3 / 24

HEX #3BC3BE

RGB 59 195 190

HSL 177.79, 0.54%, 0.5%

LAB 72.01, -36.63, -8.05

 

CMYK 3 / 70 / 0 / 24

HEX #BE3BC3

RGB 190 59 195

HSL 297.79, 0.54%, 0.5%

LAB 49.51, 67.78, -44.75

 

CMYK 0 / 2 / 69 / 24

HEX #C2BF3C

RGB 194 191 60

HSL 58.66, 0.53%, 0.5%

LAB 75.49, -14.43, 63.07

 

CMYK 70 / 0 / 58 / 24

HEX #3BC352

RGB 59 195 82

HSL 130.15, 0.54%, 0.5%

LAB 69.87, -59.28, 45.67

 

CMYK 70 / 67 / 0 / 24

HEX #3B40C3

RGB 59 64 195

HSL 237.79, 0.54%, 0.5%

LAB 35.08, 40.64, -68.83

 

CMYK 0 / 70 / 12 / 24

HEX #C33BAC

RGB 195 59 172

HSL 310.15, 0.54%, 0.5%

LAB 49.14, 65.29, -31.86

 

CMYK 0 / 2 / 69 / 24

HEX #C2BF3C

RGB 194 191 60

HSL 58.66, 0.53%, 0.5%

LAB 75.49, -14.43, 63.07

 

CMYK 70 / 0 / 37 / 24

HEX #3BC37A

RGB 59 195 122

HSL 147.79, 0.54%, 0.5%

LAB 70.43, -52.91, 26.41

 

CMYK 70 / 67 / 0 / 24

HEX #3B40C3

RGB 59 64 195

HSL 237.79, 0.54%, 0.5%

LAB 35.08, 40.64, -68.83

 

CMYK 0 / 70 / 32 / 24

HEX #C33B84

RGB 195 59 132

HSL 327.79, 0.54%, 0.5%

LAB 47.49, 59.96, -10.51

 

Description

Color code: HEX #C2BF3C | qconv.com Color code: HEX #C2BF3C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 191 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 191 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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