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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C2BF31 it is the complementary color #3D40CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C2BF31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C2BF31 shade: #C7BF2C, #D8D13F, #E9E352, #FAF565 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C2BF31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C2BF31 shade: #C2BF31, #B1AD1E, #A09B0B, #8F8900 and #7E7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C2BF31 shade: #C3C030, #C39930, #C37130, #C34930 and #C33030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C2BF31 shade: #C3C030, #9FC330, #77C330, #50C330 and #30C339

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C2BF31 shade matches the following richer shades: #C3C030, #D7D31D and #EBE609

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C2BF31 shade: #C3C030, #B0AD44, #9C9A58, #88876C and #747480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C2BF31 shade: #C37030, #C39730, #C3BE30, #A1C330 and #7AC330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C2BF31 shade: #817F20, #A2A028, #C3C030, #D2CF4B and #DAD86C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C2BF31 shade: #C2BF31, #30C349 and #8430C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C2BF31 shade: #C2BF31, #30C3BE and #BE30C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C2BF31 shade: #C2BF31, #30C349, #3035C3 and #C330AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C2BF31 shade: #C2BF31, #30C375, #3035C3 and #C3307F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 75 / 24

HEX #C2BF31

RGB 194 191 49

HSL 58.76, 0.6%, 0.48%

LAB 75.42, -14.94, 66.88

 

Complementary color

CMYK 70 / 69 / 0 / 19

HEX #3D40CE

RGB 61 64 206

HSL 238.76, 0.6%, 0.52%

LAB 36.21, 44.57, -73.38

 

CMYK 0 / 4 / 78 / 22

HEX #C7BF2C

RGB 199 191 44

HSL 56.9, 0.64%, 0.48%

LAB 75.81, -12.99, 68.96

 

CMYK 0 / 3 / 71 / 15

HEX #D8D13F

RGB 216 209 63

HSL 57.25, 0.66%, 0.55%

LAB 82.14, -14.04, 69.11

 

CMYK 0 / 3 / 65 / 9

HEX #E9E352

RGB 233 227 82

HSL 57.62, 0.77%, 0.62%

LAB 88.39, -14.92, 68.71

 

CMYK 0 / 2 / 60 / 2

HEX #FAF565

RGB 250 245 101

HSL 57.99, 0.94%, 0.69%

LAB 94.55, -15.67, 67.98

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 0 / 2 / 75 / 24

HEX #C2BF31

RGB 194 191 49

HSL 58.76, 0.6%, 0.48%

LAB 75.42, -14.94, 66.88

 

CMYK 0 / 2 / 83 / 31

HEX #B1AD1E

RGB 177 173 30

HSL 58.37, 0.71%, 0.41%

LAB 68.99, -13.81, 66.17

 

CMYK 0 / 3 / 93 / 37

HEX #A09B0B

RGB 160 155 11

HSL 57.99, 0.87%, 0.34%

LAB 62.46, -12.45, 64.11

 

CMYK 0 / 4 / 100 / 44

HEX #8F8900

RGB 143 137 0

HSL 57.48, 1%, 0.28%

LAB 55.82, -10.81, 60.16

 

CMYK 0 / 6 / 100 / 51

HEX #7E7700

RGB 126 119 0

HSL 56.67, 1%, 0.25%

LAB 49.04, -8.96, 54.54

 

CMYK 0 / 2 / 75 / 24

HEX #C3C030

RGB 195 192 48

HSL 58.78, 0.6%, 0.48%

LAB 75.77, -15.06, 67.55

 

CMYK 0 / 22 / 75 / 24

HEX #C39930

RGB 195 153 48

HSL 42.86, 0.6%, 0.48%

LAB 65.43, 5.42, 57.84

 

CMYK 0 / 42 / 75 / 24

HEX #C37130

RGB 195 113 48

HSL 26.53, 0.6%, 0.48%

LAB 55.71, 27.29, 48.25

 

CMYK 0 / 63 / 75 / 24

HEX #C34930

RGB 195 73 48

HSL 10.2, 0.6%, 0.48%

LAB 47.73, 47.46, 39.93

 

CMYK 0 / 75 / 75 / 24

HEX #C33030

RGB 195 48 48

HSL 0, 0.6%, 0.48%

LAB 44.13, 57.26, 36.02

 

CMYK 0 / 2 / 75 / 24

HEX #C3C030

RGB 195 192 48

HSL 58.78, 0.6%, 0.48%

LAB 75.77, -15.06, 67.55

 

CMYK 18 / 0 / 75 / 24

HEX #9FC330

RGB 159 195 48

HSL 74.69, 0.6%, 0.48%

LAB 73.94, -31.54, 64.89

 

CMYK 39 / 0 / 75 / 24

HEX #77C330

RGB 119 195 48

HSL 91.02, 0.6%, 0.48%

LAB 71.67, -46.55, 61.92

 

CMYK 59 / 0 / 75 / 24

HEX #50C330

RGB 80 195 48

HSL 106.94, 0.6%, 0.48%

LAB 70.14, -58.11, 59.91

 

CMYK 75 / 0 / 71 / 24

HEX #30C339

RGB 48 195 57

HSL 123.67, 0.6%, 0.48%

LAB 69.44, -63.74, 55.73

 

CMYK 0 / 2 / 75 / 24

HEX #C3C030

RGB 195 192 48

HSL 58.78, 0.6%, 0.48%

LAB 75.77, -15.06, 67.55

 

CMYK 0 / 2 / 87 / 16

HEX #D7D31D

RGB 215 211 29

HSL 58.71, 0.76%, 0.48%

LAB 82.45, -16.6, 78.77

 

CMYK 0 / 2 / 96 / 8

HEX #EBE609

RGB 235 230 9

HSL 58.67, 0.93%, 0.48%

LAB 89.05, -17.77, 87.15

 

CMYK 0 / 2 / 75 / 24

HEX #C3C030

RGB 195 192 48

HSL 58.78, 0.6%, 0.48%

LAB 75.77, -15.06, 67.55

 

CMYK 0 / 2 / 61 / 31

HEX #B0AD44

RGB 176 173 68

HSL 58.33, 0.44%, 0.48%

LAB 69.14, -12.41, 52.76

 

CMYK 0 / 1 / 44 / 39

HEX #9C9A58

RGB 156 154 88

HSL 58.24, 0.28%, 0.48%

LAB 62.41, -9.18, 34.8

 

CMYK 0 / 1 / 21 / 47

HEX #88876C

RGB 136 135 108

HSL 57.86, 0.11%, 0.48%

LAB 55.73, -4.42, 14.69

 

CMYK 9 / 9 / 0 / 50

HEX #747480

RGB 116 116 128

HSL 240, 0.05%, 0.48%

LAB 49.21, 2.54, -6.58

 

CMYK 0 / 43 / 75 / 24

HEX #C37030

RGB 195 112 48

HSL 26.12, 0.6%, 0.48%

LAB 55.49, 27.83, 48.03

 

CMYK 0 / 23 / 75 / 24

HEX #C39730

RGB 195 151 48

HSL 42.04, 0.6%, 0.48%

LAB 64.92, 6.5, 57.35

 

CMYK 0 / 3 / 75 / 24

HEX #C3BE30

RGB 195 190 48

HSL 57.96, 0.6%, 0.48%

LAB 75.23, -14.05, 67.05

 

CMYK 17 / 0 / 75 / 24

HEX #A1C330

RGB 161 195 48

HSL 73.88, 0.6%, 0.48%

LAB 74.07, -30.74, 65.06

 

CMYK 37 / 0 / 75 / 24

HEX #7AC330

RGB 122 195 48

HSL 89.8, 0.6%, 0.48%

LAB 71.81, -45.52, 62.11

 

CMYK 0 / 2 / 75 / 49

HEX #817F20

RGB 129 127 32

HSL 58.76, 0.6%, 0.32%

LAB 51.78, -10.98, 48.62

 

CMYK 0 / 1 / 75 / 36

HEX #A2A028

RGB 162 160 40

HSL 59.02, 0.6%, 0.4%

LAB 64.14, -13.32, 58.42

 

CMYK 0 / 2 / 75 / 24

HEX #C3C030

RGB 195 192 48

HSL 58.78, 0.6%, 0.48%

LAB 75.77, -15.06, 67.55

 

CMYK 0 / 1 / 64 / 18

HEX #D2CF4B

RGB 210 207 75

HSL 58.67, 0.6%, 0.56%

LAB 81.2, -14.91, 63.45

 

CMYK 0 / 1 / 50 / 15

HEX #DAD86C

RGB 218 216 108

HSL 58.91, 0.6%, 0.64%

LAB 84.54, -13.74, 52.87

 

CMYK 0 / 2 / 75 / 24

HEX #C2BF31

RGB 194 191 49

HSL 58.76, 0.6%, 0.48%

LAB 75.42, -14.94, 66.88

 

CMYK 75 / 0 / 63 / 24

HEX #30C349

RGB 48 195 73

HSL 130.2, 0.6%, 0.48%

LAB 69.57, -62.13, 49.32

 

CMYK 32 / 75 / 0 / 24

HEX #8430C3

RGB 132 48 195

HSL 274.29, 0.6%, 0.48%

LAB 39.51, 60.2, -61.29

 

CMYK 0 / 2 / 75 / 24

HEX #C2BF31

RGB 194 191 49

HSL 58.76, 0.6%, 0.48%

LAB 75.42, -14.94, 66.88

 

CMYK 75 / 0 / 3 / 24

HEX #30C3BE

RGB 48 195 190

HSL 177.96, 0.6%, 0.48%

LAB 71.81, -37.95, -8.37

 

CMYK 3 / 75 / 0 / 24

HEX #BE30C3

RGB 190 48 195

HSL 297.96, 0.6%, 0.48%

LAB 48.26, 71.36, -46.75

 

CMYK 0 / 2 / 75 / 24

HEX #C2BF31

RGB 194 191 49

HSL 58.76, 0.6%, 0.48%

LAB 75.42, -14.94, 66.88

 

CMYK 75 / 0 / 63 / 24

HEX #30C349

RGB 48 195 73

HSL 130.2, 0.6%, 0.48%

LAB 69.57, -62.13, 49.32

 

CMYK 75 / 73 / 0 / 24

HEX #3035C3

RGB 48 53 195

HSL 237.96, 0.6%, 0.48%

LAB 32.07, 46.01, -73.81

 

CMYK 0 / 75 / 12 / 24

HEX #C330AB

RGB 195 48 171

HSL 309.8, 0.6%, 0.48%

LAB 47.82, 68.75, -33.33

 

CMYK 0 / 2 / 75 / 24

HEX #C2BF31

RGB 194 191 49

HSL 58.76, 0.6%, 0.48%

LAB 75.42, -14.94, 66.88

 

CMYK 75 / 0 / 40 / 24

HEX #30C375

RGB 48 195 117

HSL 148.16, 0.6%, 0.48%

LAB 70.14, -55.49, 28.59

 

CMYK 75 / 73 / 0 / 24

HEX #3035C3

RGB 48 53 195

HSL 237.96, 0.6%, 0.48%

LAB 32.07, 46.01, -73.81

 

CMYK 0 / 75 / 35 / 24

HEX #C3307F

RGB 195 48 127

HSL 327.76, 0.6%, 0.48%

LAB 45.97, 63.15, -9.76

 

Description

Color code: HEX #C2BF31 | qconv.com Color code: HEX #C2BF31 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 191 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 191 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 75 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 75% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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